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Music Loan 92. CONSTANT LAMBERT: music manuscripts; 1925-1942, n.d. Chiefly autograph. Placed on loan by The Public Trustee, May 1988 and January 1989., 1925-1942
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CALVOCORESSI COLLECTION. Vol. X (ff. 26). Smaller works; 1908-1922, n.d. Mostly autograph. Mostly in black ink. (1) Louis Aubert: 'Prélude' (f. 2), no. 1 of the song cycle 'Crépuscules d'Automne' (f. 2b), with piano accompaniment; '1908' (f. 3b). Fre..., 1908-1930
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STRACHEY PAPERS (20TH CENTURY SERIES). Vol. XXII (ff. 99). 1. f. 1. Constant Lambert; 1926. 2. f. 2. Katherine Lambton, wife (1921) of Col. H. E. Joicey, D.S.O.; 1921. 3. f. 3. Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne; 1918. 4..., 1895-1931
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A. Letters to the conductor and composer Leslie Heward (b.1897, d.1943) and his widow Leonore; 1935-47, n.d. Arranged alphabetically; the correspondents are listed in the index. Purchased at Sotheby’s, 1 Dec. 1995 (lot 182).ff. 1-74.Leslie Hays Hewar..., 1935-1947
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LETTERS TO EDWARD CLARK. Vol. II (ff. 193). L-W, including letters of:-(a) Arnold Schoenberg, mainly relating to arrangements for a performance of the 'Gurrelieder', 27 Jan. 1928; 1921-1933. Includes (f. 71) a postcard from Paris, saying that he had..., 1921-1933
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HUMPHREY SEARLE COLLECTION. Vol. cxi. Michael Ayrton and Maurice Brown: ‘Constant Lambert 1905 -1951’; 1966. Incomplete?.ff. 41. 330 x 205mm.Maurice John Edwin Brown, writer on music: Leonard Constant Lambert, composer and conductor: Michael Ayrton,..., 1966
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HUMPHREY SEARLE COLLECTION. Vol. cxxxiv. Letters to Searle relating to Liszt research and publications; 1936-1968.ff. 211. Largest size 360 x 290mm.includes:ff. 1, 12-13, 52-53, 91 William Roberts, alias 'Ernest Newman'; music critic: Letters to Hu..., 1936-1968
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THOMAS ROSEINGRAVE: selected pieces from the keyboard works of Thomas Roseingrave (Eight Suits of Lessons, 1729, and Voluntarys and Fugues, 1728), transcribed by Constant Lambert, with copies of some of the pieces in the hand of Millicent Silver; n.d...
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MS Mus. 287. LETTERS TO IRIS LEMARE; 1928-97, n.d. Vol. i. A – T.ff. 120. Largest size 297 x 212mm.includes:ff. 1-2 Sir Hugh Percy Allen, organist and administrator: Letter to I. Lemare: 1938: Autogr.ff. 3-4 Sir Thomas Henry Wait Armstrong, Princ..., 1928-1997
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‘Caprice Peruvien’, arranged from ballet by Constant Lambert; 12 July 1939. Score of the altered sections, with instructions on where it links with Berners’ score. Autograph of Lambert.Leonard Constant Lambert, composer and conductor: 'Caprice Peruvi...
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HUMPHREY SEARLE COLLECTION. Vol. cvi. Searle’s draft scripts for radio talks, etc.; 1949-1962, n.d. Typewritten unless otherwise stated.ff. 213. Overall size 330 x 210mm.1. ff. 1-4. ‘An Approach to Atonal Music’; n.d.2. ff. 5-6. ‘A New Musical Langua..., 1949-1972
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MS Mus. 1640. Vol. xv. Constantinesco-Ramsay MacDonald.ff. 204. 305 x 230mmincludes:ff. 1-8. Harriet Cohen, CBE; pianist: Grégoire Constantinesco, Romanian Envoy: Letters from Grégoire Constantinesco to Harriet Cohen: 1931, n.d.: Fr.f. 7. Harriet...
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CECIL GRAY PAPERS. Vol. XII (ff. 180). G-L. Including letters of Patrick Hadley, the Earl of Harewood, John Ireland, Augustus John, Gerald Kersh, Zoltan Kodaly; 1921-1950, n.d. Partly typewritten. Partly French and Italian.Marjery Gray, formerly Herb..., 1921-1950
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ABERCONWAY LETTERS. Vol. VII (ff. 261+162*). Letters of others; 1919-1961, n.d. The principal correspondents are:-(a) Augustus Edwin John, painter; 1924-1959, n.d. ff. 25-114b;-(b) George Bernard Shaw and his wife, Charlotte Frances; 1925-1930. Par..., 1919-1961
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MS Mus. 1645. Vol. xx. Chamberlain-Lobkowicz.ff. 202. 305 x 230mm.includes:f. 1. Arthur Neville Chamberlain, Prime Minister: Harriet Cohen, CBE; pianist: Note from Arthur Neville Chamberlain to Harriet Cohen: 1938: Typewritten, signed.ff. 2-3. Ha...
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Constant Lambert: ‘Elegiac Blues’, for piano, and arranged for orchestra; 1927. Piano and full scores.Leonard Constant Lambert, composer and conductor: 'Elegiac Blues' and 'Lines written in Autumn by Li-Po': 1927, 1947: Partly Eng: Autogr., 1927
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GEORGE FRIDERIC HANDEL: chorus 'Gioie e serto dona al merto', from the opera 'Lotario', arranged for chorus and orchestra by Sir Henry Wood as 'Crown Him Ruler' (English words, Douglas Irvine); n.d. Full score. In the hand of Constant Lambert, with W...
