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VERSIFIED PSALM TUNES; 1710-1762. A composite volume of psalm tunes and other material. There are several marks of ownership, from which it appears that the two main components of the book, the printed collection of Psalm tunes for St Laurence Church..., 1710-1762
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ANTHEMS (full and verse), in score, many of them with organ accompaniment. One by Dr. Croft (f. 8) is dated 1720. The names of the composers are given in the Index. Paper; ff. 94. XVIII. cent. Belonged to Thomas W. Taphouse, of Oxford (sale-cat. 3 Ju..., 18th century
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MEYERSTEIN BEQUEST. Vol. IV (ff. i+15). Keyboard music, etc.; late 17th-early 18th cent. Anonymous except for a cebel by Jeremiah Clarke at ff. 2-3, but the following can be identified:-ff. 3b-4, 'Happy Groves' by [John?] Barrett (cf. Add. MS. 47446...
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(ff. 172). Vol. ii. FIFTY-SIX anthems by Thomas Tallis, Michael Wise, Dr. Benjamin Rogers, Dr. Thomas Tudway, Pelham Humphrey, William Tucker, Joseph Harris, Nicholas Wootton, Orlando Gibbons, Dr. Matinee Green, Daniel Henstridge, Henry Aldrich, John..., 17th century-18th century
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" COLLECTION of lessons set for the harpsichord," by G. F. Handel, Giovanni Battista Buononcini, Dr. W. Croft, Johann Christoph Pepusch, Dr. M. Greene, Dr. Thomas Deane, John Weldon, Jean Baptiste Lully, -Webber, and Jeremiah Clark. At the reverse e..., 18th century
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Vol. II. xviith cent.John Weldon, organist and composer: Songs and anthems: 17th cent.Henry Purcell, composer and organist: Anthems, glees, etc.,: 17th, 18th centt.Orlando Gibbons, organist and composer: Church music: 17th cent.John Blow, composer an..., 17th century
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RELEASE by Joseph, James and Thomas Hinxman of Andover, co. Southt., of two messuages in Andover; 6 Jun. 1700. Among the signatories to the endorsements is John Weldon, at that time organist of New College, Oxford, and afterwards organist at the Cha...
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KEYBOARD PIECES, including suites, by John Blow, Jeremiah Clarke, William Croft, and their contemporaries, as well as Henry Purcell; bef. 1700-1707. Copies, aft. 1704-1707. Includes arias from Antonio Maria Bononcini's opera 'Camilla', produced in Lo...
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Vol. I. xviith cent.John Weldon, organist and composer: Songs and anthems: 17th cent.Henry Purcell, composer and organist: Anthems, glees, etc.,: 17th, 18th centt.Orlando Gibbons, organist and composer: Church music: 17th cent.John Blow, composer and..., 17th century
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(ff. 179). Vol. i. FIFTY-ONE anthems by Dr. Maurice Green, Dr. John Bull, William Raylton, Henry Hall, Thomas Tallis, Dr. John Blow, Dr. Henry Aldrich, John Weldon, William Croft, Jeremiah Clark, Albert Bryne, Pelham Humphrey, and the following by He..., 17th century-18th century
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LIVES OF SAINTS, etc.,in Latin, viz.:-1. " Vite sanctorum patrum ": the " Verba Seniorum," attributed to Rufinus, with the prologue " Vere mundum quis dubitet," etc., and the colophon " Explicit liber ii. de vitis sanctorum patrum." Both in matter a...
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THREE VERSE ANTHEMS for solo voices, chorus and organ accompaniment, in score, by Jo[hn] Weldon, organist of the Chapel Royal, viz.:-(1) 'O be Joyfull in God', n.d. ff. 1-8b;-(2) 'O Sing unto the Lord', 9 Jan. 1705,. ff. 9-19b;-(3) 'Rejoyce in the L..., 1700-1740
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TREBLE PART-BOOK containing twenty-one services by twelve English composers, and, reversing the volume, fifty-four anthems by twenty-three of the same (words only of that on ff. 136b-136 rev.,); 16th-18th cent. Copies, early 18th cent. Indexes of ser..., 16th century-18th century
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COLLECTION of anthems, in score, begun by R[ichard] Guise in 1768, and apparently in his hand. The composers are Henry VIII (?), W. Mundy, O. Gibbons, Tallis, Byrd, Tye, Bull, Child, Blow, R. Parsons, Weldon, Stroud, C. King, Jeremiah Clark, Church, ..., 1768
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CHURCH HOUSE MANUSCRIPTS. Vol. XI. Chants for psalms at morning and evening prayer on thirty successive days; collected aft. 1840(watermark f. 10). Imperfect, by the excision of most of the last leaf (f. 33), which bears the remnants of pencil sketch...
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MUSIC-BOOK begun by John Pearsall of Willsbridge (near Bristol) in 1726, consisting chiefly of minuets and other short pieces for the harpsichord, including two by Buononcini (ff. 2 b, 10 b) and one by " N. R." (f. 9 b), and the melodies of popular d..., 18th century
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