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Vol B.Henry Loosemore, Composer: Three-part Fancy: 17th cent.Michael Este, composer: Fifth set of Books: post 1618.includes:ff. 3 b-11 Thomas Morley: Canzonets for 3 voices: after 1618. ff. 11 b-17 Edward Blankes, composer: Three-part Fancies: post ..., 17th century
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GLEES, motetts, catches, etc., mostly for three voices, by-Trevor, Adrian Willaerdt, Philip Hayes, and others. In separate parts, in three volumes. Reversing the volumes, there are four glees by [Thomas] Morley and one by Michael East. In the handwri..., 18th century
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SERVICES and anthems, in organ-score, by Dr. Tye, T. Tallis, W. Byrd, T. Morley, Edmund Hooper, Albert Byrne, A. Batten, O. Gibbons, Thomas Tomkins, Giovanni Ferrabosco, Dr. Child, Dr. W. Turner, and H. Purcell. Paper; ff. 196. Circ. 1700. Formerly b..., approximately 1700
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Vol A.includes:ff. 1 b-9 Thomas Morley: Canzonets for 3 voices: after 1618. ff. 9b-15 Edward Blankes, composer: Three-part Fancies: post 1618. f. 15 b William Byrd: Three-part Fancy: post 1618. ff. 16-22b William Byrd: "Gradualia": post 1618. ff...., 17th century
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PART-SONGS, etc., for two, three, and four voices, by William Byrd, John Farmer, Thomas Morley, and other composers, chiefly in Latin or English; copied by John Immyns. In separate parts, in four volumes. Paper ; xviiith cent. Oblate Duodecimo., 18th century
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PRELUDES, fantasies, canons, grounds, etc., for the organ; psalms in short score; and other compositions by Thomas Tallis, W. Byrd, William Blithman, Dr. John Bull, Orlando Gibbons, Edward Bevin, Emanuel Soncino, Francis Forcer, Matthew Locke, and Dr..., approximately 1700
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ROYAL MUSIC COLLECTION. Catches, Canons and Madrigals; 18th century. A collection, in the same hand throughout, of 205 pieces, in score and with words, by Morley, Byrd, Immyns, Ives, Le Jeune, Mouton, Torri, Ferrabosco, Seymour, Ford, Purcell, Hilton..., 18th century
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NOVELLO COLLECTION. Vol. LXXIX. Vincent Novello: 'Novello's Madrigalian Studies'; 1843-1844. Arrangements by and in the hand of Vincent Novello. ff. ii+45. 240 x 305mm. Binding numbered 426. 1. ff. 1-19v. Michael East: 'In the merry month of May'; -..., 1843-1844
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ROYAL MUSIC COLLECTION. Knoll (Franz R.). Erstes Concert für die Violine; 19th century. Concerto for violin and piano, in one movement, in score. Dedicated to Prince Albert.ff. 16.Franz R. Knoll, composer: Violin concerto: 19th cent: Copy.Victoria of..., 19th century
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ROYAL MUSIC COLLECTION. The Baldwin Collection of Motets, etc.: circa 1600, unless otherwise dated. A volume in the script throughout of John Baldwin of Windsor (excepting ff. 87b-89), containing 203 motets, instrumental pieces, canons and contrapunt..., 1590-1606
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(1-13.). ROYAL MUSIC COLLECTION. Madrigals; 17-18th century. Unaccompanied, unless otherwise stated, and in score.Paper.1. 12 ff. Lotti (Antonio): In una siepe ombrosa. For 5 voices; with unfigured bass.2. 7 ff. Stradella (Alessandro): Clori son fido..., 17th century-18th century
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1. PSALMS 67, 3, 69, 51, and 142, set to music for three voices, by Claude Le Jeune. Fr. f. 1. 2. "Madrigals for 3 voices;" viz., "Come, shepherd swains," by John Wilby, and " Thirsis, let pity move thee," by Thomas Morley, f 38. Paper; xviiith cent...., 18th century
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CANZONETS for three voices, and five-part madrigals and ballets, in score, by Thomas Morley; transcribed by Dr. John Alcock. Paper; ff. 76. xviiith cent. Obl. Folio.Thomas Morley: Secular music: 17th cent.John Alcock, organist and composer: Canzonets..., 18th century
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PSALM TUNES; after 1712. Added in MS. on inter-leaves to the printed volume The Whole Books of Psalms…by Thomas Sternhold, John Hopkins, and others (Printed by William Pearson, 1712). Those marked a, below, are for 4 voices and, unless the contrary i...
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ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fr..., 18th century
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THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ...
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MUSICAL Common-place Book in the hand of John Stafford Smith, organist and composer, containing short musical extracts from works by John Dowland, John Amner, Dr. Campion, Francesco Turini, the compiler, and others, with extracts from works on music ..., 1785-1789
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(1-26.). ROYAL MUSIC COLLECTION. Vocal music; end of 17th century. All in score.Paper.1. 5 ff. Byrd (William): Laudate pueri. Motet for 6 voices. From the Tallis and Byrd Cantiones, 1575.2. 2 ff. Byrd (William): Memento homo. Motet for 6 voices. From..., 17th century
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MADRIGALS, catches, canons, etc., by the following Composers:-Thomas Morley, [1593], 1594, ff. 3, 30, 39 b, 48 b. John Bartlet; 1606, f. 6. Francis Pilkington; 1605, ff. 6 b, 7 b, 31 b. Thomas Ford. 1607, 1611, ff. 8 b, 23 b. William Child:-"A catch ..., 17th century
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MOTETS, madrigals, fancies, etc., annotated throughout by Thomas Tomkins, with some of his own compositions. The composers named are :--Kyrton, ff. 6, 7 b. John Redford, ff. 6 b, 11, 17, 22 b, 36, 37, 40 b, 42 b. Richard Wynslate, f. 20. -Avere [A..., 16th century-17th century
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CHURCH HOUSE MANUSCRIPTS. Vol. VIII. 'Chants for every Day in the Month [with other material] as sung at Lichfield Cathedral' (f. iib); collected by 'The Revd Tho[ma]s Helmore [(b. 1811, d. 1890), Priest-Vicar of Lichfield Cathedral,] March 6 1841' (..., 1829
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SERVICES and anthems. Imperfect at the beginning. The composers are:-[Robert] Parsons, f. 4. [John] Mundie, ff. 6, 83 b, 9 b, 102, 101 b, 107. [John] Sheppard, ff. 21, 74 b, 93, 97 b, 98 b, 100, 102 b, 105 b. -Woodson, f. 37. [Thomas] Morleie [Morley...
