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" SONATE per cembalo con diverse chiave," by Francesco Durante. Paper; ff. 24. xviiith cent. Belonged in 1754 to Anno Smith, and in 1816 to C. E. F. Payne. Obl. Quarto., 18th century
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" RESPONSORI a quattro voci con violoncello e organo ad libitum, per il Giovedi, Venerdi, e Sabato Santo. Musica di Leonardo Leo"; full score. Paper; ff. 65. xixth cent. Obl. Quarto., 19th century
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" MESSA a quattro voci concertata con istromenti, di Giovanni Paisiello." Paper; ff. 129. xixth cent. Obl. Quarto., 19th century
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1. " Magnificat a 4 concertata di Francesco Durante." f. 1. 2. Credo a quattro, con violini, di Leonardo Leo." f. 14. 3. Amen finale del Credo in Diluvio aquarum multarum, a 16 voci. Del Divino Orazio Benevoli, Romano." f. 43. 4. "Messa a sedici voci..., 19th century
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1. " MISERERE concertato a due cori," A.D. 1739 ; "Dixit [Dominus Ps. ex.] a 8, con stromenti " ; and "Kirie et Gloria a 5, con stromenti," by Leonardo Leo. ff. 2, 32, 77. 2. "Tu es Petrus a 8 voci, del Cavaliere Alessandro Searlatti." f. 137. 3. "Do..., 1739
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" MOTTETTI e messe che si cantano nella Cappella Sistina e nella Basilica Vaticana," in vocal score, by Giovanni Pier Luigi Palestrina, and other composers of the Roman School, viz.Gregorio Allegri, i. f. 2 b. Giovanni Maria Nanini, i. f. 32 b. Crist..., 19th century
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1. INTROITS, motets, etc., in full score, by Johann Joseph Fux. Latin. f. 3. 2. Mass for five voices, in full score, by Gulielmus Messaus, 1633. f. 47. 3. " Miserere a 4 voci," in full score ; stated to be probably an incorrect copy of Allegri's Mise...
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CHURCH-SERVICES, in full score, by Tomas Luis de Victoria, Giovanni Pier Luigi Palestrina, Gregorio Allegri, Giacomo Antonio Perti, Antonio Lotti, David Perez, and Tommaso Bai. At ff. 33, 52 are the two Misereres composed by Allegri and Bai for use i..., 19th century
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1. MOTET: " Com[m]issa mea pavesco," for 4 voices, in score, by Matteo Simonelli. Autograph. f. 1. 2. Motet: " Adorna Thalamum," for 4 voices, in parts, by Alessandro Scarlatti,1708. Autograph. Given by the Abbé Santini to Rev. Edw. Goddard. f. 4. 3...., 17th century-19th century
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CHURCH-SERVICES, motets, etc., to Latin words, by Giovanni Pier Luigi Palestrina. Paper; ff. 129. xixth cent. Obl. Quarto., 19th century
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1. CANTUS in Passione Domini Nostri J. C., Secundum Mathaeum " part of the service for Holy Week. f. 2. 2. " Justorum animae a 5, di Andrea Basili, Maestro nella Chiesa della S, Casa in Loreto " : vocal score with basso continuo. f. 22. 3. " Magnific..., 19th century
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1. " LA VIOLA," eantata for alto with violins and a bass in score, by Antonio Caldara. Autograph (?). f. 1. 2. " In carcere penoso," for soprano and bass, with a bass, in score, by Agostino Tinazzoli. Copied by Abbé Santini. f. 6. 3. " D'alle tenebre..., 18th century-19th century
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MASSES for eight and four voices, in score, by Pompeo Caniciari, Pietro Paolo Bencini, Giovanni Battista Pergolesi, Leonardo Leo, and Andrea Basili; followed, at f. 138, by " Terzettini " for the Sundays in Advent, by Giovanni Pier Luigi Palestrina. ..., 19th century
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" OCTO melodiae octo modorum harmonice factae, saeculi vii., et duo To Deum Laudamus ": being eight plain-chant melodies to " Gloria Patri," and the " Te Deum " in the several ecclesiastical modes. The volume is annotated by the Rev. Thomas Helmore, ..., 19th century
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Davenport, Addington, 1670-1736,. Deed of release of property, October 21, 1712.
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Harvard Law School Library Langdell Hall Cambridge, MA 02138 |
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" LI PELLEGRINI " : an oratorio, in full score, by Johann Adolph Hasse. Paper; ff. 87. xixth cent. Obl. Folio., 19th century
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1. " CANTATA a voce sola con violini, di Nicolo Porpora 10 July 1712. f. 1. 2. Cantata con violini di Antonio Caldara "; copied in 1771. f. 11. 3. Lamentationes [by Eleazar Genet, called] Carpentras, cum quatuor vocibus ; in score. Printed at Paris i...
