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Information: The first column shows data points from LAURENAIN, MARIE. in red. The third column shows data points from Laurencin, Marie, 1883-1956 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
LAURENAIN, MARIE.
Shared
Laurencin, Marie, 1883-1956
LAURENAIN, MARIE.
Name Components
Name :
LAURENAIN, MARIE.
Dates
- Name Entry
- LAURENAIN, MARIE.
Citation
- Name Entry
- LAURENAIN, MARIE.
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Contributors from initial SNAC EAC-CPF ingest
Laurencin, Marie, 1883-1956
Name Components
Surname :
Laurencin
Forename :
Marie
Date :
1883-1956
eng
Latn
authorizedForm
rda
Dates
- Name Entry
- Laurencin, Marie, 1883-1956
Citation
- Name Entry
- Laurencin, Marie, 1883-1956
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Contributors from initial SNAC EAC-CPF ingest
ローランサン, マリー, 1883-1956
Name Components
Surname :
ローランサン
Forename :
マリー
Date :
1883-1956
jpn
Jpan
alternativeForm
rda
Dates
- Name Entry
- ローランサン, マリー, 1883-1956
Citation
- Name Entry
- ローランサン, マリー, 1883-1956
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Contributors from initial SNAC EAC-CPF ingest
ローラサン, マリー, 1883-1956
Name Components
Surname :
ローラサン
Forename :
マリー
Date :
1883-1956
jpn
Jpan
alternativeForm
rda
Dates
- Name Entry
- ローラサン, マリー, 1883-1956
Citation
- Name Entry
- ローラサン, マリー, 1883-1956
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Contributors from initial SNAC EAC-CPF ingest
ロオランサン, マリイ, 1883-1956
Name Components
Surname :
ロオランサン
Forename :
マリイ
Date :
1883-1956
jpn
Jpan
alternativeForm
rda
Dates
- Name Entry
- ロオランサン, マリイ, 1883-1956
Citation
- Name Entry
- ロオランサン, マリイ, 1883-1956
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Marie Laurencin was born in Paris on 31 October 1883. She attended the Lycee Lamartine in the city before studying porcelain painting at the Sevres factory. Later on she entered the Academie Humbert. In 1907 she exhibited at the Clovis Sagot gallery in Montmartre, and there she was introduced to Guillaume Apollinaire by Pablo Picasso and she became romatically involved with Apollinaire until 1913. In 1908, Laurencin achieved her first sale when Gertrude Stein purchased Group of artists . This group portrait of Laurencin, Apollinaire, and Picasso and his mistress became the theme of a larger version in 1909 entitled Apollinaire and his friends . In 1911 she exhibited in the Salon des Independants, and she began illustrating books. The ending of her relationship with Apollinaire in 1913 also saw the end of her Cubist-inspired period.
In 1913, Laurencin established a contract with the art dealer Paul Rosenberg which would last until 1940, and in 1914 she married the German Baron, Otto von Waetjen. On the outbreak of war however they fled to Spain and spent time in Madrid and Barcelona, and then also to Germany. In 1921 she returned to Paris and in the same year she divorced von Waetjen. The early-1920s saw Laurencin designing sets and costumes most notably for the Ballets Russes - Les Biches - as well as painting society portraits including that of Coco Chanel. In the 1930s she was teaching at the art academy, Villa Malakoff. In 1942 she published Le Carnet des nuits . In 1944, her apartment on Rue Savorgnan de Brazza was requisitioned by the Germans and she did not get it back until 1953.
Marie Laurencin died in Paris on 8 June 1956 and she was buried in the cemetary Pere Lachaise.