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(1-4.). ROYAL MUSIC COLLECTION. Vocal pieces; 18th century.Paper.1. 43 ff. Palestrina (Giovanni Pierluigi da): Motets for 4 voices. A collection of 21 motets for 4 voices, unaccompanied, in score. Nos. 1-9 are not separately ascribed to Palestrina, a..., 18th century
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ROYAL MUSIC COLLECTION. Forster (Will). The Forster Virginal Book; 1624. There is a list of contents prefaced to the volume signed by Forster and dated Jan. 31, 1624. The book is written in Forster’s hand throughout, and contains 80 compositions for ..., 1624
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ROYAL MUSIC COLLECTION. Morley (Thomas). Canzonets a 3 and Madrigals a 4; 18th century. Late copies, not quite complete, of the printed collections of 1593 and 1594, in score. Nos. 1-15 are the canzonets and nos. 16-35 are the madrigals. There is an ..., 18th century
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MADRIGALS and motets, in score, transcribed by John Immyns, containing:-1. Three English madrigals, by the transcriber. f. 1. 2. Three motets in Latin and French, the first by Palestrina. f. 9. 3. Madrigal by Francesco Corteccia. f. 23. 4. Motets fo..., 18th century
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BASS PART of a collection of vocal and instrumental pieces of the 16th and the beginning of the 17th centuries, in 3, 4, 5, and 6 parts, made in Scotland by Dauid Meluill, al. Meluine, whose name is written at the foot of each page. Most of the compo...
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(ff. 173). Vol. iii. MORNING and Evening services, canons, etc., by Henry Purcell, Matthew Locke, Dr. John Blow, Dr. William Child, Orlando Gibbons, Dr. Maurice Green, Daniel Henstridge, Thomas Morley, Anthony Walkley, Rev. Valentine Nalson, Thomas T..., 17th century-18th century
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"TRISTITIÆ remedium. Cantiones selectissimæ diuersorum tum authorum tum argumentorum; labore et manu exaratæ Thomæ Myriell, A.D. 1616." A collection of glees, sacred pieces, etc., by John Wilby, Richard Deering, Thomas Ravenscroft, Martin Pierson, Jo..., 1616
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THREE-PART songs, in vocal score, chiefly by French composers, in Latin, French, and Italian, with some in English, by Thomas Morley; copied by John Immyns, founder of the Madrigal Society, in 1741. Two volumes. Paper; xviiith cent. Oblate Duodecimo., 18th century
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Bassus partbook [for the cantus see R.M.24.g.4., the altus R.M.24.g.5., the tenore (with an index) R.M.24.g.6. and the quintus R.M.24.g.7.].Paper...., 18th century
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ROYAL MUSIC COLLECTION. Albert, Prince Consort of Queen Victoria. Der Abschied; 19th century. ‘Chorgesang für Soprano, Alto, Tenor und Basso, in Musik gesetzt und Sr. Durchlaucht dem Prinzen Hrrn. Albert von Sachsen Cöburg-Gotha in tiefster Ehrfürckt..., 19th century
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G. Arrangements (see also vols lxxvi, lxxxiv-lxxxv).71795. HUMPHREY SEARLE COLLECTION. Vol. lxxv. Searle’s arrangements and transcriptions of works by other composers.ff. 77. Largest size 365 x 275mm.1. ff. 1-4. Thomas Arne: [Rule Britania, from Alfr...
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Vol C.includes:f. 1 Henry Sheldon: Name inscribed: post 1618. ff. 3 b-11 Thomas Morley: Canzonets for 3 voices: after 1618. ff. 11 b-17 Edward Blankes, composer: Three-part Fancies: post 1618. f. 17 b William Byrd: Three-part Fancy: post 1618. ff..., 17th century
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"CANZONETS or little Short Songs to three voices . . . . by Thomas Morley, Batchelor of Musick, and one of the Gent[lemen] of Her Majesty's Royall Chappell," 1593; dedicated to Mary [3rd wife of Henry Herbert, Earl of Pembroke]. Followed by canzonets..., 18th century
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Quinto partbook [for the cantus see R.M.24.g.4., the altus R.M.24.g.5., the tenore (with an index) R.M.24.g.6. and the bassus R.M.24.g.8.].Paper.1..., 18th century
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(1-9.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. In score.Paper.1. 13 ff. Anon: Tonat coelum. Sacred composition for 2 voices; with symphonies and accompaniment for instruments and an unfigured bass. ‘To His Royal Highness the Prince of Wal..., 18th century
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BOULT PAPERS: (SERIES II) Vol. xxix. Musical compositions by Boult and other composers; 1897-?1983, n.d. Autograph and in ink unless otherwise stated. Songs are with piano accompaniment unless otherwise stated.ff. 151.1. ff. 1-2. Song ‘Young Love’, d..., 1893-1979
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