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RPS MSS 251-253 Euryanthe, grand romantic opera in three acts (text Helmine von Chezy). [German] copy; n.d. Copied in a number of different hands. In three volumes, as follows:-
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Overture Oberon. Copy; n.d. (wm 1836).ff. i+21 242 x 300mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Oberon', overture to opera by Baron Carl Maria Friedrich Ernst von Weber: n.d. [wm 1836]: Copy.
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EDWARDS PAPERS. Vol. XIII (2). (ff. 39.) Miscellaneous letters, locks of hair, and photographs, mainly of eminent musicians, including:-(1) Fragment of a letter from Ludwig van Beethoven to Frau Nanette Streicher; n.d. Printed by A. C. Kalischer, Be...
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Overture Euryanthe. Copy by Joseph John Harris; 1824.ff. ii+17 230 x 290mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: Joseph John Harris, music copyist: 'Euryanthe', overture to the opera by Baron Carl Maria Friedrich Ernst von Weber, in ..., 1824
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(1-9). ROYAL MUSIC COLLECTION. Songs and pianoforte music; 19th century.Paper.1. 2 ff. Himmel (Friedrich Heinrich): Gebet während der Schlac[h]t. For voice and piano, in score.2. 2 ff. Méhul (Étienne Nicolas): 2 Romanzen. For solo voice and piano, in..., 19th century
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Meyerstein Bequest. Vol. XXI., 1772-1853
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"OBERON," an opera, in three acts, by Carl Maria von Weber; with autograph notes. Full score, with English word; used at the performance at Covent Garden Theatre in 1826. Three volumes. Paper. Oblate Quarto., 1826
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'Euryanthe'. Chorus parts. , 1833
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ROYAL MUSIC COLLECTION. Weber (Carl Maria von). Kampf und Sieg; early 19th century. ‘Kantate zur Feyer der Vernichtung des Feinds im Junũs 1815 …’, for voices; with piccoli or flutes, oboes, clarinets, bassoons, trumpets, horns, trombones, timpani an...
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PERABO COLLECTION. Vol. VII. Music by Johann Michael Haydn and Karl Maria Friedrich Ernst von Weber, viz.:-(1) 'Messa de Requiem', in Bb, for four voices, two violins, viola, two oboes, two horns, two fagotti, tromboni, two clarini and drums, and fi..., 1804
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'Euryanthe'. Orchestral parts, 1833
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Letter book; 1831-44. All in the hand of William Watts.ff. 197. Largest size 230 x 185mm.includes:ff. 1, 64 William Watts, Secretary, Philharmonic Society: Pierre François Laporte, actor and impresario: Letters to Pierre François Laporte from Willi..., 1831-1844
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‘Original letters’: Michal – Moszkowski (ff. 241); 1819-1911, n.d.includes:f. 1 Louise Michal, singer: George Hogarth, music critic and composer; Secretary, Philharmonic Society: Letter to George Hogarth from Louise Michal: 1860: Autogr.ff. 2-10 ..., 1819-1911
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Scena ‘Ocean thou mighty monster’, from Oberon. Copy; n.d. (wm 1853).ff. i+28 250 x 205mm.Felix Weingartner (1863-1942)Baron Carl Maria Friedrich Ernst von Weber,; composer: Christoph Martin Wieland, author: James Robinson Planché, Somerset Herald an...
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SMART PAPERS. Vol. I (ff. I94). Correspondence, etc., of Sir George Thomas Smart, largely in connection with the Philharmonic Society (including some letters written to Lady Smart after her husband's death); 1790-1867, n.d.includes:ff. 1-3, 35, 47, 8..., 1790-1867
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CURZON COLLECTION. Vol. CXV. Litolff Weber; 1933-1965. ff. 129. Various sizes. 1. ff. 1-5. Litolff; 1958. 2. ff. 6-22. Mendelssohn-Bartholdy; 1933-1955, n.d. Works include 'Variations sérieuses' (ff. 7-19v). 3. ff. 23v, 24. Medtner; 1942. 4. ff. 25-2..., 1933-1965
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MISCELLANEOUS LETTERS, papers, etc., 1554-19th century
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Assorted music: Weber-Williams.
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Carl Maria von Weber (1786-1826): ‘Oberon’, opera in three acts (libretto by James Robinson Planché after C.M. Wieland), 1826: sketches for part of Overture and of Act III; n.d. Autograph short or condensed score. Written in ink on systems of two, th...
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(ff. iii+102+2*). 7 April 1823 -12 Feb. 1825.London; Secular Institutions. Theatres: Records by the Baron de Waldeck of visits to London theatres, the opera, etc.,: 1821-1825: Fr.British Museum: Visits to, recorded: 1821-1825: Fr.Colnaghi and Co: Re...