eng
Latn
Citation
- BiogHist
- BiogHist
https://viaf.org/viaf/122131844
https://viaf.org/viaf/122131844
https://viaf.org/viaf/122131844
Citation
- Same-As Relation
- https://viaf.org/viaf/122131844
https://www.worldcat.org/identities/lccn-n50039791
https://www.worldcat.org/identities/lccn-n50039791
https://www.worldcat.org/identities/lccn-n50039791
Citation
- Same-As Relation
- https://www.worldcat.org/identities/lccn-n50039791
https://id.loc.gov/authorities/n50039791
https://id.loc.gov/authorities/n50039791
https://id.loc.gov/authorities/n50039791
Citation
- Same-As Relation
- https://id.loc.gov/authorities/n50039791
https://www.wikidata.org/entity/Q233088
https://www.wikidata.org/entity/Q233088
https://www.wikidata.org/entity/Q233088
Citation
- Same-As Relation
- https://www.wikidata.org/entity/Q233088
http://www.worldcat.org/oclc/122460037
Citation
- Source
- http://www.worldcat.org/oclc/122460037
Wikipedia article, viewed July 1, 2021
<p>Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.</p> <p>Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.</p> <p>During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and famed lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist."</p> <p>During the First World War, Laurencin left France for exile in Spain with her German-born husband, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. She was greatly affected by her separation from the French capital, the unrivaled center of artistic creativity. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930s. During the 1930s she worked as an art instructor at a private school. She lived in Paris until her death.</p> <p> Laurencin's works include paintings, watercolors, drawings, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen.[citation needed] While her work shows the influence of Cubist painters Pablo Picasso and Georges Braque, who was her close friend, she developed a unique approach to abstraction which often centered on the representation of groups of women and animals. Her work lies outside the bounds of Cubist norms in her pursuit of a specifically feminine aesthetic by her use of pastel colors and curvilinear forms. Originally influenced by Fauvism, she simplified her forms through the influence of the Cubist painters. From 1910, her palette consisted mainly of grey, pink and pastel tones.</p> <p>Her distinctive style developed upon her return to Paris in the 1920s post exile. The muted colours and the geometric patterns inherited from Cubism were replaced by light tones and undulating compositions. Her signature motif is marked by willowy, ethereal female figures, and a palette of soft pastel colours, evoking an enchanted world.</p> <p>Laurencin continued to explore themes of femininity and what she considered to be feminine modes of representation until her death. Her works include paintings, watercolors, drawings, and prints.</p> <p>Laurencin's artistic accomplishments are seen in collections around the world. On the 100th anniversary of her birth in 1983, the Musée Marie Laurencin opened in Nagano, Japan. To date, the Musée Marie Laurencin is the only museum in the world that solely contains the art of a female painter. Founder Masahiro Takano was enamored with Laurencin's sensual and lyrical worldview, and the museum holds over 600 art pieces by her. Laurencin's work is also found in The Museum of Modern Art in New York, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London. Her work is also shown in the permanent collection of the Musée de l'Orangerie gallery in Paris, France, housing some of her most famous pieces.</p>
https://en.wikipedia.org/wiki/Marie_Laurencin
eng
Latn
Citation
- Source
- https://en.wikipedia.org/wiki/Marie_Laurencin
LAURENAIN, MARIE. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122460037 View
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- Resource Relation
- LAURENAIN, MARIE. Artist file : miscellaneous uncataloged material.
Henri Pierre Roché Papers TXRC96-A14., ca. 1886-1971
Title:
Henri Pierre Roché Papers ca. 1886-1971
The Roché papers consist of manuscripts of published and unpublished works, diaries (carnets), correspondence, and family papers.
ArchivalResource:
http://www.lib.utexas.edu/taro/uthrc/00113/00113-P.html View
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- Resource Relation
- Henri Pierre Roché Papers TXRC96-A14., ca. 1886-1971
Laurencin, Marie, 1883-1956. Letters, 1925-1954.
Title:
Letters, 1925-1954.
Letters and short notes written by Marie Laurencin to various friends with news about her health, her desire to make a statue ("une apparition blanche") for her home decoration, and the need to postpone an appointment because she "must paint an English lady" (letter to Suguet). A warm letter from 1954 to Louis de Gonzague-Frick reminds him of the importance of having [unwed] mothers like his, hers and Madame de Kostrowitz (Apollinaire's mother). After the war, the artist is glad to sell her property at Champrosay, because a noisy Soviet has moved in next door (letter to Suguet). A group of 13 letters sent to her friend Daniel Wallard in 1943-44 speak about the war shortages, the bombardments and her living with friends after being expelled from her apartment on rue Savorgnan de Brazza. A letter dated "Noël 1944" announces that in a couple of months she will finally get a workshop in rue Vaneau. There are two little poems of 4 verses each, written on two small scraps of paper with a note: "à ajouter au Bestiaire." They are reminiscent of the important influence of Apollinaire, about whom she writes with sadness to Wallard.
ArchivalResource: 25 items.
http://www.worldcat.org/oclc/81609976 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Letters, 1925-1954.
Laurencin, Marie, 1883-1956. Documents, some signed (39) : [n.p.], 1914-1946.
Title:
Documents, some signed (39) : [n.p.], 1914-1946.
Receipts.
ArchivalResource: 39 items.
http://www.worldcat.org/oclc/270874650 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Documents, some signed (39) : [n.p.], 1914-1946.
Laurencin, Marie, 1883-1956. Letter : from Marie Laurencin.
Title:
Letter : from Marie Laurencin. 1940? Aug. 11.
Letter from Marie Laurencin to an unnamed male friend. She talks about the German occupation of France during the holidays in winter.
