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Barry Faulkner papers

Title: Barry Faulkner papers

The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of <emph render="italic">Sketches From an Artist's Life</emph>. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney. Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir <emph render="italic">Sketches From an Artist's Life</emph>, and an unpublished manuscript titled <emph render="italic">A Neighborhood of Artists</emph> about the history and culture of the Connecticut River Valley. Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.

ArchivalResource:

https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7 View

William Meyerowitz and Theresa F. Bernstein papers

Title: William Meyerowitz and Theresa F. Bernstein papers

Biographical accounts, letters, notes, writings, art work, scrapbooks, printed material, and photographs document the careers of William Meyerowitz and his wife Theresa Bernstein, both painters and printmakers.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c59eed53-f14b-48a2-9d56-42dbb790064b View

Houghton Cranford Smith papers

Title: Houghton Cranford Smith papers

The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.Biographical materials include photographs of Smith, of his artwork and of friends and family in Provincetown and New Mexico, school documents from the Foebel Academy, the Pratt Institute in Brooklyn and the Art Students' League, autographed menus, correspondence, including postcards and letters to family and friends sent from Bermuda and Jamaica, customs declarations, exhibition catalogs, newspaper clippings, a passport to Chile, newsletters, and Smith's teaching contract from the University of Kansas. Additionally, there are significant photographs and letters documenting Smith's art studies with E. Ambrose Webster at the Cape Cod School of Art in Provincetown, Massachusetts.The collection also includes Smith's correspondence from France and South America. A significant portion of the collection includes papers from his time in France from 1913-1914, where he studied at the Parisian art school Academie Julian. These include a log from a tandem bicycle trip with classmate Harold P. Browne, an invitation to the Bal Randolphe, a Browne Art Class brochure and a narrative entitled "A Party of Fugitives from France," which describes Smith's forced fleeing from France after the French mobilization in 1914. There are also papers describing his South American travels which include notes and correspondence about Argentina, Uruguay and his time in Chile, which spans five years.Materials documenting Smith's return to France and studies at the Academie Ozenfant from 1926 to 1933 include Smith's passport, ship passenger lists and other travel documents, correspondence with family, French identification letters, exhibition catalogs, newspaper clippings and his Academie Ozenfant list of classes and student card. Of particular note are correspondence from and a picture of Sir Walter Kitchener, governor of Bermuda, and letters from wife Elena Peralta to her parents-in-law. Topics covered in the correspondence of this scrapbook include sons Houghton Jr. and Gerrit and the birth of daughter Florence, financial difficulties, art teachers Amadee Ozenfant and Andree L'hote and the family's travels to Bermuda, New Mexico and New York City.Materials from later in Smith's life include correspondence from Smith to second wife Laura Gilbert Williams, exhibition catalogs and registers, photographs of artwork, newspaper clippings of reviews received for Smith's exhibited paintings and congratulatory letters from family and friends on Smith's successful exhibits and feature article in The American Artist. Additionally, there is significant correspondence with the Passedoit Gallery, Homer Saint-Gaudens of the Carnegie Institute regarding the exhibition and purchase of Smith's artwork and Smith's gifted painting to the Butler Institute of American Art. Additionally, there are several biographical newspaper articles and a biographical sketch written by his wife Laura after his death.Of note is the artist's original handwritten notes and final published version of his reminiscence "The Provincetown I Remember," notes about painting with various colors and color charts, related assignments from Smith's Color Theory Class, a signed copy of the book Color by E. Ambrose Webster, Smith's former art teacher, pencil sketches, a class notebook about lettering and an address book.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c91ed2e8-4c21-403e-970c-80ba6269d66f View

Sachs, Paul J. (Paul Joseph), 1878-1965. Papers, 1903-2005.

Title: Papers, 1903-2005.

These papers of Fogg Art Museum associate director Paul J. Sachs document his administration of the museum, his teaching career at Harvard, and related professional activities. The papers consist primarily of correspondence and also include photographs, printed material, clippings, architectural drawings, reports, financial records, letters of introduction, insurance records, maps, funding appeals, minutes, memoranda, exhibition brochures, page proofs and press releases.

