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Information: The first column shows data points from Windham, Donald in red. The third column shows data points from Windham, Donald. in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Windham, Donald
Shared
Windham, Donald.
Windham, Donald
Name Components
Name :
Windham, Donald
Dates
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Windham, Donald, 1920-....
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Windham, Donald 1920-2010
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Windham, Don.
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ウィンダム, ドナルド
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Windham, Donald.
Name Components
Name :
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Citation
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Donald Windham, author, born in Atlanta, Georgia, resided mainly in New York (N.Y.). Sandy Campbell, actor, publisher, and former editor of "The New Yorker.
American writer.
Born in Atlanta, Georgia, in 1920, Donald Windham left home in 1938 for New York City and the writing life. There he became friends with the young Tennessee Williams, with whom he would collaborate in writing a play, You Touched Me, based on the D.H. Lawrence short story. The play was mounted on broadway in 1945 after Williams' success with The Glass Menagerie. This achievement allowed Windham to quit his job as editor of Dance Index and to continue working on the novel which was to become Dog Star. Dog Star, completed during the first of Windham's many trips to Italy, received critical acclaim in England and was considered by Thomas Mann as the finest American novel of 1950; however, the novel met with little success in the United States. During the 1950s, Windham attained little success at home. His stories were published in such European magazines as Horizon, Paris Review, and Botteghe Oscure. With the aid of his life-long companion, actor-writer Sandy Campbell, Windham would have several pieces of his work including The Hitchhiker privately published. By the end of the decade, Windham's fortunes had turned. The New Yorker published a suite of his stories. Several would later provide the foundation to his memoir Emblems of Conduct. In 1960, Windham received the prestigious Guggenheim fellowship for fiction. The same year saw the publication of Warm Country, a collection of Windham's stories most of which had been published originally outside the U.S. Windham went on to write four more novels and publish memoirs of his friendships with Tennessee Williams and Truman Capote. In recent years, Windham's precise prose has garnered new interest. A new generation of readers has begun to discover his "admirable talent." Donald Windham - a full-length portrait of the writer - University of Georgia, Hargrett Library exhibit page http://www.libs.uga.edu/hargrett/pexhibit/wind97.html (Retrieved April 6, 2009)
Born in Atlanta, Georgia, in 1920, Donald Windham left home in 1938 for New York City and the writing life. There he became friends with the young Tennessee Williams, with whom he would collaborate in writing a play, You Touched Me, based on the D.H. Lawrence short story. The play was mounted on broadway in 1945 after Williams' success with The Glass Menagerie. This achievement allowed Windham to quit his job as editor of Dance Index and to continue working on the novel which was to become Dog Star. Dog Star, completed during the first of Windham's many trips to Italy, received critical acclaim in England and was considered by Thomas Mann as the finest American novel of 1950; however, the novel met with little success in the United States. During the 1950s, Windham attained little success at home. His stories were published in such European magazines as Horizon, Paris Review, and Botteghe Oscure. With the aid of his life-long companion, actor-writer Sandy Campbell, Windham would have several pieces of his work including The Hitchhiker privately published. By the end of the decade, Windham's fortunes had turned. The New Yorker published a suite of his stories. Several would later provide the foundation to his memoir Emblems of Conduct. In 1960, Windham received the prestigious Guggenheim fellowship for fiction. The same year saw the publication of Warm Country, a collection of Windham's stories most of which had been published originally outside the U.S. Windham went on to write four more novels and publish memoirs of his friendships with Tennessee Williams and Truman Capote. In recent years, Windham's precise prose has garnered new interest. A new generation of readers has begun to discover his "admirable talent." Donald Windham - a full-length portrait of the writer - University of Georgia, Hargrett Library exhibit page http://www.libs.uga.edu/hargrett/pexhibit/wind97.html (Retrieved April 6, 2009)
Thomas Lanier Williams was born in Columbus, Mississippi, on March 26, 1911, the first son and second child of Cornelius Coffin and Edwina Dakin Williams. His mother, the daughter of a minister, was of genteel upbringing, while his father, a shoe salesman, came from a prestigious Tennessee family which included the state's first governor and first senator. The family lived for several years in Clarksdale, Mississippi, before moving to St. Louis in 1918. At the age of 16, he encountered his first brush with the publishing world when he won third prize and received $5 for an essay, "Can a Good Wife Be a Good Sport?," in Smart Set. A year later, he published "The Vengeance of Nitocris" in Weird Tales. In 1929, he entered the University of Missouri. His success there was dubious, and in 1931 he began work for a St. Louis shoe company. It was six years later when his first play, Cairo, Shanghai, Bombay, was produced in Memphis, in many respects the true beginning of his literary and stage career. Building upon the experience he gained with his first production, Williams had two of his plays, Candles to the Sun and The Fugitive Kind, produced by Mummers of St. Louis in 1937. After a brief encounter with enrollment at Washington