Compare Constellations

MacLow, Jackson. Letters, 1965, to Lewis Mumford.

Title: Letters, 1965, to Lewis Mumford.

ArchivalResource: 2 items (7 l.).

http://www.worldcat.org/oclc/155872051 View

Marguerite Harris Papers, 1901-1978

Title: Marguerite Harris Papers 1901-1978

Spanning 1901 to 1978, the Marguerite Harris Papers comprises correspondence, writings, and memorabilia of the American avant-garde poet and editor (1898 or 9-1978). An active member of the Poetry Society of America, Marguerite Harris bridged the gap between two generations of poets: the Imagist and Surrealist writers, and the Beats. The collection not only reflects her professional career, but also offers a unique insight into the life and work of a number of young poets of the 1950s, 60s and 70s.

ArchivalResource: 2.25 linear ft.

http://library.syr.edu/digital/guides/h/harris_m.htm View

Mayer, Bernadette. Papers, 1958-1996.

Title: Papers, 1958-1996.

Papers of an experimental American woman writer. The collection includes correspondence from a wide range of contemporary writers and some of Mayer's students, notebooks and loose notes, manuscripts for published and unpublished writings, teaching materials, photographs of family and friends, and audiorecordings of Lewis Warsh's readings and comments about his experiences at Harvard University in 1972.

ArchivalResource: 24.5 lin. ft. (60 archives boxes, 1 card file box, and 5 oversize folders)

http://www.worldcat.org/oclc/36579708 View

Conjunctions. Records II, 1985-1987.

Title: Records II, 1985-1987.

Collection includes correspondence, manuscripts and production materials relating to the publication of Conjunctions. Manuscripts (many with corrections) include: copy edited printer's setting manuscripts, corrected galleys, second corrected editorial proofs, various other interim copy-edited proofs, final proofs, final reproduction camera-ready mechanicals. Correspondence includes: letters between editors, Bradford Morrow and Jerome Rothenberg, and typesetter. [Special "Ethnopoetics section of Conjunctions No. 6, edited by Jerome Rothenberg]; subscribers, reviewers, etc ... ; numerous unpublished manuscripts; and business correspondence with distributors, advertisers, other publishers, etc. Some of the correspondents include: Mei-mei Berssenbrugge, Frederick Busch, Mary Caponegro, Hayden Carruth, Tom Clark, James Clifford, Peter Cole, Clark Coolidge, Cid Corman, Guy Davenport, Coleman Dowell, Bruce Duffy, Barbara Einzig, Theodore Enslin, Clayton Eshleman, Phillip Foss, Cola Fransen, Gene Frankin, Kenneth Gangemi, John Hawkes, Michael Heller, Leland Hickman, Susan Howe, Barbara Howes, Kenneth Irby, Ronald Johnson, Frederick Robert Karl, Robert Kelly, Gerrit Lansing, James Laughlin, Ann Lauterbach, Karin Lessing, Ron Loewinsohn, Jackson Mac Low, Nathaniel Mackey, Roger Manley, Ed McClanahan, Michael McClure, Guy Mendes, Paul C. Metcalf, Thomas Meyer, Bradford Morrow, Reno Odlin, Toby Olson, Carl Rakosi, Laura Riding, Edouard Roditi, Leslie Scalapino, Armand Schwerner, Dennis Silk, Ronald Silliman, Gustaf Sobin, Gilbert Sorrentino, John Taggart, Nathaniel Tarn, Barbara Tedlock, Keith Waldrop, Rosemarie Waldrop, Paul West, Jonathan Williams. Other materials include photographs, corrected proofs of announcements, flyers, invitations, review materials and various miscellany.

ArchivalResource: 18 linear ft.

http://www.worldcat.org/oclc/122639693 View

United Artists (New York, N.Y.) Records, 1977-1983

Title: United Artists (New York, N.Y.) Records, 1977-1983

Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977. Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson. Correspondence with these and other United Artist contributors can be found in the collection. Also included are typescripts of works submitted and materials used for production of United Artists publications.

ArchivalResource: 3.60 linear feet; (9 archives boxes)

http://www.oac.cdlib.org/ark:/13030/tf158004j9 View

Richards, Mary Caroline. Mary Caroline Richards papers, 1928-1994.

