Jamison, Judith
Variant namesDancer and choreographer Judith Jamison was born on May 10, 1943 in Philadelphia, Pennsylvania to Tessie Brown Jamison and John Jamison, Sr. While encouraged by her parents to study the piano and violin, Jamison gravitated towards ballet. At the age of six, Jamison began taking lessons at the Judimar School of Dance in Philadelphia. She went on to study the techniques of African American dance pioneer Katherine Dunham. Jamison graduated from Germantown High School in Philadelphia, and enrolled at Fisk University in Nashville, Tennessee. However, she left Fisk to study dance and kinesiology at the Philadelphia Dance Academy, now part of New York City's University of the Arts.
In 1964, Jamison earned critical acclaim for her work with choreographer Agnes de Mille and the American Ballet Theatre in New York. A year later, Alvin Ailey invited Jamison to join the Alvin Ailey American Dance Theater, where she was featured in numerous productions, toured with the company to Africa and Europe and earned international acclaim for her signature performance ofCry, a fifteen minute solo piece written by Ailey for Jamison. Jamison went on to appear as a guest performer with the San Francisco Ballet, the Swedish Royal Ballet, the Cullberg Ballet, and the Vienna State Ballet. In 1980, Jamison performed on Broadway in Duke Ellington'sSophisticated Ladieswith Gregory Hines. That same year, Jamison began her own work as a choreographer. She premiered her first ballet,Divining, with the Alvin Ailey American Dance Theater in 1984. In 1988, Jamison founded The Jamison Project Dance Company.
Jamison returned to the Alvin Ailey American Dance Theater in 1989, assuming the role of artistic director following the death of founder Alvin Ailey. In 1993, Jamison choreographedHymn, a tribute to Ailey, and published her autobiography,Dancing Spirit. Under her leadership, the Alvin Ailey American Dance Theater joined forces with Fordham University to establish a joint bachelor of fine arts program with a multicultural dance curriculum. Jamison also spearheaded the construction of the company's first permanent home, the Joan Weill Center for Dance. Although Jamison stepped down as artistic director in 2011, she remained associated with the Alvin Ailey American Dance Theater as artistic director emerita.
Judith Jamison was interviewed byThe HistoryMakerson August 30, 2016.
Role | Title | Holding Repository | |
---|---|---|---|
referencedIn | Ambrose DuBek dance photograph collection, 1952-1963 and undated. | Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University | |
referencedIn | George Balanchine archive, 1924-1989 (inclusive), 1961-1983 (bulk). | Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University | |
referencedIn | Duke Ellington recordings collection | Eda Kuhn Loeb Music Library, Harvard College Library | |
referencedIn | Stravinsky-Diaghilev Foundation research files, 1920-1989. | Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University | |
referencedIn | American Ballet Theatre records, 1936-ca. 1967 | The New York Public Library. Jerome Robbins Dance Division. | |
referencedIn | Walter Terry papers, 1913-1982 | The New York Public Library. Jerome Robbins Dance Division. |
Role | Title | Holding Repository | |
---|---|---|---|
creatorOf | The HistoryMakers Video Oral History with Judith Jamison | The HistoryMakers |
Filters:
Relation | Name | |
---|---|---|
associatedWith | American Ballet Theatre | corporateBody |
associatedWith | Balanchine, George. | person |
associatedWith | Dodge, Joseph Jeffers | person |
associatedWith | DuBek, Ambrose. | person |
associatedWith | Stravinsky-Diaghilev Foundation. | corporateBody |
associatedWith | Terry, Walter | person |
Place Name | Admin Code | Country | |
---|---|---|---|
Philadelphia (Pa.) | |||
New York (N.Y.) |
Subject |
---|
Occupation |
---|
Choreographer |
Dancer |
Activity |
---|
Person
Birth 1944-05-10
Birth 19430510
Americans
English