University, St. Louis, he entered the University of Iowa and graduated in 1938. As the second World War loomed over the horizon, Williams found a bit of fame when he won the Group Theater prize of $100 for American Blues and received a $1,000 grant from the Authors' League of America in 1939. Battle of Angels was produced in Boston a year later. Near the close of the war in 1944, what many consider to be his finest play, The Glass Menagerie, had a very successful run in Chicago and a year later burst its way onto Broadway. Containing autobiographical elements from both his days in St. Louis as well as from his family's past in Mississippi, the play won the New York Drama Critics' Circle award as the best play of the season. Williams, at the age of 34, had etched an indelible mark among the public and among his peers. Following the critical acclaim over The Glass Menagerie, over the next eight years he found homes for A Streetcar Named Desire, Summer and Smoke, A Rose Tattoo, and Camino Real on Broadway. Although his reputation on Broadway continued to zenith, particularly upon receiving his first Pulitzer Prize in 1948 for Streetcar, Williams reached a larger world-wide public in 1950 when The Glass Menagerie and again in 1951 when A Streetcar Named Desire were made into motion pictures. Williams had now achieved a fame few playwrights of his day could equal. Over the next thirty years, dividing his time between homes in Key West, New Orleans, and New York, his reputation continued to grow and he saw many more of his works produced on Broadway and made into films, including such works as Cat on a Hot Tin Roof (for which he earned a second Pulitzer Prize in 1955), Orpheus Descending, and Night of the Iguana. There is little doubt that as a playwright, fiction writer, poet, and essayist, Williams helped transform the contemporary idea of the Southern literature. However, as a Southerner he not only helped to pave the way for other writers, but also helped the South find a strong voice in those auspices where before it had only been heard as a whisper. Williams died on February 24, 1983, at the Hotel Elysée in New York City. University of Mississippi English Dept. - Mississippi Writer's Page - Tennessee Williams http://www.olemiss.edu/depts/english/ms-writers/dir/williams_tennessee/ (Retrieved September 28, 2009)
Donald Windham, born July 2, 1902 in Atlanta, was a 20th century novelist, editor, playwright, and short-story writer. He passed away on May 31, 2010.
Jordan Massee was a 20th century author, as well as a cousin and correspondent of Carson McCullers.
Born in Atlanta, Georgia, in 1920, Donald Windham left home in 1938 for New York City and the writing life. There he became friends with the young Tennessee Williams, with whom he would collaborate in writing a play, You Touched Me, based on the D.H. Lawrence short story. The play was mounted on broadway in 1945 after Williams' success with The Glass Menagerie. This achievement allowed Windham to quit his job as editor of Dance Index and to continue working on the novel which was to become Dog Star. Dog Star, completed during the first of Windham's many trips to Italy, received critical acclaim in England and was considered by Thomas Mann as the finest American novel of 1950; however, the novel met with little success in the United States. During the 1950s, Windham attained little success at home. His stories were published in such European magazines as Horizon, Paris Review, and Botteghe Oscure. With the aid of his life-long companion, actor-writer Sandy Campbell, Windham would have several pieces of his work including The Hitchhiker privately published. By the end of the decade, Windham's fortunes had turned. The New Yorker published a suite of his stories. Several would later provide the foundation to his memoir Emblems of Conduct. In 1960, Windham received the prestigious Guggenheim fellowship for fiction. The same year saw the publication of Warm Country, a collection of Windham's stories most of which had been published originally outside the U.S. Windham went on to write four more novels and publish memoirs of his friendships with Tennessee Williams and Truman Capote. In recent years, Windham's precise prose has garnered new interest. A new generation of readers has begun to discover his "admirable talent." Donald Windham - a full-length portrait of the writer - University of Georgia, Hargrett Library exhibit page http://www.libs.uga.edu/hargrett/pexhibit/wind97.html (Retrieved April 6, 2009)
Thomas Lanier Williams was born in Columbus, Mississippi, on March 26, 1911, the first son and second child of Cornelius Coffin and Edwina Dakin Williams. His mother, the daughter of a minister, was of genteel upbringing, while his father, a shoe salesman, came from a prestigious Tennessee family which included the state's first governor and first senator. The family lived for several years in Clarksdale, Mississippi, before moving to St. Louis in 1918. At the age of 16, he encountered his first brush with the publishing world when he won third prize and received $5 for an essay, "Can a Good Wife Be a Good Sport?," in Smart Set. A year later, he published "The Vengeance of Nitocris" in Weird Tales. In 1929, he entered the University of Missouri. His success there was dubious, and in 1931 he began work for a St. Louis shoe company. It was six years later when his first play, Cairo, Shanghai, Bombay, was produced in Memphis, in many respects the true beginning of his literary and stage career. Building upon the experience he gained with his first production, Williams had two of his plays, Candles to the Sun and The Fugitive Kind, produced by Mummers of St. Louis in 1937. After a brief encounter with enrollment at Washington University, St. Louis, he entered the University of Iowa and graduated in 1938. As the second World War loomed over the horizon, Williams found a bit of fame when he won the Group Theater prize of $100 for American Blues and received a $1,000 grant from the Authors' League of America in 1939. Battle of Angels was produced in Boston a year later. Near the