Glines, John

John Glines, playwright.

From the description of Fickle fingers: typescript, 1994. (New York Public Library). WorldCat record id: 122517237

From the description of Boy on a lonely journey : typescript, 1974. (New York Public Library). WorldCat record id: 122517610

The American playwright, actor, and producer John Glines aka John Owen (1933- ) was born John Horace Glines in Santa Maria, California, on October 11, 1933. Nicknamed Tex, he was the only child of Ellen Antoinette Lanza Glines and Denzil Cassius Glines. His parents divorced, and in 1942 his mother was remarried to William Wallace Owen, whose name the family took. Glines grew up in the East Bay area of San Francisco. He attended Piedmont High School and Yale University as John Owen. He graduated from Yale University in 1955 with a Bachelor of Arts degree in drama. In 1962 he returned to using the name John Glines.

During college Owen (as he was then known) appeared with the Yale Dramat in a total of twelve productions as an actor. He played only comedy with the exception of his role in Pirandello’s Six Characters in Search of an Author . He acted, for example, in Aristophanes’ The Birds, Shaw’s Too True to be Good, Shakespeare’s The Tempest (Stephano), and Moliere’s Tartuffe (Orgon). As head of the Saybrook (his college) Players, he co-authored, composed, directed, and appeared in two musical revues. He also co-authored, co-directed, choreographed, and appeared in a third musical revue called So What! .

Immediately after Yale, Glines went to New York City to be a trainee in the NBC Comedy Writers Development Workshop. During the next several years he would try his hand as stand-up comic, film editor, director, TV extra, and actor. Returning to California, Glines became actor/producer of summer stock, The Comedy Theatre in Oakland in 1956. This equity stock company staged Molnar’s The Play’s The Thing (Glines playing Mr. Mel); Roussin’s The Little Hut ; and Shaw’s Misalliance (Glines playing Bentley Summerhayes). Back in New York City by late 1956, Glines worked as mail boy and film shipper at Channel 5 (DuMont Broadcasting Company). This led circuitously to his becoming a contract supervisor in the business affairs department of CBS News from 1959 to 1960. He made his professional acting debut Off Broadway as Richard Hare and Lord Mount Severn in an adaptation of Mrs. Henry Wood’s novel and play East Lynne, retitled Boo Hoo! East Lynne, staged at Theatre East, New York, 1959. Other Off Broadway performances included the role of Waiter (Walter Boon) in Shaw’s You Never Can Tell, the role of Me in the original revue Sam and Me, and the role of Pierre in the fifteenth-century French farce Pierre Patelin (for which he served as translator and adapter) for the short-lived American Theatre Repertory Company. He also performed as an actor-dancer in the original musical-revue Maud and Her Madness and in the revue Sunday Night Music Hall .

In 1960 Glines moved to Brooklyn Heights and worked as a temporary typist, a radiation monitor, and production assistant. About this time he also took courses at the City College of New York (CCNY) at night and worked days as a film editor for Orbit Productions. Glines then turned to directing. He was a director at the Off Broadway Rodale Week-End Theater under J. I. Rodale. In 1963 Glines directed Rodale’s comedies Man on the Bridge and A Yugoslav Medical Mystery, as well as Rodale’s so-called Biblical musical comedy Stones of Jehoshaphat . In 1964, Glines directed a series of gospel concerts at the U.S. Pavilion at the New York World’s Fair. In 1965 he was elected to membership in the American Society of Composers, Authors, and Publishers.

As a staff writer in children’s television, he worked for seven years (1965-1972) on Captain Kangaroo under producer Al Hyslop and for three and a half years (1978-1981) on Sesame Street (during which time he was twice nominated for an Emmy Award). One of his last contributions to Sesame Street was to name the little red Muppet that had just been created: Elmo. He also served as a creative consultant on the Children’s Television Workshop show 3-2-1 Contact . In 1966 he served as lyricist of an animated cartoon made to promote the Peanut Growers of Alabama and Georgia; and in 1970 he wrote two animated shorts for McGraw-Hill, Johnny Appleseed and Tepozton .

