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MADRIGALS for three voices, by Luca Marenzio. Ital. In three parts, each in a separate volume. Paper; If. 32, 31, 30. xviiith cent. Quarto., 18th century
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(1-26.). ROYAL MUSIC COLLECTION. Vocal music; end of 17th century. All in score.Paper.1. 5 ff. Byrd (William): Laudate pueri. Motet for 6 voices. From the Tallis and Byrd Cantiones, 1575.2. 2 ff. Byrd (William): Memento homo. Motet for 6 voices. From..., 17th century
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THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ...
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Tenore partbook (with an index) [for the cantus see R.M.24.h.7., the altus R.M.24.h.8., and the bassus R.M.24.h.10.].Paper.1. 11 ff. Farmer (John): The first sett of English Madrigals to Four..., 18th century
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Bassus partbook [for the cantus see R.M.24.h.7., the altus R.M.24.h.8., and the tenore (which has an index) R.M.24.h.9.].Paper.1. 10 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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ROYAL MUSIC COLLECTION. Catches, Canons and Madrigals; 18th century. A collection, in the same hand throughout, of 205 pieces, in score and with words, by Morley, Byrd, Immyns, Ives, Le Jeune, Mouton, Torri, Ferrabosco, Seymour, Ford, Purcell, Hilton..., 18th century
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ROYAL MUSIC COLLECTION. The Baldwin Collection of Motets, etc.: circa 1600, unless otherwise dated. A volume in the script throughout of John Baldwin of Windsor (excepting ff. 87b-89), containing 203 motets, instrumental pieces, canons and contrapunt..., 1590-1606
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NOVELLO COLLECTION. Vol. LXXX. Italian vocal music, mostly in the hand of Vincent Novello; n.d. Scores, mostly with continuo accompaniment. ff. ii+30. Largest size 246 x 300mm. Vincent Novello's binding of 1833, numbered 425. 1. ff. 1-2v. Giacomo Car...
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NOVELLO COLLECTION. Vol. C. Sacred Italian vocal music; 1833 (binding). Vocal scores except where indicated. Copies, in the hand of Vincent Novello except where indicated. In many cases the accompaniments, though mentioned below, are incomplete or la..., 1833
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MADRIGALS and motets, in score, transcribed by John Immyns, containing:-1. Three English madrigals, by the transcriber. f. 1. 2. Three motets in Latin and French, the first by Palestrina. f. 9. 3. Madrigal by Francesco Corteccia. f. 23. 4. Motets fo..., 18th century
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Vol. IV, ff. 50, Bassus.includes:ff. 4-5 Robert? Chetwoode: String trios: early 17th cent.ff. 7 b-8, 13 b Thomas Holmes: Trios for viols: early 17th cent.f. 14 Nicholas Grey: Trio for viols: early 17th cent.f. 19 b Thomas Ford, alias Foord: Q...
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Vol. I. ff. 139.Edmund Thomas Warren: L. Marenzio's madrigals scored by: 19th cent.Luca Marenzio, composer: Scores to his madrigals, by E. T. Warren: 19th cent., 19th century
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"TRISTITIÆ remedium. Cantiones selectissimæ diuersorum tum authorum tum argumentorum; labore et manu exaratæ Thomæ Myriell, A.D. 1616." A collection of glees, sacred pieces, etc., by John Wilby, Richard Deering, Thomas Ravenscroft, Martin Pierson, Jo..., 1616
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R.M.24.f.21-24. ROYAL MUSIC COLLECTION. Marcello (Benedetto). Madrigali a Quattro Voci, Libro Primo; 18th century. A copy, including the composer’s preface, of the edition published in 1592, here erroneously dated 1582. 4 partbooks.Paper. Four volume..., 18th century
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PEARSALL COLLECTION. Vol. XVIII (ff. i + 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th c..., 19th century
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Altus partbook [for the cantus see R.M.24.h.7., the tenore (which as an index) R.M.24.h.9., and the bassus R.M.24.h.10.].Paper.1. 12 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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Vol. I, ff. 50, Cantus.includes:ff. 4-5 Robert? Chetwoode: String trios: early 17th cent.ff. 7 b-8, 13 b Thomas Holmes: Trios for viols: early 17th cent.f. 14 Nicholas Grey: Trio for viols: early 17th cent.f. 19 b Thomas Ford, alias Foord: Qu...
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Vol. II.Music: Sacred and other music in lute notation, chiefly by English composers: 16th or 17th cent.Luca Marenzio, composer: Musical pieces: 16th, 17th centt.William Byrd, composer: Secular music: 17th cent.William Byrd, composer: Sacred music: 1..., 16th century-17th century
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ELEVEN Madrigals, in score, by Luca Marenzio, transcribed by James Bartleman, and corrected and completed from the Venice edition of 1592 by Julian Marshall. Paper; ff. 49. xixth cent. Obl. Octavo.Julian Marshall, art collector and author: Additions ..., 19th century
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Vol. III, Bassus , ff. ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 22, 24, 24 b John Taverner: Motets, etc.: early 17th cent.f....
