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R.M.21.a.5-7. ROYAL MUSIC COLLECTION. Bach (Johann Christian). 11 concertos; 18th century. A numbered set of 12 instrumental concertos, lacking no. 1.Paper. Three volumes., 18th century
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SUPPLEMENTARY NOVELLO COLLECTION. Vol. IV. Sonata for violin and piano, with transcriptions or arrangements by Wesley of works by other composers; 1797 1830, n.d. Autograph. Volume assembled by Novello, who has provided titles for nos. 1 and 4. ff. i..., 1797-1830
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A VOLUME of vocal and instrumental Music, transcribed for General Fitzwilliam, containing:-Attilio Regolo, an Opera, by Nicolò Jomelli, f. 1 ;-Six Sonatas for the piano-forte, harpsichord, or organ, with an accompaniment for the violin; composed by ..., 18th century
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Vol. I, ff. 35, late xviiith cent.George Frideric Handel, composer: Selections from " Xerxes," overtures, etc., arranged for strings: late 18th cent.includes:f. 2 William Boyce, composer and organist: Sonata for 3 strings: late 18th cent. f. 5 b Tho...
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Te Deum in D major; 1762. Autograph. ‘A 4o: conco: e breve con piu stromti’; with oboes, trumpets and strings, in score.Paper. ff. 12.Johann Christian Bach, composer: Church music: circ 1758-1762: Ital..., 1762
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Vol. 1. Two arias:-(I) Aria 'Vivrò se vuoi così' from 'Artaserse', Act III, first produced at Turin, 1761. The aria does not occur in the autograph score of the opera (British Library, R. M. 22. a. 18-20) and is omitted in Terry (op. cit., p. 218). H..., 18th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Ode ‘on the auspicious Arrival and Nuptials of Her present most gracious Majesty Queen Charlotte, by John Lockman. Set to music by Mr. Bach’; 18th century. For solo voice and 3-part chorus, with sympho..., 18th century
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ROYAL MUSIC COLLECTION. Bass. In comparison with the other volumes nos. 3 and 6 have been inserted in each other’s place.ff. 67.1. ff. 1-2. [Alessandro] Alla sua gabbia doro [sic].2. f. 3. [Siroe] D’ogni amator la fede.3. f. 4b. [Tolomeo] Quanto e fe...
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SONATA for two violins and a bass, by C. P. E. Bach. In parts. The violin parts begin on the verso of the first folio and end on the recto. Subjoined, at f. 7, is a pianoforte duet by John Christian Bach (op. 18). Paper; ff. 12. xviiith cent. Folio.C..., 18th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Magnificat in C; 1760. Autograph. ‘A quattro concertato con piu stromenti’. In score, with oboes, trumpets and strings.Paper. ff. 22.Johann Christian Bach, composer: Church music: circ 1758-1762: Ital,..., 1760
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NOVELLO COLLECTION. Vol. CV. Vocal music; after 1794-after 1805 (watermarks), n.d. Vocal, full or chorus scores. Apparently all copies. Purchased by Vincent Novello at the sale of Samuel Picart's library at Puttick's, March 1848. ff. ii+127. Overall ..., 1794-1805
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SONGS AND ARIAS: collection of songs and operatic arias, together with a few keyboard pieces; late 18th cent. Mostly with keyboard accompaniments; a few items accompanied by strings. Score in ink. Words in English and Italian. The composers named or ...