Glines left Captain Kangaroo to have a musical produced Off Broadway. God Bless Coney, of which he was the author, composer, and lyricist, premiered at the Orpheum, New York, 1972. He then became head writer of a TV series produced by the Appalachia Educational Lab in Charleston, West Virginia; and he wrote for the Ballet Hispanico de Nueva York (circa 1973). He became involved in Off-Off-Broadway as author of The Bells of Hell (a one-act play), author/director of Boy on a Lonely Journey (1975), and then administrative director of playwright Doric Wilson’s company, TOSOS (The Other Side of Silence), which had been founded in 1972. He directed The Great American Bike Show, which toured the country in the summer of 1975. Later in 1975 Glines served as head writer for It’s Never Too Late, an all-star PBS special for parents of preschoolers. His play In the Desert of My Soul was published by Dramatists Play Service and republished in Stanley Richards’s anthology Best Short Plays of 1976 .

In 1976 Glines co-founded a not-for-profit organization for gay arts called The Glines. For the first two years The Glines maintained a Tribeca space, producing numerous gay and lesbian plays, cabaret shows, and art exhibits, fulfilling their stated purpose of being a "gay art center." After losing the space in 1978, The Glines became primarily a production company, using various Manhattan theaters to present plays like the world premiere of Doric Wilson’s A Perfect Relationship . That summer they staged a revival of Relationship, Robert Patrick’s frequently produced The Haunted Host, Richard Hall’s Love Match, and Doric Wilson’s The West Street Gang at the same Chelsea leather bar (the Spike Bar) where the latter play was originally performed. His musical Gulp!, written with Stephen Greco and Robin Jones, became the longest running Off-Off-Broadway production of 1977. The Glines would later become recognized as the country’s oldest producer of gay theater, with Glines himself being acknowledged as a major force in the acceptance of the gay experience as valid material of creative expression.

In 1980-1981 Glines served as co-producer of Jane Chambers’s Last Summer at Bluefish Cove Off Broadway (Actors Playhouse) starring Jean Smart, and in 1982 went to Broadway as co-producer of Torch Song Trilogy, which won Tony Awards for Best Play and Best Actor and the Drama Desk Award for Best Play. Torch Song also played three years on Broadway, establishing it as one of the longest running plays on Broadway. During the 1983 Tony Awards, Glines became the first gay person ever to acknowledge his lover on a televised awards show.

Glines subsequently became co-producer of two national companies and a London company. In 1985 he served as co-producer (with Circle Repertory) of the Broadway production of William M. Hoffman’s As Is, which was nominated for Tony Awards for Best Play, Best Director, and Best Actor, and won the Drama Desk Award for Best Play of 1985. Glines won the Drama Desk Award for Best Musical Revue in 1994 for Howard Crabtree's and Mark Waldrop’s Whoop-Dee-Doo !

Glines’s later plays, produced originally by The Glines, were On Tina Tuna Walk, A Comedy (1988), In Her Own Words (A Biography of Jane Chambers) (1989), Men of Manhattan, Scenes of New York City Gay Life (1990), Chicken Delight, A Farce (1992), Body and Soul, A Romantic Comedy (1992), Murder in Disguise, A Comedy Mystery (1992), Key West (1994), Heavenly Days (1996), How Now, Voyager (1997), and Butterflies and Tigers (1998), the last based on true stories of the Chinese people during the Cultural Revolution, 1966 to 1976.

Glines produced The Glines’ First and Second Gay American Arts Festivals (1980 and 1981). He also co-produced a murder mystery at the Plaza Hotel for four weeks in the summer of 1986. In 1985, as a result of his work on As Is, he became the originator and project director of the major AIDS fundraising campaign Stamp Out AIDS . This evolved into Broadway Cares/Equity Fights AIDS, of which Glines was a founding trustee and for which he continued to serve on the advisory committee into the 1990s.

Between 1981 and 2000, Glines won numerous awards for his work as a producer, lesbian and gay community builder, and advocate for gay rights. For example, in 1981 he won the Villager Theatre Award as producer of the First Gay American Arts Festival, and in 2000 Howard Golden, the president of the Borough of Brooklyn, chose Glines as one of that year’s Lesbian and Gay Pride History Month honorees.

From the guide to the John Glines papers, Circa 1800-2004, (Manuscripts and Archives)