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Recommendations; 1815-46. All bearing the signatures of those making the recommendation, and most annotated with the dates on which the recommendations were read and with the result. Entered on printed forms from 1820 or 1821 onwards.ff. 218 + 169*. ..., 1815-1846
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‘Original letters’: Tabb – Vert (ff. 269); 1821-1913, 1950-53, n.d.includes:f. 1 Richard Prestridge Valentine Tabb, cellist: William Hayman Cummings, Mus.D: Letter to William Hayman Cummings from Richard Prestridge Valentine Tabb: circa 1908.f. 2 ..., 1821-1953
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CROSS PAPERS. Vol. XXVII (ff. 200). Miscellaneous papers; 1702-bef. 1903. 1. ff. 1-95. Drafts of Part II, Appendix B, The character of the Queen as shown in her letters on public affairs, and Part III, Appendix B, The character of the Queen as shown ..., 1702-1903
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Acts II & III].ff. i+172 243 x 315mm.includes:f. 193 Philip Cipriani Hambly Potter, composer: Thomas Attwood, composer and organist: William Horsley, composer: Miss Dettmer, musician: Recommendation to become a female professional subscriber of the...
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PEARSALL COLLECTION. Vol. VII (ff. ii + 101). Arrangements and adaptations from works by the early madrigalwriters and others, interspersed with original compositions chiefly sketches or rough drafts by Pearsall, including anthems, a canon, a carol, ..., 1835-1838
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" 'O LORD God of my Salvation,' Anthem for twelve voices by Wm. Horsley, Mus. Bac. Oxon." Paper; XIXth cent. Quarto, Presented by Mrs. Elizabeth H. Horsley., 19th century
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Recommendations for associateship, with signatures of the applicants and those recommending; 1867-1902, n.d. With two recommendations for fellows, 1916, 1924 (ff. 180-1). All but one are entered on printed forms. Arranged alphabetically by name of pe..., 1867-1902
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NOVELLO COLLECTION. Vol. CVII. Vocal and instrumental music; 1772-1843, n.d. Full, vocal, chorus or instrumental scores. Mostly autograph. ff. iii+106. 305 x 245mm. Vincent Novello's binding of 1847, numbered 1[5]0. 1. ff. 2-10. Samuel Wesley: 'Ode f..., 1772-1847
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PEARSALL COLLECTION. Vol. XX (ff. i + 32). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th cent..., 19th century
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"EXAALTABO te, Deus," Motett No. 3, in score; by William Horsley, Mus. Bac. Oxon. Begun 9 Jan. 1834. Paper. Quarto. Presented by Mrs. Elizabeth H. Horsley.
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Miscellaneous official papers; 1813-1925.ff. 152. Various sizes.As follows:—1. ff. 1-55. Correspondence, notes, etc., chiefly relating to resolutions, hire of rooms, tickets, accounts, investments, the library; 1813-1925, n.d.2. ff. 56-75. Notes rela..., 1813-1925
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A DICTIONARY of Musicians, by John Wall Callcott, containing A to PA. Imperfect; wanting several leaves. With pencil notes by [William] Horsley and Dr. [William] Crotch. Paper. Quarto.William Horsley, composer: Notes to Callcott's Dictionary of Music..., 19th century
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CORRESPONDENCE of Leigh Hunt; 1807-1844.James Henry Leigh Hunt, essayist and poet: Correspondence, etc.: 1806-1859.includes:f. 1 Thomas Mitchell, translator of Aristophanes: Correspondence with Leigh Hunt: 1807-1816, n.d. ff. 2, 4 Francis Wrangham, ..., 1807-1844
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PEARSALL COLLECTION. Vol. XVII (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th centur..., 19th century
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MS Mus. 1592. Letters of composers: A collection of letters of British composers, performers, promoters and publishers; 1825-1929; n.d. All names are in the index to this catalogue. Includes letters relating to Sacred Harmonic Society performances, f..., 1825-1929
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‘Original letters’: Cabel – Clinton (ff. 216); 1815-1913, 1953, n.d.includes:f. 1 Stanley Lucas, Secretary, Philharmonic Society: Marie-Josèphe Cabel, née Dreulette; singer: Letter to [S. Lucas] from Marie-Josèphe Cabel: circa 1870: Fr.f. 2 Stanl..., 1815-1953
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Vol.II (ff. 213). 1. " D'Alembert 's Principles of Musical Composition," i.e. a free English translation (watermark 1798) of portions of Élémens de musique by Jean le Rond d'Alembert. f.12. " Anthems to be sung .... in the Cathedrall .... in Dublin 1..., 1685-1886
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SEVENTEEN LEFTERS of A[ugust] F[riedrich] Kollmann to John Wall Callcott, D.Mus., on musical subjects; 28 May, 1798-26 No-f. 1806. Included also are:-a note from Dr. Callcott to W[illiam] H[orsley], with answer., [Mar. 1799] f. 16 b; and a copy by D...