ArchivalResource: 2 p. (0.1 cm.)
http://www.worldcat.org/oclc/222758915 View
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Citation
- Resource Relation
- Laurencin, Marie, 1883-1956. Letter : from Marie Laurencin.
Laurencin, Marie, 1883-1956. Portrait de Madame Paul Guillaume [Multimédia multisupport].
Title:
Portrait de Madame Paul Guillaume [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/690728886 View
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Citation
- Resource Relation
- Laurencin, Marie, 1883-1956. Portrait de Madame Paul Guillaume [Multimédia multisupport].
Marshall, Alice Kahler,. Women illustrators and photographers graphics collection, 1800-1987.
Title:
Women illustrators and photographers graphics collection, 1800-1987.
This portion of the collection contains magazine and newspaper illustrations and covers, book jackets, engravings, cartoons, and advertisements (including a large collection of work done by Rose O'Neill who drew the Kewpie Dolls and samples of her fan club newsletter) by women illustrators plus biographical information about them. The work of women photographers is represented by newspaper and magazine articles about them and their work, several photographs of Margaret Bourke-White (with her husband Erskine Caldwell), and by her in the book, Meet some of the Soviet people. Illustrators include Mabel Lucie Attwell, Peggy Bacon, Alice Beard, Frances Brundage, Katherine Cameron, Maria Hadfield Cosway, Fanny Y. Cory, G.A. Davis, Corinne Boyd Dillon, Helen Dryden, Elizabeth Shippen Green Elliott, Anne Harriet Fish, Eleanor Fortescue-Brickdale, Emily Louise Phillips Frost, Kate Greenaway, Bessie Pease Gutmann, Helen E. Hokinson, Maud Humphrey, Frances Tipton Hunter, Helen Hyde, Marie Laurencin, Doris Lee. Also, Marge (Marjorie Henderson Buell), Neysa McMein, Nellie Littlehale Murphy, Kay Nielsen, Rose Cecil O'Neill, Fern Bisel Peat, Clara Elsene Peck, Margaret Evans Price, Anne Estelle Rice, Olive Rush, Jessie Willcox Smith, Eileen Alice Soper, Alice Barber Stephens, and others. Photographers include Frances Allen, Mary Allen, Margaret Bourke-White, F. Holland Day, Frances Johnston, Gertrude Kasebier, Eva Watson Schutze, and others.
ArchivalResource: 470 items.
http://www.worldcat.org/oclc/39114180 View
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- Resource Relation
- Marshall, Alice Kahler,. Women illustrators and photographers graphics collection, 1800-1987.
Pierre Matisse Gallery printed material
Title:
Pierre Matisse Gallery printed material
The Pierre Matisse Gallery printed material measures 1.2 linear feet and dates from 1936 to 1988. The collection consists of exhibition catalogs from group and solo shows held at the gallery, an offer for a limited edition Joan Miro album, and several books on artists.
ArchivalResource: 1.2 Linear feet
https://n2t.net/ark:/65665/mw9a0e8c1c8-5634-4511-8927-ccc1ca4e2caa View
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Citation
- Resource Relation
- Pierre Matisse Gallery (New York, N.Y.). Pierre Matisse Gallery records, 1925-1989.
Marguerite Yourcenar additional papers, 1842-1996.
Title:
Marguerite Yourcenar additional papers, 1842-1996.
Additional papers of Marguerite Yourcenar (1903-1987), the French author, as well as papers of her companion, Grace Frick.
ArchivalResource: 144 boxes and 53 volumes (52 linear ft.)
http://nrs.harvard.edu/urn-3:FHCL.Hough:hou00046 View
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- Resource Relation
- Marguerite Yourcenar additional papers, 1842-1996.
Laurencin, Marie, 1883-1956. Letter, 1953 May 11.
Title:
Letter, 1953 May 11.
Marie Laurencin writes to unnamed friends about an afternoon spent with Marcel Jouhandeau and Renée Lang, who is working on a study about Rainer Maria Rilke. She rectifies her friends' information about a portrait of Jean Cocteau which, she says, was painted in 1919 or 1920. She also asks if they know the book about her published by Jouhandeau in Editions des quatre chemins [1928].
ArchivalResource: 1 leaf.
http://www.worldcat.org/oclc/82459021 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Letter, 1953 May 11.
Stravinsky-Diaghilev Foundation research files, 1920-1989.
Title:
Stravinsky-Diaghilev Foundation research files, 1920-1989.
Projects notes, newsletters, auction and exhibition catalogs, offprints ofarticles and clippings, programs and invitations to exhibitions and receptions, and othermaterial assembled by the Stravinsky-Diaghilev Foundation for reference.