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COLLECTIONS by Eliza Wesley relating to English and foreign composers, musicians, singers and others, consisting of engraved portraits, photographs, newspaper-cuttings, and other printed matter, with a few original letters, etc. The names are all giv..., 19th century
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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C. LECTURE NOTES AND MISCELLANEOUS PAPERS 65084. CURZON COLLECTION. Vol. CXIX. ff. 90. Various sizes. 1. ff. 1-13. Notes on the performance of works by Schumann, Franck and Chopin; [Paris], 1934. Part of a notebook with 'La Cour Cortot, 1934' written..., 1934-1978
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SMART PAPERS. Vol. VIII (ff. 63). Papers (partly printed) concerning the visit to England of Carl Maria Friedrich Ernst, Baron von Weber, and his death at Smart's house, including:-(1) Bills, etc., for Weber's concert on 26 May 1826 at Argyll Rooms. ..., 1823-1861
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FLUTE MELODIES: a collection of melodies arranged for flute; circa 1825. Bound with John Beale, A complete guide to the art of playing the German flute ... Op.3 (2nd edition, Goulding, D’Almaine, Potter & Co., [WM 1819]). In several different hands. ..., approximately 1825
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"KAMPF und Sieg: Cantate zur Feyer der Vernichtung des Feindes im Juni 1815 bei Belle-Alliance und Waterloo. Gedichtet von Wohlbrück. In Musik gesetzt von Carl Maria von Weber." Paper; ff. 97. XIXth cent. Obl. Folio., 19th century
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Vol. IV. (ff. 115). OVERTURES to the operas:-"I1 Barbiere di Seviglia," "La gazza ladra," "L'ltaliana in Algieri," and "Tancredi," by Rossini. f. I ;-"Demofonte" by Abbé Vogler. f. 78;-"Euryanthe," and "Der Freischütz," by Weber. f. 86;-"Das unterbr..., 1827
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PLAYS in English, in various hands, viz: — 1. 'Der Freischütz, or the Spectre Huntsman of Bohemia': the libretto of Weber's opera, as performed at the Theatre Royal, Edinburgh [29 Dec. 1824, see J. C. Dibdin, [italics]Annals of the Edinburgh Stage,[/..., 18th century-19th century
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'Euryanthe'. Violin 2 and viola parts. , 1833
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ROYAL MUSIC COLLECTION. Miscellaneous vocal and instrumental music, Vol. II.; 19th century. Those pieces by Kohl are autograph. A Victorian collection of 41 songs and dances, copied from various composers. All for voice with piano accompaniment or pi..., 19th century
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"DER FREYSCHÜTZ". Vol. I. ff. 116. xixth cent.Baron Carl Maria Friedrich Ernst von Weber,; composer: Der Freyschütz : opera: 19th cent., 19th century
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GEORGE WILLIAM CHAD: miscellaneous correspondence and papers of George William Chad, diplomatist; 1825-1842, n.d. Partly French and German. Mostly diplomatic correspondence as minister at Dresden with officials in London, but with some later family l..., 1825-1842
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SELECTION FROM CARL MARIA FRIEDRICH ERNST VON WEBER'S OPERA 'DER FREYSCHÜTZ,' made by, and probably in the autograph of, Louis Antoine Jullien (b. 1812, d. 1860) for his Promenade Concerts in 1852. Full score. Most of this selection was published in ..., approximately 1852
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CURZON COLLECTION. Vol. CVII (ff. 58). William Walton, Carl Maria von Weber. 1. ff. 1-24v. Walton: *Sinfonia concertante, 1927, for piano and orchestra. Solo part, with a reduction for piano of the orchestral parts, in score (London: Oxford Universit...
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MEYERSTEIN BEQUEST. Vol. Xl (ff. ii+38). 'Grand Concert pour le Piano-forte composé par Charles Marie de Weber, Mannheim und Darmstadt im Jahr 1810'. Autograph. Full score. The three movements, Allegro, Adagio, and Presto, are separately dated by the..., 1810
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RPS MSS 254-256 Der Freischütz, opera in three acts. [German] copy; n.d. Each complete act in a separate hand. In three volumes as follows:-
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ROYAL MUSIC COLLECTION. Miscellaneous vocal and instrumental music, Vol. I.; 19th century. A Victorian collection of 91 airs, waltzes and miscellaneous pieces, copied from various composers, many anonymous. All for voice with piano accompaniment or p..., 19th century
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MISCELLANEOUS Original letters, etc., chiefly of foreign musical composers; 1788-1872. 1.Josephus Haydn to [-Artaria?]; Esterhaz, 17 Aug. 1788. Germ. f. 1. 2. [Johann Christoph Friedrich von] Sch[iller] to [Karl Theodor Körner]; Weimar, 5 July, 1802..., 1788-1872
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'Euryanthe'. Chorus parts. , 1833
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TRIO for pianoforte, flute, and violin, op. 63, composed by Carl Maria von Weber, and dedicated to his friend Philip Jungh, Doctor of Music at Prague; Holterwitz, 25 July, 1819. In score. Autograph. Paper; ff. 11. Presented by the composer's widow to...
