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LESSONS for various Sundays and Festivals, with other church pieces, by Palestrina and T. L. de Victoria and others. The words are only partially supplied. At f. 36 is a variant from Palestrina, ascribed doubtfully to dean Aldrich; and at f. 95 are s..., 18th century
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NOVELLO COLLECTION. Vol. CVI. Vocal and instrumental music; 1804-1841, n.d. Full, vocal, chorus, close or instrumental scores. Mostly autograph. ff. ii+74. Overall size 245 x 300mm. Vincent Novello's binding of 1847, numbered 399. 1. ff. 2-3. Charles..., 1804-1845
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Music, viz.:-(a) Miserere à 9, by Pergolesi. Apparently autograph. f. 1;-(b) "Già la morte in manto nero": aria, with instrumental accompaniment, by G. Scolari. f. 26;-(c) Orchestral fragment, etc., said to be "Original von Mozart." f. 42;-(d) Canon..., 19th century
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Vol. I, Cantus , ff-ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 21 b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th...
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Vol. II.Music: Sacred and other music in lute notation, chiefly by English composers: 16th or 17th cent.Luca Marenzio, composer: Musical pieces: 16th, 17th centt.William Byrd, composer: Secular music: 17th cent.William Byrd, composer: Sacred music: 1..., 16th century-17th century
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Tenore partbook (with an index) [for the cantus see R.M.24.g.4., the altus R.M.24.g.5., the quintus R.M.24.g.7. and the bassus R.M.24.g.8.].Paper...., 18th century
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THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ...
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PEARSALL COLLECTION. Vol. XII (ff. i + 49). "Letters to [John Merewether, D.D.] the D[ean] of H[ereford] on Church Music": being rough drafts of letters on the style of Palestrina and on the state of music and harmony in his time, by Pearsall, 1850 (..., 1850
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Bassus partbook [for the cantus see R.M.24.g.4., the altus R.M.24.g.5., the tenore (with an index) R.M.24.g.6. and the quintus R.M.24.g.7.].Paper...., 18th century
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PEARSALL COLLECTION. Vol. XI (ff. 120). "Psalmodia" vol. II; 1842.Music: German chorales, etc., adapted as English hymns: mid. 19th cent.includes:f. 3 b Joachim Decker: Chorale adapted from: 19th cent. ff. 3 b, 4 b Johann Sebastian Bach, composer: C..., 1842
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(1-4.). ROYAL MUSIC COLLECTION. Vocal pieces; 18th century.Paper.1. 43 ff. Palestrina (Giovanni Pierluigi da): Motets for 4 voices. A collection of 21 motets for 4 voices, unaccompanied, in score. Nos. 1-9 are not separately ascribed to Palestrina, a..., 18th century
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Vol. III, Bassus , ff. ii + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21, 22, 24, 24 b John Taverner: Motets, etc.: early 17th cent.f....
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THE figured bass to the "Offertoria" for five voices published by Palestrina in 1593. Paper; ff. 25. XVIIth cent. Small Quarto. Transferred from the Department of Printed Books., 17th century
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ROYAL MUSIC COLLECTION. Anon. Motets; 18th century. Collection of 33 motets and parts for masses, in score, for 4 voices unaccompanied; all anonymous except no.20, which is by Palestrina. [According to A. Johnstone (departmental correspondence 08/197..., 18th century
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MS Mus. 295. ‘THE FITZWILLIAM MUSIC’: sacred music by Italian composers, copied by Vincent Novello; 1825. A neat copy of all of the transcriptions Novello made from manuscripts in the Fitzwilliam Museum, Cambridge for publication in his The Fitzwilli..., 1825
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NOVELLO COLLECTION. Vol. C. Sacred Italian vocal music; 1833 (binding). Vocal scores except where indicated. Copies, in the hand of Vincent Novello except where indicated. In many cases the accompaniments, though mentioned below, are incomplete or la..., 1833
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PEARSALL COLLECTION. Vol. XV (ff. 92). Neat copies of madrigals for four, five aud six voices, in score, most of them with German translations of the original words apparently by Pearsall. The names of the composers are John Bennet, B. Cooke, John Do..., 19th century
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Vol. I. xixth cent.Giovanni Pierluigi Palestrina, composer: Masses, services, etc.: 18th, 19th centt.includes:f. 2 b Gregorio Allegri, composer: Motet: 19th cent.f. 32 b Giovanni Maria Nanino, composer: Motet: 19th cent.f. 57 Cristóbal de Mora..., 19th century
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Vol. II. xixth cent.Giovanni Pierluigi Palestrina, composer: Masses, services, etc.: 18th, 19th centt.includes:f. 9 Gabriel Calvez: Motet: 19th cent.f. 14 Arcangelo Crivelli: Motet: 19th cent.f. 18 b Cristóbal de Morales, Spanish composer: Mot..., 19th century
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1. THIRTEEN motets for five voices, by Palestrina. f. 1.2. Seven madrigali spirituali, by the same. f. 38. 3. Seven madrigals in four parts, by the same; the words (except in one instance imperfectly) not being filled in. f. 52. 4. The 33rd Psalm set..., 1761
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MOTETS and madrigals for five voices, in score; by Palestrina. Two volumes; the first an Italian transcript dated 1762. Paper; ff. 96, 98. xviiith cent. Obl. Folio., 18th century
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Vol. II, Altus, ff. iv + 56, Early xvii cent.includes:f. 4 b Cristóbal de Morales, Spanish composer: Motet: early 17th cent.ff. 12-17, 19 William Byrd: Motets: 17th cent.ff. 20-21,21b (no. 2), 24, 24 b John Taverner: Motets, etc.: early 17th ce...