ArchivalResource: 26 boxes (18 linear ft.)
http://id.lib.harvard.edu/ead/hou01894/catalog View
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- Resource Relation
- Stravinsky-Diaghilev Foundation research files, 1920-1989.
Roché, Henri Pierre, 1879-1959. Henri Pierre Roché Papers, 1886-1971.
Title:
Henri Pierre Roché Papers, 1886-1971.
The Henri Pierre Roché Papers consist of manuscripts, typescripts, notebooks, notes, clippings, correspondence, printed material, diaries, and financial and legal documentation. The papers were originally acquired from Henri Pierre Roché's widow, Denise Roché. Roché's works, both published and unpublished, are well represented in this group of papers. Material relating to the novels Jules et Jim and Deux anglaises et le continent is present and includes the correspondence and diaries of some of the individuals who later appeared as characters in the novels. For the most part, the correspondence in Series II is between Henri Pierre Roché and his two wives, Germaine Bonnard and Denise (Renard) Roché; however, other correspondents are also represented, such as Georges Braque, Jean Cocteau, Marcel Duchamp, Marie Laurencin, Pablo Picasso, Erik Satie, and Gertrude Stein. Series III contains Roché's daily agendas and diaries (referred to herein as "carnets"), which begin in 1901 and end in 1959, and document various aspects of his personal and professional life. Transcriptions of several carnets, through 1945, commissioned by film director François Truffaut, as well as a photocopy of one carnet, accompany the collection. Roché's interests in art, real estate, and his autobiography are well documented in the Personal and Legal Papers series. The last series contains materials relating to Roché's family. Journals, correspondence, works, financial, legal, and medical records, and printed material document the lives of Roché's mother Clara, his second wife, Denise, and his son Jean-Claude.
ArchivalResource: 47 boxes, 2 oversize folders (19.74 linear feet)
http://www.worldcat.org/oclc/191957089 View
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- Resource Relation
- Roché, Henri Pierre, 1879-1959. Henri Pierre Roché Papers, 1886-1971.
Laurencin, Marie, 1885-1956 : [miscellaneous ephemeral material].
Title:
Laurencin, Marie, 1885-1956 : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199148662 View
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Citation
- Resource Relation
- Laurencin, Marie, 1885-1956 : [miscellaneous ephemeral material].
Howard D. Rothschild collection on, Ballets Russes, of Serge Diaghilev, 1909-1956 (inclusive), 1909-1914 (bulk).
Title:
Howard D. Rothschild collection on of Serge Diaghilev, Ballets Russes 1909-1956 (inclusive), 1909-1914 (bulk).
Costume and stage designs for productions of Diaghilev's Ballets Russes as well as portraits and caricatures of dancers, choreographers, artists and other persons connected with the Ballets Russes.
ArchivalResource: 10 portfolio drawers (35 linear ft.)
http://id.lib.harvard.edu/ead/hou01727/catalog View
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- Resource Relation
- Howard D. Rothschild collection on, Ballets Russes, of Serge Diaghilev, 1909-1956 (inclusive), 1909-1914 (bulk).
Coquiot, Gustave, 1865-1926. Letters.
Title:
Letters.
Regarding the preface for a catalogue on which he is working, and the sale of works by Henri Epstein, Marie Laurencin, Othon Friesz and Kees van Dongen.
ArchivalResource: 2 items.
http://www.worldcat.org/oclc/78617063 View
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- Resource Relation
- Coquiot, Gustave, 1865-1926. Letters.
Laurencin, Marie, 1883-1956. Portrait de Mademoiselle Chanel [Multimédia multisupport].
Title:
Portrait de Mademoiselle Chanel [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/765032513 View
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Citation
- Resource Relation
- Laurencin, Marie, 1883-1956. Portrait de Mademoiselle Chanel [Multimédia multisupport].
Laurencin, Marie, 1883-1956. Portrait de Madame Paul Guillaume [Multimédia multisupport].
Title:
Portrait de Madame Paul Guillaume [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/765032491 View
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Citation
- Resource Relation
- Laurencin, Marie, 1883-1956. Portrait de Madame Paul Guillaume [Multimédia multisupport].
Laurencin, Marie, 1883-1956. Marie Laurencin : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Marie Laurencin : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662607236 View
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- Laurencin, Marie, 1883-1956. Marie Laurencin : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Marguerite Yourcenar additional papers, 1842-1996.
Title:
Marguerite Yourcenar additional papers, 1842-1996.
Additional papers of Marguerite Yourcenar (1903-1987), the French author, as well as papers of her companion, Grace Frick.
ArchivalResource: 144 boxes and 53 volumes (52 linear ft.)
http://nrs.harvard.edu/urn-3:FHCL.Hough:hou00046 View
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- Resource Relation
- Marguerite Yourcenar additional papers, 1842-1996.
