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MOTETS, madrigals, fancies, etc., annotated throughout by Thomas Tomkins, with some of his own compositions. The composers named are :--Kyrton, ff. 6, 7 b. John Redford, ff. 6 b, 11, 17, 22 b, 36, 37, 40 b, 42 b. Richard Wynslate, f. 20. -Avere [A..., 16th century-17th century
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" A BOOKE of In nomines and other solfainge songs of v: vj vij: and viij : parts for voyces or Instrumentes," written in direct, transverse, and reversed staves, so that all can sing, or play, at once. (Compare the arrangement of John Dowland's First..., 16th century
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NOVELLO COLLECTION. Vol. CXIV. 'Studies in Vocal Counterpoint'; 1845-1849. Some numbers are present in more than one setting. ff. iii+46. Overall size 310 x 244mm. Vincent Novello's binding of 1849, numbered 127b. 1. f. 1. Samuel Webbe the elder: 'St..., 1845-1849
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Tenore partbook (with an index) [for the cantus see R.M.24.h.7., the altus R.M.24.h.8., and the bassus R.M.24.h.10.].Paper.1. 11 ff. Farmer (John): The first sett of English Madrigals to Four..., 18th century
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Vol. IV.includes:f. 1 b Alfonso Ferrabosco, junior; composer: Motet: post 1601.: Imperf.f. 46 b, etc Orlando Gibbons, organist and composer: The cries of London set to music by: post 1601.f. 48, etc Patrick Mando: Madrigal: post 1601.f. 50, etc...
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CARDEW COLLECTION. Vol. xxxvii. Miscellaneous arrangements; 1973-1981, n.d.ff. 18. Largest size 342 x 271mm.1. ff. 1-2. Pierre Degeyter: ‘The Internationale’, arranged for unison voices with trumpet, oboe, clarinet and ’cello, or substitute instrumen..., 1973-1981
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James Petiver, FRS, Apothecary to the Charter-House: Miscellaneous correspondence (N.B. Petiver died in April 1718, but letters were written to him up to 12 Febr. 1719.): 1697-1718/9, and n.d.Sir Hans Sloane, Baronet: Original correspondence, chronol...
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Vol. V, ff. 91.includes:ff. 1-8 John Ward, composer: Fancies and In nomines for viols: temp. Jas. I-Chas. I.ff. 9-11 William White: Fancies and pavans for viols: temp. Jas.I-Chas. I.ff. 13-16 Thomas Ravenscroft: Fancies for viols: temp. Jas. I...
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PSALMS and solos out of various services, in Eng. and Lat., with musical notes; together with the musical notation of a few secular airs, Fr. and Eng. To some of the services are added the names of the composers, viz.: "R[obert] White," f. 3 b; "Mais..., 16th century-17th century
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PART-SONGS, etc., for two, three, and four voices, by William Byrd, John Farmer, Thomas Morley, and other composers, chiefly in Latin or English; copied by John Immyns. In separate parts, in four volumes. Paper ; xviiith cent. Oblate Duodecimo., 18th century
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COLLECTION Of madrigals by John Wilbye, Thomas Weelkes, William Byrd, Giovan Ferretti, Alfonso Ferrabosco, Luca Marenzio, Gianetto Palestina, Orlando di Lasso, Giovan Battista Pinello, Giovanni Petraloysio Prenestino and other composers of the 16th a..., 1800
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COLLECTION of anthems, in score, begun by R[ichard] Guise in 1768, and apparently in his hand. The composers are Henry VIII (?), W. Mundy, O. Gibbons, Tallis, Byrd, Tye, Bull, Child, Blow, R. Parsons, Weldon, Stroud, C. King, Jeremiah Clark, Church, ..., 1768
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Vol. III.includes:f. 46 b, etc Orlando Gibbons, organist and composer: The cries of London set to music by: post 1601.f. 48, etc Patrick Mando: Madrigal: post 1601.f. 50, etc William Byrd: Fantasia, etc: post 1601.f. 51 b, etc Thomas Tallis, ...
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Vol. II, Altus, ff. iv + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21,21b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th ce...
