Salvi Antonio

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Epithet: librettist

British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000001027.0x00000a
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creatorOf ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XXI; circa 1740. Copy. Full scores, unless otherwise described. Aylesford Collection. ff. i + 182. 9 x 11.5 in.1. ff. 2-16v. Selections from Lotario (H-G. LXXVII). For..., approximately 1740 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. X; circa 1730. Copy. Selections from Operas, in full score. Aylesford Collection. ff. i + 204. 9 x 11.25 in.1. ff. 3-10v. Ottone (H-G. LXVI). For autograph see R.M.20...., approximately 1730 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Arminio (dramma per musica after a libretto by Antonio Salvi) (HWV 36); 1736. Autograph. (Händel-Gesellschaft LXXXIX). ff. 39r, 80v, 81r are ruled with staves but otherwise blank. For a copy see R.M.19.a.1. (ff. 1..., 1736 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XVII; circa 1740. Copy. Full scores, unless otherwise described. Aylesford Collection. ff. i + 171. 8.25 x 11 in.1. ff. 2-25v. ‘Ah crudel nel pianto mio’. Cantata ‘Com..., approximately 1740 British Library
creatorOf ROYAL MUSIC COLLECTION. G.F. Handel: Ariodante; [HWV 33] circa 1740. Copy. (Händel-Gesellschaft LXXXV). Full score. A letter from Lord Redesdale, dated 14 August, 1854, is inserted, stating that this volume and Alcina (R.M.19.a.12) were formerly in h..., 1735-1854 British Library
referencedIn MS Mus. 140. GIUSEPPE SARTI: ‘D’Emirena la voce: Scena con strumenti ed Aria del Sig: Giuseppe Haydn’; late 18th cent. Recitative (‘D’Emirena la voce’) and Aria (‘Deh m’aspetta un sol momento’) for soprano and Duet (‘Idol mio ti vivi ancora’) for two... British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XXVII; 18th century. Copy. Full scores. Various handwritings. ff. 74. 8.75 x 11.25 in.1. ff. 1-17v. Agrippina (H-G. LVII). Act I, wanting the Overture and all after sc..., 18th century British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. VII; circa 1725 – circa 1745. Autograph. ff. 7v, 21v and 28v are ruled with staves but otherwise blank. Arias with Italian text and instrumental accompaniments (uniden..., approximately 1725-approximately 1745 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XVIII; circa 1750. Copy. Full scores, unless otherwise described. Aylesford Collection. ff. i + 115. 9.25 x 11.5 in.1. ff. 2-18v. ‘Concerto for Trumpets and French Hor..., approximately 1750 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Berenice (dramma per musica after a libretto by Antonio Salvi) (HWV 38); 1736-1737. Autograph. (Händel-Gesellschaft XC). f. i is a blank leaf at the end of the volume; ff. 41v-42 and 49v are ruled with staves but ..., 1736-1737 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XXIX; 18th century. Copy. Selections from Operas, in full scores, unless otherwise described.ff. 107. 9 x 11.5 in.1. ff. 1-63v. Muzio Scevola, Act III (H-G. LXIV). An ..., 18th century British Library
referencedIn Aria ‘Mio caro bene’ [from ‘Rodelinda’]. Copy; n.d.ff. 14 300 x 240mm.Nicola Francesco Haym, composer, poet and theatre manager: Pierre Corneille, French dramatist: Antonio Salvi, librettist: Robert Franz, composer: George Frideric Handel, composer: ... British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. XI; circa 1742. Copy. Selections from Operas, Oratorios, etc., in full score. Aylesford Collection. ff. i + 225. 9 x 11.25 in.1. ff. 2-71v. ‘Songs in Trionfo del Tempo..., approximately 1742 British Library
creatorOf ROYAL MUSIC COLLECTION. G.F. Handel: Ariodante (dramma per musica after a libretto by Antonio Salvi) (HWV 33); 1734. Autograph. (Händel-Gesellschaft LXXXV). The recitative ‘Ah che questo’ and air ‘Il primo ardor’ (Act I, sc. 11; H-G., pp. 48-50) and ..., 1734 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Rodelinda (dramma per musica by Niccolò Francesco Haym after a libretto by Antonio Salvi) (HWV 19); 1725. Autograph. (Händel-Gesellschaft LXX). f. i is a note by F. Nicolai. ff. 19v, 22v, 49v, 59v, 64v and 66v are..., 1725 British Library
creatorOf ROYAL MUSIC COLLECTION. G.F. Handel: Sosarme (‘dramma per musica’ after a libretto by Antonio Salvi) (HWV 30); 1732. Autograph. (Händel-Gesellschaft LXXXI). The Libretto was originally called ‘Fernando Re di Castiglia’, and the action took place at C..., 1732 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Miscellaneous collections and selections vol. II (HWV 49, 22, 6, 20, 21, A14, 73, 27, 27, 28, 12, 19, 18, A5, 25); circa 1708 -circa 1739. Autograph. f. 14v, 16v, 23v, 30v, 34v, 38v and 52v are ruled with staves ..., approximately 1708-approximately 1739 British Library
referencedIn ROYAL MUSIC COLLECTION. G.F. Handel: Lotario (dramma per musica after a libretto by Antonio Salvi) (HWV 26); 1729. Autograph. (Händel-Gesellschaft LXXVII). The part of Lotario is called ‘Ottone’ until scene 12 of Act II. ff. 41v, 42v and 74v are rule..., 1729 British Library
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