Title: Mary Caroline Richards papers, 1928-1994.

The Richards papers document her lifetime of work as first a scholar and teacher of English literature, then her work as a poet, potter, and translator, and finally her lectures, workshops and writings in art education. The papers emphasize the period, the 1940s and 1950s, during which Richards served on the faculty of Black Mountain College. Here she formed friendships with many artists, including the musicians John Cage, David Tudor, Lou Harrison, the so-called Black Mountain poets, Charles Olson, Robert Creeley, and Robert Duncan, and in dance, Merce Cunningham and Remy Charlip. Visual artists with whom she was associated include Lyle Bongé, and Joe Fiore, as well as the many students she taught. Richards extensive correspondence (12 linear ft.) documents her warm friendships with these artists, her students, and with many others. This series comprises the largest part of the archive. Also included are manuscripts and lectures by Richards, including her dissertation, articles, translations, books, and her poetry. Many of her writings reveal her philosophy of education, and the value she placed on the arts as a means to self-expression. Manuscripts by others include those by Lou Harrison, Dick Higgins, Jackson Mac Low, and Cage's "Indeterminacy" stories, handwritten with corrections and dedicated to Richards. Other materials include her diaries, notebooks and sketchbooks, photographs and printed matter, and original artwork by Richards and her students, with some pieces by established artists.

ArchivalResource: 33 linear ft.

http://www.worldcat.org/oclc/77798395 View

Mac Low, Jackson. Correspondence with Singing Horse Press, 1978-1988.

Title: Correspondence with Singing Horse Press, 1978-1988.

Comprises 59 items to Gil Ott and 5 items from Ott.

ArchivalResource: 64 items (225 leaves).

http://www.worldcat.org/oclc/122542147 View

Oral history interview with Alison Knowles

Title: Oral history interview with Alison Knowles

An interview of Alison Knowles conducted 2010 June 1-2, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Knowles' home and studio, in New York, N.Y.

OralHistoryResource: Sound recording, master: 5 mini discs (5 hr., 45 min.) secure digital; 1.25 in.

https://n2t.net/ark:/65665/mw98f89c1d9-b4ed-49cb-8fac-4f5e5dedfa4e View

Eigner, Larry, 1927-1996. Larry Eigner papers, 1937-1995.

Title: Larry Eigner papers, 1937-1995.

Manuscripts, correspondence, works by others, reviews, printed material.

ArchivalResource: 15.75 linear feet.

http://www.worldcat.org/oclc/462019406 View

Judson Memorial Church Archive, 1838-1995

Title: Judson Memorial Church Archive 1838-1995

The Judson Memorial Church's (Washington Square, New York, New York) archive spans nearly two centuries (1839-2001). During that time, it has been a center of worship and of social activism such as civil rights, anti-war, reproductive rights, and the women's movement. In addition, it became a center for avant-garde art ranging from its role in the artistic revolt against Abstract Expressionism, to postmodern dance at the Judson Dance Theater, to the Judson Poets Theater. These aspects are documented in the papers, photographs, and other materials that comprise the collection. Items include various church records and meeting minutes, as well as materials regarding such artists as: Claes Oldenburg, Jim Dine, Lucinda Childs, Yvonne Rainer, Nam June Paik, Robert Rauschenberg, Yoko Ono, Meredith Monk, and many others.

ArchivalResource: 173.0 linear feet; (135 boxes)

http://dlib.nyu.edu/findingaids/html/fales/judson/judson.html View

Poetry mss., 1954-2002

Title: Poetry mss., 1954-2002

Consists primarily of the correspondence, individual issue make-ups and proofs of Poetry (formerly called Poetry: A Magazine of Verse) published in Chicago, Illinois.

ArchivalResource: 250,000 items

http://webapp1.dlib.indiana.edu/findingaids/view?doc.view=entire_text&docId=InU-Li-VAA3754 View

United Artists (New York, N.Y.). Records, ca. 1977-1983.

Title: Records, ca. 1977-1983.

Primarily correspondence of Warsh and Mayer with contributors to United Artists publications. Correspondence relates to both literary and private matters.

ArchivalResource: 3.6 linear ft. (9 boxes)

http://www.worldcat.org/oclc/18665275 View

Wieck, David Thoreau, 1921-. Papers, 1921-1996 (bulk 1943-1994).