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Glees and madrigals for five voices, the tenor parts wanting; some being the compositions of William Byrd
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ORGAN-PART of a collection of Anthems and Services by John Amner, Adrian Batten, John Blow, William Byrd, Alfonso Ferrabosco (junr.?), Orlando Gibbons, Pelham Humfrey, William King, G[eorge?] L[oosemore?], H[enry ?] L[oosemore?], Henry Purcell, Thoma..., 17th century-18th century
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Vol. I.Johnson: Music: 16th-17th centt.Robert White: Music in lute notation: 16th or 17th cent.William Damon: Musical pieces in lute notation: 17th cent.Michael Des Buisons: Musical pieces: 17th cent.John Taverner: Musical pieces in lute notation: 16..., 16th century-17th century
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SERVICES and anthems, in organ-score, by Dr. Tye, T. Tallis, W. Byrd, T. Morley, Edmund Hooper, Albert Byrne, A. Batten, O. Gibbons, Thomas Tomkins, Giovanni Ferrabosco, Dr. Child, Dr. W. Turner, and H. Purcell. Paper; ff. 196. Circ. 1700. Formerly b..., approximately 1700
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:ff.1, 103 Christopher Packe, MD, of Canterbury: Letters to Sir H. Sloane: 1737-1741.f. 3 Richard Middleton Massey, MD, of Wisbeach and Chester: ...
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(1-7.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. For nos. 3-7 the volume is reversed.Paper.1. 20 ff. Farmer (John): Canons; May 7, 1748. ‘Divers and sundrie ways of Two Parts in One …’. A collection of 40 canons upon one plainsong printed o..., 18th century
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PELL PAPERS. Vol. IX (ff. i + 330). Various works and extracts, partly in Pell's autograph, among them being:-(a) 'De progressionis differentialis gradu secundo'; 1630. f. 9;-(b) 'Logistica generalis'; 1634. f. 15;-(c) 'Progymnasma analyticum'; 1637...., 1630-1637
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Bassus partbook [for the cantus see R.M.24.h.7., the altus R.M.24.h.8., and the tenore (which has an index) R.M.24.h.9.].Paper.1. 10 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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CANONS on the plain song of " O Lux," "Per Naturam," and " Miserere," the last ending with the words in full; by W[illia]m B[yrd]. Autograph; signed in initial at the end of each canon. Vellum : ff. 20. Temp. Eliz. Obl. Duodecimo.William Byrd: Canons...
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Cantus partbook [for the altus see R.M.24.h.8., the tenore (which as an index) R.M.24.h.9., and the bassus R.M.24.h.10.].Paper.1. 18 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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A collection of English madrigals, made about the time of James I, in which the names of the following composers occur: Gianetto Palestina, Luca Marenzio, Thomas Bateson, Orlando di Lasso, William Byrde, Alfonso Ferabosco, Battista Mosto, Stephano Fe...
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TREBLE PART-BOOK containing twenty-one services by twelve English composers, and, reversing the volume, fifty-four anthems by twenty-three of the same (words only of that on ff. 136b-136 rev.,); 16th-18th cent. Copies, early 18th cent. Indexes of ser..., 16th century-18th century
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ANTHEMS and odes with English words by William Byrd, Thomas Morley, [William] Mundy, John Bull, John Cooper, otherwise Coperario, Orlando Gibbons, Pier Antonio Fiocco, Henry Aldrich, William Turner, Henry Purcell, and William Croft. Score. Paper; ff...., approximately 1700
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Vol. II, ff. 88.includes:ff. 13-16 Thomas Ravenscroft: Fancies for viols: temp. Jas. I-Chas. I.ff. 20-27 Richard Dering: Fancies for viols: temp. Jas. I-Chas. I.ff. 27 b, 29 b William Byrd, composer: "In nomines " by: temp. Jas. I-Chas. I.ff. 2...
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Serge Diaghilev/Serge Lifar Collection, 1750-1950, (bulk 1890-1929)
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Library of Congress. Music Division |
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Vol. II.includes:f. 1 b Alfonso Ferrabosco, junior; composer: Madrigal: post 1601.: Imperf.f. 46 b, etc Orlando Gibbons, organist and composer: The cries of London set to music by: post 1601.f. 48, etc Patrick Mando: Madrigal: post 1601.f. 50, ...
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Vol. IV, ff. 88.includes:ff. 1-8 John Ward, composer: Fancies and In nomines for viols: temp. Jas. I-Chas. I.ff. 9-11 William White: Fancies and pavans for viols: temp. Jas.I-Chas. I.ff. 13-16 Thomas Ravenscroft: Fancies for viols: temp. Jas....