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(1-4.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century.Paper.1. 6 ff. Palestrina (Giovanni Pierluigi da): Miserere mei Deus. ‘Duobus cori cum Organo’. Setting for 2 choirs of 5 and 4 voices; with figured bass for organ. [For another copy se..., 18th century
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NOVELLO COLLECTION. Vol. LXXVI. Secular vocal and instrumental music by various composers; after 1812 (watermark)-1847, n.d. Vocal or chorus or instrumental scores. Partly autograph. Copies mostly in the hand of Vincent Novello. ff. 36. Largest size ..., 1812-1847
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MADRIGALS and part-,songs by John Morley, Gerolamo Converso, Jeremiah Saville, John Wilbye, Thomas Linley, Luca Marenzio, John Danby, Samuel Webbe [senior], Lord Mornington, Rev. R. J. S. Stevens, Thomas Ford, Giovanni dalla Croce, Jonathan Battishil..., 19th century
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" MOTECTORUM quæ in Sacello Summi Pontificis statis per annum temporibus concinuntur quatuor., quinis, senis, octonisque vocibus, Pars ia.," copied by the Abbé Fortunato Santini in 1835, and presented by him to the Rev. Edward Goddard, to whom the La..., 1835
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Altus partbook [for the cantus see R.M.24.g.4., the tenore (which also has an index) R.M.24.g.6., the quintus R.M.24.g.7. and the bassus R.M.24.g...., 18th century
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CHURCH-SERVICES, motets, etc., to Latin words, by Giovanni Pier Luigi Palestrina. Paper; ff. 129. xixth cent. Obl. Quarto., 19th century
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Cantus partbook [for the altus see R.M.24.g.5., the tenore (which also has an index) R.M.24.g.6., the quintus R.M.24.g.7. and the bassus R.M.24.g...., 18th century
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NOVELLO COLLECTION. Vol. LIX. Giovanni Pierluigi Palestrina: sacred vocal music, for four voices except where stated; 1839, 1841, n.d. Chorus scores except where stated. Copies. The volume consists of manuscripts formerly belonging to Dragonetti (nos..., 1839-1841
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NOVELLO COLLECTION. Vol. CI. Vocal music, compiled by C. Jeffries; circa 1840. Choral scores, some with keyboard accompaniments. With a letter from the compiler about the volume (ff. iv-v). ff. viii+105. 290 x 225. Binding numbered 117. 1. f. 1. 'Ist..., approximately 1840
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(1-9.). ROYAL MUSIC COLLECTION. Vocal music; 18-19th century.Paper.1. 24 ff. Mayer (Johann Simon): (Alonzo e Cora) Sempre uniti insiem saremo; 18-19th century. Quintett; with symphonies and accompaniment for flutes, oboes, clarinets, bassoons, horns ..., 18th century-19th century
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MOTETS and Masses, in parts, by Felice Anerio, and a few by Palestrina and G. M. Nanini, apparently copied by Theodor do Witt from the MSS. at the Vatican which had been previously corrected by the Abbé Santini (see ff. 4, 4 b). Paper ; ff. 228. xixt..., 19th century
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NOVELLO COLLECTION. Vol. XCIII. Jommelli -Rossini; after 1802 (watermark)-1845, n.d. ff. 90. Overall size 260 x 330mm. 1. ff. 1-4v. Nicolò Jommelli: 'At Whitsontide', setting of 'Veni Sancte Spiritus' for SATB and orchestra; n.d. Full score. Copy in..., 1802-1845
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TRANSCRIPTS in score, of a "Stabat Mater" and other compositions by Palestrina, a "Miserere" by Tommaso Baj, Dr. William Boyce's Morning Service in A, and some harmonized Gregorian chants. Paper; ff. 43. Transcribed by R. G., in A.D. 1832. Formerly b..., 1832
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(1-2.). ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). Motets and madrigals; 18th century. Quinto partbook [for the cantus see R.M.24.g.4., the altus R.M.24.g.5., the tenore (with an index) R.M.24.g.6. and the bassus R.M.24.g.8.].Paper.1..., 18th century
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A VOLUME, chiefly of Sacred Music in score, by G. P. A. da Palestrina, Pasquale Cafaro (autograph), Alessandro Scarlatti, and David Perez. xviiith and xixth cent. Oblong Quarto. [14,190.]Alessandro Scarlatti, composer: Cantatas, operas, etc.David Per..., 18th century-19th century
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SACRED MUSIC, for the most part in score, by Giovanni Pler Luigi da Palestrina, Leonardo Leo, Nicolò Jommelli (autograph), Nicola Fago(?), Antonio Sacchini, Pietro Antonio Galli, and Francesco Mancini. xviiith and xixth cent. Quarto. [14,188.]Antonio..., 18th century-19th century