close of the war in 1944, what many consider to be his finest play, The Glass Menagerie, had a very successful run in Chicago and a year later burst its way onto Broadway. Containing autobiographical elements from both his days in St. Louis as well as from his family's past in Mississippi, the play won the New York Drama Critics' Circle award as the best play of the season. Williams, at the age of 34, had etched an indelible mark among the public and among his peers. Following the critical acclaim over The Glass Menagerie, over the next eight years he found homes for A Streetcar Named Desire, Summer and Smoke, A Rose Tattoo, and Camino Real on Broadway. Although his reputation on Broadway continued to zenith, particularly upon receiving his first Pulitzer Prize in 1948 for Streetcar, Williams reached a larger world-wide public in 1950 when The Glass Menagerie and again in 1951 when A Streetcar Named Desire were made into motion pictures. Williams had now achieved a fame few playwrights of his day could equal. Over the next thirty years, dividing his time between homes in Key West, New Orleans, and New York, his reputation continued to grow and he saw many more of his works produced on Broadway and made into films, including such works as Cat on a Hot Tin Roof (for which he earned a second Pulitzer Prize in 1955), Orpheus Descending, and Night of the Iguana. There is little doubt that as a playwright, fiction writer, poet, and essayist, Williams helped transform the contemporary idea of the Southern literature. However, as a Southerner he not only helped to pave the way for other writers, but also helped the South find a strong voice in those auspices where before it had only been heard as a whisper. Williams died on February 24, 1983, at the Hotel Elysée in New York City. University of Mississippi English Dept. - Mississippi Writer's Page - Tennessee Williams http://www.olemiss.edu/depts/english/ms-writers/dir/williams_tennessee/ (Retrieved September 28, 2009)
Capote, Truman (30 Sept. 1924-25 Aug. 1984), writer, was born Truman Streckfus Persons in New Orleans, the son of Arch Persons, a salesman and drifter, and sixteen-year-old Lillie Mae "Nina" Faulk. His parents' turbulent marriage dissolved when Truman was six. After his mother entered business colleges in Selma, Alabama, and Bowling Green, Kentucky, in 1929, Truman--who had been neglected and psychologically abused--was relegated a year later to her distant cousins in Monroeville, Alabama, population 1,355. "This was a very strange household," he commented once. "It consisted of three elderly ladies and an elderly uncle. They were the people who had adopted my mother--her own parents had died when she was very young. I lived there until I was ten, and it was a very lonely life, and it was then that I became interested in writing" (Roy Newquist, Counterpoint [1964], p. 76). In Monroeville his chief companions were his childlike guardian Sook Faulk and the young and tomboyish Harper Lee, who in later life wrote the novel To Kill a Mockingbird and who in the 1960s assisted Truman by gathering facts for his documentary In Cold Blood (1965). American National Biography Online - Truman Capote http://www.anb.org (Retrieved September 29, 2009)
Donald Windham is a novelist from New York, N.Y.
Elizabeth Kornhauser is a curator at the Wadsworth Atheneum, Hartford, Conn.
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George Lynes Platt photographs, 1935-1953.
Title:
George Lynes Platt photographs, 1935-1953.
Photographs by the American photographer George Platt Lynes.
ArchivalResource: 6 boxes (3 linear ft.)
http://id.lib.harvard.edu/ead/hou01715/catalog View
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Citation
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- George Lynes Platt photographs, 1935-1953.
Windham, Donald. Letter to the editors of "The selected letters of Tennessee Williams, Volume I, 1920-1945, 2001 January 15.
Title:
Letter to the editors of "The selected letters of Tennessee Williams, Volume I, 1920-1945, 2001 January 15.
Windham "would like to point out to you some of the more egregious errors in the book."
ArchivalResource: 1 item.
http://www.worldcat.org/oclc/49323976 View
View in SNACcreatorOf
Citation
- Resource Relation
- Windham, Donald. Letter to the editors of "The selected letters of Tennessee Williams, Volume I, 1920-1945, 2001 January 15.
New Yorker records
Title:
New Yorker records
Weekly magazine founded in New York City in 1925 by Harold W. Ross, Jane Grant, Alexander Woollcott and Raoul Fleischman. The records consist of correspondence, interoffice memoranda, edited and corrected manuscripts and typescripts, drawings, statistical reports, lists of story and art ideas, photographs, and sound recordings and printed materials created during the foundation and day-to-day operations of the magazine from 1924-1984. This material documents the production of every issue of the magazine and provides insight on the careers of its staff and contributors.
ArchivalResource: 1058.76 linear feet; 2566 boxes; 7 microfilm reels; 18 sound recordings
http://archives.nypl.org/mss/2236 View
View in SNACreferencedIn
Citation
- Resource Relation
- New Yorker records, ca.1924-1984
Windham, Donald. Donald Windham papers, after 1902.
Title:
Donald Windham papers, after 1902.
The collection consists of six letters from Donald Windham to Jordan Massee, Jr. of Macon, Georgia. Also included is a copy of an undated article by Windham from "Christopher Street," titled "My Side of the matter," which is a review of a book about Truman Capote by Gerald Clarke titled Capote and published by Simon & Schuster. There is also a copy of a part of Emblems of Conduct, by Donald Windham, as well as various other clippings.
ArchivalResource: 0.1 linear ft.
http://www.worldcat.org/oclc/686793790 View
View in SNACcreatorOf
Citation
- Resource Relation
- Windham, Donald. Donald Windham papers, after 1902.
Williams, Tennessee, 1911-1983. Tennessee Williams Collection, 1880-1993 (bulk 1930s-1970s).
Title:
Tennessee Williams Collection, 1880-1993 (bulk 1930s-1970s).