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LUTE-MUSIC of pavans, galliardes, songs, etc., by Johnson, Drewry, John Dowland, Francis Cuttinge, Daniel Bachler, Edmond Collarde, Anthony Holborne, John Whitfield, and others. Among them are:-"My Ladie Riches galyerd," f. 18; Lord Willoughby's Welc..., 17th century
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COLLECTION of In nomines, etc., without words, followed (at f. 26) by sacred compositions in parts, and (at f. 78) by three Italian songs; by English composers of the 16th century. Paper; ff. 80. Late XVIth cent. Obl. Quarto.
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Vol. III, ff. 88.includes:ff. 1-8 John Ward, composer: Fancies and In nomines for viols: temp. Jas. I-Chas. I.ff. 9-11 William White: Fancies and pavans for viols: temp. Jas.I-Chas. I.ff. 13-16 Thomas Ravenscroft: Fancies for viols: temp. Jas....
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1. Motetta, or Latin anthems, by Thomas Tallis and William Bird, organists of the Chapel Royal. Printed under the heading "Cantiones, quæ ab argumento Sacræ vocantur, quinque, et sex partium, London 1575," f. 3. 2. Cathedral services of Thomas Tallis..., 1763
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THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ...
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ROYAL MUSIC COLLECTION. Byrd (William). [Liber Primus] Sacrarum Cantionum; 18th century. A later scored copy of the volume published in 1589 under the above title. Once the property of Sir John Hawkins. In the same hand as R.M.24.f.16-20.Paper. ff. 1..., 18th century
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:ff. 1,5,85 Pierre Chirac, Physician to the Duc d'Orléans: Letters to, from Sir H. Sloane: 1684, 1686, 1714 and n.d.: Lat. and Fr.f. 3 Beaumount:...
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BASS PART of a collection of vocal and instrumental pieces of the 16th and the beginning of the 17th centuries, in 3, 4, 5, and 6 parts, made in Scotland by Dauid Meluill, al. Meluine, whose name is written at the foot of each page. Most of the compo...
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:f. 1 Francis Moult: Letter to [J. Petiver]: 1704/5.ff. 2, 19, 49, 71, 86, 101, 158, 160, 253, 274, 284, 291, 328, 336, 358, 373, 379 Petrus Hott...
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(1-26.). ROYAL MUSIC COLLECTION. Vocal music; end of 17th century. All in score.Paper.1. 5 ff. Byrd (William): Laudate pueri. Motet for 6 voices. From the Tallis and Byrd Cantiones, 1575.2. 2 ff. Byrd (William): Memento homo. Motet for 6 voices. From..., 17th century
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R.M.24.f.16-20. ROYAL MUSIC COLLECTION. Byrd (William). [Liber Primus] Sacrarum Cantionum; 18th century. A late copy of the volume published in 1589 under the above title. 5 partbooks. In the same hand as R.M.24.d.1.Paper. Five volumes., 18th century
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ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fr..., 18th century
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Vol. II.Music: Sacred and other music in lute notation, chiefly by English composers: 16th or 17th cent.Luca Marenzio, composer: Musical pieces: 16th, 17th centt.William Byrd, composer: Secular music: 17th cent.William Byrd, composer: Sacred music: 1..., 16th century-17th century
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Vol. I, ff. xvi + 88.William Byrd, composer: "In nomines " by: temp. Jas. I-Chas. I.includes:ff. 1-8 John Ward, composer: Fancies and In nomines for viols: temp. Jas. I-Chas. I.ff. 9-11 William White: Fancies and pavans for viols: temp. Jas.I-Ch...
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MEYERSTEIN BEQUEST. Vol. II (ff. ii+17). Counter-tenor part-book containing Latin motets, etc., for five, six or seven voices, by William Byrd (ff. 3b-5, 9b-11, 13, 13b, 15), Orlando di Lasso (ff. 11b-12b), [Robert?] Parsons (ff. 15b-16), John Shephe...
