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A COLLECTION Of songs, duets, and trios by Dr. Thomas Augustine Arne, Corbet [? William Corbett], Dr. Samuel Howard, John Stanley, Daniel Purcell, Michael Wise, John Eccles, ]Richard Leveridge, -Monro, J-Barker, Henry Carey, and several other anony..., 18th century
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THE ORATORIO of Judith, consisting of three volumes in score, composed by Dr. Arne; in his own handwriting. 3 Vols. oblong Quarto. [11,515-11,517.]
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G. Arrangements (see also vols lxxvi, lxxxiv-lxxxv).71795. HUMPHREY SEARLE COLLECTION. Vol. lxxv. Searle’s arrangements and transcriptions of works by other composers.ff. 77. Largest size 365 x 275mm.1. ff. 1-4. Thomas Arne: [Rule Britania, from Alfr...
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SONGS, TRADITIONAL AIRS, ETC., mostly by 18th and early 19th cent. English and French composers, including Sir Henry Rowley Bishop, Thomas Augustine Arne and Ignaz Joseph Pleyel, copied by Eliza Lane; signed and dated '30th Janry 1819' (f. 1). Preced...
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VOCAL MUSIC; end of 18th cent. A collection of sacred and secular tunes bound after a printed copy of A Select Collection of Psalm and Hymn Tunes…By…Henry Boyd [1793]. Nos. 1-6 are of a sacred character, and, with the exception of the last, unaccompa...
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" ARTAXERXES ": an opera in two acts, by Thomas Augustine Arne, Mus. Doe., the libretto being a translation by him of Metastasio's " Artaserse." Full score, with the parts for the more modern instruments in the autograph of Sir Henry Rowley Bishop. P..., 19th century
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COLLECTIONS by Eliza Wesley relating to English and foreign composers, musicians, singers and others, consisting of engraved portraits, photographs, newspaper-cuttings, and other printed matter, with a few original letters, etc. The names are all giv..., 19th century
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LETTERS of Robert Dodsley, publisher, to W. Shenstone; 1747-1759. Autograph. With three original letters of Shenstone to Dodsley; 4, 23 Mar. 1755, 21 Dec. 1757, ff. 38, 39, 87;-an original letter of Dr. Thomas Augustine Arne to Shenstone, 30 Nov. 17..., 1747-1759
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HARPSICHORD SOLOS, etc., by J[ohn] C[hristopher] Smith, Handel, Francesco Geminiani, and Dr. Thomas Augustine Arne, transcribed by Dr. Charles Burney, at Chester, in 1744. Paper; ff. i + 35. Folio. Belonged (19th cent.) to S. N. Barber of Denmark Hil..., 1744
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Vol. I, ff. 35, late xviiith cent.George Frideric Handel, composer: Selections from " Xerxes," overtures, etc., arranged for strings: late 18th cent.includes:f. 2 William Boyce, composer and organist: Sonata for 3 strings: late 18th cent. f. 5 b Tho...
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1. "ODE for St. Cecilia's Day," the countertenor part, with bass; by Henry Purcell [1683]. f. 1. 2. Litany for four voices, in score, ascribed to -Soaper, Vicarchoral of St. Paul's Cathedral. f. 6. 3. "Libera me, Domine": solo and chorus, by Dr. Tho..., 17th century-19th century
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NOVELLO COLLECTION. Vol. CVIII. Vincent Novello: orchestral versions of his own vocal works and those by other composers; 1814-1849, n.d. Full scores, mostly in the hand of Novello. Some parts not fully scored. ff. iii+151. 245 x 300mm. Vincent Novel..., 1814-1849
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MUSICAL Common-place Book in the hand of John Stafford Smith, organist and composer, containing short musical extracts from works by John Dowland, John Amner, Dr. Campion, Francesco Turini, the compiler, and others, with extracts from works on music ..., 1785-1789
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ROYAL MUSIC COLLECTION. Arne (Thomas Augustine). Theodosius; 18th century. The full score of the incidental music to the play, for 4 solo voices, oboes, trumpets, horns, timpani and strings, with a figured bass for harpsichord.Paper. ff. 23.Thomas Au..., 18th century
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DOVASTON MUSIC MANUSCRIPTS (SERIES II). Vol. III. Collection of songs, duets, glees, etc., together with a few keyboard pieces, mostly from published sources but including items composed by friends; compiled 1803-1813. The vocal music includes works ..., 1803-1813
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CURZON COLLECTION. Vol. CXIV. Albéniz Ireland; 1932-1976, n.d. ff. 178. Largest size 350 x 240mm. 1. ff. 1-2. Albéniz; 1937. 2. ff. 3-3v. Arne; 1939. 3. ff. 4-16. J. S. Bach; 1935, n.d. 4. ff. 17, 18. Arthur Bliss; 1937. 5. ff. 19-32. Britten; 1943-1..., 1932-1976
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MUSICAL WORKS OF WILLIAM RUSSELL. Vol. IV (ff. iii+43). 'Selections from Handel [and others] for the Organ' (f. i) compiled by William Russell, father of the preceding, with pencil additions by his son on ff. iii, 11, 39-40, 41b, 43; 'April 23 1792' ..., 1792
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CURZON COLLECTION. Vol. I (ff. 85). Isaac Albéniz, William Alwyn, Thomas Augustine Arne. 1. ff. 1-9v. Albéniz: 'Sevillanas' from Suite espagnole (London: Joseph Williams, 1922). 2. ff. 10-35. Alwyn: 'Contes barbares'; 1930 -1933. Two manuscripts, one...