Yourcenar, Marguerite. Marguerite Yourcenar papers, 1920-1986 (inclusive), 1950-1980 (bulk).
Title:
Marguerite Yourcenar papers, 1920-1986 (inclusive), 1950-1980 (bulk).
Collection contains correspondence: with colleagues and friends; relating to "Affaire Plon", a lawsuit between Yourcenar and Plon (Firm); and between Grace Frick and others. Correspondents include: Jean Ballard, Natalie Clifford Barney, Marc Brossollet, Jeanne Carayon, Jean Chalon, Bernard Grasset(Firm), Gallimard (Firm), Hortense Flexner, Elie Grekoff, Malvina Hoffman, Jean Lambert, Marie Laurencin, Claude Servan-Schreiber, Jerry Wilson,and many others. Compositions by Yourcenar include holograph manuscripts, drawings, typescripts, research notes, lists of corrections for various editions, galley and page proofs, and printed versions of her work with extensive annotations by Yourcenar and by Grace Frick. Compositions of others include manuscript drafts of English translations of Yourcenar's work by David Freeman, Grace Frick, Joan Howard, Walter Kaiser, Dori Katz, and Alberto Manguel. Includes manuscripts of articles and dissertations on Yourcenar, some with Yourcenar's comments. Biographical material includes: correspondence, contracts and accounts with various publishers; material on animal rights and conservation; Yourcenar-Frick health and travel records; official documents; photographs; and other biographical miscellany of Yourcenar and Frick.
ArchivalResource: 29 boxes and 6 volumes (10.5 linear ft.)
http://www.worldcat.org/oclc/612665095 View
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- Yourcenar, Marguerite. Marguerite Yourcenar papers, 1920-1986 (inclusive), 1950-1980 (bulk).
Laurencin, Marie, 1883-1956. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/276781996 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Artist file.
Laurencin, Marie, 1883-1956. Autograph postcards signed (5) : [n.p.], to Paul Rosenberg, [n.d.].
Title:
Autograph postcards signed (5) : [n.p.], to Paul Rosenberg, [n.d.].
ArchivalResource: 5 items.
http://www.worldcat.org/oclc/270871267 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Autograph postcards signed (5) : [n.p.], to Paul Rosenberg, [n.d.].
Ekstrom Collection: Diaghilev and Stravinsky Foundation, 1902-1984
Title:
Ekstrom Collection: Diaghilev and Stravinsky Foundation 1902-1984
ArchivalResource: 4.64 linear metres (37 boxes)
http://archiveshub.ac.uk/data/gb71-thm/7 View
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- Resource Relation
- Ekstrom Collection: Diaghilev and Stravinsky Foundation, 1902-1984
Laurencin, Marie, 1883-1956. Autograph letters signed (111) : various places, to Paul Rosenberg, 1914-1955.
Title:
Autograph letters signed (111) : various places, to Paul Rosenberg, 1914-1955.
ArchivalResource: 111 items.
http://www.worldcat.org/oclc/270871265 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. Autograph letters signed (111) : various places, to Paul Rosenberg, 1914-1955.
Marguerite Yourcenar papers, 1920-1986.
Title:
Marguerite Yourcenar papers, 1920-1986.
Papers of French author Marguerite Yourcenar received at the repository before August 1986.
ArchivalResource: 29 boxes and 6 volumes ( 10.5 linear ft.)
http://id.lib.harvard.edu/ead/hou00094/catalog View
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- Resource Relation
- Marguerite Yourcenar papers, 1920-1986.
Laurencin, Marie, 1883-1956. ALS, no date [1905-1956], Biot, France, to "Mon cher Paul."
Title:
ALS, no date [1905-1956], Biot, France, to "Mon cher Paul."
French painter Laurencin writes about a holiday taken on the French Riviera, including activities in Monte Carlo. He also mentions a visit to the home of Somerset Maugham and comments on its loveliness.
ArchivalResource: 2 p. ; 18 x 13.5 cm.
http://www.worldcat.org/oclc/18853548 View
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- Resource Relation
- Laurencin, Marie, 1883-1956. ALS, no date [1905-1956], Biot, France, to "Mon cher Paul."
Oral history interview with Kenzo Okada
Title:
Oral history interview with Kenzo Okada
Interview of Kenzo Okada conducted 1968 November 22, by Forrest Selvig, for the Archives of American Art.
OralHistoryResource: Transcript: 44 p.
https://n2t.net/ark:/65665/mw97c034c7f-2f0a-4325-9742-f4879fb4b75f View
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- Resource Relation
- Okada, Kenzō, 1902-. Oral history interview with Kenzo Okada, 1968 Nov. 22.