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PEARSALL COLLECTION. Vol. XVII (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th centur..., 19th century
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PEARSALL COLLECTION. Vol. XX (ff. i + 32). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th cent..., 19th century
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Vol. III, ff. 35, Tenor.includes:f. 5 b Thomas Ford, alias Foord: Quartet for viols: early 17th cent.ff. 6 b, 7 b Simon Ive, alias Ives: Quartets for viols: early 17th cent.f. 12 b John Bull, composer: D. String quartet: early 17th cent.ff. 20,...
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Vol. I, Cantus , ff-ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 21 b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th...
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MADRIGALS and motets, duets and trios, in score (partly with figured bass) by the following composers:Vincenzo Ruffo, f. 38. Giacches de Wert, f. 40. Marenzio, f. 36. Carissimi, ff. 8 b, 59 b-70 b. 74 b, 76. Bonifazio Graziani, f. 74. Salvator Rosa, ..., 18th century
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MADRIGALS and canzone in four and five parts, in score, by Scipione Dentice, Vincenzo Neriti, Giovan Ferretti, Luca Marenzio, Alessandro Sauioli, Pietro Paulo Quartieri, and Stefano Venturi del Nibbio. Paper; ff. 16. xviith cent. Folio.Stefano Ventur..., 17th century
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" LE belle Nimfe, madrigali a sei voci," by Claude Le Jeune, Pietro Filippo, Andrea Gabrieli, Filippo de Monte, Giovanni Ferretti, Luca Marenzio, Giovanni della Croce, Peter Sweelinck, and other French and Italian composers. Ital. In separate parts, ..., 16th century
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Vol. II, ff. 50, Alto.includes:ff. 4-5 Robert? Chetwoode: String trios: early 17th cent.ff. 7 b-8, 13 b Thomas Holmes: Trios for viols: early 17th cent.f. 14 Nicholas Grey: Trio for viols: early 17th cent.f. 19 b Thomas Ford, alias Foord: Qua...
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Vol. II. ff. 146.Edmund Thomas Warren: L. Marenzio's madrigals scored by: 19th cent.Luca Marenzio, composer: Scores to his madrigals, by E. T. Warren: 19th cent., 19th century
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MADRIGALS and part-,songs by John Morley, Gerolamo Converso, Jeremiah Saville, John Wilbye, Thomas Linley, Luca Marenzio, John Danby, Samuel Webbe [senior], Lord Mornington, Rev. R. J. S. Stevens, Thomas Ford, Giovanni dalla Croce, Jonathan Battishil..., 19th century
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" LIQUIDE perle, madrigali a cinque voci," by Luca Marenzio, Cornelius Verdoncq, Felice Anerio, Benedetto Pallavicino, Josefo Guami, Horatio Vecchi, Claude Le Jeune, Peter Sweelinck, and other foreign composers. Ital. In separate parts, in three volu..., 16th century
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COLLECTION Of madrigals by John Wilbye, Thomas Weelkes, William Byrd, Giovan Ferretti, Alfonso Ferrabosco, Luca Marenzio, Gianetto Palestina, Orlando di Lasso, Giovan Battista Pinello, Giovanni Petraloysio Prenestino and other composers of the 16th a..., 1800
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ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fr..., 18th century
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Vol. II, Altus, ff. iv + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21,21b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th ce...
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ANTHEMS, madrigals, etc., by John Wilbye, Nathaniel Gyles, Thomas Tomkins, Thomas Weelkes, John Milton, Martin Pearson, John Wilson, Richard Deering Orlando Gibbons, and others; with fantasias by Alfonso Ferabosco and other Italian composers. The Alt..., 17th century
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PEARSALL COLLECTION. Vol. XVI (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th century..., 19th century
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Cantus partbook [for the altus see R.M.24.h.8., the tenore (which as an index) R.M.24.h.9., and the bassus R.M.24.h.10.].Paper.1. 18 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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Vol. V, ff. 35, Quintus.includes:ff. 5, 12, 12 b Claudio Monteverdi, composer: Madrigals, arranged for viols: early 17th cent.ff. 10 b-11 b, 13, 14 Luca Marenzio, composer: Madrigals, arranged for viols: early 17th cent.f. 11 b Orazio Vecchi, c...
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A collection of English madrigals, made about the time of James I, in which the names of the following composers occur: Gianetto Palestina, Luca Marenzio, Thomas Bateson, Orlando di Lasso, William Byrde, Alfonso Ferabosco, Battista Mosto, Stephano Fe...
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Vol. I.Johnson: Music: 16th-17th centt.Robert White: Music in lute notation: 16th or 17th cent.William Damon: Musical pieces in lute notation: 17th cent.Michael Des Buisons: Musical pieces: 17th cent.John Taverner: Musical pieces in lute notation: 16..., 16th century-17th century
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