Black Academy of Arts and Letters (Dallas, Tex.)

The Black Academy of Arts and Letters was established to “define, preserve, promote, cultivate, foster and develop the arts and letters of black people,” as stated by Dr. C. Eric Lincoln in his founding address. Notable contributions by blacks to black America were to be recognized by the Academy members who, themselves, represented some of the finest achievements in arts and letters.

The Black Academy was founded March 29, 1969 in Boston, and was incorporated on June 12 in the state of New York as a non-profit, tax-exempt organization. The Twentieth Century Fund financed initial operating expenses, providing $50,000 in each of the first three years. With this money Academy officials hired a staff and in March 1970 opened a temporary headquarters at 475 Riverside Drive.

The founding committee was chaired by Dr. C. Eric Lincoln and initial membership was limited to fifty, with provisions to admit new fellows each year. The first board of directors consisted of Dr. Lincoln (President), John O. Killens (Vice President), Alvin F. Poussaint (Treasurer), Doris Saunders (Secretary), Dr. Charles V. Hamilton, Dr. Vincent Harding, Robert Hooks, Charles White and John A. Williams.

The first annual meeting of the Black Academy was held in September 1970. The meeting included workshops and an awards banquet. At the first awards banquet the Academy elected the late W.E.B. DuBois into the Hall of Fame. This resulted in the removal of longstanding visa restrictions by the State Department on Mrs. Shirley Graham DuBois to enable her to attend the ceremony. The painter, Henry Ossawa Tanner and historian, Carter G. Woodson were also enrolled. Other honorees that year included Lena Horne, C.L.R. James, Diana Sands, Amiri Baraka and Paul Robeson for longstanding contributions to arts and letters. Annual meetings were held in September 1971 and October 1972.

In addition, the Academy established an Annual Letters competition for black authors. Among the first recipients were Mari Evans for poetry, Franklin W. Knight for scholastic work, William Melvin Kelly for fiction and George Jackson for non-fiction.

The Black Academy of Arts and Letters received grants from the National Endowment for the Arts and the Johnson Publishing Company in 1972 to conduct a conference in Chicago to assess the state of black art in the United States. The purpose of the conference was to establish a resource bank in preparation for compiling a directory of cultural activities in the black community.

In 1972 in an effort to economize, all staff positions at the Academy were eliminated and an office manager was hired to tend to the day-to-day operations of the Academy. The BAAL records indicate that the Board of Directors and committees functioned through 1973, although there were no further annual meetings. The official date of the dissolution of the Academy is not known.

From the guide to the Black Academy of Arts and Letters records, 1968-1980, (The New York Public Library. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division.)

The Black Academy of Arts and Letters (BAAL) was founded on March 29, 1969, in Boston and was incorporated the following June in New York. The BAAL held three annual meetings, in 1970, 1971, and 1972. The official date of and the precise reasons for the BAAL's dissolution are not known.

From the description of Black Academy of Arts and Letters records, [1969-1973] microform. (Unknown). WorldCat record id: 238022679

The Black Academy of Arts and Letters (BAAL) was founded on March 29, 1969, in Boston and was incorporated the following June in New York. The BAAL held three annual meetings, in 1970, 1971, and 1972. The official date of and the precise reasons for the BAAL's dissolution are not known.

From the description of Black Academy of Arts and Letters records, [1969-1973] microform. (Unknown). WorldCat record id: 238022647