Wiliam B. Osgood Field collection of drawings for book illustrations, 1844-1925.
Title:
Wiliam B. Osgood Field collection of drawings for book illustrations, 1844-1925.
Drawings by George Du Maurier, Thomas Nast, ArthurRackham, and others collected by William B. Osgood Field.
ArchivalResource: 3 boxes and 1 package (1.5 linear ft.)
http://id.lib.harvard.edu/ead/hou01646/catalog View
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- Wiliam B. Osgood Field collection of drawings for book illustrations, 1844-1925.
Designs of Marie Laurencin (1883-1956), 1902-1920?
Title:
Designs of Marie Laurencin (1883-1956) 1902-1920?
ArchivalResource: 7 watercolours in folder
http://archiveshub.ac.uk/data/gb237-coll-1090 View
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- Designs of Marie Laurencin (1883-1956), 1902-1920?
Designs of Marie Laurencin (1883-1956), 1902-1920?
Title:
Designs of Marie Laurencin (1883-1956) 1902-1920?
ArchivalResource: 7 watercolours in folder
http://archiveshub.ac.uk/data/gb237-coll-1090 View
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- Designs of Marie Laurencin (1883-1956), 1902-1920?
André-May, Pierre, 1901-. Letters received by Pierre André-May, 1922-1971.
Title:
Letters received by Pierre André-May, 1922-1971.
A collection of 151 letters, 16 postcards, 5 calling cards, and 4 manuscripts that are mostly addressed to Pierre André-May, editor of the literary journal Intentions from 1922-1924. The letters are from the poets and writers: Max Jacob, Henri Hoppenot, Georges Hugnet, Marcel Jouhandeau and Jules Supervielle, dating from 1922 to 1971. The subjects of the letters include Jean Cocteau, Jouhandeau, Max Jacob, Henri Michaux, André Gide, Marie Laurencin, Armand Salacrou, Velery Larbaud, Jean Cassou and Alfredo Gangotena. The letters also mention Supervielle's novel Le voleur des enfants and his poem A Monsieur Valery Larbaud.
ArchivalResource: ca. 0.5 linear ft. (1 box)
http://www.worldcat.org/oclc/82221742 View
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- André-May, Pierre, 1901-. Letters received by Pierre André-May, 1922-1971.
Acosta, Mercedes de. Papers, 1855-1964 (bulk 1920-1962).
Title:
Papers, 1855-1964 (bulk 1920-1962).
Correspondence, manuscripts, clippings, photographs, and memorabilia from Acosta's many years as a writer and socialite. The bulk of the material is correspondence with friends, literary and theatrical associates, and other celebrities. Also present are typescripts and reviews of most of Acosta's writings, including her autobiography Here lies the heart, and various plays and poems; approximately 600 photographs, including snapshots and studio portraits of friends and celebrities, movie stills, photos of stage productions of her works, and a few fragments of motion picture film; and a large number of clippings and other ephemera, the largest group being about Garbo. Manuscripts of several works by other persons are included in the correspondence: three chapters of Isadora Duncan's My life; a revision of Tamara Karsavina's autobiography Theatre Street; an essay on Diaghilev by Stravinsky, translated from French by Acosta; and an autograph page of the score of Stravinsky's Sacre du printemps. Persons represented include Maude Adams; Eva Bartok; Cecil Beaton; Nadia Boulanger; Marie Doro; Isadora Duncan; Eleanora Duse; Claire, Marquise de Forbin; Greta Garbo; Mary Garden; Malvina Hoffman; Isabel Jeans; Tamara Karsavina; Maria Annunziata "Poppy" Kirk; Marie Laurencin; Eva Le Gallienne; Mercedes's sister Rita de Acosta Lydig; Loren MacIver; Sorella Maria; Ona Munson; Irene Rice Pereira; Acosta's husband Abram Poole; Ram Gopal; Natacha Rambova; Igor Stravinsky; Alice B. Toklas; Hope Williams; Stark Young; and Ignacio Zuloaga.
ArchivalResource: ca. 5000 items (22 boxes)
http://www.worldcat.org/oclc/122409560 View
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- Acosta, Mercedes de. Papers, 1855-1964 (bulk 1920-1962).
Cocteau, Jean, 1889-1963. Jean Cocteau Papers, 1905-1959 (bulk 1910-1928).
Title:
Jean Cocteau Papers, 1905-1959 (bulk 1910-1928).
