Mathews, Max V.

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Biographical Note

Max V. Mathews, often cited as "the father of computer music," was born in Columbus, NE on November 13, 1926. After training as a radio technician in the Navy, he attended the California Institute of Technology, where he received a bachelor's degree in electrical engineering in 1950. He received a Ph.D. from the Massachusetts Institute of Technology in 1954.

Mathews joined the Bell Labs acoustical and behavioral research department in 1955. While there, he developed a computer program that allowed an IBM mainframe to compose and play a 17 second composition. Subsequent versions of this program, called Music, led to the development of popular computer music software such as CSouns and CMix, as well as MAX, a programming language for music named in his honor. Mathews was also the inventor of the Radio Baton, an electronic device for control of music in Midi format, and several electric violins. His collaborators included composers John Cage and Pierre Boulez. In the 1970s, he assisted Boulez in establishing the Institut de Recherche et Coordination Acoustique/Musique in Paris.

Mathews directed the acoustical and behavioral research center at Bell Labs from 1962 to 1985, at which time he accepted the position of Professor of Music (Research) at Stanford University. While at Stanford, he was affiliated with the Center for Computer Research in Music and Acoustics. Following his retirement as Professor Emeritus in 2005, he remained active in the electronic music field until his death on April 21, 2011.

From the guide to the Max V. Mathews papers, 1953-2011, (Department of Special Collections and University Archives)

Archival Resources
Role Title Holding Repository
referencedIn Olivia Mattis Collection, 1988-1990 Archive of Recorded Sound
referencedIn Atkins, Irene Kahn, 1922-. Major figures in American music [M-R] : [oral history]. Yale University Library
creatorOf Max V. Mathews papers, 1953-2011 Stanford University. Department of Special Collections and University Archives
referencedIn Otto Luening collection of non-commercial sound recordings [sound recording], 1950-1983 The New York Public Library. Rodgers and Hammerstein Archives of Recorded Sound.
referencedIn Stanford University. Center for Computer Research in Music and Acoustics. Stanford University, Center for Computer Research in Music and Acoustics, records, 1967-2001. Stanford University. Department of Special Collections and University Archives
Role Title Holding Repository
Relation Name
associatedWith Bell Telephone Laboratories. corporateBody
associatedWith Boulez, Pierre, 1925- person
associatedWith Cage, John. person
associatedWith IRCAM (Research institute : France). corporateBody
associatedWith Luening, Otto, 1900-1996 person
associatedWith Mathews, Marjorie person
associatedWith Mattis, Olivia person
associatedWith Risset, Jean-Claude person
associatedWith Schwartz, Lillian F., (Lillian Feldman), 1927- person
associatedWith Stanford University. Center for Computer Research in Music and Acoustics. corporateBody
associatedWith Stanford University. Dept. of Music. corporateBody
Place Name Admin Code Country
Subject
Computer music
Electronic music
Electronic musical instuments
Music
Occupation
Activity

Person

Birth 1926-11-13

Death 2011-04-21

Male

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