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CHURCH-SERVICES, in full score, by Tomas Luis de Victoria, Giovanni Pier Luigi Palestrina, Gregorio Allegri, Giacomo Antonio Perti, Antonio Lotti, David Perez, and Tommaso Bai. At ff. 33, 52 are the two Misereres composed by Allegri and Bai for use i..., 19th century
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1. "MESSA a quattiro voci Con Strumenti. Del Sigre Antonio Lotti;" consisting of the "kyrie" and "Gloria," f. 1. 2. "Prendi quel ferro, Ò Barbaro. Del Sigr D. Leonardo Leo:" score for one voice and strings, followed by the separate parts for first an..., 18th century
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NOVELLO COLLECTION. Vol. CI. Vocal music, compiled by C. Jeffries; circa 1840. Choral scores, some with keyboard accompaniments. With a letter from the compiler about the volume (ff. iv-v). ff. viii+105. 290 x 225. Binding numbered 117. 1. f. 1. 'Ist..., approximately 1840
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NOVELLO COLLECTION. Vol. XCIII. Jommelli -Rossini; after 1802 (watermark)-1845, n.d. ff. 90. Overall size 260 x 330mm. 1. ff. 1-4v. Nicolò Jommelli: 'At Whitsontide', setting of 'Veni Sancte Spiritus' for SATB and orchestra; n.d. Full score. Copy in..., 1802-1845
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Vol. IV, ff. 53.includes:f. 1 Vincenzo Bellini, composer: Canon: 19th cent.f. 2 Leonardo Leo, composer: Song: 19th cent.f. 6 b Antonio Lotti, composer: Song: 19th cent.f. 10 Nicola Porpora, composer: Song: 19th cent.ff. 14, 16 Alessandro Sc...
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CANTICLES, motets, etc., viz. :-1. " Benedictus," for eight voices, in organ score, by Alessandro Melani. f. 1. 2. " Dixit [Dominus, Ps. ex.], con tutti gli Otto Toni del Canto Fermo," for four voices, in organ score, by Giovanni Molinari. f. 14. 3...., 19th century
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ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fr..., 18th century
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MOTETS, madrigals, and duets, by Palestrina, Agostino Steffani, Antonio Lotti, A. Stradella, Giovanni Croce, and Giovanni Battista Buononcini. At f. 79 are included English part-songs by John Playford, Edmund Nelham, M. Locke, and Henry Lawes. Paper;..., 18th century
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" PORSENNA " : an opera in three acts, ascribed doubtfully on the fly-leaf to Scarlatti or Lotti. Clément and Larousse (Dictionnaire Lyrique, p. 539) attribute the opera to the latter, adding that, when it was produced again at Naples, Scarlatti appe..., 18th century
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A MASS for five voices, with instruments, in full score, by Antonio Lotti. xixth cent. Folio. [14,176]Antonio Lotti, composer: Sacred music, madrigals, etc., 19th century
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SACRED MUSIC in score, by Antonio Lotti. xixth cent. Oblong-Quarto. [14,177.]Antonio Lotti, composer: Sacred music, madrigals, etc., 19th century
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" TE DEUM Laudamus a quattro con stromenti, di Adolfo Hasse " ; full score. Paper; ff. 35. xixth cent. Obl. Quarto., 19th century
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1. " LE LAMENTAZIONI per il Mercoldi, Giovedi, e Venerdi Santo, a sola voce con basso numerato. Musica di Leonardo Leo." f. 2. 2. " Introiti e Graduali per le Domeniche di Quaresima, item Introito per le Ceneri, a quattro voci, di Leonardo Leo, per l..., 19th century
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CANTATAS for a soprano voice, by Aless. Scarlatti, Fran. Mancini, Ben. Marcello, Ant. Lotti, Fran. Gasparini, Leon. Leo, and Gius. Mar. Orlandini. xviiith cent. Oblong Quarto. [14,220.]Alessandro Scarlatti, composer: Cantatas, operas, etc.Giuseppe Ma..., 18th century
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" OCTO melodiae octo modorum harmonice factae, saeculi vii., et duo To Deum Laudamus ": being eight plain-chant melodies to " Gloria Patri," and the " Te Deum " in the several ecclesiastical modes. The volume is annotated by the Rev. Thomas Helmore, ..., 19th century
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ANTHEMS and motets, chiefly with Latin words, but some adapted for English Church use, by Palestrina, Victoria, E. Lupi, Carissimi, Turini, Steffani, A. Lotti, B. Marcello, Pergolesi, and Jommelli. In score ; one also in parts. Paper; ff. 87. xviiith..., 18th century-19th century
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MADRIGALs, by Antonio Lotti; in the handwriting of G. Sigismondo. xixth cent. Oblong Quarto. [14,178.]Giuseppe Sigismondo: Transcribed.Antonio Lotti, composer: Sacred music, madrigals, etc., 19th century
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1. " MISERERE concertato a due cori," A.D. 1739 ; "Dixit [Dominus Ps. ex.] a 8, con stromenti " ; and "Kirie et Gloria a 5, con stromenti," by Leonardo Leo. ff. 2, 32, 77. 2. "Tu es Petrus a 8 voci, del Cavaliere Alessandro Searlatti." f. 137. 3. "Do..., 1739
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ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. VIII; circa 1740 – circa 1750. Autograph. On f. ii is a list of contents; f. 36v is ruled with staves but otherwise blank. ff. 1-13 are copies in Handel’s hand of move..., approximately 1740-approximately 1750
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1. " CANTATA a voce sola con violini, di Nicolo Porpora 10 July 1712. f. 1. 2. Cantata con violini di Antonio Caldara "; copied in 1771. f. 11. 3. Lamentationes [by Eleazar Genet, called] Carpentras, cum quatuor vocibus ; in score. Printed at Paris i...