The personal and professional life of French poet, novelist, artist, playwright, and filmmaker Jean Cocteau is reflected in the Carlton Lake Collection of Cocteau's manuscripts, correspondence, personal papers, notebooks, drawings, financial and legal documents, and third-party papers. The bulk of the collection is a large portion of Cocteau's personal archives that was sold without his permission to a French dealer in 1935. The collection includes manuscripts or proofs of most of Cocteau's writings until about 1928, a period that encompassed some of his best work, including Le Cap de Bonne-Espérance, Le coq et l'arlequin, Les enfants terribles, Le grand écart, Le livre blanc, Les mariés de la tour Eiffel, La noce massacrée, Le Potomak, and Thomas l'imposteur.
ArchivalResource: 11 boxes (4.62 linear feet), 6 oversize folders, 1 bound v., and 1 galley folder.
http://www.worldcat.org/oclc/85242136 View
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- Cocteau, Jean, 1889-1963. Jean Cocteau Papers, 1905-1959 (bulk 1910-1928).
Charles Edward and Isabel Patterson Eaton Art Collection papers, 1920s-1990s.
Title:
Charles Edward and Isabel Patterson Eaton Art Collection papers, 1920s-1990s.
The collection consists of letters, photographs, catalogs, clippings, printed books, and other items relating to the work of artists represented in the Charles Edward and Isabel Patterson Eaton Art Collection. Included are materials from exhibits of works from the collection and materials relating to agents and other collectors. Some of the artists and others represented in the papers are listed below as subject headings.
ArchivalResource: About 3100 items (7.5 linear ft.)
http://www.worldcat.org/oclc/35268154 View
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- Charles Edward and Isabel Patterson Eaton Art Collection papers, 1920s-1990s.
Gertrude Stein and Alice B. Toklas papers, 1837-1961
Title:
Gertrude Stein and Alice B. Toklas papers 1837-1961
The Gertrude Stein and Alice B. Toklas Papers contain manuscripts of writings, letters, clippings, photographs, artworks, and personal papers relating to the life and work of Gertrude Stein and her companion, Alice B. Toklas, and to Gertrude's brother, Leo Stein, an artist and writer. As well as holding the bulk of Stein's literary output (often described as "experimental" or "cubist" writing), the materials document Stein and Toklas' involvement with the literary and art scene in Paris during the first half of the 20th century. Series I, Writings, contains holograph and typescript drafts of the majority of Gertrude Stein's writings, including "The Autobiography of Alice B. Toklas," "The Making of Americans" (complete with a quantity of notes, or "studies"), "Tender Buttons" and a group of unpublished fragments and carnets, notebooks kept by Stein with preliminary drafts of writings. Series II, Correspondence of Gertrude Stein, contains letters sent from a wide variety of Stein's friends: artists such as Georges Bracque, Jean Cocteau, and Pablo Picasso; writers such as Sherwood Anderson, Ernest Hemingway, and Thornton Wilder; and acquaintances through many years such as Mildred Aldrich, Etta and Claribel Cone, Robert Haas, Mabel Dodge Luhan,Sir Francis Rose, Virgil Thomson, and Carl Van Vechten. Series III, Third Party Letters and Series IV, Alice B. Toklas Correspondence, contain letters from many of the same people, the latter group containing Alice Toklas's correspondence following Gertrude Stein's death. Series V, Personal Papers, and Series VI, Clippings, gather together various personal affects of Stein and Toklas as well as documentation of Stein's life as reported during her lifetime. Series VII, Photographs, show Stein from early childhood through 1946, the year she died. Prints showing Alice Toklas, various friends, artworks, and locales are included in this series, as are several volumes of prints made by Carl Van Vechten. Series VIII and IX contain numerous artworks and objects given by Stein and Toklas. Included here are a painting by Pablo Picasso and a sketch by Henri Matisse.
ArchivalResource: Total Boxes: 173; Other Storage Formats: Oversize, artwork, objects, cold storage; Linear Feet: 93
http://hdl.handle.net/10079/fa/beinecke.stein View
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- Stein, Gertrude, 1874-1946. Gertrude Stein and Alice B. Toklas papers, 1837-1961.
Miscellaneous art exhibition catalog collection
Title:
Miscellaneous art exhibition catalog collection
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
ArchivalResource: 4.4 Linear feet
https://n2t.net/ark:/65665/mw97cda1277-17cc-4295-abe9-729b895e1a28 View
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- Modern Gallery (New York, N.Y.). Modern Gallery exhibition catalogs, [ca. 1915-1920].
Laurencin, Marie, 1883-1956. Letter, 1953 May 11.
Title:
Letter, 1953 May 11.
Marie Laurencin writes to unnamed friends about an afternoon spent with Marcel Jouhandeau and Renée Lang, who is working on a study about Rainer Maria Rilke. She rectifies her friends' information about a portrait of Jean Cocteau which, she says, was painted in 1919 or 1920. She also asks if they know the book about her published by Jouhandeau in Editions des quatre chemins [1928].