ArchivalResource: 99 files boxes + oversize materials.

http://www.worldcat.org/oclc/424592354 View

Houghton Cranford Smith papers

Title: Houghton Cranford Smith papers

The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.Biographical materials include photographs of Smith, of his artwork and of friends and family in Provincetown and New Mexico, school documents from the Foebel Academy, the Pratt Institute in Brooklyn and the Art Students' League, autographed menus, correspondence, including postcards and letters to family and friends sent from Bermuda and Jamaica, customs declarations, exhibition catalogs, newspaper clippings, a passport to Chile, newsletters, and Smith's teaching contract from the University of Kansas. Additionally, there are significant photographs and letters documenting Smith's art studies with E. Ambrose Webster at the Cape Cod School of Art in Provincetown, Massachusetts.The collection also includes Smith's correspondence from France and South America. A significant portion of the collection includes papers from his time in France from 1913-1914, where he studied at the Parisian art school Academie Julian. These include a log from a tandem bicycle trip with classmate Harold P. Browne, an invitation to the Bal Randolphe, a Browne Art Class brochure and a narrative entitled "A Party of Fugitives from France," which describes Smith's forced fleeing from France after the French mobilization in 1914. There are also papers describing his South American travels which include notes and correspondence about Argentina, Uruguay and his time in Chile, which spans five years.Materials documenting Smith's return to France and studies at the Academie Ozenfant from 1926 to 1933 include Smith's passport, ship passenger lists and other travel documents, correspondence with family, French identification letters, exhibition catalogs, newspaper clippings and his Academie Ozenfant list of classes and student card. Of particular note are correspondence from and a picture of Sir Walter Kitchener, governor of Bermuda, and letters from wife Elena Peralta to her parents-in-law. Topics covered in the correspondence of this scrapbook include sons Houghton Jr. and Gerrit and the birth of daughter Florence, financial difficulties, art teachers Amadee Ozenfant and Andree L'hote and the family's travels to Bermuda, New Mexico and New York City.Materials from later in Smith's life include correspondence from Smith to second wife Laura Gilbert Williams, exhibition catalogs and registers, photographs of artwork, newspaper clippings of reviews received for Smith's exhibited paintings and congratulatory letters from family and friends on Smith's successful exhibits and feature article in The American Artist. Additionally, there is significant correspondence with the Passedoit Gallery, Homer Saint-Gaudens of the Carnegie Institute regarding the exhibition and purchase of Smith's artwork and Smith's gifted painting to the Butler Institute of American Art. Additionally, there are several biographical newspaper articles and a biographical sketch written by his wife Laura after his death.Of note is the artist's original handwritten notes and final published version of his reminiscence "The Provincetown I Remember," notes about painting with various colors and color charts, related assignments from Smith's Color Theory Class, a signed copy of the book Color by E. Ambrose Webster, Smith's former art teacher, pencil sketches, a class notebook about lettering and an address book.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c91ed2e8-4c21-403e-970c-80ba6269d66f View

Fred and Edith Nagler papers

Title: Fred and Edith Nagler papers

Printed material, correspondence, photographs, a scrapbook, and a journal.

ArchivalResource:

https://n2t.net/ark:/65665/mw9a6a3cff0-317d-43a2-81a7-bbefe5ccd589 View

Howells family papers, 1850-1954 (inclusive).

Title: Howells family papers, 1850-1954 (inclusive).

Correspondence, compositions, and diaries of American novelist William Dean Howells as well as papers of his wife and children.

ArchivalResource: 52 boxes, 2 volumes, 2 portfolio boxes (26 linear ft.)

http://id.lib.harvard.edu/ead/hou01480/catalog View

Manny, Frank Addison, 1868-1954. Papers, 1890-1955

Title: Frank Manny papers 1890-1955

Progressive educator, student of Thomas Dewey at the University of Chicago, served as head of the state Normal School at Oshkosh, Wisconsin, superintendent of the Felix Adler School of Ethical Culture in New York City and as head of teacher education in the city of Baltimore. The papers include extensive personal correspondence, scrapbooks, journals, writings and other materials concerning his professional interests. Correspondence includes letters from distinguished authors and educators.

ArchivalResource: 6 linear feet

http://quod.lib.umich.edu/b/bhlead/umich-bhl-852267?rgn=main;view=text View

Jack Levine papers

Title: Jack Levine papers

The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series. Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for <emph render="italic">Facing East</emph>, a portfolio of Levine's prints, and three books.Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow. There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.

