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MOTETS; after 1580. Altus and tenor parts, and in the case of no. xxi the sexta vox also, of motets added in MS. at the end of the three remaining volumes of the printed edition of the Sex vocum cantiones Orlandi di Lassus (Argentorati: Vyriot, 1580)...
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1. "DOMINE, convertere ": gradual for four voices by Orlando de Lassus. f. 1. 2. Mass for four voices by [Giovanni Pierluigi da Palestrina, called] Prenestini. f. 3. 3. Miserere for four soli and double choir, by Gregorio Allegri. f. 19. 4. Mass for ..., 18th century
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MS Mus. 295. ‘THE FITZWILLIAM MUSIC’: sacred music by Italian composers, copied by Vincent Novello; 1825. A neat copy of all of the transcriptions Novello made from manuscripts in the Fitzwilliam Museum, Cambridge for publication in his The Fitzwilli..., 1825
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THE TREGIAN ANTHOLOGYCollection of madrigals, motets, fantasias, etc., mostly by Italian and English composers of the 16th and early 17th centuries, transcribed in score by Francis Tregian (d. 1619), the compiler of the Fitzwilliam Virginal Book.The ...
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(1-9.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. In score.Paper.1. 13 ff. Anon: Tonat coelum. Sacred composition for 2 voices; with symphonies and accompaniment for instruments and an unfigured bass. ‘To His Royal Highness the Prince of Wal..., 18th century
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" LIBER QUARTUS Cantionum Sacrarum ": motets chiefly by Clemens non Papa, printed at Louvain, 1553. Tenor part only. To this has been added, at f. 50, a collection, in the handwriting of M. Locke, of suites by himself and by Andreas Hammerschmidt and..., 17th century
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ORLANDE DE LASSUS, MICHELE VAROTTO AND OTHERS: (first) tenor parts of Magnificat settings; late 16th cent. Added in ink to the pages at the end of the printed tenor part of Orlande de Lassus, Magnificat Octo Tonorum, sex, quinque, et quatuor vocum (N...
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PEARSALL COLLECTION. Vol. XVII (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th centur..., 19th century
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THREE nocturns for four voices, from the book of Job, each in three lessons, by Orlando de Lassus. Paper; ff. 33. xviiith cent. Obl. Folio.Orlando di Lasso, composer: Sacred music: 18th cent., 18th century
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MEYERSTEIN BEQUEST. Vol. II (ff. ii+17). Counter-tenor part-book containing Latin motets, etc., for five, six or seven voices, by William Byrd (ff. 3b-5, 9b-11, 13, 13b, 15), Orlando di Lasso (ff. 11b-12b), [Robert?] Parsons (ff. 15b-16), John Shephe...
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COLLECTION of In nomines, etc., without words, followed (at f. 26) by sacred compositions in parts, and (at f. 78) by three Italian songs; by English composers of the 16th century. Paper; ff. 80. Late XVIth cent. Obl. Quarto.
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SUPPLEMENTARY SEIBER COLLECTION. Vol. II. Realisation for strings of works by William Brade (f. 1), Giovanni Gabrieli (ff. 4-17), Hans Leo Hassler (ff. 18-22), John Hilton (ff. 23-24), Orlando di Lasso (ff. 25-26) and Giovanni Battista Vitali (ff. 27...
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PEARSALL COLLECTION. Vol. XVIII (ff. i + 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th c..., 19th century
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PART-SONGS, etc., for two, three, and four voices, by William Byrd, John Farmer, Thomas Morley, and other composers, chiefly in Latin or English; copied by John Immyns. In separate parts, in four volumes. Paper ; xviiith cent. Oblate Duodecimo., 18th century
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COLLECTION Of madrigals by John Wilbye, Thomas Weelkes, William Byrd, Giovan Ferretti, Alfonso Ferrabosco, Luca Marenzio, Gianetto Palestina, Orlando di Lasso, Giovan Battista Pinello, Giovanni Petraloysio Prenestino and other composers of the 16th a..., 1800
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(1-4.). ROYAL MUSIC COLLECTION. Motets and canons; 18th century.Paper.1. 6 ff. Lasso (Orlando di): 12 Motets. A late copy of the ‘Motetti a due voci’ printed in 1585.2. 5 ff. Anon: Canons. A numbered set of 9 canons for 3, 4 and 8 voices, in score. T..., 18th century
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A collection of English madrigals, made about the time of James I, in which the names of the following composers occur: Gianetto Palestina, Luca Marenzio, Thomas Bateson, Orlando di Lasso, William Byrde, Alfonso Ferabosco, Battista Mosto, Stephano Fe...
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ALMANDS, galliards, pavans, sarabands, etc., arranged for the virginals, on six-lined staves, with headings, etc., in Dutch. Paper; xvith cent. At the beginning is the name "Susanne van Soldt, 1599." Folio., 16th century
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PEARSALL COLLECTION. Vol. XX (ff. i + 32). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th cent..., 19th century
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Poetry DUTCH: Collection of short pieces: 16th-17th centt.: Flemish.Janus Dousa, junior: Epigrammata et epitaphia varia: 17th cent.Epigrams: Collection of epigrams in various languages: 16-17th cent.includes:f. 2 Heliodorus, Bishop of Tricca: Verse...
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ROYAL MUSIC COLLECTION. Catches, Canons and Madrigals; 18th century. A collection, in the same hand throughout, of 205 pieces, in score and with words, by Morley, Byrd, Immyns, Ives, Le Jeune, Mouton, Torri, Ferrabosco, Seymour, Ford, Purcell, Hilton..., 18th century
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MOTETS by Carissimi and Steffani, transcribed by the Rev. William Gostling. (See Rimbault's Old Cheque Book of the Chapel Royal, p. 220.) The invocations, etc., are altered by Thomas Bever, LL.D. Included is the oratorio of Jephte, by Carissimi, f. 6..., 18th century
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PEARSALL COLLECTION. Vol. VII (ff. ii + 101). Arrangements and adaptations from works by the early madrigalwriters and others, interspersed with original compositions chiefly sketches or rough drafts by Pearsall, including anthems, a canon, a carol, ..., 1835-1838
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MADRIGALS and motets, in score, transcribed by John Immyns, containing:-1. Three English madrigals, by the transcriber. f. 1. 2. Three motets in Latin and French, the first by Palestrina. f. 9. 3. Madrigal by Francesco Corteccia. f. 23. 4. Motets fo..., 18th century
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BASS PART of a collection of vocal and instrumental pieces of the 16th and the beginning of the 17th centuries, in 3, 4, 5, and 6 parts, made in Scotland by Dauid Meluill, al. Meluine, whose name is written at the foot of each page. Most of the compo...
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PEARSALL COLLECTION. Vol. XVI (ff. 33). Neat copies of madrigals, part-songs, glees, etc., for four or five voices, in parts, a few by Pearsall (or slightly altered by him), but most of them by the English and Italian madrigalists of the 16th century..., 19th century
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