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Cecil Gray: Supplementary papers, 1917-1950
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MACNAGHTEN CONCERTS COLLECTION. Vol. XVIII (ff. 183+iii). Correspondence, etc.: 1. ff. 1-38. Letters to Edwin Evans from Lennox Berkeley, Lord Berners, Gustav Holst, Geoffrey and J. M. Keynes, Constant Lambert, Ethel Smyth, Ralph Vaughan Williams and..., 1930-1976
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MUSIC HO! Vol. I B. '2nd vol. of MS. continuing chapter on nationalism in 3rd part of book' (f. i). Contents: (1) Remainder of Part III from 'Music, however, being the most instinctive of the arts . . .' ff. 1-50; (2) Part IV. The Mechanical Stimulus...
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HUMPHREY SEARLE COLLECTION. Vol. cxviii. Letters from notable writers, arranged alphabetically by correspondent; 1936-1982, n.d. Partly typewritten. Searle removed these letters from the main sequence (now Add. 71839-71840).ff. 195.includes:ff. 1-4 ..., 1936-1982
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RALPH VAUGHAN WILLIAMS: 'The Wasps', Aristophanic suite, in an arrangement for piano duet by Constant Lambert; 1925. Autograph of Lambert. Published London: Curwen, 1926. Presented by Mrs Ursula Vaughan Williams, 7 March 1985. Paper; ff. 26. 370 x 27..., 1925
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HUMPHREY SEARLE COLLECTION. Vol. cxvii. Press cuttings: general writings about Searle, and obitiaries collected by Searle, including those for Constant Lambert, Arnold Schoenberg and Edith Sitwell; 1947-1975, n.d.Overall size 340 x 250.Arnold Franz W..., 1947-1975
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MUSIC HO! Vol. I A. Contents: (1) Chapter [i.e. Part] II [Post-War Pasticheurs]. ff. 1-71; (2) [Part III] The Nationalists (volume ends part way through Nationalism and the Modern Scene). ff. 72-104v. Following the main text (ff. ii-iii) are jottings...
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DARNTON COLLECTION. Vol. XLVII (ff. i+289). Correspondence with Denis ApIvor, Max Butting, Arnold Cooke, Nancy Cunard, Sir Colin Davis, Sir William Glock, Sir Eugene Goossens, Adolph Hallis, Constant Lambert, Walter Leigh, Ernst Hermann Meyer, Randal..., 1927-1981
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Lambert: ‘Lines written in Autumn by Li-Po’, for voice and chamber ensemble; 1926. Full score, dated 1947.Leonard Constant Lambert, composer and conductor: 'Elegiac Blues' and 'Lines written in Autumn by Li-Po': 1927, 1947: Partly Eng: Autogr., 1926
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HARROD PAPERS. Vol. XII (ff. 230). 1937-1948.includes:f. 3 Guy Francis de Moncy Burgess, Soviet spy: Correspondence of Sir Roy Forbes Harrod with and concerning Guy Francis de Moncy Burgess: 1937-1972: Partly telegram, copy and printed.f. 15 Robe..., 1937-1948
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MS Mus. 1118. Miscellaneous Letters of Musicians; 20th cent. Autograph unless stated otherwise.ff. 197. Overall size 305 x 216mm. British Library arrangement.A. Letters from Roger Quilter to the baritone Harold Child and his wife, the pianist Stella ..., 1869-1999
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Lutyens Collection. Vol. ccclx. Music by other composers and unidentified works not in the hand of Elisabeth Lutyens as follows:_ ff. 52.1. Orchestration Charts [in the hand of Edward Clark?]; n.d. 235 x 300mm.2. Tess's Tune : 'The Morn was Gay', ..., 1957
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'CHECKMATE', ballet in one scene with a prologue, by Sir Arthur Bliss (scenario by the composer, choreography by Ninette de Valois); 1937. Autograph. Full score. Signed and dated 31 May 1937 (f. 132v). The score has conductor's markings in blue crayo..., 1937
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MS Mus. 1174. Eugene Goossens Collection. Vol. iv. Labunski–Procopé; 1932-1962, n.d.ff. 245. 345 x 216mm.includes:f. 1 Sir Aynsley Eugene Goossens, conductor and composer: Adele Franklin, pianist and piano teacher: Letter to Sir Aynsley Eugene G..., 1932-1962
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RALPH VAUGHAN WILLIAMS: 'Fantasia on Sussex Folk-Tunes' for cello and orchestra; 1929. For a copy of the full score with autograph annotations, see Add. 62517. Presented by Mrs Ursula Vaughan Williams, 30 Oct. 1971. ff. 56. Largest size 355 x 264mm. ..., 1929
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CURZON COLLECTION. Vol. LXIV (ff. 55). Gordon Jacob, Zoltán Kodály, Constant Lambert. 1. ff. 1-29v. Jacob: Concerto for piano and strings, 1927. Solo part, with a reduction for piano of the orchestral parts, in score (London: Oxford University Press,...
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BERNARD STEVENS COLLECTION. Vol. LXXVII. Arrangements: J. S. Bach, Boyce, Brahms; n.d. ff. 37. Largest size 355 x 265mm. 1. ff. 1-22. J. S. Bach: Fugue in C sharp minor, arranged for strings. Pencil score; -ink parts. 2. ff. 23-28. William Boyce: Sy...
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