Rolanda, Rosa, 1895-1970
Name Entries
person
Rolanda, Rosa, 1895-1970
Name Components
Surname :
Rolanda
Forename :
Rosa
Date :
1895-1970
eng
Latn
authorizedForm
rda
Rolanda, Rose, 1895-1970
Name Components
Forename :
Rose
Date :
1895-1970
eng
Latn
alternativeForm
rda
Covarrubias, Rosa, 1895-1970
Name Components
Surname :
Covarrubias
Forename :
Rosa
Date :
1895-1970
eng
Latn
authorizedForm
rda
Covarrubias, Rose, 1895-1970
Name Components
Surname :
Covarrubias
Forename :
Rose
Date :
1895-1970
eng
Latn
alternativeForm
rda
Cowan, Rosemonde, 1895-1970
Name Components
Surname :
Cowan
Forename :
Rosemonde
Date :
1895-1970
eng
Latn
alternativeForm
rda
Rolando, Rosa, 1895-1970
Name Components
Surname :
Rolando
Forename :
Rosa
Date :
1895-1970
eng
Latn
alternativeForm
rda
Covarrubias, Rosemonde, 1895-1970
Name Components
Surname :
Covarrubias
Forename :
Rosemonde
Date :
1895-1970
eng
Latn
alternativeForm
rda
Roland, Rose, 1895-1970
Name Components
Name :
Roland, Rose, 1895-1970
Rolando, Rose, 1895-1970
Name Components
Surname :
Rolando
Forename :
Rose
Date :
1895-1970
eng
Latn
alternativeForm
rda
Covarrubias, Mrs. Miguel, 1895-1970
Name Components
Surname :
Covarrubias
Forename :
Mrs. Miguel
Date :
1895-1970
eng
Latn
alternativeForm
rda
Genders
Female
Exist Dates
Biographical History
Rosa Rolanda was an American multidisciplinary artist, dancer, and choreographer.
She was born in Azusa, California on September 6, 1895. Her father, Henry Charles Cowan, was an engineer and her mother, Guadalupe Ruelas, was of Mexican descent. Rolanda began her artistic career in New York in 1916 as a celebrated dancer in vaudeville and Broadway revues. She became involved with the Mexican artist Miguel Covarrubias in 1924, and in the following year the couple traveled to Mexico, where Rolanda began to take photographs. Albums of her images were published in Covarrubias's best-selling books, Island of Bali (1937) and Mexico South: Isthmus of Tehuantepec (1946). Her work was also featured in the "Ameridinian" issue of Wolfgang Paalen's journal, DYN, published in 1943.
During the late 1920s or early 1930s, Rolanda experimented with photograms, creating a series of surrealist self-portraits that may have been influenced by Man Ray, who photographed Rolanda in Paris in 1923. She probably began to paint around 1926, but began to use this medium more frequently from the mid-1930s on. The majority of her canvases depict colorful scenes of children and festivals, portraits of friends (such as the movie actresses Dolores del RÃo and MarÃa Félix), and self-portraits. Rolanda and Covarrubias married in 1930, and by 1935 they had permanently settled into his family home in Tizapan El Alto, close to Mexico City. In 1952 Rolanda exhibited her paintings in a solo show at the Galeria Souza in Mexico City.
By 1952, Miguel Covarrubias had left Rolanda for a relationship with a promising dancer, RocÃo Sagaón, who Rolanda had helped to train. Some of Rolanda's works from this period, such as Autorretrato (self-portrait), seem to convey some of the inner turmoils she suffered as a result of this betrayal by her husband.
She died in Mexico City, Mexico on March 25, 1970.
eng
Latn
External Related CPF
https://viaf.org/viaf/19781149
https://www.worldcat.org/identities/lccn-n94-018359
https://id.loc.gov/authorities/n94018359
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Internal CPF Relations
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Languages Used
spa
Latn
eng
Latn
Subjects
Women choreographers
Women dancers
Women painters
Women photographers
Nationalities
Americans
Activities
Occupations
Choreographer
Dancers
Painters
Photographers
Legal Statuses
Places
New York City
AssociatedPlace
Residence
Bali
AssociatedPlace
Residence
Azusa
AssociatedPlace
Birth
Mexico City
AssociatedPlace
Death
Convention Declarations
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>