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1. PSALM XXXVI., from Benedetto Marcello's " Parafrasi sopra i primi 50 Salmi." In score. Autograph. f. 2. 2. A Mass by an anonymous composer. In score. Apparently autograph. f. 18. 3. " Requiem " for 4 voices, with violins, by Francesco Durante. f. ..., 18th century
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LESSONS from the Book of Job, set to music for three voices, with accompaniment for three violins and a bass, in full score, by Ambrogio Minoja. Latin. Paper; ff. 15. xviiith or xixth cent. Obl. Quarto., 18th century-19th century
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1. MOTETS, chiefly for four voices, in score, with basso continuo, by Andrea Basili, Giovanni Masi, Francesco Durante, Luigi Vergelli, Giovanni Carlo Maria Clari, Giuseppe Ottavio Pitoni. Latin. f. 1. 2. "Responsori per la Notte di Natale," in vocal ..., 19th century
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CHURCH-SERVICES and Motets, viz 1. " Antifone e Responsori a 4 e a 5 voci etc., in vocal score, by Tomaso Bai. f. 1. 2. " Fine del Miserere " of Gregorio Allegri, consisting of the last 12 bars of his Miserere for nine voices, in vocal score. f. 51 b..., 19th century
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1. " LE LAMENTAZIONI per il Mercoldi, Giovedi, e Venerdi Santo, a sola voce con basso numerato. Musica di Leonardo Leo." f. 2. 2. " Introiti e Graduali per le Domeniche di Quaresima, item Introito per le Ceneri, a quattro voci, di Leonardo Leo, per l..., 19th century
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1. "IL pianto di Maria.Cantata sacra a soprano da esseguirsi avanti il Santo Sepolero. Musica di Giorgio Federico Händel." f. 1. 2." Christus et Miserere a piu voci con Violincelli ed Organo di Giovanni Paesiello." f. 30. 3."Benediettus a due cori di..., 19th century
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CANTICLES, motets, etc., viz. :-1. " Benedictus," for eight voices, in organ score, by Alessandro Melani. f. 1. 2. " Dixit [Dominus, Ps. ex.], con tutti gli Otto Toni del Canto Fermo," for four voices, in organ score, by Giovanni Molinari. f. 14. 3...., 19th century
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MOTETS and Masses, in parts, by Felice Anerio, and a few by Palestrina and G. M. Nanini, apparently copied by Theodor do Witt from the MSS. at the Vatican which had been previously corrected by the Abbé Santini (see ff. 4, 4 b). Paper ; ff. 228. xixt..., 19th century
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FANTASIAS and other compositions for organ, violin, spinettina, or lute, in 2, 3, 4, and 5 parts, in score, by Girolamo Frescobaldi. The only pieces to which a name has been given are a 2-part " fuga per l'organo," beginning with a " canzona " (f. 3)..., 17th century-18th century
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" MOTECTORUM quæ in Sacello Summi Pontificis statis per annum temporibus concinuntur quatuor., quinis, senis, octonisque vocibus, Pars ia.," copied by the Abbé Fortunato Santini in 1835, and presented by him to the Rev. Edward Goddard, to whom the La..., 1835
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1. " MOTTETTO a canto solo con violini e oboe," and " Nisi Dominus [Ps. cxxvii.] a 5, con violini," by G. F. Handel. Latin. Composed apparently for the Colonna Family for performance at Rome on the festival of the Madonna del Carmine. ff. 1, 80. 2. "..., 18th century
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CHURCH-SERVICES, in vocal score, by Niccolò Jommelli, Antonio Lotti, Francesco Durante, Claudio Casciolini, David Perez, Niccola Piccinni, and Niccola Antonio Zingarelli. Latin. Followed by two compositions inseribed to the Rev. Edward Goddard by For..., 19th century
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1. " STABAT Mater a quattro voci con stromenti di Gio[vanni] Carlo Maria Clari. Poesia di Iacopone da Todi." f. 1. 2. " Stabat Mater a 3, due canti e alti con violini, di Girolamo Abos, 1750." f. 55. Paper; ff. 98. xixth cent. Obl. Quarto., 19th century
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"CESARE e Cleopatra": opera, in full score, “von Georg Friedrich Haendel” [in fact by C. H. Graun, 1742]. Paper; ff. 134. XVIIIth cent. Belonged to Rev. E. Goddard. Folio., 18th century
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" TE DEUM Laudamus a quattro con stromenti, di Adolfo Hasse " ; full score. Paper; ff. 35. xixth cent. Obl. Quarto., 19th century
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Vol. CX (ff. 373). June, 1824-Feb. 1825.George IV of England: Correspondence and papers of the 2nd Earl of Liverpool: 1820-1827.includes:f. 2 Reverend Samuel Watson, DD: Memorial to George IV: 1824. f. 4 Thomas Burgess, Bishop of St David's and (18...
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" SANTA Elena al Calvario: Oratorio di Leonardo Leo." In two parts; full score. Paper; ff. 123. xixth cent. Obl. Quarto., 19th century
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