Title: Papers, 1921-1996 (bulk 1943-1994).

The brief Biographical series includes clippings, memorabilia, and other personal materials. The Correspondence series includes: Paul Avrich, Giovanni Baldelli, George Benello, Clif Bennett, Murray Bookchin, Holley Cantine, Dave Dellinger, Eliot Deutsch, Daniel DeWees, Audrey Goodfriend, David Koven, Laurance Labadie, Ian and Meda Lind, Jackson Mac Low, Lowell Naeve, Ruth Perry, Dachine Rainer, Taylor Stoehr, Ralph Stone, Vera and Paul Williams. There are also some prison letters (see Related Materials, below). The Diaries and Journals cover the years 1932-1993. Series IV, Writings, contains manuscripts, typescripts and notes, principally for unpublished works by Wieck and others. There are numerous philosophical writings, and an unpublished typescript by Wieck: The United Mineworkers of America: A Study in Centralization.

ArchivalResource: 6.0 linear ft.

http://www.worldcat.org/oclc/475883813 View

Rothenberg, Jerome, 1931-. Jerome Rothenberg papers, 1944-1985.

Title: Jerome Rothenberg papers, 1944-1985.

Documentation of Rothenberg's writing, editorial work, personal correspondence, and teaching. The Writings series includes materials representing nearly all of Rothenberg's published works, as well as notebooks dating from ca. 1945-ca. 1986. Includes a small group of personal and family materials. Books and journals from his library are detailed in a Separation List.

ArchivalResource: 49.8 cu. ft. (109 archives boxes, 49 oversize folders)

http://www.worldcat.org/oclc/22613849 View

Jackson Mac Low Papers, 1923-1995

Title: Jackson Mac Low Papers, 1923-1995

Papers of Jackson Mac Low, a poet, composer and performance artist who has frequentlyused systematic chance operations and other non-intentional compositional methods in hiswork. The bulk of the collection dates between 1937 and 1995. The collection containsnotebooks (1948-1990); biographical material; correspondence (1943-1995); manuscripts ofpoetry, prose, essays, plays, music and performance instructions; writings of others;interviews with Mac Low; conference and residency documentation; posters and programs;and subject files. Prominent correspondents include Kathy Acker, Julian Beck, Carol Berge, Paul Blackburn,John Cage, Robert Creeley, Larry Eigner, Clayton Eshleman, Peter Ganick, Paul Goodman,Allen Ginsberg, Donald Hall, Spencer Holst, Vera Lachmann, Denise Levertov, GeorgeMaciunas, Judith Malina, Steve McCaffery, Nam June Paik, Jerome Rothenberg, Ron Silliman,John Taggart, Diane Wakoski, Anne Waldman, and William Carlos Williams. The collection is arranged in ten series: 1) NOTEBOOKS, 2) BIOGRAPHICAL MATERIAL, 3)CORRESPONDENCE, 4) WRITINGS, 5) WRITINGS OF OTHERS, 6) INTERVIEWS, 7) CONFERENCES,FESTIVALS AND RESIDENCIES, 8) PROGRAMS AND POSTERS, 9) SUBJECT FILES, and 10) ORIGINALSOF PRESERVATION PHOTOCOPIES.

ArchivalResource: 33.15 linear feet; (79 archives boxes, 1 records cartonand 1 oversize folder)

http://www.oac.cdlib.org/ark:/13030/kt709nb2cz View

Los Angeles County Museum of Art. Art and Technology Program. Modern Art Department, Art and Technology records, 1967-1971.

Title: Modern Art Department, Art and Technology records, 1967-1971.

