Is it stressful to make art? [videorecording] / George Geyer. [1979]

ArchivalResource

Is it stressful to make art? [videorecording] / George Geyer. [1979]

George Geyer interviews seven artists, posing the two-part question: Is it stressful to make art? Is it more stressful to not make art?

4 videocassettes of 7 (U-Matic) : sd., col. ; 3/4 in. original.

Information

SNAC Resource ID: 6812919

Getty Research Institute

Related Entities

There are 5 Entities related to this resource.

Davis, Michael, 1948 December 3-

http://n2t.net/ark:/99166/w67p9g4w (person)

Geyer, George, 1785-1872

http://n2t.net/ark:/99166/w68g93fm (person)

Jones, John Paul, 1924-1999

http://n2t.net/ark:/99166/w6rb7ncj (person)

Printmaker, painter, sculptor, educator; Los Angeles, Calif.; Ashland, Ore. Died 1999. Jones was a greatly admired figurative painter/printmaker and teacher at UCLA (1953-1963) and UC Irvine, from where he retired in 1990 and settled permanently in Ashland, Ore. Born in Iowa, Jones studied art with Mauricio Lasansky at University of Iowa, Iowa City (B.F.A., 1949). His thesis (M.F.A., 1951) on printmaking was done under the direction of Lasansky. After teaching at the Uni...

Buchanan, Nancy, 1946-

http://n2t.net/ark:/99166/w63w06bp (person)

Nancy Buchanan (b. Nancy Page Ridenour, Aug. 30, 1946, Boston, MA) is an artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her father was physicist Louis Ridenour. Buchanan earned her B.A. and M.F.A. at the University of California, Irvine and studied with Larry Bell, Vija Celmins, David Hockney, and Robert Irwin. Buchanan has made videos and performances that combine the personal and t...

Long Beach museum of art

http://n2t.net/ark:/99166/w62v6njc (corporateBody)

The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...