Typescript, composite and holograph manuscripts, correspondence, bibliographies, clippings, scrapbooks, academic papers, business records, galley proofs, photographs, and artworks document Tennessee Williams' life, work, family, and friends from 1880-1993. While the dates of the collection span from 1880 to 1993, the bulk range from the mid 1930s to the mid 1970s. The earliest item is a letter to Williams' grandmother, Rosina Otte Dakin, and virtually all material dated prior to 1930 relates to Williams' family. Materials dated after Williams' death in 1983 are largely biographical or concern productions of his works. Correspondence includes both personal and business letters with a large portion consisting of carbon copies of letters from Williams' agent, Audrey Wood. Other correspondents include Brooks Atkinson, Cheryl Crawford, Elia and Molly Thatcher Kazan, James Laughlin, and Pancho Rodriguez Y Gonzalez. The Works by Others series includes notes and drafts of an extensive Williams bibliography created by Andreas Brown.
ArchivalResource: 76 boxes (31.5 linear feet), 4 galley folders, 2 oversize boxes, 3 card files.
http://www.worldcat.org/oclc/145406436 View
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- Williams, Tennessee, 1911-1983. Tennessee Williams Collection, 1880-1993 (bulk 1930s-1970s).
Windham, Donald. Donald Windham and Sandy Campbell papers, 1947-1996.
Title:
Donald Windham and Sandy Campbell papers, 1947-1996.
The collection consists of proofs (author's, galley and master) and first and final drafts of some of Donald Windham's works including, Lost Friendships, The Hitchhiker, The Starless Air, and Single Harvest. Also included are clippings about Tennessee Williams and Truman Capote, audio recordings of Truman Capote reading some of his works, book jackets of some of Donald Windham's books, posters, photographs, and published writings from several periodicals.
ArchivalResource: 1.75 linear feet.
http://www.worldcat.org/oclc/441342515 View
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- Windham, Donald. Donald Windham and Sandy Campbell papers, 1947-1996.
Windham, Donald. Donald Windham and Sandy Campbell papers, [ca. 1940-1987].
Title:
Donald Windham and Sandy Campbell papers, [ca. 1940-1987].
The collection consists of papers of Donald Windham from ca. 1940-1987. The papers include correspondence; clippings pertaining to Truman Capote and Tennessee Williams; photographs; printed material containing reviews of Windham's works and publications of Windham's short stories; playbills; and programs but mainly manuscripts of Windham's short stories, novels, and plays. The correspondence consists of photocopies of letters to Windham from Tennessee Williams, later published by Windham. The collection also contains materials relating to Sandy Campbell and original play manuscripts of Tennessee Williams inscribed to Windham.
ArchivalResource: 11.25 linear ft.
http://www.worldcat.org/oclc/38476245 View
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- Windham, Donald. Donald Windham and Sandy Campbell papers, [ca. 1940-1987].
Gay erotic stories, [ca. 1930-1960]
Title:
Gay erotic stories, [ca. 1930-1960]
Copies of typescript gay erotic stories as typically circulated during the 1930s, 40s, and 50s. The photocopying appears to have been done in the early 1960s. Some were used as the bases for the Black Knight series put out by Guild Press in the late 1960s. There are about 70 three to nine page stories. Most do not list an author. One, "The Hitchhiker," is by Donald Windham.
ArchivalResource:
http://rmc.library.cornell.edu/EAD/xml/dlxs/RMM07668.xml View
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- Gay erotic stories, [ca. 1930-1960]
Windham, Donald. Gay erotic stories, [ca. 1930-1960].
Title:
Gay erotic stories, [ca. 1930-1960].
Copies of typescript gay erotic stories as typically circulated during the 1930s, 40s, and 50s. The photocopying appears to have been done in the early 1960s. Some were used as the bases for the Black Knight series put out by Guild Press in the late 1960s. There are about 70 three to nine page stories. Most do not list an author. One, "The Hitchhiker," is by Donald Windham.
ArchivalResource: 0.2 cubic ft.
http://www.worldcat.org/oclc/64691593 View
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- Windham, Donald. Gay erotic stories, [ca. 1930-1960].
Oral history interview with Donald Windham
Title:
Oral history interview with Donald Windham
An interview of Donald Windham conducted 2007 March 12, by Elizabeth Kornhauser, for the Archives of American Art, at Windham's home, in New York, N.Y.
OralHistoryResource: Sound recording, master: 2 sound discs (1hr.,50 min.) : digital ; 2 5/8 in.
https://n2t.net/ark:/65665/mw9cdc8fd53-29ee-4a6e-8a6a-c4577b745a40 View
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- Windham, Donald,. Oral history interview with Donald Windham, 2007 Mar. 12 [sound recording].
Donald Windham and Sandy Campbell papers, 1940-1982.
Title:
Donald Windham and Sandy Campbell papers, 1940-1982.
The collection consists of correspondence and manuscripts. All of the letters are from Tennessee Williams to Donald Windham (1940-1965, all photocopies of originals with markings by Windham and Sandy Campbell preparing for proofs (includes copies of some unpublished materials)). Also included are an original manuscript of Battle of Angels, a play by Tennessee Williams, with holographic corrections and an inscription by Williams to Windham; an excerpt from the original manuscript of Battle of Angels with a note, "135 loose pages, drafts of original version of rewrite before Boston tryout" (one on back of story draft dated, Manhattan, June 1940) and several pages of handwritten notes; a late revised script of You Touched Me, another play by Williams, commercial typist carbon with handwritten changes by Williams, plus new typed pages of revision, also by Williams, and other notes in an unidentified handwriting; plus a readers copy, a proofreader's copy, two author's copies, a printer's photocopy, and an original typescript (without corrections and additions) of Footnote to a Friendship by Windham.
