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1. " Magnificat a 4 concertata di Francesco Durante." f. 1. 2. Credo a quattro, con violini, di Leonardo Leo." f. 14. 3. Amen finale del Credo in Diluvio aquarum multarum, a 16 voci. Del Divino Orazio Benevoli, Romano." f. 43. 4. "Messa a sedici voci..., 19th century
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MISCELLANE0US LETTERS AND PAPERS. Paper and ( artt. A, O, Q) Vellum; ff. 112. Folio. XII-XX centt., 12th century-20th century
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A VOLUME of Harpsichord music, etc., by Dom. Scarlatti, Silvestro Durante, George Muffat, G. A. Hasse, Gaetano Grieco, Giov. Prota, Arcangelo Corelli, Franc. Durante, Giov. Barbatiello, and Sigr. Gotz. xviiith cent. Oblong Quarto. [14,248.]Giovanni P..., 18th century
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1. MOTETS, chiefly for four voices, in score, with basso continuo, by Andrea Basili, Giovanni Masi, Francesco Durante, Luigi Vergelli, Giovanni Carlo Maria Clari, Giuseppe Ottavio Pitoni. Latin. f. 1. 2. "Responsori per la Notte di Natale," in vocal ..., 19th century
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NOVELLO COLLECTION. Vol. CIX. Vocal music; after 1819 (watermark)-1849, n.d. Vocal, chorus or full scores. Partly printed, partly in the hand of Vincent Novello. ff. ii+119. Overall size 310 x 240mm. Vincent Novello's binding of 1849, numbered 199. 1..., 1819-1849
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LESSONS for Holy Week, for one and more voices, in score, by F. Durante. Paper; ff. 103. xviiith cent. Obl. Folio.Francesco Durante, composer: Church-music: 18th, 19th centt., 18th century
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CANTICLES, motets, etc., viz. :-1. " Benedictus," for eight voices, in organ score, by Alessandro Melani. f. 1. 2. " Dixit [Dominus, Ps. ex.], con tutti gli Otto Toni del Canto Fermo," for four voices, in organ score, by Giovanni Molinari. f. 14. 3...., 19th century
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1. " O QUAM tristis " : solo from " Stabat Mater " by Giovanni Carlo Maria Clari; 31,527. edited and transcribed, with organ-accompaniment, by Vincent Novello. f. 1. 2. Litany of the Virgin, for four voices, in full score, by Francesco Durante. f. 3...., 18th century
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MASS in G, for five voices, in full score, by Francesco Durante; followed, at f. 69, by a ',Dixit" in B flat, for three voices, with figured bass. Autograph ; and the latter signed (f. 71). Paper; ff. 113. xviiith cent. Obl. Folio.Francesco Durante, ..., 18th century
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1. "AIRS selected from the opera of Scipione," in score, by A. Scarlatti. f. 1. 2. Cantatas and arias with violin accompaniments by Leonardo Leo and Nicolo Porpora. f. 79. 3. Duets for soprano and contralto, with figured bass, by Francesco Durante. f..., 18th century
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DUETS by Clari and Durante, with bass. Paper; ff. 174. xviiith cent. Oblong Folio.Francesco Durante, composer: Duets: 18th cent.Giovanni Carlo Maria Clari, composer: Madrigals, etc.: 18th cent.: autogr. ?., 18th century
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DUETS, Trios, Cantatas, etc., by Francesco Durante. xviiith cent. Oblong Quarto. [14,110.]Francesco Durante, composer: Sacred music, duets, trios, etc., 18th century
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" SONATE per cembalo con diverse chiave," by Francesco Durante. Paper; ff. 24. xviiith cent. Belonged in 1754 to Anno Smith, and in 1816 to C. E. F. Payne. Obl. Quarto., 18th century
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REQUIEM for eight volumes, in full score, by F. Durante. Paper; ff. 95. xviiith cent. Obl. Folio.Francesco Durante, composer: Church-music: 18th, 19th centt., 18th century
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DUPLICATE vocal and instrumental parts to several of the compositions of Francesco Durante, contained in the ten preceding volumes. xviiith cent. Folio. [14,111]Francesco Durante, composer: Sacred music, duets, trios, etc., 18th century
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ELEVEN duets by Francesco Durante. Paper; ff. 45. Transcribed at Naples in 1806. Obl. Quarto., 1806
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ROYAL MUSIC COLLECTION. Durante (Francesco). Protexiste me, Deus; circa 1745. Motet for 5 voices on a plainsong, unaccompanied. ‘Concorso fatto per la real cappella di Napoli a 21 Aple 1745 supra il sequente Canto firmo …’.Paper. ff. 20.Francesco Dur..., approximately 1745
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1. PSALM XXXVI., from Benedetto Marcello's " Parafrasi sopra i primi 50 Salmi." In score. Autograph. f. 2. 2. A Mass by an anonymous composer. In score. Apparently autograph. f. 18. 3. " Requiem " for 4 voices, with violins, by Francesco Durante. f. ..., 18th century
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NOVELLO COLLECTION. Vol. C. Sacred Italian vocal music; 1833 (binding). Vocal scores except where indicated. Copies, in the hand of Vincent Novello except where indicated. In many cases the accompaniments, though mentioned below, are incomplete or la..., 1833
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ROYAL MUSIC COLLECTION. Durante (Francesco). Missa Pro Defunctis; late 18th century. Requiem Mass in C minor, for 2 choirs of 5 and 3 voices; with symphonies and accompaniment for strings and unfigured bass for organ, in score. Concluding with the ‘L...
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SACRED music, chiefly anonymous, (but containing pieces by T. Durante and Nicolò Conti,) in single voice and instrumental parts. xviiith cent. Oblong Quarto. [14,197.]Francesco Durante, composer: Sacred music, ducts, trios, etc.Nicolo Conti, composer..., 18th century
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SONATAS, fugues, etc., for the harpsichord and organ, by [Giovanni Pietro] Colonna, [Francesco] Durante, [Francesco ?] Mancini, [Giovanni Paolo Egidio Martini ?] Tedesco, -Monari, Carlo Monza, N [icholas ?] N [oël ?], Francesco Pogliani, Giambattist..., 18th century-19th century
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SACRED Music in score, by Francesco Durante, chiefly Autograph. xviiith and xixth cent. 9 Vols. Oblong Quarto. [14,101-14,109.], 18th century-19th century
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CHURCH-SERVICES, in vocal score, by Niccolò Jommelli, Antonio Lotti, Francesco Durante, Claudio Casciolini, David Perez, Niccola Piccinni, and Niccola Antonio Zingarelli. Latin. Followed by two compositions inseribed to the Rev. Edward Goddard by For..., 19th century
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(1-4.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century. All in score.Paper.1. 15 ff. Carissimi (Giacomo): Dialogum Jephthae. Sacred cantata for solo voices and 6-part chorus; with intermittent figured bass accompaniment.2. 9 ff. Carissimi (..., 18th century
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NOVELLO COLLECTION. Vol. XCII. Addison -Holmes; late 18th cent.(watermark)-1845, n.d. ff. 72. Overall size 245 x 310mm. 1. ff. 1-2. John Addison: 'Agnus Dei', for solo voice and keyboard; 1833. Vocal score. Autograph. 2. f. 3. 'Falso bordone al Te D..., 1760-1845
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