The Modern Art Department, Art and Technology records, covering 2.5 linear feet, comprise a major portion of the program's documentation held at the Los Angeles County Museum of Art. While much of the information contained in these records is included in the published Report on the Art and Technology Program at LACMA 1967-1971, by curators Maurice Tuchman and Jane Livingston, a rich range of materials provides insight into the program's planning and execution, and into the experiences of those artists and companies who participated. These materials include administrative files, correspondence, curatorial notes and drafts of essays on artists, transcripts of artist interviews, and some sketches and photographs of artworks created by artists-in-residence. Series I Administrative consists mostly of documents created in preparation for and to publicize the Art and Technology program, including progress reports noting the arrangements being made between artists and corporations and a brochure announcing the purpose and goals of the program. Series II Corporate Participants and Contributors encompasses a scant amount of materials on only one of the thirty-seven companies that sponsored the Art and Technology program, the Lockheed Aircraft Corporation which hosted the artist R.B. Kitaj. Also included in this series are letters from Marilyn "Missy" Chandler, wife of Los Angeles Times' publisher Otis Chandler, who solicited corporate support on behalf of LACMA. Additional information on corporate sponsors appears sporadically in the artist files comprising Series III. Series III Artists includes files on thirty-one of the seventy-six artists who either were invited, or submitted proposals, to participate in the Art and Technology program, including John Chamberlain, Robert Irwin, Rockne Krebs, Roy Lichtenstein, Jackson MacLow, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Robert Rauschenberg, Tony Smith, Karlheinz Stockhausen, James Turrell, Victor Vasarely, and Andy Warhol. These files contain (where noted) correspondence between artists, LACMA curators, and corporate personnel, artist statements and proposals, curatorial notes and drafts of essays written for A Report on the Art and Technology Program, transcriptions of interviews and conversations with artists, photographs of artists resident at corporations, and drawings, photographs, and negatives of artists' works. A file containing a 2007 statement by Channa Horwitz (formerly Channa Davis), the only female artist whose proposal was included in A Report on the Art and Technology Program, was added to the collection. The Art and Technology program was initiated at the Los Angeles County Museum of Art (LACMA) in 1967, when curator Maurice Tuchman proposed the idea of formulating a relationship between contemporary artists and high-tech corporations that would lead to experiments conjoining art and industry and possibly produce new works of art. The program attracted the participation of some of the most renowned artists of the period--Andy Warhol, Robert Rauschenberg, Claes Oldenburg, and Robert Irwin, to name just a few--who were paired with "Patron Sponsors" who hosted some of the artists at corporate facilities and in some cases collaborated on projects. In March 1970, several works resulting from these pairings were shown in the American Pavilion at Expo '70 (the world's fair in Osaka, Japan) and in an exhibition at LACMA from May 16 to August 29, 1971. This archive consists of documentation relating to the Art and Technology program, including correspondence between LACMA curators, artists, and corporate participants, notes and drafts of essays written for a report on the A&T Program by curators Jane Livingston and Tuchman, transcriptions of interviews and conversations with artists, and drawings, photographs, and negatives of artists' works.

ArchivalResource: 2.5 Linear feet 6 boxes

http://www.worldcat.org/oclc/773310829 View

Ron Silliman Papers, 1965-1988

Title: Ron Silliman Papers, 1965-1988

Papers of Ron Silliman, American writer and editor. Silliman has lived in the San Francisco Bay Area most of his life and is associated with the Language school of contemporary writers. He edited the anthology In The American Tree, published in 1986. The papers include extensive correspondence with many prominent contemporary writers, including Rae Armantrout, Charles Bernstein, Michael Davidson, Lyn Hejinian, Douglas Messerli, John Taggart, and Hanna Weiner. Also included are drafts of Silliman's published works, notebooks, and materials relating to In the American Tree. The collection is divided into five series: 1) ORIGINAL FINDING AID, 2) CORRESPONDENCE, 3) WRITINGS, 4) IN THE AMERICAN TREE and 5) ORIGINALS OF PRESERVATION PHOTOCOPIES.

ArchivalResource: 10.60 linear feet; (26 archives boxes)

http://www.oac.cdlib.org/ark:/13030/tf696nb4f8 View

Higgins, Dick, 1938-1998. Dick Higgins papers, ca. 1960-1994 (bulk 1972-1993).

Title: Dick Higgins papers, ca. 1960-1994 (bulk 1972-1993).