ArchivalResource: 2 boxes (1.0 linear ft.)
http://www.worldcat.org/oclc/456091701 View
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- Donald Windham and Sandy Campbell papers, 1940-1982.
Papers, 1920-1983.
Title:
Papers, 1920-1983.
Correspondence, manuscripts, photographs, set designs, programs, playbills, and other printed materials and audio recordings. There is the typescript, with ms. corrections, of "Mes Cahiers Noirs," an unpublished diary ca. 1979. Typewritten manuscript dating from the early 1940s of two unpublished sonnets; the mimeographed script of the David Frost interview, 21 Jan. 1970; letters to, by, or from: Herbert Machiz, Josephine Healy, Paul Bigelow, Audrey Wood (Williams' agent), Cheryl Crawford, David Diamond, James Laughlin, Glenway Wescott, Charles Feldman, Rose Williams, Edwina Williams, Edwin Dakin, Dakin Williams, and Carson McCullers; the manuscript of 9 poems, one of which "Poem for Paul" does not appear to have been published; set designs by Boris Aronson and Jo Mielziner; portrait of Williams by Leon Kroll; portrait of Rose Williams by Florence Van Steeg; portrait of Edwina Williams by Simon Branders. Scripts for TWO CHARACTER PLAY; THIS IS; VIEUX CARRÉ; A LOVELY SUNDAY FOR CREVE COEUR; A HOUSE NOT MEANT TO STAND; NOW THE CATS WITH JEWELLED CLAWS; THE YOUTHFULLY DEPARTED; A CAVALIER FOR MILADY; THE RED DEVIL BATTERY SIGN. Also, TENNESSEE WILLIAMS' "GRAND": a teleplay by Trace Johnson. Among the programs is one from THE ROSE TATTOO'S first performance with signatures by Maureen Stapleton, Eli Wallach and others, and a STARLESS AIR program, signed by Williams, Donald Windham, and Margaret Phillips. Director's archive for TIGERTAIL. There is one box of books by and about Williams with annotations by Jay Leo Colt.
ArchivalResource: 7 linear ft. (614 items in 10 boxes and 10 oversize folders).
http://www.worldcat.org/oclc/122632718 View
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- Williams, Tennessee, 1911-1983. Papers, 1920-1983.
Windham, Donald. Donald Windham and Sandy Campbell papers, 1959-1963.
Title:
Donald Windham and Sandy Campbell papers, 1959-1963.
The collection consists of the full text, with many variations, of Donald Windham's autobiography of his childhood: Emblems of Conduct. These materials were originally housed in a large green cloth covered box. The green cloth covered box is retained with the collection.
ArchivalResource: 0.25 linear feet.
http://www.worldcat.org/oclc/440803893 View
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- Windham, Donald. Donald Windham and Sandy Campbell papers, 1959-1963.
Williams, Tennessee, 1911-1983. Windham--Williams--Melton correspondence, 1979, August 6,13, September 1, 18.
Title:
Windham--Williams--Melton correspondence, 1979, August 6,13, September 1, 18.
The collection consists of three-way correspondence between Mr. Fred Melton, Donald Windham, and Tennessee Williams regarding the publication of Tennessee Williams' letters to Donald Windham, which Williams denied agreeing to. An author named Dotson Radar published an untrue account of the situation in The London magazine. Windham sued for libel and won. This collection contains two letters from Windham to Melton regarding the situation, one from Williams to Melton, and one from Melton to London Magazine.
ArchivalResource: 0.1 linear feet.
http://www.worldcat.org/oclc/321078656 View
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- Williams, Tennessee, 1911-1983. Windham--Williams--Melton correspondence, 1979, August 6,13, September 1, 18.
Tennessee Williams papers, 1932-1983.
Title:
Tennessee Williams papers, 1932-1983.
Drafts of plays and other compositions, with smaller runs of correspondence, diaries, photographs, and other papers of American playwright Tennessee Williams.
ArchivalResource: 45 boxes (20 linear feet)
http://id.lib.harvard.edu/ead/hou01891/catalog View
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- Tennessee Williams papers, 1932-1983.
Windham, Donald. Photographs of Windham, 1988.
Title:
Photographs of Windham, 1988.
Photographs of Windham at a University of Georgia exhibition of his work.
ArchivalResource: 5 items.
http://www.worldcat.org/oclc/51091394 View
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- Windham, Donald. Photographs of Windham, 1988.
Robert D. Graff collection of papers concerning Karen Blixen, 1934-1972 (inclusive), 1953-1967 (bulk).
Title:
Robert D. Graff collection of papers concerning Karen Blixen, 1934-1972 (inclusive), 1953-1967 (bulk).
Chiefly materials concerning a memorial volume and biography of Danish writer Karen Blixen, who used the pen name Isak Dinesan. Also includes a few letters written by Blixen.