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'Euryanthe'. Voice parts. , approximately 1823
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Carl Maria von Weber: 'Euryanthe', 1833
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CARL MARIA VON WEBER: ‘Hymne, "In seiner Ordnung schafft der Herr"’, op.36, for soprano, alto, tenor and bass soloists, four-part chorus and orchestra (words, Friedrich Rochlitz); 1825. Score. Copy, in ink, with annotations in pencil. The words are n..., 1825
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Carl Maria von Weber (1786-1826): Incidental music to ‘Preciosa’ (play by P.A. Wolff), 1820: no. 7, song ‘Einsam bin ich nicht alleine’, for voice [and guitar]; n.d. Not autograph; in an unidentified hand. Written in ink on systems of two staves, on ...
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'Euryanthe'. Bassoon, horn, trumpet, trombone and timpani parts., 1833
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ROYAL MUSIC COLLECTION. Anon. Pianoforte music; 19th century. A numbered collection of 20 pieces for the piano, anonymous, or short transcriptions from works by various composers, mainly anonymous; in the same hand throughout.Paper. ff. 22.1. f. 1b. ..., 19th century
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'Euryanthe'. Cello/bass parts., 1833
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Overture Der Freischütz. Copy by J[oseph] [J or T??] H[arris] [but in a different hand from 4. 963?]; n.d (wm 1822).ff. ii+30 235 x 290mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Der Freitschüz', overture to the opera by Baron Carl Mar...
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MS Mus. 1036. ‘Dolores’ Manuscripts. Vol. iii. Songs composed by ‘Dolores’, autograph fragments and unidentified pieces in the hand of ‘Dolores’, and songs by other composers in various hands; mid to late 19th cent. All pieces are for solo voice ..., 19th century
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‘Jubel-Ouverture’. [German] copy; n.d. [1818 or 1819]. With autograph title-page with inscription to Spohr.ff. iii+20 236 x 310mm.Louis Spohr, composer: Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Jubal-Ouverture', op.59 by Baron Carl Mar..., 1818-1819
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Concert aria for Atalia, ‘Misera me qual nova stupidita … O spavento d’ogni aura, d’ogni ombra’, for soprano and orchestra, op. 50. Copy by J[ohn] J[oseph] H[arris]; 1827.ff. i+23 245 x 305mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: Wil..., 1827
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SUPPLEMENTARY NOVELLO COLLECTION. Vols. VI-VIII. Carl Maria von Weber: 'Oberon', opera in three acts (libretto, James Robinson Planché after Christoph Martin Wieland); 1826. Full score. Copy in the hand of Sir George Smart, 1834. Copied in sections, ..., 1826
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OVERTURE to " Oberon " in score, by Weber. Paper; ff. 18. xixth cent. Oblong Folio.Baron Carl Maria Friedrich Ernst von Weber,; composer: Overtures to the " Beherrscher der Geister " and to " Oberon," the former with autograph title and signature: 19..., 19th century
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Overture ‘Der Beherrscher der Geister’, op. 27. Copy by J[ames] J[Thomas?] H[arris]; 1826.ff. ii+30 230 x 290mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Der Beherrscher der Geister', overture, op.27 by Baron Carl Maria Friedrich Ernst ..., 1826
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ROYAL MUSIC COLLECTION. Weber (Carl Maria von). Preciosa; early 19th century. ‘Romantisches Schauspiel in 4 Aufzügen von C.A. Wolf …’, with an overture; for solo voices, chorus and orchestra, in full score.Paper. ff. 112.Baron Carl Maria Friedrich Er...