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CANTATA for single voice, with separate accompaniments for two violins, viola, and cembalo, by Antonio Lotti. Paper ; ff. 8. XVIIIth cent. Folio., 18th century
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"CONFITEBOR," for 4 voices, with instrumental accompaniments, in score, by [Antonio] Lotti. Paper; ff. 44. Oblong folio. xviii cent. An old press-mark P.A. 4., 18th century
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NOVELLO COLLECTION. Vol. LXXX. Italian vocal music, mostly in the hand of Vincent Novello; n.d. Scores, mostly with continuo accompaniment. ff. ii+30. Largest size 246 x 300mm. Vincent Novello's binding of 1833, numbered 425. 1. ff. 1-2v. Giacomo Car...
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CHURCH-SERVICES, in vocal score, by Niccolò Jommelli, Antonio Lotti, Francesco Durante, Claudio Casciolini, David Perez, Niccola Piccinni, and Niccola Antonio Zingarelli. Latin. Followed by two compositions inseribed to the Rev. Edward Goddard by For..., 19th century
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1. INTROITS, motets, etc., in full score, by Johann Joseph Fux. Latin. f. 3. 2. Mass for five voices, in full score, by Gulielmus Messaus, 1633. f. 47. 3. " Miserere a 4 voci," in full score ; stated to be probably an incorrect copy of Allegri's Mise...
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(1-13.). ROYAL MUSIC COLLECTION. Madrigals; 17-18th century. Unaccompanied, unless otherwise stated, and in score.Paper.1. 12 ff. Lotti (Antonio): In una siepe ombrosa. For 5 voices; with unfigured bass.2. 7 ff. Stradella (Alessandro): Clori son fido..., 17th century-18th century
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DUETS, chiefly by Feroci, Francesco Antonio Pistocchi, Bernardo Pasquini, A. Steffani, B. Marcello, A. Lotti, and Pietro Torri. Transcribed by Edmund Olive, organist of Bangor Cathedral. Paper; ff. 115. xviiith cent. Oblong Folio.Pietro Torri: Duets:..., 18th century
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CANTATAs, by George Frederick Handel, G. A. Ristori, Antonio Lotti, Diogenio Bigaglia, Antonio Caldara, Alessandro Scarlatti, Nicolò Fago, Leonardo Leo, and Francesco Feo. xviiith cent. Oblong Quarto. [14,212.]G-A-Ristori: Cantatas.Antonio Lotti, c..., 18th century
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1. CANTUS in Passione Domini Nostri J. C., Secundum Mathaeum " part of the service for Holy Week. f. 2. 2. " Justorum animae a 5, di Andrea Basili, Maestro nella Chiesa della S, Casa in Loreto " : vocal score with basso continuo. f. 22. 3. " Magnific..., 19th century
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DUETS by Lotti. Paper; ff. 102. xviiith cent. Oblong Folio.Antonio Lotti, composer: Secular music: 18th cent., 18th century
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Two madrigals for five and four voices, in voice-score, by Antonio Lotti. Italian. Paper; ff. 13. XIXth cent. Obl. Folio., 19th century
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"CANTATE de diversi gran Maestri," dated 1706. With a figured bass for harpsichord and (in no. 1) an oboe obbligato part, in score. The composers named are:-[Luigi] Legnani, [Pietro Paolo] Bencini, Domenico Sarri, Antonio Lotti, [Antonio?] Caldara, G..., 1706
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" RESPONSORI a quattro voci con violoncello e organo ad libitum, per il Giovedi, Venerdi, e Sabato Santo. Musica di Leonardo Leo"; full score. Paper; ff. 65. xixth cent. Obl. Quarto., 19th century
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PEARSALL COLLECTION. Vol. VIII (ff. iv + 44). A similar collection, by Pearsall, including anthems, chants, a duet, glees, madrigals, part of a Mass, part-songs, parts of services, and unidentified sketches. Paper. A.D. 1838, etc. Oblong folio.includ..., 1838
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CANTATAs, by Giovanni Adolfo Hasse, Carlo Arrigoni, Alessandro Scarlatti, Diogenio Bigaglia, Giovanni Bononcini, Emanuel D'Astorga, Francesco Mancini, Nicolò Porpora, Antonio Lotti, and Francesco Gasparini. xviiith cent. Oblong Quarto. [14,213.]Anton..., 18th century
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