Moore, Edward C. (Edward Carter), 1917-

Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519, Old Style) was an Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer.

Renaissance humanism recognized no mutually exclusive polarities between the sciences and the arts, and Leonardo's studies in science and engineering are as impressive and innovative as his artistic work. These studies were recorded in 13,000 pages of notes and drawings, which fuse art and natural philosophy (the forerunner of modern science), made and maintained daily throughout Leonardo's life and travels, as he made continual observations of the world around him. Leonardo's writings are mostly in mirror-image cursive. The reason may have been more a practical expediency than for reasons of secrecy as is often suggested. Since Leonardo wrote with his left hand, it is probable that it was easier for him to write from right to left.

These notebooks - originally loose papers of different types and sizes, distributed by friends after his death - have found their way into major collections such as the Royal Library at Windsor Castle, the Louvre, the Biblioteca Nacional de España, the Victoria and Albert Museum, the Biblioteca Ambrosiana in Milan which holds the twelve-volume Codex Atlanticus, and British Library in London which has put a selection from the Codex Arundel (BL Arundel MS 263) online. Leonardo's notes appear to have been intended for publication because many of the sheets have a form and order that would facilitate this. In many cases a single topic, for example, the heart or the human fetus, is covered in detail in both words and pictures on a single sheet. Why they were not published within Leonardo's lifetime is unknown.

From the guide to the Edward C. Moore Madrid Notebooks of Da Vinci essay MSS. 0476., 1967-1989, (University Libraries Division of Special Collections, The University of Alabama)