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"SALVE Regina," by Johann Christian Bach. According to a note of F[riedrich] N[icolai] on f. 1, the autograph score of the composer. Paper; xviiith cent. Oblate Quarto., 18th century
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R.M.22.a.18-20. ROYAL MUSIC COLLECTION. Bach (Johann Christian). Artaserse; 1761. Autograph. Opera in 3 acts, produced in Turin in 1761. In score, with oboes, trumpets, horns and strings. On the flyleaf of each volume is inscribed ‘This volume belong..., 1761
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(1-7.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century.Paper.1. 6 ff. Anon: Domine ad adjuvandum. Motet for 4 voices; with symphonies and accompaniment for instruments and an unfigured bass. It is ascribed to ‘G.C. Bach’ in the index in a l..., 18th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Concerto in E flat major; 18th century. A contemporary copy of the concerto in F major from R.M.21.a.7. ff. 53-75 transposed a tone lower. Extra parts are here added. Separate parts for 2 violins (Prin..., 18th century
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Vol. III. Arias, etc., from 'Temistocle', first produced at Mannheim, 1772. The pieces are as follows: Terry, op. cit., pp. 238-241, nos. 3, 5-8, 10, 12, 11, 14, 16, 17, 15, 18, 19, 21-23. At the end of the MS. is added, on ff. 126-131, the aria 'Pen..., 18th century
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COLLECTION of engraved portraits of musicians, etc., viz. 1. Christopher Hitzenauer., "Brunoviensis" [? of Braunau, in Bohemia]; he flourished at Lauingen in Bavaria, 1585. 3½ in. x 2.5/8 in. f. 1. 2. Johann Andreas Herbst, "Francofurti Musics Direct..., 18th century-19th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Magnificat in C major; circa 1758. Autograph. ‘A 8 Pieno con strom:’. In score, voice parts only, the rest unfinished. Similar to but not identical with R.M.22.a.13. Undated, but apparently circa 1758...., approximately 1758
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(1-6.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century. In score.Paper.1. 8 ff. Meli (Carlo): Parla l’estinto. ‘Coro a 4o con Vvni, Viola, Basso, Trombe e Corni’; with figured bass.2. 6 ff. Meli (Carlo): Oh di superbia Figlia. ‘Coro a 4o: c..., 18th century
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ROYAL MUSIC COLLECTION. Anon. [Regimental Marches]; 18th century. A collection of 47 marches, mainly for special regiments, in piano score. Nos. 1, 5-6, 11-12, 43 and 46-47 by J.C. Bach; nos. 2, 4, 7-9, 30 and 45 ‘composed for H.R.H. the Prince of Wa..., 18th century
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ORIONE; an opera, in score, by John Christian Bach; followed, at f. 104, by vocal compositions by G. B. Pergolesi, Felice Giardini, and others. Paper; ff. 127. xviiith cent. Obl. Folio.Music: Vocal compositions: 18th cent.Johann Christian Bach, compo..., 18th century
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ITALIAN ARIAS; 1780s. Copies. Score of the vocal and keyboard parts only. Though the keyboard part usually includes a reduction of some of the upper parts, the chief melodic line is often missing, suggesting that the manuscript was originally accompa..., 1780s
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Vol. II, ff. 32, late xviiith cent.George Frideric Handel, composer: Selections from " Xerxes," overtures, etc., arranged for strings: late 18th cent.includes:f. 2 William Boyce, composer and organist: Sonata for 3 strings: late 18th cent. f. 5 b Th...
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Magnificat in C; 1758. Autograph. ‘A 8 Reali con stromenti’. In score with trumpets, strings and organ.Paper. ff. 8.Johann Christian Bach, composer: Church music: circ 1758-1762: Ital, Eng: Autogr., 1758
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LÉON GOOSSENS COLLECTION. Vol. xl. J. C. Bach: 'Concerto no. 10 in F major for oboe & orchestra' for oboe, horns and strings (no. 10 in C. S. Terry, Johann Christian Bach [2nd. ed., 1967], p. 210); n.d. Score. Copy. With a typewritten editorial comme...
