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SCOTT PAPERS: letter book of George Scott (d. 1780), D.C.L., F.R.S., F.S.A., of Woolston Hall, co. Essex, supplementing Eg. MSS. 3725-3755; 7 Nov. 1772-15 May 1773. Autograph. Includes many letters relating to St John's College, Oxford. Addressees ar...
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Hayes, Philip. [Philip Hayes : Australian and New Zealand Art Files].
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MOTETS and canticles, in Latin; followed, at f. 54 b, by English anthems for a single voice : the whole written out with basso continuo, by Simon Child, organist of Ch. Ch. Oxford. The writers named are O. Gibbons, M. Wise, M. Locke, H. Aldrich, J. B..., approximately 1700
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Vol. I. ff. 112. xviiith cent., 18th century
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" SOLFEGGI ": compositions for the harpsichord by the same; 1756. At the end is a sonata, dated 1783, formerly the property of Dr. [Philip] Hayes. Paper; ff 77. Obl. Folio.Leonardo Leo, composer: Secular music: 18th cent., 1756-1783
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HUMPHREY SEARLE COLLECTION. Vol. cx. Maurice Brown: ‘Hector Berlioz ... a self-portrait of a genius: drawn from the composer’s writings and music to mark the centenary of his death; [1969]. Intended for a radio 4 broadcast.ff. 130. 330 x 205mm.1. ff...., 1969
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GLEES, catches, airs, etc., by Henry Purcell, Henry Thames, John Blow, William Byrd, Matthew Locke, Benjamin Rogers, Henry Aldrich, Philip Hayes, and other composers, chiefly English. Reversing the volume, there are, besides other similar pieces, a f..., 18th century
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Vol. XVIII (ff. 359). July, 1771-Dec. 1773.Ireland: Correspondence of the 1st Earl of Liverpool as Vice-Treasurer of, etc.: 1772-1775.John Robinson, Secretary to the Treasury: Correspondence with the 1st Earl of Liverpool: 1761-1802.includes:ff. 1, 9...
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" O PRAISE the Lord : anthem for the meeting of the Sons of the Clergy at St. Paul's, 1782," in full score, by Philip Hayes, Mus. D. Autograph. Paper; ff. 47. Folio.Philip Hayes, Professor of Music at Oxford: Anthems: n.d., 1782.: Autogr., 1782
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MISCELLANEOUS vocal music, viz. :-1. "When charming Chloe " :madrigal for five voices, in score, by Samuel Webbe. Autograph. f. 1.2. " Daughter sweet of voice and air ": glee for five voices, by Samuel Webbe. Autograph. f 7. 3. The same words, entitl..., 18th century-19th century
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Vol. ii, belonged to Dr. Philip Hayes in 1757.includes:ff. 4, 30 b, 92, 99 Giacomo Carissimi, composer: Vocal music, in score: 17th cent. ff. 7 b, 47 b. 48 b, 51 b, 54, 57 b, 63 b, 145 Henry Purcell, composer and organist: Vocal music in score,: 17t..., 17th century-18th century
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" MUSIC IN MACBETH " [1672], commonly attributed to Matthew Lock, with symphonies and accompaniments for instruments, in score. At ff. 14-18 there is an alternative setting of the passage beginning " Now I go," apparently (see his letter at the top o..., 1660-1875
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1. PSALMS, in voice-score, by M. Locke. A note prefixed, in the handwriting of Dr. Philip Hayes, Professor of Music at Oxford, states that it "contains many of his own productions which were given by himself to the Musick School" in that city. f. 1. ..., 17th century
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GLEES, motetts, catches, etc., mostly for three voices, by-Trevor, Adrian Willaerdt, Philip Hayes, and others. In separate parts, in three volumes. Reversing the volumes, there are four glees by [Thomas] Morley and one by Michael East. In the handwri..., 18th century
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SONGS from operas, in score; taken principally from "Ottone and " Flavio," with several from "Alceste," "Admeto," "Semiramide," "Orlando," " Parnasso in Festa." At f. 30 is an aria by Attilio Ariosti. The unpublished part of this volume is noted at f..., 18th century
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SERVICES and anthems, in organ-score, by Dr. Tye, T. Tallis, W. Byrd, T. Morley, Edmund Hooper, Albert Byrne, A. Batten, O. Gibbons, Thomas Tomkins, Giovanni Ferrabosco, Dr. Child, Dr. W. Turner, and H. Purcell. Paper; ff. 196. Circ. 1700. Formerly b..., approximately 1700
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EIGHT madrigals b Alessandro Stradella, in vocal score with basso continuo; to Italian words. Paper; xviiith cent. Given to Dr. [Edmund] Ayrton by Dr. P[hilip] Hayes. Oblate Quarto. Purchased from Dr. H. Gauntlett., 18th century
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CHURCH-music by English composers. Autograph . 1."O be joyfull in God": anthem by William Boyce, Mus. D. organ score, followed by the tenor and drum parts. f. 1. 2. Psalm xc.: anthem in organ score, by John Worgan, Mus. D.; 1782. f. 14. 3. Service in..., 18th century-19th century
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VOCAL COMPOSITIONS in score, almost entirely in the hand of John Travers, the musician. The only portions which are undoubtedly his composition are Examples of Harmony (ff. 4-1 6), and two songs (ff. 41, 44). The bulk of the pieces are motets. mostly...
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HENRY LAWES MUSIC MANUSCRIPT: songs by Henry Lawes, Gentleman of the Chapel Royal (d.1662); circa 1626-1662. Autograph. The manuscript, which contains 325 songs, was originally compiled in chronological order, with a few items entered subsequently on..., approximately 1626-1662
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ANTHEMS, services, and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton, bookseller, of Canterbury. Many of them are autograph; and memoranda in the handwriting of Dr. Philip Hayes give the particulars ..., 17th century-18th century
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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Vol. II. ff. 118. xviiith cent.Leonardo Vinci, composer: Cantatas, arias, etc.: 18th cent., 18th century
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