ArchivalResource:

https://n2t.net/ark:/65665/mw9ee98ce56-1333-40b7-8878-654a12f9024b View

Saint-Gaudens, Augustus, 1848-1907. Papers, 1848-1958.

Title: Papers, 1848-1958.

Correspondence (including that of Homer Saint-Gaudens and the Dolley Family); business papers and legal documents; drafts of Homer Saint-Gaudens' biography of his father; sketches; photographs; printed matter relating to Saint-Gaudens and his work.

ArchivalResource: 114 boxes (171 linear ft.) 56 reels : illustrations ; 35 mm.

https://search.library.dartmouth.edu/permalink/01DCL_INST/ruglp7/alma991024466139705706 View

George Platt Lynes photographs

Title: George Platt Lynes photographs

Photographs of artists and art works taken by Lynes.

ArchivalResource:

https://n2t.net/ark:/65665/mw992b59d5d-83f7-4db1-b7a4-b0e70c57821e View

Strassburger family. Photographs 1875-1981 [picture].

Title: Photographs 1875-1981 [picture].

Photographs include family photographs, portraits, and photographs of William Strassburger's paintings, documenting the artistic, social and professional interests of a prominent Pittsburgh Jewish family. Also included are awards, diplomas, memorial books and genealogical materials for the Morganstern family.

ArchivalResource: .35 linear ft.

http://www.worldcat.org/oclc/31156130 View

Carnegie Institute, Museum of Art records

Title: Carnegie Institute, Museum of Art records

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

ArchivalResource: 265.8 Linear feet

https://n2t.net/ark:/65665/mw941920dd5-82b0-485f-802d-62b012a74357 View

Nichols, Rose Standish. Rose Standish Nichols papers, 1877-1922.

Title: Rose Standish Nichols papers, 1877-1922.

This collection primarily concerns the close relationship between Rose Standish Nichols and her uncle, sculptor Augustus Saint-Gaudens, and also relates his wife Augusta F. Homer Saint-Gaudens, and their family. Includes correspondence, a diary belonging to Rose Nichols, numerous photographs of Augustus Saint-Gaudens, and other materials. There is also an incomplete autograph manuscript draft (by Nichols) of a biographical sketch of Saint-Gaudens. Correspondence includes a large group of letters from Saint-Gaudens to Rose Nichols (but none from her) concerning his life and work. Includes autograph manuscript transcripts of these letters compiled by Nichols. Also with: a large group of letters from Augusta Saint-Gaudens to Nichols; a few letters from friends and colleagues to Augustus Saint-Gaudens including Henry James (copy only), Henry Adams (copy only), Daniel Chester French, and others; and one letter from Homer Saint-Gaudens to Rose Nichols.

ArchivalResource: 2 boxes (1 linear ft.)

http://www.worldcat.org/oclc/612872485 View

Oakley, Violet, 1874-1961. Correspondence, 1918-1923.

Title: Correspondence, 1918-1923.

The papers of this prominent Philadelphia artist contain letters, postcards and telegrams from U.S. art museums, schools, and universities concerning subscriptions for a portfolio of her paintings. This correspondence is with some of the nation's major museums including the Corcoran Gallery of Art, the Society of Arts & Crafts, and the Art Institute of Chicago. The collection also contains a letter from Alice Paul of the National Woman's Party.

ArchivalResource: 0.6 cubic ft. (2 boxes).

http://www.worldcat.org/oclc/122541726 View

Bror Julius Olsson (B.J.O.) Nordfeldt papers

Title: Bror Julius Olsson (B.J.O.) Nordfeldt papers

Biographical material, correspondence, business records, writings and notes, printed material, scrapbooks, and photographs document Nordfeldt's career as a painter and instructor, and his widow's involvement after his death in exhibitions, biographies, and sales of his work.

ArchivalResource:

https://n2t.net/ark:/65665/mw9174922b1-b678-43e8-816e-f415864755b7 View

Arnold Friedman papers

Title: Arnold Friedman papers

Letters, undated and 1933-1946, from Albany Institute of History and Art, Art Institute of Chicago, Alfred Barr, Cincinnati Art Museum, Robert W. Leeds, Metropolitan Museum of Art, Robert C. Osborn, Duncan Phillips, Homer Saint-Gaudens, Edward B. Rowan and Edward Bruce, Treasury Section of Fine Arts, and others.