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ROYAL MUSIC COLLECTION. Forster (Will). The Forster Virginal Book; 1624. There is a list of contents prefaced to the volume signed by Forster and dated Jan. 31, 1624. The book is written in Forster’s hand throughout, and contains 80 compositions for ..., 1624
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SERVICES and anthems, in short score, by T. Tallis, W. Byrd, Adrian Batten, Orlando Gibbons, William Tucker, Michael Wise, William Child, Benjamin Rogers, William King, Henry Aldrich, John Blow, and Henry Purcell. The services and the anthems begin a..., 18th century
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Richard Gaither Walser Papers, 1918-1988
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University of North Carolina at Chapel Hill. Library. Southern Historical Collection |
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GLEES, catches, airs, etc., by Henry Purcell, Henry Thames, John Blow, William Byrd, Matthew Locke, Benjamin Rogers, Henry Aldrich, Philip Hayes, and other composers, chiefly English. Reversing the volume, there are, besides other similar pieces, a f..., 18th century
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ROYAL MUSIC COLLECTION. Catches, Canons and Madrigals; 18th century. A collection, in the same hand throughout, of 205 pieces, in score and with words, by Morley, Byrd, Immyns, Ives, Le Jeune, Mouton, Torri, Ferrabosco, Seymour, Ford, Purcell, Hilton..., 18th century
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Learned Hand papers
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Harvard Law School Library Langdell Hall Cambridge, MA 02138 |
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ANTHEMS, madrigals, etc., by John Wilbye, Nathaniel Gyles, Thomas Tomkins, Thomas Weelkes, John Milton, Martin Pearson, John Wilson, Richard Deering Orlando Gibbons, and others; with fantasias by Alfonso Ferabosco and other Italian composers. The Alt..., 17th century
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A VOLUME of motetts and madrigals, composed by William Byrde, Giovanni Pier Luigi da Palestrina, Orazio Vecchi, Giovanni Battista Cesati, Peter Philipps, Jacob Clemens Non Papa, A. Tubal, Joannes Mouton, Thomas Morley, Thomas Tallis, Josquin des Pres..., 1770
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ROYAL MUSIC COLLECTION. Byrd (William). Gradualia, Book I; 18th century. Late scored copy of the 1605 edition of the Gradualia, Book I, including the composer’s preface. Once the property of Sir John Hawkins and formerly Dr Boyce.Paper. ff. 47.Sir Jo..., 18th century
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WW. 1-49. Civilians, 1500-1543.includes:1 Bushley, Worcestershire: Sepulchral brass of T. Payne and wife,: 1500. 1 Thomas Payne: Sepulchral brass of him and wife at Bushley: 1500. 2 William Pescod: Sepulchral brass at Themelthorpe: 1505. 2 Themelt..., 1500-1543
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Vol. I.Thomas Weelkes, composer: Musical settings of the "Cries of London": post 1601.includes:f. 1 b Alfonso Ferrabosco, junior; composer: Motet: post 1601.: Imperf.f. 46 b, etc Orlando Gibbons, organist and composer: The cries of London set to ...
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Vol. III, Bassus , ff. ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 22, 24, 24 b John Taverner: Motets, etc.: early 17th cent.f....
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:ff. 1, 226, 247, 288 Edward Lhwyd, Keeper of the Ashmolean Museum: Letters to Sir H. Sloane: 1701-1708, and n.d.ff. 2, 286 Archibald Adams: Lett...
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SACRED and other music, in lute notation, chiefly by William Byrd. Other composers are Thomas Tallis, Nicholas Strogers, William Damon, Filippo de Monte, Ludovico Vittoria, Thomas Crequillon, Giacches de Wert, George Formellis, and Francesco de Rivol...