ArchivalResource: 3 boxes (1.5 linear ft.)
http://id.lib.harvard.edu/ead/hou00635/catalog View
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- Robert D. Graff collection of papers concerning Karen Blixen, 1934-1972 (inclusive), 1953-1967 (bulk).
Jared French papers, 1921-1989
Title:
Jared French papers 1921-1989
Collection contains correspondence, photographs, and other materials documenting the life and career of painter Jared French and a circle of friends and collaborators. Correspondence with individuals and cultural institutions, chiefly museums and galleries, document French's personal and professional affairs, with significant representation from members of the literary and artistic and gay male communities in New York during the middle decades of the twentieth century. In addition to large groups of letters from his wife Margaret (Hoening) French and painter Paul Cadmus, correspondents include Jack Dunphy, E. M. Forster, Edward Hopper, Lincoln Kirstein, George Platt Lynes, Bernard Perlin, George Tooker, Carl Van Vechten, Glenway Wescott, Monroe Wheeler, and Donald Windham. Photographs in the collection document French's personal relationships, interests in classical statuary and architecture, and artistic collaborations. Travel photographs depict statuary, architecture, and public scenes and events, with groups, travel companions, and friends. Some photographs appear to have been taken during the early 1950s in Europe, mostly in Italy (Florence). Others, depicting scenes in Europe, Vermont, New York City, and Coney Island, date from the 1920s through 1940s. People present include Jared and Margaret French, Paul Cadmus, E. M. Forster, Lincoln Kirstein, Osbert Sitwell, and others. Photographs from the "PaJaMa" collective formed by French with his wife and Cadmus, many of which were taken during the 1930s and 1940s on Fire Island, Provincetown, and Nantucket beaches, include George Tooker, Lincoln Kirstein, Truman Capote, George Platt Lynes, Donald Windham, Jack Dunphy, and Monroe Wheeler.
ArchivalResource: 3.34 linear feet (10 boxes)
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- Jared French papers, 1921-1989
Gertrude Stein and Alice B. Toklas collection 1901-1987
Title:
Gertrude Stein and Alice B. Toklas collection 1901-1987
The Gertrude Stein and Alice B. ToklasCollection contains manuscripts, letters, photographs, clippings, artworks, andresearch materials relating to the life and work of Gertrude Stein and hercompanion, Alice B. Toklas gathered during the years following Stein's death tosupplement the Gertrude Stein and Alice B. Toklas Papers (YCAL MSS 76). Itemsfrom such friends and admirers as Elizabeth Fuller Chapman, Doda Conrad,Clement Hurd, Samuel Steward, and Donald Sutherland complement the originalgroup of Stein papers. Series I, Writings, includes drafts of works byStein and several posthumously published items, along with a group of writingsby Alice B. Toklas. Series II, Correspondence, contains long runs of lettersfrom Stein to: Edward Aswell, Henry Phelan Gibb, William Garland Rogers, SamuelSteward, Donald Sutherland, and Virgil Thomson, all of which were acquired fromthe original recipients and several outgoing letters from Gertrude Stein andfrom Alice Toklas. Series III, Other Papers, contains research materialsfrom Stein scholars, files from the Atlantic Monthly concerning theirpublication of Stein's work, several musical settings of Stein works, and DodaConrad's files concerning a fund for Alice Toklas. Series IV and V containPrinted Materials and Series VI contains Photographs, some of Stein and Toklas,but principally of artworks owned by Stein and of posthumous productions ofStein plays. Series VII and VIII (Artworks and Objects), includes a collagepainting by Pablo Picasso and a number of paintings by Sir Francis Rose. SeriesIX, Film and Sound Recordings, contains a film of Stein and Toklas at the HotelPernollet in Belley France around 1927 and several audio recordings of Steinreadings her works.
ArchivalResource: Total Boxes:40; OtherStorage Formats: Artworks, Objects, Recordings, Oversize; Linear Feet: 24
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- Gertrude Stein and Alice B. Toklas collection, 1901-1987
New Directions Publishing records
Title:
New Directions Publishing records
Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.
ArchivalResource: 344 linear feet (910 boxes and 4 volumes)
http://id.lib.harvard.edu/ead/hou00077/catalog View
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- New Directions Publishing Corp. records, ca. 1933-1997.
Robert A. Wilson collection, 1906-2011
Title:
Robert A. Wilson collection 1906-2011
The Robert A. Wilson collection comprises 9 linear feet of material related to 36 prominent literary figures previously in the private collection of Robert A. Wilson, the final owner of the Phoenix Book Shop in New York City (1962-1988).
ArchivalResource: 11 linearfeet and 8 oversize boxes, 8 oversize folders, and 2 oversize galleys; (29 boxes)
http://library.udel.edu/static/purl.php?mss0481 View
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- Robert A. Wilson collection, 1906-2011
Windham, Donald. Donald Windham and Sandy Campbell papers, 1941-1965.
Title:
Donald Windham and Sandy Campbell papers, 1941-1965.
The collection consists of proofs, first drafts and adaptations for the stage of some of Donald Windham's works including, The Baker's Wife, Like a Flower, and Two People. Also included is an original typescript by Tennessee Williams of Stairs to the Roof, signed by Tennessee Williams.
ArchivalResource: 0.5 linear feet.
http://www.worldcat.org/oclc/440804381 View
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- Windham, Donald. Donald Windham and Sandy Campbell papers, 1941-1965.