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A. Vernon Butcher: ‘English Organ Music (from John Blow to Samuel Wesley)’; circa 1940. The editor’s neat copy, in ink, with engraver’s markings. Folio. Organ music by Roseingrave, Blow, Felton, Arne, Dupuis, Bennett, Beckwith, Keeble, Walond, Russel..., approximately 1940
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NOVELLO COLLECTION. Vol. CXIV. 'Studies in Vocal Counterpoint'; 1845-1849. Some numbers are present in more than one setting. ff. iii+46. Overall size 310 x 244mm. Vincent Novello's binding of 1849, numbered 127b. 1. f. 1. Samuel Webbe the elder: 'St..., 1845-1849
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WORDSWORTH MUSIC MANUSCRIPT: collection of vocal and instrumental music compiled by William Wordsworth, an amateur of music; circa 1771. Commenced? 21 Sept. 1771 (f. ii). Included are songs by Arne, Travers and Shield, the cantata 'The Hermit' by Jam..., approximately 1771
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MISCELLANEOUS Music, vocal and instrumental, including:-a large number of Scottish, Irish, and other airs, with variations, minuets, etc., apparently for 1 or 2 flutes or clarinets (see f. 5) ; English songs, among which are an occasional ode " Hail ..., 1788
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COLLECTION of minuets, airs, etc., arranged for the pianoforte or harpsichord, apparently in the hand of I. H., whose initials are on f. 2. The names of the composers given are Lady Powis, Handel, Stanley, Felton, Aylward, Scarlatti, Galuppi, Dr. T. ..., 18th century
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COLLECTION of Songs and other vocal compositions; with a bass for harpsichord, etc., in score, by Drs. Arne, Boyce and Pepusch, Handel, Henry Carey, and others. Most of them appear to have been written for Marylebone, Ranelagh, or Vauxhall Gardens, i...
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ROYAL MUSIC COLLECTION. Nüske (J.A.). The Nüske-Aniad; 19th century. ‘A collection of vocal melodies, consisting of celebrated airs by the leading foreign and English musicians; the works of each supplying one song: adapted to the guitar, with, relat..., 19th century
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COI,LECTION Of glees, catches, rounds, etc. by Samuel Webbe, sen., John Wall Callcott, John Stafford Smith, Henry Purcell, Dr. Thomas Augustine Arne, William Lawes, and other English composers of the 18th cent. Paper; ff. 53. xixth cent. Oblong Quart..., 19th century
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SONGS and harpsichord solos by composers, chiefly English, of the first half of the 18th century. Those named are William Babell, Corelli,-Gouge, Dr. Maurice Greene, Handel, Martin, and John Randall. The only other composers identified are Dr. Thomas..., 18th century
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SACRED music, principally by English composers, viz. 1. Canons and rounds, by Arne, Thomas Ford, Holder, Dr. B. Cooke, Samuel Webbe, James Elliott, William Savage, and Robert Cooke, with many others unnamed. Some of the former are autograph of the an..., 18th century-19th century
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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MUSICAL COMPOSITIONS, 18th century-19th century
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MS Mus. 151. CHARLES DIBDIN: music manuscripts; circa 1763-73, n.d.ff. 48. 245 x 305mm.1. ff. 1-26. Two airs from ‘The Wedding Ring’ (afterpiece, words after C. Goldoni, first performed at Drury Lane, 1 Feb 1773). For the overture, see Add. 30950. Pu..., 1758-1773
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MS Mus. 925. Stanford Robinson Collection. Vol. iii. Arrangements; circa 1920-1954.ff. i + 35. Largest size 429 x 280mm.1. ff. 1-6v. Thomas Augustine Arne: ‘Come away, death’ for baritone and orchestra; 1920.2. ff. 7. Arne: ‘Intro to “When daisies pi..., 1915-1954
