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(1-22.). ROYAL MUSIC COLLECTION. Vocal and instrumental music; 19th century.[Paper].1. 10 ff. Cooke (Matthew): Where my sons Brittania said; 1803. Autograph. ‘Song for a Solo Bass and Chorus’; with pianoforte accompaniment (the bass is figured). Sign..., 19th century
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‘Original letters’: Ashe – Beckwith (ff. 254); 1816-1913, 1952-53, n.d.includes:ff. 1-4 William Watts, Secretary, Philharmonic Society: Andrew Ashe, flautist and concert organiser: Honoria Ashe, singer: Letters concerning Honoria Ashe's first Londo..., 1816-1953
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Acts II & III].ff. i+172 243 x 315mm.includes:f. 193 Philip Cipriani Hambly Potter, composer: Thomas Attwood, composer and organist: William Horsley, composer: Miss Dettmer, musician: Recommendation to become a female professional subscriber of the...
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MEYERSTEIN BEQUEST. Vol. X (ff. 17). Autograph music by Ludwig van Beethoven:-(1) Fragment (ff. 2-2b), 50 mm. × 295 mm., cut from the top of one leaf, containing miscellaneous sketches. On the recto are three bars in G marked 'Andante molto mote' an..., 1809
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THE ATTWOOD MANUSCRIPT. Exercises in theory and composition by Thomas Attwood (b.1765, d.1838) with autograph corrections by W. A. Mozart (K.506a); 1785-1787. Transcribed in Thomas Attwoods Theorie-und Kompositionsstudien bei Mozart, ed. E. Hertzmann..., 1785-1787
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R.M.21.c.26-31. ROYAL MUSIC COLLECTION. Anon. A Miscellany; early 19th century. 18 short pieces of music for 3 clarinets, bassoon and 2 horns. Separate parts only. There is an extra fragment between nos. 13 and 14 in all the partbooks except the bass...
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C. B. OLDMAN COLLECTION (PART 2). Vols. III-V. Correspondence and papers of Oldman relating to his work as co-editor of the Attwood Manuscript, K.506a (Attwood's musical composition exercises while studying with Mozart, now Add. 58437), for the Neue ..., 1924-1967
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Recommendations for associateship, with signatures of the applicants and those recommending; 1867-1902, n.d. With two recommendations for fellows, 1916, 1924 (ff. 180-1). All but one are entered on printed forms. Arranged alphabetically by name of pe..., 1867-1902
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MUSICAL autograph album of Eliza Wesley, containing short pieces, inscriptions and signatures of numerous composers, musicians, singers and others, English and foreign, written between 1836 and 1895. At the beginning are a few miscellaneous autograph..., 1836-1895
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ROYAL MUSIC COLLECTION. Anon. [Music for Bassethorns I.]; early 19th century. A book of mainly anonymous music for bassethorns with various instruments, consisting of 2 divertimenti, followed by a numbered set of 85 short pieces. Separate parts only....
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AYRTON PAPERS. Vol. XXI (ff. 66). Printed articles, etc., by William Ayrton; 1815-1858. Included are (ff. 1-34) copies of Gallery of Portraits, x (1833), li (1836), containing Ayrton's articles on Handel and Mozart; (ff. 36-53) proofs, etc., of obitu..., 1815-1858
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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SMART PAPERS. Vol. VII (ff. 33I). Correspondence and papers, including programmes and accompts (partly printed), relating to royal concerts and ceremonials (1819-1866), and the annual Festival of the Sons of the Clergy (1832-1845).includes:f. 2 Edw..., 1819-1866
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VOL. 1. : John Adamson, Feb. 16, 1808, f. 1. John Adolphus, June 23, 25, 1805, f. 3. T. T. Allingham, ff. 7, 10. Thomas Attwood, Mar. 29, 1823, f. 9. Z. A., Oct. 5, 1825, f. 11. Joanna Baillie, Dec. 31, 1804, f. 12. J. Barnes, f. 13. James Bartleman,..., 1785-1828
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MISCELLANEOUS LETTERS AND PAPERS. Paper; ff. 338. British Library arrangement. A. Eleven letters from William Ewart Gladstone to Joseph Williams Blakesley, Fellow of Trinity College Cambridge, and (1872) Dean of Lincoln, mainly concerning political a..., 1655-1983
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1813-54.ff. 247 + 74a. 312 x 200mm.includes:ff. 1-3r, 7v-8r, 9v-11, 13-14r, 25v, 54, 88v-89r William Horsley, composer: Minutes of general meetings of the Philharmonic Society, approved by: 1813-1818.ff. 2v-3, 23v-24, 32, 43v-46, 49r Samuel Webbe..., 1813-1854
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MUSIC PUBLISHING: album of receipts, agreements and letters of musicians, chiefly relating to the firms John and Thomas Preston (John Preston & Son), and Coventry and Hollier; 1773-1863. Mostly receipts for copyright in musical compositions. The sign..., 1773-1863
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COLLECTIONS by Eliza Wesley relating to English and foreign composers, musicians, singers and others, consisting of engraved portraits, photographs, newspaper-cuttings, and other printed matter, with a few original letters, etc. The names are all giv..., 19th century
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COLLECTIONS of Eliza Wesley relating to Samuel Wesley her father, consisting of copies of letters, extracts from printed and other sources, etc. Included are the following original letters, etc:-1. Copies of six letters from S. Wesley to Mary Freeman...
