Harvard Glee Club

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The Harvard Glee Club, America’s oldest college chorus, was founded in March 1858. Its repertoire includes sacred and secular pieces, folk songs from around the world, college songs, and popular show tunes. Traveling all over the United States and abroad, the Glee Club has performed for major choral organizations including The American Choral Directors Association, the Intercollegiate Men’s Choruses, the Italian Radio Orchestra, the New York Philharmonics, and the Boston Symphony Orchestra.

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America’s oldest college chorus, the Harvard Glee Club was founded in March 1858 by the president of Harvard’s Pierian Sodality and several of its College friends. Over the rest of the 19th century, HGC numbered about a dozen or two tenor-basses and sang a repertoire ranging from old European and American college and folk songs to contemporary art songs to popular operetta/show tunes, often combining with banjo and mandolin ensembles and local bands. Its performances were not limited to metropolitan Boston but extended throughout the Northeast.

In the early years of the 20th century, many HGC members were also singing in the Harvard University Choir. They appreciated the advantage of the vocal training and of learning sacred music, and they gradually convinced the Club to ask the University Organist and Choirmaster, Dr. Archibald T. Davison, to coach HGC. From 1912, “Doc” Davison expanded the Glee Club’s musical horizons and improved its vocal/choral abilities, as a larger HGC performed solo concerts as far afield as the Midwest. During this period, Doc began combining HGC with the women of the Radcliffe Choral Society for large choral-orchestral works; and in 1917, HGC and RCS began singing these works with the Boston Symphony Orchestra, an association that continued into the middle 1970s.

The tenor-basses of HGC liked these new experiences and in 1919 asked Doc Davison to become HGC’s first conductor. He agreed, with the proviso that the choice of repertoire would be his. By the end of the ‘teens, HGC was singing sacred and secular pieces from the renaissance times till the present, folk songs from around the world, and college songs and had ceased its relationships with the mandolin clubs and popular music.

HGC became one of the first American college choruses to concertize in Europe when it accepted the invitation of the French government for an extensive tour during June and July of 1921, performances at sites including major concert halls in major cities and a World War memorial at Strasbourg Cathedral. Not only was this Tour documented by almost daily reports in the French and American press, but it also inspired the writing of new pieces of men’s choral music specifically for HGC by two young French composers: Poulenc’s Chanson a boire(allegedly based on a Tour reception for HGC) and Milhaud’s Psaume 121.

Thus, by the 1920s, most of the basics of HGC had evolved: several dozen Harvard students, mostly from the College, singing serious choral music under the direction of a strong Conductor, traveling all over the United States and sometimes abroad to entertain and educate, encouraging and evoking the composition of new music, and performing choral-orchestral works with such as the Boston Symphony Orchestra, often combining with RCS. The only components of the HGC experience added after the ’20s are recording — up and running since the middle 1930s — and performing for major choral organizations such as the American Choral Directors Association and the Intercollegiate Men’s Choruses.

There have been just five conductors of the Harvard Glee Club: Archibald T. Davison (“Doc”): 1919-1933, G. Wallace Woodworth (“Woody”): 1933-1958, Elliot Forbes (“El”): 1958-1970, F. John Adams (“F. John”): 1970-1978, and Jameson N. Marvin (“Jim”) since 1978. Many of their students and Assistant Conductors have become leaders in American music, including Virgil Thomson, Elliot Carter, Leonard Bernstein, Irving Fine, John Harbison, and Hugh Wolf, the current choral directors at institutions from Cornell University to Occidental College, and numerous managers or orchestras and festivals all over the country.

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The Harvard Glee Club is a 60-voice, Tenor-Bass choral ensemble at Harvard University. Founded in 1858 in the tradition of English and American glee clubs, it is the oldest collegiate chorus in the United States. The Glee Club is part of the Harvard Choruses of Harvard University, which also include the treble voice Radcliffe Choral Society and the mixed-voice Harvard-Radcliffe Collegium Musicum. All three groups are led by Harvard's current Director of Choral Activities Andrew Gregory Clark.

