Bessie, Alvah Cecil, 1904-1985

Alternative names
Birth 1904-06-04
Death 1985-07-21

Biographical notes:

Alvah Bessie (1904-1985) was an author and screenwriter who fought with the Abraham Lincoln Brigade in Spain, and was later blacklisted as one of the "Hollywood Ten" cited for contempt of Congress for refusing to answer questions at the House Un-American Activities Committee (HUAC) hearings on the influence of the Communist Party in the motion-picture industry.

From the description of Papers, 1937-1991 (bulk 1936-1939, 1967-1985). (New York University). WorldCat record id: 476413154

Novelist, screenwriter, and veteran of the Abraham Lincoln Battalion in the Spanish Civil War.

Bessie was blacklisted as a screenwriter in 1950 as one of the Hollywood Ten.

From the description of Letters, 1976-1984. (Columbia University In the City of New York). WorldCat record id: 122610750

Alvah Bessie was born in New York City on June 4, 1904 to Daniel Nathan Cohen Bessie, a successful businessman and inventor, and Adeline Schlesinger. The younger of two boys, Bessie was raised in ease in the then-prosperous precincts of Harlem. He attended public school, graduated from Dewitt Clinton High School and, in 1920, enrolled in Columbia University. Bessie's rebellious nature often placed him at odds with his father's conservative values and authoritarian manner. When, in 1922, Daniel Bessie died after suffering a severe economic setback, he left his family in a precarious financial state, but Alvah Bessie free to pursue his own ambitions. Bessie completed his degree and graduated from Columbia in 1924 with a B.A. in English. Through a friend, he found work as an actor with Eugene O'Neill's Provincetown Players. For the next four years Bessie immersed himself in the New York theater scene, performing with the Provincetown Players, the Theatre Guild and with actor-manager Walter Hampden's repertory company in a production of Cyrano de Bergerac . Recognizing his limited talent as an actor, he left the theater and, in 1928, traveled to France to join the community of American expatriates in Paris intent on becoming a writer.

During his brief stay in France, he worked as a rewrite man at the Paris-Times, and wrote "Redbird," his first short story to receive publication. He returned to New York in 1929, and for the next six years, his stories, essays, and reviews appeared in The New Republic, Scribner's, Atlantic Monthly, Saturday Review of Literature, Collier's and Story . In July 1930, he married Mary Burnett, a puppet-maker and artist. The couple moved to Vermont and had two boys -- Daniel and David. Bessie began work on his first novel, Dwell in the Wilderness . During this time, Bessie also began to study Marxist theory and question his political convictions. Bessie was awarded a Guggenheim Fellowship following the publication of his novel in 1935, and, with his family, returned to New York. Back in the City, Bessie began to move in more radical circles, and in 1936 he became a member of the Communist Party. In 1935 he joined the staff of the Brooklyn Daily Eagle, serving as drama and book editor. His tenure at the paper was marked by dissent. His radical stance on striking maritime workers in 1936 and on the Spanish Civil War ran counter to management's more conservative views. A final dispute with the paper stemmed from his praise of French novelist and aviator Andre Malraux's efforts to organize a squadron of French flyers to aid the Spanish Republic. In 1937 he resigned from the Eagle and went to work in the public relations office of the Spanish Information Bureau, a New York agency of the Republican Government. During this period, the Bessies' marriage began to founder. The couple separated and soon after divorced.

On January 22, 1938, Bessie sailed to Spain on the S.S. Lafayette to join the International Brigade's fight against the Franco-led rebellion. Although he earned his pilot's license before leaving for Spain with the objective of serving as a flyer, he was assigned to a front-line combat unit with the Abraham Lincoln Brigade, participating in the Ebro offensive from July to September 1938, and attaining the rank of sergeant-adjutant. He also served as a correspondent for the International Brigade's publication The Volunteer for Liberty . He daily chronicled his personal experiences in a series of notebooks, and upon his return to the United States, these jottings became the basis of his wartime memoirs, Men in Battle (1939). From 1939 to 1943, Bessie was film and theatre critic for the New Masses, and, under a pseudonym, wrote a regular column for a Young Communist League publication. He remained active in the Spanish Republican cause, working on behalf of the Joint Anti-Fascist Refugee Committee writing articles and delivering speeches.

In 1943 he moved to California and started writing screenplays when Warner Brothers studios hired him as a contract writer. During World War II, he served as Second Lieutenant in the Civil Air Patrol, Los Angeles Squadron 3. In 1945 his original story that was the basis for the screenplay of "Objective Burma" was nominated for an Academy Award. His other screen credits from this time include, "Hotel Berlin," "The Very Thought of You," "Northern Pursuit, " and "Smart Woman." He was fired from Warner Brothers in 1945 in the wake of his outspoken support of striking studio workers. In September 1947, the House Un-American Activities Committee (HUAC) launched an investigation on the influence of the Communist Party in the motion-picture industry. Over fifty people were called to testify and answer questions regarding political affiliations and associations. Bessie, along with nine other Hollywood figures, refused to comply with the Committee's demands. They were cited for contempt of Congress, given one-year prison sentences, and became known as the "Hollywood Ten." Bessie served out his term in a federal correctional facility in Texarkana, Texas and was blacklisted in Hollywood.

After his release from prison, Bessie was not able to get work in the film industry or elsewhere in Los Angeles, so he relocated to San Francisco and found employment with the International Longshoremen's and Warehouseman's Union as assistant editor of the union's newspaper, The Dispatcher . In 1951 he edited, The Heart of Spain, an anthology of writings on the Spanish Civil War published and distributed by the Veterans of the Abraham Lincoln Brigade. He worked as stage manager and lighting technician for the hungry i nightclub (1956-1963), an experience that inspired the novel, One for My Baby (1980), and as a cultural critic on the People's Daily World (1957-1960), sometimes using a pseudonym. In the mid-1960s, he worked briefly as a publicist for several San Francisco arts organizations, including the San Francisco Mime Troupe and the San Francisco Film Festival.

Alvah Bessie married Sylviane Martin in 1963. (Martin was his third wife; his second marriage, to Helen Clare Nelson, ended in divorce). In 1968, Bessie collaborated on the Spanish film, Espana otra vez, and offered an account of the production and his return to Spain in his memoir Spain Again . He remained active in the Bay Area Chapter of the Veterans of the Abraham Lincoln Brigade, and was honored, in 1975, at their 39th Anniversary Dinner. Before he could complete work on Our Fight, a VALB anthology devoted to the writings of Lincoln Brigade veterans, Bessie died of a heart attack on July 21, 1985, at the age of 81.

From the guide to the Alvah Bessie Papers, Bulk, 1936-1985, 1936-1985, (Bulk 1936-1939; 1967-1985), (Tamiment Library / Wagner Archives)


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Ark ID:


  • Law--Cases
  • Publishers and Publishing
  • Communism
  • Motion picture industry
  • Blacklisting of authors
  • Motion pictures--Censorship
  • Screenwriters
  • Authors
  • Ebro River, Battle of the, Spain, 1938


  • Screenwriters


  • United States (as recorded)
  • Spain |x History |y Civil War, 1936-1939. (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |x Campaigns. (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |v Personal narratives. (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |v Poetry. (as recorded)
  • Spain (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |x Literature and the war. (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |x Participation, American. (as recorded)
  • Spain |x History |y Civil War, 1936-1939 |v Biography. (as recorded)
  • Spain (as recorded)