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Recommendations; 1815-46. All bearing the signatures of those making the recommendation, and most annotated with the dates on which the recommendations were read and with the result. Entered on printed forms from 1820 or 1821 onwards.ff. 218 + 169*. ..., 1815-1846
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MS Mus. 1570. Jefte in Masfa: excerpts from the oratorio by François Hippolyte Barthélemon (b. 1741, d. 1808), for solo voices, chorus and piano, with words by Abbate Luigi Semplici; [circa 1827]. Proofs of the vocal score corrected by the composer..., approximately 1827
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MISCELLANEOUS COLLECTION of vocal and instrumental pieces in score, commenced by Henry Male Dixon in 1759, and continued by John Stafford Smith. The principal pieces are anthems and services by John James, J. Beckwith, Dr. Arnold, -Guise, Dr. Ayrton..., 18th century-19th century
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Foundation book, with signatures and addresses of members; 6 Feb. 1813. With annotations and additions to 1847. The members are numbered 1-59, but some of the later names in this series are inserted in pencil rather than signed, and the series has be..., 1813-1847
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Letter book; 1831-44. All in the hand of William Watts.ff. 197. Largest size 230 x 185mm.includes:ff. 1, 64 William Watts, Secretary, Philharmonic Society: Pierre François Laporte, actor and impresario: Letters to Pierre François Laporte from Willi..., 1831-1844
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Vol. I.Charles Wesley, musician; d.1834: Songs, anthems, etc.: 1779-1823.includes:f. 2 Charles Wesley, musician; d.1834: Letters to R. Glenn: circ. 1806, 1828. f. 5 Charles King, composer and organist: Service in F: 1822. f. 9 John Robinson, organi..., 1770-1835
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1816-22.ff. 198. 98 x 160, 178 x 114mm.includes:ff. 13v-14 Domenico Dragonetti, double-bass player and composer: William Watts, Secretary, Philharmonic Society: Copies of letters to Domenico Dragonetti from William Watts: 1816-44.f. 26 Catherine ..., 1816-1822
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NOVELLO COLLECTION. Vol. CVII. Vocal and instrumental music; 1772-1843, n.d. Full, vocal, chorus or instrumental scores. Mostly autograph. ff. iii+106. 305 x 245mm. Vincent Novello's binding of 1847, numbered 1[5]0. 1. ff. 2-10. Samuel Wesley: 'Ode f..., 1772-1847
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NOVELLO COLLECTION. Vol. II. Thomas Attwood: sacred vocal music; 1834, n.d. Full and vocal scores. Partly autograph, partly copies in the hand of Vincent Novello. ff. 17. Overall size 245 x 305mm. 1. ff. 1-15. 'Bow down thine Ear', anthem for treble ..., 1834
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NOVELLO COLLECTION. Vol. XCVI. Mostly sacred vocal music; after 1803 (watermark)-1843, n.d. Full, vocal or chorus scores, or instrumental parts. Partly autograph. Some copies in the hand of, and with accompaniments arranged by, Vincent Novello. ff. 7..., 1803-1862
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CHURCH HOUSE MANUSCRIPTS. Vol. XI. Chants for psalms at morning and evening prayer on thirty successive days; collected aft. 1840(watermark f. 10). Imperfect, by the excision of most of the last leaf (f. 33), which bears the remnants of pencil sketch...
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