Papers collected or generated by Higgins, documenting his involvement with Fluxus and Happenings art movements, pattern and concrete poetry; new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960. Series I, Correspondence (57 lin. ft.): Letters filed alphabetically by correspondent, as well as printed ephemera, mail art, manuscripts, performance instructions, compositions, artists' books, drawings, and photographs of individuals, performances, and art work. Notable correspondents include: Eric Andersen, Mats B., Jerry Benjamin, Don Boyd, George Brecht, John Cage, Geoffrey Cook, Michael Cooper, Philip Corner, Robert Filliou, Ian Hamilton Finlay, Peter Frank, Ken Friedman, Ana Hatherly, Geoffrey Hendricks, Ray Johnson, Karl Kempton, Bengt Af Klintberg, Alison Knowles, Richard Kostelanetz, Jackson Mac Low, Dietrich Mahlow, Steve McCaffery, Thomas Mew, Robert Moran, Michael Morris, Charlie Morrow, Maurizio Nannucci, Opal Nations, Pauline Oliveros, Knud Pedersen, Robert Peters, Michael Joseph Phillips, Harry Polkinhorn, Bern Porter, Piotr Rypson, Sarenco, Hanns Sohm, Gábor Tóth, Ben Vautier, Wolf Vostell, Emmett Williams, Eugene Williams, and Jonathan Williams. Material and correspondence for performances (often referred to as "gigs") is generally filed alphabetically by city or institution. Series II, Works (7.5 lin. ft.): Manuscripts of poetry, essays and music compositions by Higgins, as well as some correspondence with editors and foul matter, arranged alphabetically by title. The manuscripts are accompanied by notes regarding where Higgins submitted them for publication and where published. About 10% of the manuscripts have several versions and notes regarding composition. In some cases, Series III should be consulted for other manuscript versions and full production material. Rejected manuscripts (Box 41) are works Higgins thought unworthy of publication; many of these files contain rewrites illustrating his attempt to correct or salvage the work. Also, two personal journals (1966 and 1973) that include notes and versions for poems and other works. Series III, Books (28 lin. ft.): Production material in the form of correspondence; manuscripts; proofs; galleys; repros; dummies; drawings; photographs and negatives for illustrations (especially for Of celebration of morning and Variations on a natural theme); and jacket and cover designs. Organized chronologically by publication date. Most notably documented are: Of celebration of morning (1980); Pattern poetry: Guide to an unknown literature (1987); and the translation of Giordano Bruno's On the composition of images, signs and ideas (1591, 1991). Series II should be consulted for other versions of manuscripts as well as some production material. Series III also contains financial papers relating to Something Else Press (1972-1974) and Printed Editions. Series IV, Personal (1.5 lin. ft.): Miscellaneous personal items such as telephone logs, calendars, and correspondence about the John W. Higgins Trust and Higgins' financial portfolio. Series V, Pattern poetry (16.5 lin. ft.): Research and study materials accumulated by Higgins in preparation for his book Pattern poetry: Guide to an unknown literature, a checklist and bibliography of pattern poems before 1900. Divided into two subseries: VA. Research materials. VB. Correspondence. (See Series III for book production material). Series V.A, Research materials: Mostly photocopies of monographs and articles by pattern poets and scholars, with some annotations, bibliographic and otherwise, by Higgins and colleagues. Also contains: photos, transparencies and photocopies of text reproductions with coordinating captions; some correspondence about pattern poetry searches; microfilm and permissions requests; and index cards used by Higgins for bibliographic notations. Organization follows closely that of the book, which is by language. Separate poet/author files exist for those with substantial material, filed alphabetically within language. Consult Appendix A of the finding aid for a list of microfilm reels which Higgins acquired from various libraries and institutions. Series V.B, Correspondence: Correspondence between Higgins and scholars, filed alphabetically by correspondent. Types of letters include inquiries, search status reports, theoretical descriptions, and dialogues about pattern poems. Notable correspondents are: Jeremy Adler, Ulrich Ernst, Ana Hatherly, Piotr Rypson. The bulk of the correspondence is from 1983-1987, when Higgins intensively conducted his research and book production activities. Post-1987 materials usually refer to loose ends and poems later discovered which were thought to be of interest to Higgins and others. (See also Series I for more correspondence relating to pattern poetry.).