Montgomery Clift papers, 1933-1966
Title:
Montgomery Clift papers 1933-1966
The papers of Montgomery Clift consist of a small amount of correspondence, scripts, photographs, notes and scrapbooks. The strength of the collection is in the large number of annotated scripts which range from early drafts to final scripts. The annotations provide insight both to Clift's involvement in the development of the films and plays and the characters he portrayed. Some plays included are : THE SEA GULL (1954), THERE SHALL BE NO NIGHT (1940), YOU TOUCHED ME (1945) and YR. OBEDIENT HUSBAND (1938). Films include: THE BIG LIFT (1950), THE DEFECTOR (1966), FREUD (1962), FROM HERE TO ETERNITY (1953), JUDGMENT AT NUREMBERG (1961), THE MISFITS (1961), A PLACE IN THE SUN (1951), RAINTREE COUNTY (1957), THE SEARCH (1948), SUDDENLY LAST SUMMER (1959), WILD RIVER (1960) and THE YOUNG LIONS (1958), among others. Included as well is a manuscript for an unproduced screenplay written by Clift and Kevin McCarthy, Clift's friend and collaborator.
ArchivalResource:
http://archives.nypl.org/the/21346 View
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- Montgomery Clift papers, 1933-1966
Windham, Donald. Donald Windham and Sandy Campbell papers, circa 1940-19uu.
Title:
Donald Windham and Sandy Campbell papers, circa 1940-19uu.
The collection consists of manuscripts, shorter printed works, photographs, and ephemera relating to Donald Windham. In addition, materials relating to Tennessee Williams and Sandy Campbell, two of Windham's close friends, are available. Some of the items in the collection are: drafts of the novels Tanaquil and The Hero Continues, proofs for Tennessee Williams' letters to Donald Windham, and scripts for You Touched Me. Also in the collection are printed editions of Windham's short stories, including those which appeared in the New Yorker. Those stories were later combined to form Windham's autobiography of his childhood home in Atlanta, Emblems of Conduct.
ArchivalResource: 627 items (11.5 linear feet).
http://www.worldcat.org/oclc/317888715 View
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- Windham, Donald. Donald Windham and Sandy Campbell papers, circa 1940-19uu.
Ford, Charles Henri, 1913-. Charles Henri Ford Papers, 1928-1981.
Title:
Charles Henri Ford Papers, 1928-1981.
The Charles Henri Ford papers consist of typescript and holograph manuscripts, correspondence, postcards, clippings, photographs, financial documents, contracts, invitations, page proofs, prospectuses, journals, and diaries. The Works series contains examples of Ford's published and unpublished poetry, theatrical work, and prose. His published work includes a typescript fragment of ABC'S and typescripts of THE HALF-THOUGHTS, THE DISTANCES OF PAIN, OM KRISHNA I: SPECIAL EFFECTS, THE OVERTURNED LAKE, SLEEP IN A NEST OF FLAMES, and THE YOUNG AND EVIL. Ford's unpublished work includes typescripts of "The Acts," "Confessions of a Freak," "Denmark Vesey," "I Will Be What I Am," "The Labyrinth," "Let's Get Out of Here," "The Poet," "A Record of Myself," "Thirty Variations," "Unhappy Train," and "A World of Women." There is material from an unpublished issue of View, devoted to theater. The Correspondence series includes both outgoing and incoming correspondence. Significant correspondents include Conrad Aiken, W.H. Auden, Djuna Barnes, Sir Cecil Beaton, Karen Blixen, Paul Bowles, Kay Boyle, Ronnie Burk, William S. Burroughs, Jean Cocteau, Joseph Cornell, Leonardo Cremonini, E.E. Cummings, Leonor Fini, Gertrude Ford, Ruth Ford, Allen Ginsberg, Ted Joans, Ray Johnson, Philip Lamantia, James Laughlin, Mary McCarthy, Gerard Malanga, Carmen Marino, Henry Miller, Marianne Moore, Edouard Roditi, Dame Edith Sitwell, Gertrude Stein, Wallace Stevens, Allen Tate, Pavel Tchelitchew, Parker Tyler, Carl Van Vechten, William Carlos Williams, Donald Windham, Bill Wolak, Kathleen Tankersley Young, and Stark Young. The Miscellaneous series includes correspondence to Charles L. Ford, Gertrude Ford, Pavel Tchelitchew, and Parker Tyler from various correspondents, and manuscripts of works by Djuna Barnes, Marius Bewley, Paul Bowles, Jean Cocteau, Jean Genet, Joe Gould, Ted Joans, Philip Lamantia, Jack Lindsay, Norman Macleod, Gerard Malanga, Howard Nemerov, Dame Edith Sitwell, Parker Tyler, and Kathleen Tankersley Young, as well as miscellaneous notes, architectural plans for a beach house, contracts, a royalty statement, certificates of copyright registration, and materials relating to View. The Journals/Diaries series consists almost exclusively of the journals and diaries of Ford from 1932 until 1967, with a few lacunae in the chronological coverage. They chronicle the literary and artistic communities in New York City and Paris and Ford's own creative ambitions and endeavors. Among the important figures mentioned are Kenneth Anger, W.H. Auden, George Balanchine, Djuna Barnes, Cecil Beaton, Paul Bowles, William Burroughs, John Cage, Henri Cartier-Bresson, Jean Cocteau, Merce Cunningham, Isak Dinesen, Max Ernst, Leonor Fini, Jean Genet, Peggy Guggenheim, Lincoln Kirstein, Mary McCarthy, Gerard Malanga, Ned Rorem, Edith and Osbert Sitwell, Gertrude Stein, Yves Tanguy, Allen Tate, Parker Tyler, Andy Warhol, Orson Welles, William Carlos Williams, and Stark Young. Ford also documents his private life, including his relationships with his sister, the actress Ruth Ford, her husband Zachary Scott, and the painter Pavel Tchelitchew. Ford records his struggles to force himself to work, the difficulties of finding publishers for his work, his experiences in publishing Blues and View, his experimentation in the visual arts, surrealism in the arts, and playwriting. He also chronicles his experiences while living abroad and in the United States, including impressions of Paris, Athens and the Greek islands, Rome and other cities in Italy, New York City, and the American South. There is frank discussion of homosexuality and the experiences of a gay man in the twentieth century. A later accession includes typescript poems by the poets Ronnie Burk and Bill Wolak.