ArchivalResource:

https://n2t.net/ark:/65665/mw9afead16d-8d96-40cd-a585-dff5ad929d56 View

Georgina Klitgaard Papers, 1917-1965

Title: Georgina Klitgaard Papers 1917-1965

Correspondence (1917-1965); artwork, including lithographic plates and sketches; photographs and reproductions of paintings; and printed material, including clippings (1928-1965), exhibition catalogs (1927-1965), and reviews. Correspondents include Bill Alexander, the American Artists Group, Inc., Erwin S. Barrie, Ray Bethers, George Biddle, Julius Bloch, Mortimer Borne, W. Sterry Branning, Lucile E. Bush, Millicent Carey, the Carnegie Institute, the Chesapeake and Ohio Railway Compnay, Van Cort, Russell Cowles, Katharine Day, Dorothy Dehner, Juliana Force, Kathryn Gamble, Daisy Gill, Lloyd Goodrich, Buckner Hollingsworth, Kaj Klitgaard, Yasuo Kuniyoshi, Archibald MacLeish, Hughes Mearns, Hermon More, Hobson Pittman, Frances M. Pollak, Henry Varnum Poor, Homer Saint-Gaudens, Silvia Saunders, Jean Paul Slusser, Charles A. Smart, Carl Spaatz, Eugene Speicher, Francis H. Taylor, Zoraida E. Weeks, and William Zorach.

ArchivalResource:

http://library.syr.edu/digital/guides/k/klitgaard_g.htm View

Jack Levine papers

Title: Jack Levine papers

The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series. Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for <emph render="italic">Facing East</emph>, a portfolio of Levine's prints, and three books.Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow. There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.

ArchivalResource:

https://n2t.net/ark:/65665/mw9ee98ce56-1333-40b7-8878-654a12f9024b View

Maude Adams Papers, 1925-1956

Title: Maude Adams Papers 1925-1956

American stage actress, writer, educator. Annotated typescripts and mimeographed copies of Adams's unpublished autobiography, writings relating to the study of acting, a commencement address, notes for a proposed radio program, a religious play, and the corrected typescript of Phyllis Robbins's biography, . Maude Adams, An Intimate Portrait

ArchivalResource: 19 items; 2 containers; 0.6 linear feet

http://hdl.loc.gov/loc.mss/eadmss.ms009118 View

Letter from Homer Saint-Gaudens and clippings

Title: Letter from Homer Saint-Gaudens and clippings

Short, affectionate letter from museum director Homer Saint-Gaudens in Vermont to his "Aunt Genie," (Eugenie Homer Emerson), 1909, thanking her for her letter, mentioning he's sorry she'll be so far away as East Providence, and closing by saying, "There is no special news here ...". Clippings relate to sculpture by Homer's father, Augustus Saint-Gaudens, including an article by Homer about his father's later works, 1908, and an article by him about caricaturist John Leech.

ArchivalResource:

https://n2t.net/ark:/65665/mw9b4371d54-a75e-403b-a726-7c702d24391f View

Forbes Watson papers

Title: Forbes Watson papers

The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.5 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

ArchivalResource: 13.92 Linear feet

https://n2t.net/ark:/65665/mw9b62b4c1c-aa40-4979-bbf3-d90fa4e127b6 View

Willard Family Papers, 1800-1968, (bulk 1890-1954)

Title: Willard Family Papers 1800-1968 (bulk 1890-1954)

Correspondence, letterbooks, notebooks, diaries, subject files, business and financial records, and other papers documenting the family's involvement in the business, social, and political life of Virginia and Washington, D.C.

ArchivalResource: 119,900 items; 522 containers plus 5 oversize; 180.8 linear feet

http://hdl.loc.gov/loc.mss/eadmss.ms010061 View

Waldo Peirce Papers, 1889-1985

Title: Waldo Peirce Papers 1889-1985

Artist. Correspondence and other papers including a large number of letters between Peirce and his mother, Anna Hayford Peirce, that trace the development of Peirce's artistic career and his mother's travels and her social life in Bangor, Maine.

ArchivalResource: 8,425 items; 29 containers; 12.6 linear feet; 2 microfilm reels

http://hdl.loc.gov/loc.mss/eadmss.ms013082 View

Henry Ernest Schnakenberg papers

Title: Henry Ernest Schnakenberg papers

Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.