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CATCHES, by the Earl of Mornington, Henry Purcell, Dr. T. A. Arne, J. Isum [Isham], -Atterbury, and others. Copied by Thomas Oliphant. Paper; ff. 39. xixth cent. Oblong 24mo.Garrett Colley Wellesley, 1st Earl of Mornington: Part-songs: 19th cent.Hen..., 19th century
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ENGLISH duets, chiefly by Dr. Thomas Augustine Arne and William Jackson, of Exeter, transcribed in score by Richard James Samuel Stevens; 1797. Included also are compositions by Handel (ff. 43, 45 b), John Christopher Smith (f. 30), Stephen Storace (..., 1797
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ROYAL MUSIC COLLECTION. Griesbach (John Henry). The Tempest; 1849. Incidental Music, with an overture, songs and dances, including new settings of Purcell’s music to ‘Come unto these yellow sands’, ‘Full fathom five’ and ‘No more dams I’ll make for f..., 1849
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CHURCH HOUSE MANUSCRIPTS. Vol. IX C (ff. ii+11). 'VI' (f. i); 'Decr 1854' (f. ib)-'Aug 10 [18]58' (f. 11).includes:ff. 1b-2b Thomas Augustine Arne, composer: Songs: 18th cent: Copies, 1854.ff. 4b-5 Samuel Webbe, the elder or the younger; composer...
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A VOLUME of vocal and instrumental Music, transcribed for General Fitzwilliam, containing:-Attilio Regolo, an Opera, by Nicolò Jomelli, f. 1 ;-Six Sonatas for the piano-forte, harpsichord, or organ, with an accompaniment for the violin; composed by ..., 18th century
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COMPOSITIONs by Dr. Thomas Augustine Arne, in full score, viz.:-1. "The kind Appointment;" a cantata. f. 8. 2. "A Wretch long tortur'd ;" a cantata. f. 20. 3. "Music in Rosamond, 1733," f. 33. 4. "Music in the Tempest." Imperfect. f. 86. 5. "The last..., 18th century
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MISCELLANEOUS COLLECTION of vocal and instrumental pieces in score, commenced by Henry Male Dixon in 1759, and continued by John Stafford Smith. The principal pieces are anthems and services by John James, J. Beckwith, Dr. Arnold, -Guise, Dr. Ayrton..., 18th century-19th century
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(1-6.) ROYAL MUSIC COLLECTION. Theatre music; 18th century.Paper.1. 6, 6, 7, 5, 5, 6 ff. Locke (Matthew): Macbeth. Six separate parts for 1st Witch (2 copies), Hecate, 2 violins and cello only, of the incidental music to the play. In the hand of ‘E.R..., 18th century
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Vol. II, ff. 32, late xviiith cent.George Frideric Handel, composer: Selections from " Xerxes," overtures, etc., arranged for strings: late 18th cent.includes:f. 2 William Boyce, composer and organist: Sonata for 3 strings: late 18th cent. f. 5 b Th...
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THE MASQUE of Comus, set to music by Dr. Arne, in score. Prefixed is a copy of the five original songs by Henry Lawes, performed at Ludlow Castle, Oct. 1634, with the music. Quarto. [11,518.]
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MS Mus. 152. CHARLES DIBDIN AND OTHERS: album of songs and keyboard music; circa 1800. Partly autogr., partly copies, partly printed. ff. 1-11 are in the same hand. The printed items have been trimmed and pasted into the volume, and no publication de..., approximately 1800
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NOVELLO COLLECTION. Vol. LXXVI. Secular vocal and instrumental music by various composers; after 1812 (watermark)-1847, n.d. Vocal or chorus or instrumental scores. Partly autograph. Copies mostly in the hand of Vincent Novello. ff. 36. Largest size ..., 1812-1847
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Newland/Zeuner Collection, circa 1735-circa 1900
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TENOR PARTS of oratorios as follows:-(1) 'The Messiah', by George Frederick Handel, first performed in Dublin, 13 Apr. 1742. Tenor solos and chorus parts together with, at ff. 5-5b, the contralto aria 'He shall feed His flock'. At ff. 18-19b is an ..., 18th century
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