Black Emergency Cultural Coalition
Variant namesBlack Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums, and that an African American curatorial presence would be established.
In 1971 the work of the coalition grew to include the creation of an Arts Exchange program in correctional facilities. This program arose in response to major riots at the Attica correctional facility in New York. The BECC was incorporated in 1972 as a non-profit organization. The initial directors of this newly incorporated organization were Clifford R. Joseph, Benny Andrews, Camille Billops, Vivian Browne and Russell Thompson. The BECC sponsored arts programs in juvenile detention centers and mental health facilities throughout the United States.
BECC published a newsletter with contributing articles from its members chronicling their arts program activities, and Benny Andrews, co-chairman of the Coalition published several articles about the BECC's experiences in newspapers and art journals across the country.
From the description of Black Emergency Cultural Coalition records, 1971-1984. (New York Public Library). WorldCat record id: 144675656
Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's 2Harlem on My Mind3 exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums, and that an African American curatorial presence would be established.
In 1971 the work of the coalition grew to include the creation of an Arts Exchange program in correctional facilities. This program arose in response to major riots at the Attica correctional facility in New York. The BECC was incorporated in 1972 as a non-profit organization. The initial directors of this newly incorporated organization were Clifford R. Joseph, Benny Andrews, Camille Billops, Vivian Browne and Russell Thompson. The BECC sponsored arts programs in juvenile detention centers and mental health facilities throughout the United States.
BECC published a newsletter with contributing articles from its members chronicling their arts program activities, and Benny Andrews, co-chairman of the Coalition published several articles about the BECC's experiences in newspapers and art journals across the country.
From the guide to the Black Emergency Cultural Coalition records, 1971-1984, (The New York Public Library. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division.)
Role | Title | Holding Repository | |
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creatorOf | Black Emergency Cultural Coalition. Black Emergency Cultural Coalition records, 1971-1984. | New York Public Library System, NYPL | |
referencedIn | Andrews, Benny, 1930-2006. Benny Andrews papers, 1971-1992. | Atlanta-Fulton Public Library System, Central Library | |
creatorOf | Black Emergency Cultural Coalition records, 1971-1984 | Schomburg Center for Research in Black Culture. Rare Books, Manuscripts, and Archives Section |
Role | Title | Holding Repository | |
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referencedIn | Oral history interview with John I. H. Baur | Archives of American Art | |
referencedIn | Oral history interview with Cliff Joseph | Archives of American Art |
Filters:
Relation | Name | |
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associatedWith | Andrews, Benny, 1930-2006. | person |
associatedWith | Artisan Alliance (Green Haven Correctional Facility: Stormville, N.Y.) | corporateBody |
associatedWith | Baur, John I. H. (John Ireland Howe), 1909-1987. | person |
associatedWith | Chisolm, Michael. | person |
associatedWith | Joseph, Cliff, 1922- | person |
associatedWith | Metropolitan Museum of Art (New York, N.Y.) | corporateBody |
associatedWith | Sinbad School of Art (Brookly, N.Y.) | corporateBody |
associatedWith | Whitney Museum of American Art | corporateBody |
Place Name | Admin Code | Country | |
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United States | |||
New York (State)--New York |
Subject |
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African American art |
African American art |
African American artists |
Black arts movement |
Civil rights movements in art |
Civil rights movements in art |
Prisoners as artists |
Prisoners as artists |
Xangô (Cult) |
Xangô (Cult) |
Occupation |
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Activity |
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Corporate Body
Active 1971
Active 1984