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ROYAL MUSIC COLLECTION. Cosyn (Benjamin). The Cosyn Virginal Book; (1563), circa 1600. There is a list of contents, signed by Cosyn, prefaced to the volume, which contains 90 compositions, in Cosyn’s hand, for the virginal (ff. 2-111) and, in another..., 1563-1605
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ROYAL MUSIC COLLECTION. The Baldwin Collection of Motets, etc.: circa 1600, unless otherwise dated. A volume in the script throughout of John Baldwin of Windsor (excepting ff. 87b-89), containing 203 motets, instrumental pieces, canons and contrapunt..., 1590-1606
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PRELUDES, fantasies, canons, grounds, etc., for the organ; psalms in short score; and other compositions by Thomas Tallis, W. Byrd, William Blithman, Dr. John Bull, Orlando Gibbons, Edward Bevin, Emanuel Soncino, Francis Forcer, Matthew Locke, and Dr..., approximately 1700
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R.M.24.f.4-9. ROYAL MUSIC COLLECTION. Byrd (William). Gradualia, Book II; 18th century. A late copy of the 1610 edition of the Gradualia, Book II, including the composer’s preface. Nos. 40, 42 and 43 are missing or incomplete in every book. 6 partboo..., 18th century
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NOVELLO COLLECTION. Vol. CXIII. 'Studies in Vocal Counterpoint'; 1845. With two printed press cuttings relating to the publication of Volume 1 and a letter of 1846 from T. P. [Thomas Pickering?] (ff. vi-vii verso). ff. viii+26. 290 x 234mm. 1. f. 1v...., 1845
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BASS PART-BOOK containing services by Dr John Blow, Pelham Humfrey, Dr Henry Aldrich, Henry Purcell, Dr William Child, Thomas Tallis, and anthems by William Byrd and Thomas Tallis; circa 1685. Unfinished. See ff. 36b-40. Preceded (f. 1) by an incompl..., approximately 1685
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"TRISTITIÆ remedium. Cantiones selectissimæ diuersorum tum authorum tum argumentorum; labore et manu exaratæ Thomæ Myriell, A.D. 1616." A collection of glees, sacred pieces, etc., by John Wilby, Richard Deering, Thomas Ravenscroft, Martin Pierson, Jo..., 1616
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ANTHEMS (full and verse), in score, many of them with organ accompaniment. One by Dr. Croft (f. 8) is dated 1720. The names of the composers are given in the Index. Paper; ff. 94. XVIII. cent. Belonged to Thomas W. Taphouse, of Oxford (sale-cat. 3 Ju..., 18th century
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1. Six pavans and galliards written for the virginal by [William] Byrd; the first begins abruptly, in consequence of the loss of the 32 leaves that once preceded it. f. 1. 2. Twenty-nine fantasias, pavans, galliards, etc., for the lute, by [Jolin] Do...
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James Petiver, FRS, Apothecary to the Charter-House: Miscellaneous correspondence (N.B. Petiver died in April 1718, but letters were written to him up to 12 Febr. 1719.): 1697-1718/9, and n.d.Sir Hans Sloane, Baronet: Original correspondence, chronol...
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CONSORT FANTASIAS; circa 1590. The tenor parts of nine unidentified consort fantasias in four parts, bound with William Byrd’s Liber primus sacrarum cantionum quinque vocum. Tenor (Thomas East, 1589). With a letter from Arthur S. Boston to R. Thursto..., approximately 1590
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(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Altus partbook [for the cantus see R.M.24.h.7., the tenore (which as an index) R.M.24.h.9., and the bassus R.M.24.h.10.].Paper.1. 12 ff. Farmer (John): The first sett of English Madrigals to ..., 18th century
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:ff. 1, 19, 116, 195, 217, 252, 262, 267, 273, 330, 353 Sir Thomas Dereham, 4th Baronet: Letters to Sir H. Sloane: 1728-1738.f. 3 John Hazler, Cl...
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TENOR part of a collection of Italian madrigals and motets by anonymous composers. At the end are some English madrigals, two of which are by William Byrd. Paper; ff. 41. Early xviith cent. With the book-plate of John Reekes, R.A. Obl. Duodecimo.
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Vol. V.includes:f. 46 b, etc Orlando Gibbons, organist and composer: The cries of London set to music by: post 1601.f. 48, etc Patrick Mando: Madrigal: post 1601.f. 50, etc William Byrd: Fantasia, etc: post 1601.f. 51 b, etc Thomas Tallis, co...
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MEYERSTEIN BEQUEST. Vol. III (ff.Xii+ 115). Anthems, etc., in score, with instrumental symphonies and accompaniments or with a bass, by Dr John Blow (ff. 1-4b, 7-37b, 97b-99), Pelham Humfrey (ff. 4b-6b). Henry Purcell (ff. 38-72b), William Turner (ff...
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PAVANS, galliards, and songs for the virginals by William Bird, Thomas Tallis, James Harding, Thomas Weelkes, Dr. John Bull and others; taken principally from Lady Nevill's virginal book, now in the possession of the Marquis of Abergavenny. Paper; ff...
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MAXWELL DAVIES MANUSCRIPTS. Vol. clxxxvi. Arrangements by Peter Maxwell Davies (ff. 1-101, 103), and works by pupils and associates (ff. 102, 103v-125), for orchestra except where stated; 1959-1961, n.d. The pupils’ works are autograph except where s..., 1959-1962
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Sir Hans Sloane, Baronet: Original correspondence, chronologically arranged: 17th-18th centt.includes:ff. 1, 8, 14, 20, 110, 148, 151, 155, 162, 185, 190 197, 201, 208, 214, 217, 223, 237, 243, 248, 254, 264, 267, 273, 321, 338, 352 James Keill, MD...
