Strogers, Nicholas, composer

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Epithet: composer

British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000295.0x0002f1

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referencedIn SACRED and other music, in lute notation, chiefly by William Byrd. Other composers are Thomas Tallis, Nicholas Strogers, William Damon, Filippo de Monte, Ludovico Vittoria, Thomas Crequillon, Giacches de Wert, George Formellis, and Francesco de Rivol... British Library
creatorOf ELIZABETHAN CONSORT SONGS TRANSCRIBED BY PHILIP HESELTINE ('PETER WARLOCK') from Oxford, Christ Church MSS. 984-988 for solo voice and string quartet; circa 1926. Autograph. (1) 'Abradad', here attributed to Richard Farrant. Vocal score, beg. 'Ah, al..., approximately 1926 British Library
referencedIn COLLECTION of In nomines, etc., without words, followed (at f. 26) by sacred compositions in parts, and (at f. 78) by three Italian songs; by English composers of the 16th century. Paper; ff. 80. Late XVIth cent. Obl. Quarto. British Library
creatorOf ROYAL MUSIC COLLECTION. Cosyn (Benjamin). The Cosyn Virginal Book; (1563), circa 1600. There is a list of contents, signed by Cosyn, prefaced to the volume, which contains 90 compositions, in Cosyn’s hand, for the virginal (ff. 2-111) and, in another..., 1563-1605 British Library
referencedIn THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ... British Library
referencedIn PAVANS and galliards arranged for five parts, but wanting the bassus and quintus. In separate parts, in three volumes. The composers are: John Amner, George Mason, [Thomas] Wilkinson, Thomas Weelkes, James Harding, George Kirby, -Jackson, Nicholas S..., 16th century British Library
referencedIn " A BOOKE of In nomines and other solfainge songs of v: vj vij: and viij : parts for voyces or Instrumentes," written in direct, transverse, and reversed staves, so that all can sing, or play, at once. (Compare the arrangement of John Dowland's First..., 16th century British Library
referencedIn MEYERSTEIN BEQUEST. Vol. II (ff. ii+17). Counter-tenor part-book containing Latin motets, etc., for five, six or seven voices, by William Byrd (ff. 3b-5, 9b-11, 13, 13b, 15), Orlando di Lasso (ff. 11b-12b), [Robert?] Parsons (ff. 15b-16), John Shephe... British Library
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Active 1926

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