ArchivalResource: 1 leaf.
http://www.worldcat.org/oclc/82459021 View
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- Laurencin, Marie, 1883-1956. Letter, 1953 May 11.
Jean Cocteau Papers TXRC06-A11., 1905-1959, (bulk 1910-1928)
Title:
Jean Cocteau Papers 1905-1959 (bulk 1910-1928)
The early personal and professional life of the French poet, novelist, artist, playwright, and filmmaker Jean Cocteau is documented in this collection of manuscripts, correspondence, personal papers, notebooks, drawings, financial and legal documents, and third-party papers, drawn largely from his personal archives.
ArchivalResource:
http://www.lib.utexas.edu/taro/uthrc/00292/00292-P.html View
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- Jean Cocteau Papers TXRC06-A11., 1905-1959, (bulk 1910-1928)
Laurencin, Marie, 1883-1956. [Letter, no date] : Düsseldorf [to] Cher Monsieur.
Title:
[Letter, no date] : Düsseldorf [to] Cher Monsieur.
French painter Laurencin thanks "Monsieur" for some books. She mentions Toussaint Lucas and refers to a lithograph she is sending. This is accompanied by 2 copies of a translation of the letter and a copy of catalog records of an art and an authograph dealer.
ArchivalResource: 1 p. ; 28 x 19 cm. + 2 copies of translation and catalog records of art and autograph dealers.
http://www.worldcat.org/oclc/76805109 View
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- Laurencin, Marie, 1883-1956. [Letter, no date] : Düsseldorf [to] Cher Monsieur.
Laurencin, Marie, 1883-1956. Portrait de Mademoiselle Chanel [Multimédia multisupport].
Title:
Portrait de Mademoiselle Chanel [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/690728889 View
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- Laurencin, Marie, 1883-1956. Portrait de Mademoiselle Chanel [Multimédia multisupport].
Citation
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- Acosta, Mercedes de.
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- André-May, Pierre, 1901-.
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- Apollinaire, Guillaume, 1880-1918.
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- Barney, Natalie Clifford
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- Charrier, Jean.
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- Cocteau, Jean, 1889-1963
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- Coquiot, Gustave, 1865-1926.
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- Delaunay, Robert, 1885-1941
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- Ekstrom, Parmenia Migel., 1908-1989
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- Field, William B. Osgood, collector.
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- Gleizes, Albert, 1881-1953
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- Gonzague-Frick, Louis de, 1883-1959.
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- Howard D. Rothschild.
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- Jouhandeau, Marcel, 1888-1979.
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- Lang, Renée.
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- Laurencin Marie 1883-1956
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- Laurencin, Marie, 1883-1956.
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- Le Fauconnier, Henri, 1881-1945
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- Marie Laurencin, 1883-1956
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- Marshall, Alice Kahler,
Maugham, W. Somerset (William Somerset), 1874-1965.
http://n2t.net/ark:/99166/w65m63m5
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- Maugham, W. Somerset (William Somerset), 1874-1965.
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- Metzinger, Jean, 1883-1956
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- Modern Gallery (New York, N.Y.)
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- Montfort, Eugène, 1877-1936.
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- Museum of Modern Art (New York, N.Y.)
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- Okada, Kenzō, 1902-
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- Picabia, Francis, 1879-1953
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- Picasso, Pablo, 1881-1973
Pierpont Morgan Library. Rosenberg Collection.
http://n2t.net/ark:/99166/w6c31mp2
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- Constellation Relation
- Pierpont Morgan Library. Rosenberg Collection.
Pierpont Morgan Library. Rosenberg Collection.
http://n2t.net/ark:/99166/w65f5h39
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associatedWith
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- Constellation Relation
- Pierpont Morgan Library. Rosenberg Collection.
Pierpont Morgan Library. Rosenberg Collection.
http://n2t.net/ark:/99166/w6kd8p3w
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associatedWith
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- Constellation Relation
- Pierpont Morgan Library. Rosenberg Collection.
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- Pierre Matisse Gallery (New York, N.Y.)
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- Roché, Henri Pierre, 1879-1959
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- Rosenberg, Alexandre P.,
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- Rosenberg, Paul,
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- Rosenberg, Paul, 1881-1959,
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- Salon d'automne
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- Société des artistes indépendants (Paris, France)
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- Stein, Gertrude, 1874-1946.
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- Stravinsky-Diaghilev Foundation.
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- Suguet.
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- Wallard, Daniel.
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- Yourcenar, Marguerite.
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- World War, 1939-1945
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- French
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- Convention Declaration
- Convention Declaration 117