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Foundation book, with signatures and addresses of members; 6 Feb. 1813. With annotations and additions to 1847. The members are numbered 1-59, but some of the later names in this series are inserted in pencil rather than signed, and the series has be..., 1813-1847
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1816-22.ff. 198. 98 x 160, 178 x 114mm.includes:ff. 13v-14 Domenico Dragonetti, double-bass player and composer: William Watts, Secretary, Philharmonic Society: Copies of letters to Domenico Dragonetti from William Watts: 1816-44.f. 26 Catherine ..., 1816-1822
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Ferdinand Ries: Sinfonia No. I, for strings, woodwinds, 2 horns, 2 trumpets, trombone and timpani, in D major, op. 23; [between 1809-circa 1812]. Full score in ink, copy, with 24 printed parts. The symphony was composed in 1809 and the parts were pub..., 1809-approximately 1812
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Ferdinand Ries: Sinfonia No. 2, for strings, flute, 2 oboes, 2 bassoons, 2 horns, 2 clarini, trombone and timpani, in C minor, op. 80; [between 1814-circa 1818]. Full score in ink, copy, with 24 printed parts. The symphony was composed in 1814 and th..., 1814-approximately 1818
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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Recommendations; 1815-46. All bearing the signatures of those making the recommendation, and most annotated with the dates on which the recommendations were read and with the result. Entered on printed forms from 1820 or 1821 onwards.ff. 218 + 169*. ..., 1815-1846
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‘Original letters’: Salaman – Schulz-Curtius (ff. 266); 1819-1913, n.d.includes:f. 1 William Watts, Secretary, Philharmonic Society: Charles Kensington Salaman, pianist, composer and conductor: Letter to William Watts from Charles Kensington Salama..., 1819-1913
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‘Original letters’: Joachim – Lane (ff. 242); 1815-1912, 1952, n.d.includes:f. 1 Joseph Joachim, violinist: H. Joachim, brother of Joseph Joachim: George Hogarth, music critic and composer; Secretary, Philharmonic Society: Letter to George Hogarth ..., 1815-1952
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FERDINAND RIES: Grand Septuor pour le Pianoforte, Clarinette, deux Cors, Violon, Violoncelle et Contre-Basse, op.25; after 1812. Manuscript parts, in ink, supplementing a set of the published parts (Bonn: chez N. Simrock, [1812]). Copies. The parts f...
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Ivory counters admitting Directors, etc., of the Society to concerts; 1821, 1825, n.d. Each has the words ‘Philharmonic Society’ on one side, with the name of the person issued with the ticket on the other. All but three tickets issued in individual ..., 1821-1825
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LETTERS of Ferdinand Ries, the composer, addressed chiefly to his brother Peter Joseph, together with letters from Franz his father, Harriet his wife, and other members of the family, and papers relating to the administration of his estate; 1823-1839..., 1821-1874
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Symphony no. 4 in [F minor/major], op. 110. Copy by [Frederick Nicholls?] Crouch; 1841.ff. ii+111 360 x 265mm.Ferdinand Ries, composer and pianist: Frederick Nicholls Crouch, music copyist: Symphony no.4, op.110 by Ferdinand Ries, probably in the han..., 1841
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1. VOCAL, PARTS of Marschner's " Der Vampyr," adapted to the English stage by William Hawes. f. 1. See also Add. 33,811, ff. 1-30, where there are also a few instrumental parts. 2. Pianoforte score and vocal parts of " Sadak and Kalasrade," 'by Charl..., 19th century
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ORIGINAL letters of musical composers and others; 1778-1861:-1. [Karl Philipp Emanuel] Bach to -; Hamburg, 3 Jan. 1778. Germ. f. 1. 2. [Joseph] Rouget de Lisle to [? Mare François] Guillois; 24 Mar. 1820. Fr. f. 2. 3. L[uigi] Cherubini to the Baron..., 1778-1861
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FERDINAND RIES: ‘Grand Sextour pour 2 Violons, 2 Altos et 2 Violoncellos (ou Contra Basso)’; 1854. Parts, in ink, with performers’ markings in pencil. Copies. Numbered WoO 63 in C. Hill, Ferdinand Ries: a thematic catalogue (Armidale, 1977). f. 1 is ..., 1854
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Symphony in E flat, WoO 30. Copy [?]; n.d. (wm. 1817) [composed 1822].ff. ii+78 232 x 300mm.Ferdinand Ries, composer and pianist: Symphony in E flat by Ferdinand Ries: n.d. [wm 1817]: Copy [?].