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AIRS, Cantatas, Motetts, etc., for a single voice, and for the most part in score, by Gironimo Abos, Pelligrino Tomeoni, Giovanni Bach, and Giovanni Bononcini. xviiith cent. Oblong Quarto. [14,183.]Pelligrino Tomeoni: Airs, cantatas, etc.Johann Chris..., 18th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Te Deum in D major; 1758. Autograph. ‘A Due Chori con Trombe da Guerra, Corni da caccia, Tympani, Oboe, Violini, Viola e Bassi’. In score.Paper. ff. 18.Johann Christian Bach, composer: Church music: ci..., 1758
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Vol. IV. Arias, etc.:-(1) Recitative 'Vinceste, inique stelle' and aria 'Per darvi alcun pegno' from 'Catone in Utica', Act III. See under Eg. 3685 above. ff. 1-15b;-(2) Recitative 'Sposa adorata Arsinda mia speranza' and rondo 'Nel partir bell' idol..., 18th century
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TRIOS in score, for two violins and bass, by Dr. William Boyce and Luigi Boccherini ; and quartetts for two violins, tenor and bass, by John Christian Bach, Charles Frederick Abel, John Christian Abel, and Felice Giardini. xviiith cent. Oblong Quarto..., 18th century
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ROYAL MUSIC COLLECTION. Instrumental Music (First Series), Vol. I; 18th century, 19th century. In separate parts, except where otherwise stated. [ff. 35-39 from R.M.21.b.16. were incorporated as ff. 14-18 in this MS in 1960].ff. 183.1. ff. 1-18. Bach..., 18th century-19th century
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Vol. II. Recitative 'Lode agli dei' and duet 'Se mai turbo il tuo riposo' from 'Alessandro nell' Indie', Act I, first produced at Naples, 1762. Terry, op. cit., p. 213, nos. 9, 10. In parts. Paper; ff. iii+ 12. Folio. XVIII cent. Belonged (19th cent...., 18th century
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SONGS and duets, in full score; including also compositions -by Sarti, [John Christian] Bach, Paisiello, and Pietro Terziani. Paper; ff. 73. xviiith cent. Obl. Folio.Pietro Terziani, composer: Music: 18th cent.Giuseppe Sarti, composer: Music: 18th ce..., 18th century
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FOUR duets by Bonifazio and Luigi Asioli of Corregio (f. 1); scena "Ebben si vada," in score, by Johann Christian Bach (f. 17) twelve "Ricercate" by Alessandrode' Poglietti (f. 25); and "Fantasie" for the piano-forte in the hand of the composer, [Fri..., 19th century
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"THE favorite Cantata of Aurora, Composed by J[ohann] C[hristian] Bach, and sung by Mr, [Giusto Ferdinando] Tenduci." for one voice, with orchestral accompaniment, to Italian words. Paper; xviiith cent. Belonged to Charles Hatchett. Oblate Quarto. Pu..., 18th century
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R.M.21.a.11-12. ROYAL MUSIC COLLECTION. Bach (Johann Christian). Carattaco; 18th century. Opera in 3 acts. Separate instrumental parts. The voice and first horn parts are missing from the set. In the same hand throughout.Paper. Two volumes., 18th century
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ROYAL MUSIC COLLECTION. Bach (Johann Christian). Happy morn, auspicious rise; [1761]. Birthday ode; with soli and chorus, woodwind, trumpets, horns, tympani and strings, in score. Preceded by a symphony. [Written for Queen Charlotte, Sept. 1761...., 1761
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ROYAL MUSIC COLLECTION. 2 Symphonies; 18th century. Separate parts only.Paper. ff. 37.1. ff. 1-21. No. 1 in G major; for 2 violins, viola, bass, 2 oboes and 2 horns. On ff. 15-16 is an odd cello part of a quartet.2. ff. 22-37. Bach (Johann Christian)..., 18th century
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ROYAL MUSIC COLLECTION. Volume I. The Minuets on ff. 63b and 64 are described as ‘Brought from Germany by H.R.H. The Duke of Gloucester’.ff. 80.1. ff. 1-6. Weidemann (Charles Frederick): Minuets.2. ff. 6b-7. Galeotti (Stefano): Minuet.3. f. 7. Weidem..., 1762-1774
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