ArchivalResource:

https://n2t.net/ark:/65665/mw9324de55d-c4b7-4bbe-9ff3-d60db8786f14 View

Guy Pène Du Bois papers

Title: Guy Pène Du Bois papers

The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.

ArchivalResource: 2 Linear feet

https://n2t.net/ark:/65665/mw97572fde2-20b1-4c2d-888b-9056094d425e View

Joseph Ternbach papers

Title: Joseph Ternbach papers

The papers of sculpture conservator and restorer Joseph Ternbach measure 1.0 linear feet and date from 1915-1985. The papers include biographical material, correspondence, financial records, and printed material.

ArchivalResource: 1 Linear foot

https://n2t.net/ark:/65665/mw99b4657fc-79bd-4a31-a16b-760944094444 View

Oral history interview with Virginia Cuthbert

Title: Oral history interview with Virginia Cuthbert

An interview of Virginia Cuthbert conducted 1995 August 28, by Robert F. Brown, for the Archives of American Art, in Cuthbert's home, Buffalo, New York.

OralHistoryResource: Sound recording: 1 sound cassette (90 min.) : analog.

https://n2t.net/ark:/65665/mw9fe386459-0c79-48a7-b4ea-db321d63cd2d View

Rose Standish Nichols papers, 1877-1922.

Title: Rose Standish Nichols papers, 1877-1922.

Correspondence andother papers of American landscape architect and writer, Rose Standish Nichols.

ArchivalResource: 2 boxes (1 linear ft.)

http://id.lib.harvard.edu/ead/hou02035/catalog View

Forbes, Edward Waldo, 1873-1969. Papers, 1867-2005.

Title: Papers, 1867-2005.

These papers of Fogg Art Museum Director Edward Waldo Forbes document his administration of the museum and a wide range of personal and professional activities and interests. The bulk of the collection dates from 1909 to 1944. The papers consist primarily of correspondence, including a series of correspondence with art dealers, and also include photographs, reports, expedition field notes and journals, printed material, newspaper clippings, blueprints, meeting minutes, letters of recommendation, insurance records, invoices, page proofs, telegrams, rubbings, sketches, visiting cards, shipping documents and press releases.

ArchivalResource: 119 boxes + oversize materials.

http://www.worldcat.org/oclc/422897333 View

Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson

Title: Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson

The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).

ArchivalResource: 3.4 Linear feet

https://n2t.net/ark:/65665/mw9e8f2773f-cdd3-4d29-9ecb-ab2f66faef8f View

Witter Bynner papers, 1829-1965.

Title: Witter Bynner papers, 1829-1965.

Correspondence and compositions of American poet and translator Witter Bynner.

ArchivalResource: 99 boxes (49.5 linear ft.)

http://id.lib.harvard.edu/ead/hou00668/catalog View

Records of the U.S. Mint. 1792 - 2007. Central Files. 1898 - 1988. 232 Coins, Gold - Saint-Gaudens $10-$20

Title: Records of the U.S. Mint. 1792 - 2007. Central Files. 1898 - 1988. 232 Coins, Gold - Saint-Gaudens $10-$20

ArchivalResource:

https://catalog.archives.gov/id/5772488 View

Carnegie Institute, Museum of Art records

Title: Carnegie Institute, Museum of Art records

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

ArchivalResource: 265.8 Linear feet

https://n2t.net/ark:/65665/mw941920dd5-82b0-485f-802d-62b012a74357 View

Yasuo Kuniyoshi papers

Title: Yasuo Kuniyoshi papers

The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2016, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

ArchivalResource: 14.3 Linear feet; 2.84 Gigabytes

https://n2t.net/ark:/65665/mw9183b42d3-2658-45dc-9d32-9d134dc25088 View

Edna Reindel papers

Title: Edna Reindel papers

The papers of artist Edna Reindel measure 0.8 linear feet and date from circa 1918-1990. The collection contains biographical material, printed material, artist files and photographs that document Reindel's career and her friendships with Hollywood celebrities, art patrons, and artists.

ArchivalResource: 0.8 Linear feet

https://n2t.net/ark:/65665/mw947b0aba0-b812-4b8e-bbab-42901911ef66 View