Archival Resources
Role Title Holding Repository
referencedIn Letters to his parents Houghton Library
referencedIn Papers of Noelle B. Beatty Arthur and Elizabeth Schlesinger Library on the History of Women in America‏
referencedIn John Read papers, 1853-1915. Houghton Library
referencedIn Greenough, H. V. (H. Vose). Papers from the H. Vose Greenough Jr. collection, 1937-1972 (bulk 1948-1955). Library of Congress
referencedIn Papers of Archibald Thompson Davison Harvard University Archives.
referencedIn Lorna Sagendorph Trowbridge scrapbook Arthur and Elizabeth Schlesinger Library on the History of Women in America‏
referencedIn Arthur Lincoln diaries Harvard University Archives.
referencedIn Papers from the H. Vose Greenough Jr. Collection, 1937-1972, 1948-1955 Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division
referencedIn Three Films on Sports. Harvard University Archives.
referencedIn Lillian A.Friedberg papers Arthur and Elizabeth Schlesinger Library on the History of Women in America‏
creatorOf How mighty are the Sabbaths : chorus for male voices and ad lib chorus of treble voices with accompaniment for full orchestra or string orchestra or organ / words by Helen Waddell from the Latin of Peter Abelard ; music by Gustav Holst, manuscript Houghton Library
creatorOf General information by and about the Harvard Glee Club Harvard University Archives.
creatorOf Psaume 121 : choeur d'hommes a capella / Darius Milhaud ; traduction Paul Claudel : manuscript Houghton Library
creatorOf Harvard Glee Club Scrapbook of Photographs Harvard University Archives.
referencedIn Letters from Harvard undergraduate Martin Buel Tinker to his parents Harvard University Archives.
referencedIn Pen-and-ink drawing of the Harvard Glee Club in concert Harvard University Archives.
referencedIn William Ernest Hocking papers Houghton Library
creatorOf Chanson à boire : choeur "a capella" pour voix d'hommes / Francis Poulenc ; texte anonyme du XVVIIIo siècle : manuscript Houghton Library
creatorOf Sound recordings of the Harvard Glee Club Harvard University Archives.
referencedIn Papers of Elliot Forbes Harvard University Archives.
creatorOf O gladsome light : male voices with four-hand accompaniment / A.T. Davison ; A. Briggs, copy : manuscript, [19--] Houghton Library
referencedIn Papers, 1905-2001 Arthur and Elizabeth Schlesinger Library on the History of Women in America‏
creatorOf Harvard Glee Club in concert, March, 1989 Harvard University Archives.
referencedIn Otto Luening collection of non-commercial sound recordings [sound recording], 1950-1983 The New York Public Library. Rodgers and Hammerstein Archives of Recorded Sound.
referencedIn Class album, 1873. Harvard University Archives.
referencedIn Records of the Harvard Glee Club Foundation Harvard University Archives.
referencedIn Notices of membership in undergraduate student organizations Harvard University Archives.
referencedIn Henry Edwards Scott papers relating to theater at Harvard University, ca. 1878-1925. Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
creatorOf Records of the Harvard Glee Club Harvard University Archives.
creatorOf How mighty are the Sabbaths : chorus for male voices and ad lib chorus of treble voices with accompaniment for full orchestra or string orchestra or organ / words by Helen Waddell from the Latin of Peter Abelard ; music by Gustav Holst, manuscript Houghton Library
referencedIn Records of the Harvard Musical Clubs, ca. 1891-1924. Harvard University Archives.
Role Title Holding Repository
Relation Name
associatedWith Anderson, Robert, 1917-2009. person
associatedWith Beatty, Noelle B. person
associatedWith Davison, Archibald T. (Archibald Thompson), 1883-1961. person
associatedWith Forbes, Elliot. person
associatedWith Friedberg, Lillian A. (Lillian Adlow), 1897- person
associatedWith Greenough, H. V. (H. Vose) person
associatedWith Hand, Learned, 1872-1961 person
associatedWith Harvard College (1780- ).  Class of 1873. corporateBody
associatedWith Harvard Glee Club Foundation. corporateBody
associatedWith Harvard Musical Clubs. corporateBody
associatedWith Harvard University corporateBody
correspondedWith Hocking, William Ernest, 1873-1966 person
associatedWith Holst, Gustav, 1874-1934. person
associatedWith Lincoln, Arthur, d. 1902. person
associatedWith Luening, Otto, 1900-1996 person
associatedWith Milhaud, Darius, 1892-1974. person
associatedWith Morgan, Anne Murray, 1925- person
associatedWith Poulenc, Francis, 1899-1963. person
associatedWith Read, John, 1840-1915 person
associatedWith Scott, Henry Edwards, 1900- person
associatedWith Thomas, David Dudley, b. 1905. person
associatedWith Tinker, Martin Buel, 1906-1982. person
associatedWith Titcomb, Samuel, 1885-1950. person
associatedWith Trowbridge, Lorna Sagendorph, 1933-2004. person
associatedWith Woodworth, G. Wallace person
Place Name Admin Code Country
Cambridge MA US
Subject
Choirs
Choral societies
Student organizations
Occupation
Activity

Corporate Body

Establishment 1858-03

Active 2022

Americans

Information

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