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CHURCH HOUSE MANUSCRIPTS. Vol. IX A (ff. ii+18). 'No IV: Small' (f. ib); 'Jany 30 1851' (f. 4b)-'Septr 13/52' (ff. 16, 16b).includes:ff. 1-4 Charles T. Martyn, composer: Song: 19th cent: Copy, 1851.ff. 4b-5 Baron Carl Maria Friedrich Ernst von We..., 1851
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‘Original letters’: Smart – Stanislaus (ff. 278); 1820-1913, n.d.includes:ff. 1-2 William Watts, Secretary, Philharmonic Society: Charles Frederick Smart, double bass player, brother of George: Letters to [W. Watts] from Charles Frederick Smart: 18..., 1820-1913
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MEYERSTEIN BEQUEST. Vol. XXII (ff. i+4). 'Der Erste Ton': keyboard score of the final, choral section, beg. 'Drum Preis dir Ton', of the poem by Johann Friedrich Rochlitz set for speaker and chorus by Carl Maria von Weber; revised version, 1810. Auto..., 1810
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PIANOFORTE ARRANGEMENTS (anonymous) of the following airs; circa 1828. "The Cobler’s Whistle," "Rodolph Victorious," the Finale to Weber’s "Der Freischütz," "Weber’s [Last] Waltz," "The Rangers" [from Der Freischütz"], "[Joseph] Hart’s 7th Set [of Qu..., approximately 1828
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"DER FREYSCHÜTZ". Vol. II. ff. 208. xixth cent.Baron Carl Maria Friedrich Ernst von Weber,; composer: Der Freyschütz : opera: 19th cent., 19th century
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NOVELLO COLLECTION. Vol. LXXVIII. Secular and sacred vocal and instrumental music; after 1813 (watermark)-1849, n.d. Full, vocal, chorus or instrumental scores. Partly autograph but mostly copies, in the hand of Vincent Novello except where stated. f..., 1813-1849
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GERMAN, ITALIAN AND ENGLISH SONGS: album of songs with piano accompaniment, with a few excerpts from waltzes for piano; 1845. Mostly published and in various hands. The names of all composers who have been identified are included in the index to the ..., 1845
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ROYAL MUSIC COLLECTION. A Miscellaneous Music Book from Kensington Palace; 1832. A volume belonging to ‘L. Lehzen’ and presented by her to Queen Victoria on Dec. 24, 1832. 53 miscellaneous pieces for piano solo or for voice and piano, many anonymous...., 1832
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MEYERSTEIN BEQUEST. Vol. XXIII (ff. 37). Miscellaneous music copied from printed editions by E. H. W. Meyerstein; 20th cent. Originally three notebooks with Meyerstein's signature and comments on the covers. Contents mainly piano music by John Field ..., 20th century
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Autograph album of Charlotte Moscheles; 1826-1882. Contains drawings, letters, music, some on inserted leaves. Contributors include Julius Benedict, Mendelssohn, Meyerbeer and Weber.Baron Carl Maria Friedrich Ernst von Weber,; composer: Autograph alb..., 1826-1882
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SCOTTISH SONGS, with German translations, by Carl Maria von Weber; with autogroph corrections on ff. 9, 9 b. Paper; ff. 9. Circ. 1825 (supposed date of composition). Oblong duodecimo.Baron Carl Maria Friedrich Ernst von Weber,; composer: Scottish son..., approximately 1825
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'Euryanthe'. Violin 1 parts, 1833
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MISCELLANE0US LETTERS AND PAPERS. Paper and ( artt. A, O, Q) Vellum; ff. 112. Folio. XII-XX centt., 12th century-20th century
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Overture Preciosa. Copy; n.d. ff. i+24 240 x 300mm.Baron Carl Maria Friedrich Ernst von Weber,; composer: Pius Alexander Wolff, dramatist: 'Preciosa', overture, op.78 by Baron Carl Maria Friedrich Ernst von Weber, to the play by Pius Alexander Wolff:...
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OVERTURE to the "Beherrscher der Geister," in score, by Carl Maria, Baron von Weber. The French title and the signature, ff. 1, 22 b, are autograph. Paper; ff. 22. xixth cent. Oblong Folio.Baron Carl Maria Friedrich Ernst von Weber,; composer: Overtu..., 19th century
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MEYERSTEIN BEQUEST. Vol. I (ff. 140). Letters and papers of musicians. Autograph unless otherwise stated. Contents:-(1) Letter (f. 2) from Carl Philipp Emmanuel Bach to -, criticising an aria and suggesting amendments; Hamburg, 20 Nov. 1780. German...., 1760-1999
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AMERICAN GUITAR MUSIC; circa 1830-40. Bound with several printed items of guitar music, mainly published in the United States in the 1830s. ff. 5v-11 are blank. Inscribed in pencil ‘M. Haigh, Hornsey’ (f. 11v). Purchased, Dec. 1970.ff. 11. 336 x 246m..., approximately 1830-1840
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'Euryanthe'. Chorus parts, 1833
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NOVELLO COLLECTION. Vol. CXII. Vocal and instrumental arrangements; 1842-1847, n.d. Mostly in the hand of Vincent Novello, some with engraver's markings in pencil. ff. iv+113. Overall size 305 x 245mm. Vincent Novello's binding of 1847, numbered 148a..., 1842-1847
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ROYAL MUSIC COLLECTION. Nüske (J.A.). The Nüske-Aniad; 19th century. ‘A collection of vocal melodies, consisting of celebrated airs by the leading foreign and English musicians; the works of each supplying one song: adapted to the guitar, with, relat..., 19th century
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