ArchivalResource: ca. 108 linear feet (81 boxes)

http://www.worldcat.org/oclc/146003268 View

Peter Yates Papers, 1927 - 1976

Title: Peter Yates Papers, 1927 - 1976

Papers of a music critic, author, teacher, and poet, who championed modern avant-garde music, presented a series of chamber concerts in Los Angeles called "Evenings on the Roof," and headed the music department at Buffalo State University. The materials consist largely of correspondence and drafts of original writings. Included among the correspondence are letters from many key figures in 20th century music, including composers John Cage, Lou Harrison, Charles Ives, Ernst Krenek, Harry Partch, Roger Reynolds, Arnold Schoenberg, Virgil Thomson, pianist John Kirkpatrick, and poets Ronald Johnson, Marianne Moore, Lorine Niedecker, Kenneth Patchen, Kenneth Rexroth, Carl Sandburg, and Karl Shapiro. Original writings included drafts of articles, plays, poetry, drama, and books, including Yates' two major works An Amateur at the Keyboard (1964) and Twentieth Century Music (1967). Also included in the collection are copies of scores by composers Charles Ives, Lou Harrison, Ingolf Dahl, and typescripts of poems by Peyton Houston.

ArchivalResource: 22.10 linear feet; (48 archives boxes and 33 oversize folders)

http://www.oac.cdlib.org/ark:/13030/tf4v19p0j7 View

Jean Brown papers, 1916-1995

Title: Jean Brown papers

An extensive study collection of avant-garde materials amassed by librarian and art collector, Jean Brown. Her collection documents the Dada and Surrealist art movements and their offshoots, especially Fluxus next hit, mail art, and concrete poetry. Materials include letters, printed matter and ephemera, clippings, nearly 500 art objects, sound recordings, motion pictures, and video recordings.

ArchivalResource: 318.7 Linear Feet (320 boxes, 8 rolls, 64 flat file folders)

http://hdl.handle.net/10020/cifa890164 View

Schwerner, Armand. Armand Schwerner papers, 1945-1999.

Title: Armand Schwerner papers, 1945-1999.

Papers documenting numerous aspects of his professional and personal life. The collection includes manuscripts for Schwerner's published and unpublished writings, including his translations of Dante, Sophocles, and AmerIndian texts. Audiotapes and videotapes of numerous readings and collaborative performances with Schwerner are present in the collection, as are transcripts of interviews with Schwerner and his correspondence from a large number of writers, editors, critics, friends, and family members. The collection also includes subtantial material pertaining to Schwerner's personal life, especially the parenting of his two sons, as well as materials documenting his high school and university education.

ArchivalResource: 32.7 lin. ft. (73 archives boxes, 12 card file boxes, 9 oversize folders)

http://www.worldcat.org/oclc/47852145 View

Higgins, Dick, 1938-1998. Dick Higgins Collection, 1958-2002

Title: Dick Higgins Collection, 1958-2002

The Dick Higgins Collection spans the years 1958 to 2002 and is 17.5 linear feet. Materials include artwork, publications, and exhibition items. Over one hundred items have been cataloged and are searchable in the USMAI catalog; like the rest of the collection materials, these publications can be viewed in the Special Collections Reading Room only. There are three major divisions within the Dick Higgins Collection and they correspond to the official series: a sampling of Dick Higgins' artwork, publications, and exhibition materials; publications from Something Else Press; and individual and collaborative artwork and publications from members of the greater Fluxus movement. With the exception of the ReFlux Editions items housed in Series III.B, all items were donated from Higgins' studio by Alison Knowles. Selections from ReFlux Editions' "Flux Kit" collection were purchased by the library in 2002. This collection provides an overview of Fluxus artwork and includes rare examples from the Something Else Press publications and the anthologies included in Series III. Over 70 artists are represented in this collection. Higgins's correspondence, personal papers, and the records for Something Else Press are not included; please contact the Special Collections staff for additional resources.

ArchivalResource: 17.5 linear feet

http://www.worldcat.org/oclc/263024935 View

Ossman, David, 1936-. Tape recordings of interviews with poets and poetry readings, 1960-1970.

Title: Tape recordings of interviews with poets and poetry readings, 1960-1970.

Interviews with 44 poets, mostly American, for the radio program "The Sullen Art" (1960-1961); correspondence from those poets and from listeners regarding that program; poetry readings by 7 poets for the series "The Poet in New York"; tapes of the Berkeley Poetry Conference (July 13-23, 1965), including lectures and poetry readings.

ArchivalResource: 4 linear ft.

http://www.worldcat.org/oclc/14994997 View