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Simrock, Peter Joseph, 1792-1868. Autograph letter signed, dated : Bonn, 13 April 1855, to [Hubert] Ries, 1855 Apr. 13.

Title: Autograph letter signed, dated : Bonn, 13 April 1855, to [Hubert] Ries, 1855 Apr. 13.

Complimenting him on the success of his sons [all three of whom were musicians], sending some complimentary copies ("für dieses Mal nur!") of compositions by his father, Ferdinand Ries, to honor the memory of Simrock's unforgettable friend, speaking of Hubert's wise decision to retire from the concert platform, mentioning Voss, etc.

ArchivalResource: 1 item (3 p.) ; (8vo)

http://www.worldcat.org/oclc/270873743 View

Seyfried, Ignaz von, 1776-1841. Autograph letter signed, dated : Vienna June 25 1830, to Hubert Ries, 1830 June 25.

Title: Autograph letter signed, dated : Vienna June 25 1830, to Hubert Ries, 1830 June 25.

Saying that Herr Treitschke has asked Seyfried to tell Ries that the coming Tuesday evening has already been promised to Mlle [Emilie?] Neumann, but suggesting that if Ries can extend his stay in Vienna Treitschke could give Ries the second ballet evening in early July, but only if Ries lays no claim to a fee, since in its present circumstances the Kärntnerthor theatre cannot make fee contracts with foreign artists.

ArchivalResource: 1 item (1 p., with integral address leaf) ; (4to)

http://www.worldcat.org/oclc/270669770 View

Correspondence and other papers of Arthur Sullivan, W. S. (William Schwenck) Gilbert, and related persons, 1834-1979.

Title: Correspondence and other papers of Arthur Sullivan, W. S. (William Schwenck) Gilbert, and related persons, 1834-1979.

19th and 20th century correspondence and papers of Arthur Sullivan, W. S. (William Schwenck) Gilbert, and other related persons.

ArchivalResource: 4 boxes and 1 portfolio box (1.25 linear ft.)

http://id.lib.harvard.edu/ead/hou02273/catalog View

Ries, Hubert, 1802-1886. Concerto no. 1 for violino and orchestra, op. 13 / H. Ries.

Title: Concerto no. 1 for violino and orchestra, op. 13 / H. Ries. [19--]

ArchivalResource: ms. score (85 p.) + parts.

http://www.worldcat.org/oclc/53472348 View

Moldenhauer Archives at the Library of Congress, circa 1000-circa 1990

Title: Moldenhauer Archives at the Library of Congress circa 1000-circa 1990

The archives consist primarily of music (both manuscript and printed), correspondence, photographs, sound recordings, books, newspaper clippings, printed programs, drawings, and engravings. They span years from the Middle Ages to the present, and include documents of composers, musicians, and literary figures, among others. The music in the collection includes holograph scores or sketches, both published and unpublished, as well as a number of copyists' and printed scores, transcriptions, and arrangements by composers and musicians such as Beethoven, Bloch, Brahms, Chopin, Franck, Mendelssohn, Puccini, Rimsky-Korsakov, Schoenberg, Webern, and many others. Also included is historically important correspondence, such as letters of Metastasio and Handel. Some composers (Arnold Schoenberg and Anton Webern, for example) are represented by numerous manuscripts. A sample of other composers, musicians, and literary figures that are represented by both music and nonmusical materials includes George Auric, Johann Sebastian Bach, Béla Bartók, Hector Berlioz, Georges Bizet, Pierre Boulez, Anton Bruckner, Charles Burney, Feruccio Busoni, Claude Debussy, Frederick Delius, Hermann Hesse, György Ligeti, Federico Garca Lorca, Wolfgang Amadeus Mozart, Marice Ravel, Rainer Maria Rilke, Frank Wedekind, Kurt Weill, and Gioseffo Zarlino.

ArchivalResource: 3,600 items; 131 boxes; 206 linear feet

http://hdl.loc.gov/loc.music/eadmus.mu003012 View

Moscheles, Ignaz, 1794-1870. Autograph letter signed, dated : London, 1 January 1837, to an unidentified friend in Paris, 1837 Jan. 1.

Title: Autograph letter signed, dated : London, 1 January 1837, to an unidentified friend in Paris, 1837 Jan. 1.

Thanking him for his letter, which came through [Hubert] Ries, saying that the recipient would welcome not having to complain of the indifference of the directors of the Paris theatre, asking if there is also some intrigue on the side of the Italians, describing the musical soirees, similar to Baillot's in Paris and Schuppanzigh's in Vienna, that Mori, Lindley, Watts, and Moralt give under the name Classical Chamber Concerts, and Blagrove (and others) under the name Quartett Concerts, noting some solo concerts that he himself will give--Scarlatti, Handel, Bach, then sonatas of Beethoven and Weber--, mentioning Potter, Anderson, Goldschmidt, etc.

ArchivalResource: 1 item (4 p.) ; (12mo)

http://www.worldcat.org/oclc/270582663 View