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"SONGS of sundry natures . . . . lately made and composed into Musick of 3, 4, 5, and 6 parts . . . . by William Bird, one of the Gentlemen of the Queens Majesties honourable Chappell;" 1589. Dedicated to Henry Cary, Baron Hunsdon, K.G. Copied in sco..., 18th century
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CERTIFICATE BY WILLIAM BYRD, the composer (b. 1543, d. 1623), testifying that Dorothy Tempest, wife of Michael Tempest who had been attainted for his part in the Northern Catholic Rebellion in 1570, is alive and in good health; 17 Oct. 1581. Autograp...
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SERVICES and anthems. Imperfect at the beginning. The composers are:-[Robert] Parsons, f. 4. [John] Mundie, ff. 6, 83 b, 9 b, 102, 101 b, 107. [John] Sheppard, ff. 21, 74 b, 93, 97 b, 98 b, 100, 102 b, 105 b. -Woodson, f. 37. [Thomas] Morleie [Morley...
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(1-4.). ROYAL MUSIC COLLECTION. Motets and canons; 18th century.Paper.1. 6 ff. Lasso (Orlando di): 12 Motets. A late copy of the ‘Motetti a due voci’ printed in 1585.2. 5 ff. Anon: Canons. A numbered set of 9 canons for 3, 4 and 8 voices, in score. T..., 18th century
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British Library |
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Thomas Addis Emmet collection, 1483-1876 (bulk:1700-1800)
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New York Public Library. Manuscripts and Archives Division |
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ANTHEM, for five voices: "O Lord, make thy servant, our gracious King, to rejoice in Thy strength." Composed by William Byrd, to celebrate the discovery of the Gunpowder Plot, in 1607. Prefixed is a pedigree of the composer, with a short account of t..., 19th century
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COLLECTION of letters, receipts, autographs, etc., of musicians, artists, actors, and others, comprising, besides others included in the index, the following:-1. Renunciation by Haydn of rights in the first six "Salomon" overtures, or symphonies; 13..., 18th century-19th century
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Vol. I, Cantus , ff-ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 21 b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th...
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MADRIGALS, catches, canons, etc., by the following Composers:-Thomas Morley, [1593], 1594, ff. 3, 30, 39 b, 48 b. John Bartlet; 1606, f. 6. Francis Pilkington; 1605, ff. 6 b, 7 b, 31 b. Thomas Ford. 1607, 1611, ff. 8 b, 23 b. William Child:-"A catch ..., 17th century
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A VOLUME containing chiefly the treble voice part of various English Madrigals, Psalms, etc., with tablature for the lute. Some of these are by " Mr. Candishe " [Mic. Cavendish ?], J. Dowland, T. Morley, T. Tallis, W. Byrd, and R. Jones. At fol. 18 i..., approximately 1630
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C. 1-33. co. Cambridge.includes:1 Balsham, Cambridgeshire: Sepulchral brasses;: 1401-1475. 1 Cambridge; University of. St John's College: Sepulchral brass at,: circ. 1410. 2 Richard Billingford, DD, Master of St Benet's College, Cambridge: Sepulchr..., approximately 1300-1642
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ROYAL MUSIC COLLECTION. Byrd (William). [Songs of Sundrie Natures. Nos.1-7.]; late 17th century. Seven anthems for 3 voices, in score. Nos. 6 and 7 have no words, and no. 7 lacks the final five bars.Paper. ff. 16.William Byrd, composer: Music manuscr...
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CHURCH Music in score, chiefly in the hand of Vincent Novello, viz. :-1. Responses and a setting of part of Psalm cxix., by Thomas Tallis. 2. "Prevent us, O Lord": anthem, by William Byrd. f. 12. 3. Services and anthems, by Dr. Orlando Gibbons, prece..., 19th century
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WENTWORTH PAPERS. Vol. IX (ff. 43). Miscellaneous legal, etc., papers too large for inclusion in the preceding volumes, relating mainly to lands of the Noel, etc., family in cos. Leic. and Warw.; 1570-1812, n.d. Arranged chronologically.Noel family; ..., 1570-1812
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