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Overture ‘Don Carlos’, op. 94. Copy [?]; n.d.ff. ii+37 288 x 240mm.Ferdinand Ries, composer and pianist: 'Don Carlos', overture, op.94 by Ferdinand Ries: n.d.: Copy.
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Symphony no. 2 in C minor / E flat, op 80. Copy by W[illiam] G[oodwin]; 1833.ff. i+62 242 x 300mm.Ferdinand Ries, composer and pianist: William Goodwin, music copyist: Symphonies by Ferdinand Ries, in the hand of William Goodwin: 1833, n.d.: Copy., 1833
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Symphony no. 3 in E flat, op. 90. Copy; n.d. (wm. 1813).ff. ii+75 287 x 235mm.Ferdinand Ries, composer and pianist: William Goodwin, music copyist: Symphonies by Ferdinand Ries, in the hand of William Goodwin: 1833, n.d.: Copy.
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Papers relating to the Society’s links with Beethoven, and to Schaller’s bust of the composer, presented to the Society by Fanny Linzbauer in 1870; 1813-1927. Items 2, 3, 5, 6, 8-13 and 16 below were either given by Mme Linzbauer with the bust or sen..., 1813-1927
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AYRTON PAPERS. Vol. IV A (ff. ii+200). Letters, etc., 'From Composers, Performrs and other Musical Characters'; 1802-1847, n.d.includes:ff. 1-2 Robert Nicolas Charles Bochsa, composer and harpist: Correspondence: 1822.ff. 3-5b John Wall Callcott,..., 1802-1847
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‘Grande Ouverture Solonnelle’ with triumphal march, op. 172. Copy; n.d. (wm 1830).ff. i+18 240 x 290mm.Ferdinand Ries, composer and pianist: 'Grande ouverture solonnelle' by Ferdinand Ries: n.d. [wm 1830]: Copy.
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INSTRUMENTAL PARTS to Ries' " Sorceress." Paper. A.D. 1831. Folio., 1831
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Concerto [no. 3] in C sharp minor for piano and orchestra, [op. 55]. ‘Violino principale’ part. Copy, partly printed; n.d. (wm 1818). ff. i+195 330 x 240mm.Ferdinand Ries, composer and pianist: 'Violino principale' part for piano concerto no.3, op.55...
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‘Original letters’: Queen’s Hall – Riseley (ff. 250); 1820-1913, n.d.includes:ff. 1-7, 12 Robert Newman, manager of the New Queen's Hall Orchestra: Francesco Berger, pianist and composer; Secretary, Philharmonic Society: Letters to Francesco Berger..., 1820-1913
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Ferdinand Ries: 3me Sinfonia, for strings, flute, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone and timpani, in E flat major, op. 90; [between circa 1816-1825]. Full score in ink, copy, with 24 printed parts. The symphony was composed around..., approximately 1816-1825
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‘Original letters’: Michal – Moszkowski (ff. 241); 1819-1911, n.d.includes:f. 1 Louise Michal, singer: George Hogarth, music critic and composer; Secretary, Philharmonic Society: Letter to George Hogarth from Louise Michal: 1860: Autogr.ff. 2-10 ..., 1819-1911
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‘Original letters’: Tabb – Vert (ff. 269); 1821-1913, 1950-53, n.d.includes:f. 1 Richard Prestridge Valentine Tabb, cellist: William Hayman Cummings, Mus.D: Letter to William Hayman Cummings from Richard Prestridge Valentine Tabb: circa 1908.f. 2 ..., 1821-1953
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ORIGINAL letters, etc., of musical composers and singers; 1780-1858:-1. Song, " Idens Nachtgesang," by Franz Schubert; 7 July, 1815. f. 2. 2. Lines, " Klopstock," by Johann Heinrich Rolle, director of music at Magdeburg; 20 Aug. 1780. Germ. f. 3. 3...., 1780-1858
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SMART PAPERS. Vol. I (ff. I94). Correspondence, etc., of Sir George Thomas Smart, largely in connection with the Philharmonic Society (including some letters written to Lady Smart after her husband's death); 1790-1867, n.d.includes:ff. 1-3, 35, 47, 8..., 1790-1867
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