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SERVICES and anthems, in organ-score, by Dr. Tye, T. Tallis, W. Byrd, T. Morley, Edmund Hooper, Albert Byrne, A. Batten, O. Gibbons, Thomas Tomkins, Giovanni Ferrabosco, Dr. Child, Dr. W. Turner, and H. Purcell. Paper; ff. 196. Circ. 1700. Formerly b..., approximately 1700
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‘Original letters’: Healey – Holst (ff. 244); 1829-1912, n.d.includes:ff. 1-2 Lillian Nordica, singer: W. B. Healey, opera and concert agent: Francesco Berger, pianist and composer; Secretary, Philharmonic Society: Letter to Francesco Berger from W..., 1829-1912
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1813-54.ff. 247 + 74a. 312 x 200mm.includes:ff. 1-3r, 7v-8r, 9v-11, 13-14r, 25v, 54, 88v-89r William Horsley, composer: Minutes of general meetings of the Philharmonic Society, approved by: 1813-1818.ff. 2v-3, 23v-24, 32, 43v-46, 49r Samuel Webbe..., 1813-1854
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PEARSALL COLLECTION. Vol. XVIII (ff. i + 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th c..., 19th century
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Letter book; 1831-44. All in the hand of William Watts.ff. 197. Largest size 230 x 185mm.includes:ff. 1, 64 William Watts, Secretary, Philharmonic Society: Pierre François Laporte, actor and impresario: Letters to Pierre François Laporte from Willi..., 1831-1844
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Letter book; 1850-58.ff. 179. 225 x 184mm.includes:ff. 2, 10, 34, 54, 56, 60v, 75r, 75v, 77, 95, 96, 97 Sir Michael Costa, composer: George Hogarth, music critic and composer; Secretary, Philharmonic Society: Letters to Sir Michael Costa from Georg..., 1850-1858
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PEARSALL COLLECTION. Vol. XVI (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th century..., 19th century
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NOVELLO COLLECTION. Vol. CXIV. 'Studies in Vocal Counterpoint'; 1845-1849. Some numbers are present in more than one setting. ff. iii+46. Overall size 310 x 244mm. Vincent Novello's binding of 1849, numbered 127b. 1. f. 1. Samuel Webbe the elder: 'St..., 1845-1849
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Motet [no. 4] ‘Exultabo te Deus’. Vocal score. Copy; n.d. [1834].ff. 31 240 x 305mm.William Horsley, composer: William Goodwin, music copyist: Motet 'Exultabo te Deus' by William Horsley, probably in the hand of William Goodwin: [1834]: Lat: Copy., 1834
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Ivory counters admitting Directors, etc., of the Society to concerts; 1821, 1825, n.d. Each has the words ‘Philharmonic Society’ on one side, with the name of the person issued with the ticket on the other. All but three tickets issued in individual ..., 1821-1825
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Motet no.4, ‘Exultabo te Deus’, for six voices and orchestra; 1834. Autograph.ff. ii+35 345 x 240mm.William Horsley, composer: Motet 'Exultabo te Deus' by William Horsley: 1834: Lat: Autogr., 1834
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NOVELLO COLLECTION. Vol. XXXVI. William Horsley: glee 'Come follow me'; 1848. Autograph chorus score, with a separate piano accompaniment. With a note consigning the copyright to Alfred Novello, 1848. Published as a supplement to The Musical Times, n..., 1848
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"GLORIA in Excelsis," Motett No. 1, in score; by William Horsley, Mus. Bac. Oxon. Paper; XIXth cent. Quarto. Presented by Mrs. Elizabeth H. Horsley., 19th century
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"HOSANNAH ! to the Son of David,' Anthem for twelve voices by William Horsley, Mus. Bac. Oxon. First composed in 1797, revised 1837." Paper. Quarto. Presented by Mrs. Elizabeth H. Horsley., 1837
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‘Original letters’: Hope – Jenson (ff. 236); 1824-1913, n.d.includes:f. 1 Sir Michael Costa, composer: Edwin Hope, musician: Letter from Edwin Hope rel. to Sir Michael Costa: circa 1850.ff. 2-3 Edward John Hopkins, organist and composer: Stanley ..., 1824-1913
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MS Mus. 1527. Correspondence H–P.ff. 313. Bound in two volumes: ff. 1-153 (H–McG); ff. 154-313 (MacP–P).includes:f. 1 Anna Maria Hall, author: Miss Bowen: Letter to Miss — Bowen from Anna Maria Hall: n.d.: Autogr. ff. 2-3, 6-8 Sir Charles Hallé, pia...
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AYRTON PAPERS. Vol. IV A (ff. ii+200). Letters, etc., 'From Composers, Performrs and other Musical Characters'; 1802-1847, n.d.includes:ff. 1-2 Robert Nicolas Charles Bochsa, composer and harpist: Correspondence: 1822.ff. 3-5b John Wall Callcott,..., 1802-1847
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"'GOD is our hope and strength,' a Motett for two choirs composed by Wm. Horsley, M. B. Oxon," in score. Paper; XIXth cent. Folio. Presented by Mrs. Elizabeth H. Horsley., 19th century
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"O GOD the King of Glory," Motett No. 2, in score; by William Horsley, Mus. Bac. Oxon. Paper; XIXth cent. Folio. Presented by Mrs. Elizabeth H. Horsley., 19th century
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Foundation book, with signatures and addresses of members; 6 Feb. 1813. With annotations and additions to 1847. The members are numbered 1-59, but some of the later names in this series are inserted in pencil rather than signed, and the series has be..., 1813-1847
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PEARSALL COLLECTION. Vol. XV (ff. 92). Neat copies of madrigals for four, five aud six voices, in score, most of them with German translations of the original words apparently by Pearsall. The names of the composers are John Bennet, B. Cooke, John Do..., 19th century
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