ArchivalResource: 29 boxes (12 linear feet)
http://www.worldcat.org/oclc/122385692 View
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- Ford, Charles Henri, 1913-. Charles Henri Ford Papers, 1928-1981.
Tennesse Williams Papers, 1920-1983
Title:
Tennesse Williams Papers, 1920-1983
A large and important collection of the correspondence, memoirs, and plays of Tennessee Williams. The collection is especially strong in the later works.
ArchivalResource: 38 linear ft. (in 77 boxes and one Mapcase 13-4G-13).
http://findingaids.cul.columbia.edu/ead/nnc-rb/ldpd_4079626 View
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- Tennesse Williams Papers, 1920-1983
John Digby papers, 1963–2004, 1974–2002
Title:
John Digby papers 1963–2004 1974–2002
British-born poet and collagist John Digby’s productive and multi-faceted career spans nearly five decades, beginning in the 1960s. Best known as a collage artist whose Surrealism-influenced collages have been widely exhibited in England, France, Korea, and the United States, Digby is also a prolific poet whose works have been translated into several languages.
ArchivalResource: 24 linear feet; and 51 oversized boxes; (75 boxes)
http://library.udel.edu/static/purl.php?mss0569 View
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- John Digby papers, 1963–2004, 1974–2002
Howard D. Rothschild papers, 1921-1989.
Title:
Howard D. Rothschild papers, 1921-1989.
Correspondence, auction catalogs and other personal material of collector Howard D. Rothschild.
ArchivalResource: 14 boxes (7 linear ft.)
http://id.lib.harvard.edu/ead/hou00263/catalog View
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- Howard D. Rothschild papers, 1921-1989.
Charles Henri Ford Papers TXRC97-A13., 1928-1981
Title:
Charles Henri Ford Papers 1928-1981
The Charles Henri Ford papers consist of typescript andholograph manuscripts, correspondence, postcards, clippings, photographs, financialdocuments, contracts, invitations, page proofs, prospectuses, journals, and diaries.
ArchivalResource:
http://www.lib.utexas.edu/taro/uthrc/00250/00250-P.html View
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- Charles Henri Ford Papers TXRC97-A13., 1928-1981
Citation
- Constellation Relation
- Campbell, Sandy.
Citation
- Constellation Relation
- Capote, Truman, 1924-1984.
Citation
- Constellation Relation
- Clarke, Gerald, 1937-
Citation
- Constellation Relation
- Clift, Montgomery
Citation
- Constellation Relation
- Digby, John, 1938-
Citation
- Constellation Relation
- Ford, Charles Henri, 1913-
Citation
- Constellation Relation
- French, Jared, 1905-1988.
Citation
- Constellation Relation
- Graff, Robert D., 1919-
Citation
- Constellation Relation
- Korhauser, Elizabeth,
Citation
- Constellation Relation
- Lynes, George Platt, 1907-1955
Citation
- Constellation Relation
- Massee, Jordan
Citation
- Constellation Relation
- New Directions Publishers,
Citation
- Constellation Relation
- New Directions Publishing Corp.
Citation
- Constellation Relation
- New Yorker Magazine, Inc
Citation
- Constellation Relation
- Rothschild, Howard D.
Citation
- Constellation Relation
- Stein, Gertrude, 1874-1946.
Citation
- Constellation Relation
- Williams, Tennessee, 1911-1983.
Citation
- Constellation Relation
- Wilson, Robert A. (Robert Alfred), 1922-
Citation
- Constellation Relation
- Ford, Charles Henri, 1913-
eng
Zyyy
Citation
- Language
- eng
American literature
Citation
- Subject
- American literature
Authors, American
Citation
- Subject
- Authors, American
Authors, American
Citation
- Subject
- Authors, American
Authors, American
Citation
- Subject
- Authors, American
Authors, American
Citation
- Subject
- Authors, American
Authors, American
Citation
- Subject
- Authors, American
Authors, American
Citation
- Subject
- Authors, American
Americans
Citation
- Nationality
- Americans
Citation
- Place
- Georgia
Georgia
Parsed from SNAC EAC-CPF.
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Citation
- Convention Declaration
- Convention Declaration 103