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New York Artists Equity Association records

Title: New York Artists Equity Association records

The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.

ArchivalResource: 26.8 Linear feet; 2.99 Gigabytes

https://n2t.net/ark:/65665/mw9262aeec9-d4bf-436e-aef6-73441a4b1195 View

Winters, Denny : [miscellaneous ephemeral material].

Title: Winters, Denny : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/198915407 View

Frank K. M. Rehn Galleries records

Title: Frank K. M. Rehn Galleries records

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related. Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.

ArchivalResource:

https://n2t.net/ark:/65665/mw9b5275f6d-e2b7-4f51-a515-53b316671902 View

Denny Winters papers

Title: Denny Winters papers

Correspondence, primarily with family; several essays and speeches about art; a list of Winters's paintings; photographs of her and others, including Karl Fortess, Carroll Berry, Howard Jones, Francis Merritt, William Zorach, William Kienbusch, and William Thon; photographs of her art work; invitations, awards, and membership cards; exhibition catalogs, announcements, and publicity and printed matter.

ArchivalResource:

https://n2t.net/ark:/65665/mw9422bff31-1afb-4698-8203-674846f2744e View

WINTERS, DENNY. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122378052 View

Karl E. Fortess interviews with artists

Title: Karl E. Fortess interviews with artists

The taped interviews with artists by Karl Fortress measure 5.6 linear feet and date from circa 1963 to 1985. The interviews consist of 205 cassettes containing 268 interviews, averaging 35 minutes, of painters, sculptors, and printmakers. Fortess conducted seventy-nine of the interviews as a pilot for and as part of a grant from Office of Education, U.S. Dept. of Health, Education, and Welfare at Boston University's School of Applied Arts. Included in the collection is the final report for the grant, June 1968, summarizing the objective was "to develop a library of taped interviews with contemporary American painters, sculptors, and graphic artists, such interviews to be concerned with questions of technical, professional and personal interest" and the evaluation process and outcomes of the value of the interviews as a teaching resource for faculty and students. The interviews followed guidelines to include background, training, work patterns, interests, teachers, influences, teaching experiences, attitudes toward teaching, and opinions on art trends. Fortess continued interviewing artists upon completion of the grant, including many with with artists associated with the Woodstock, N.Y. art community.

OralHistoryResource: 268 interviews recorded on 205 audio cassettes.

https://n2t.net/ark:/65665/mw996b317da-502d-42d0-a01e-ee00fc5235a4 View

Oral history interview with Denny Winters

Title: Oral history interview with Denny Winters

An interview with Denny Winters conducted 1980 February 7-October 28, by Robert Brown, for the Archives of American Art.

OralHistoryResource: Sound recording: 3 sound files : digital, wav file.

https://n2t.net/ark:/65665/mw981caabb3-0a73-4e0b-9b53-34ad1052a04f View