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ANTHEMS and motets, chiefly with Latin words, but some adapted for English Church use, by Palestrina, Victoria, E. Lupi, Carissimi, Turini, Steffani, A. Lotti, B. Marcello, Pergolesi, and Jommelli. In score ; one also in parts. Paper; ff. 87. xviiith..., 18th century-19th century
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MOTETS, madrigals, and duets, by Palestrina, Agostino Steffani, Antonio Lotti, A. Stradella, Giovanni Croce, and Giovanni Battista Buononcini. At f. 79 are included English part-songs by John Playford, Edmund Nelham, M. Locke, and Henry Lawes. Paper;..., 18th century
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CHURCH-SERVICES, in full score, by Tomas Luis de Victoria, Giovanni Pier Luigi Palestrina, Gregorio Allegri, Giacomo Antonio Perti, Antonio Lotti, David Perez, and Tommaso Bai. At ff. 33, 52 are the two Misereres composed by Allegri and Bai for use i..., 19th century
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ANTHEMS (full and verse), in score, many of them with organ accompaniment. One by Dr. Croft (f. 8) is dated 1720. The names of the composers are given in the Index. Paper; ff. 94. XVIII. cent. Belonged to Thomas W. Taphouse, of Oxford (sale-cat. 3 Ju..., 18th century
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ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). 12 motets; 18th century. A collection of motets for 5 voices; unaccompanied, in score. Nos. 1-5, 8, 10-12 from the first and second parts of the Offertoria, 1593; nos. 6-7 from the 5th book ..., 18th century
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(1-9.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. In score.Paper.1. 13 ff. Anon: Tonat coelum. Sacred composition for 2 voices; with symphonies and accompaniment for instruments and an unfigured bass. ‘To His Royal Highness the Prince of Wal..., 18th century
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A VOLUME of motetts and madrigals, composed by William Byrde, Giovanni Pier Luigi da Palestrina, Orazio Vecchi, Giovanni Battista Cesati, Peter Philipps, Jacob Clemens Non Papa, A. Tubal, Joannes Mouton, Thomas Morley, Thomas Tallis, Josquin des Pres..., 1770
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(1-7.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century.Paper.1. 6 ff. Anon: Domine ad adjuvandum. Motet for 4 voices; with symphonies and accompaniment for instruments and an unfigured bass. It is ascribed to ‘G.C. Bach’ in the index in a l..., 18th century
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(1-7.). ROYAL MUSIC COLLECTION. Motets; 18th century. In score.Paper.1. 33 ff. Palestrina (Giovanni Pierluigi da). 12 Motets. A collection of motets for 5 voices; unaccompanied. Nos. 1-5, 8, 9-11 from the first and second parts of the Offertoria, 159..., 18th century
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MADRIGALS and motets, in score, transcribed by John Immyns, containing:-1. Three English madrigals, by the transcriber. f. 1. 2. Three motets in Latin and French, the first by Palestrina. f. 9. 3. Madrigal by Francesco Corteccia. f. 23. 4. Motets fo..., 18th century
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(1-6.). ROYAL MUSIC COLLECTION. Sacred vocal music; 18th century. In score.Paper.1. 8 ff. Meli (Carlo): Parla l’estinto. ‘Coro a 4o con Vvni, Viola, Basso, Trombe e Corni’; with figured bass.2. 6 ff. Meli (Carlo): Oh di superbia Figlia. ‘Coro a 4o: c..., 18th century
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MADRIGALI spirituali, by Palestrina; 1594. Transcribed in score by Henry Needler. Paper; ff. 44. xviiith cent. Obl. Folio.Henry Needler: Madrigals of Palestrina, transcribed by: 18th cent.Giovanni Pierluigi Palestrina, composer: Madrigals, etc.: 18th..., 18th century
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MASSES for eight and four voices, in score, by Pompeo Caniciari, Pietro Paolo Bencini, Giovanni Battista Pergolesi, Leonardo Leo, and Andrea Basili; followed, at f. 138, by " Terzettini " for the Sundays in Advent, by Giovanni Pier Luigi Palestrina. ..., 19th century
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1. "DOMINE, convertere ": gradual for four voices by Orlando de Lassus. f. 1. 2. Mass for four voices by [Giovanni Pierluigi da Palestrina, called] Prenestini. f. 3. 3. Miserere for four soli and double choir, by Gregorio Allegri. f. 19. 4. Mass for ..., 18th century
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SACRED MUSIC in score, by Giovanni Pier Luigi da Palestrina-xviiith and xixth cent. Oblong Quarto. [14,149.]Giovanni Pierluigi Palestrina, composer: Sacred music., 18th century-19th century
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