Toomer, Jean, 1894-1967

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Jean Toomer (born Nathan Pinchback Toomer; December 26, 1894 – March 30, 1967) was an American poet and novelist commonly associated with the Harlem Renaissance, though he actively resisted the association, and modernism. His reputation stems from his novel Cane (1923), which Toomer wrote during and after a stint as a school principal at a black school in rural Sparta, Georgia. The novel intertwines the stories of six women and includes an apparently autobiographical thread; sociologist Charles S. Johnson called it "the most astonishingly brilliant beginning of any Negro writer of his generation". He resisted being classified as a Negro writer, as he identified as "American". For more than a decade Toomer was an influential follower and representative of the pioneering spiritual teacher G.I. Gurdjieff. Later in life he took up Quakerism.<p>
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Toomer continued to write poetry, short stories and essays. His first wife died soon after the birth of their daughter. After he married again in 1934, Toomer moved with his family from New York to Doylestown, Pennsylvania. There he became a member of the Religious Society of Friends (also known as Quakers) and retired from public life. His papers are held by the Beinecke Rare Book Library at Yale University.
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After leaving college, Toomer returned to Washington, DC. He published some short stories and continued writing during the volatile social period following World War I. He worked for some months in a shipyard in 1919, then escaped to middle-class life. Labor strikes and race riots of whites attacking blacks occurred in numerous major industrial cities during the summer of 1919, which became known as Red Summer as a result. People in the working class were competing after World War I for jobs and housing, and tensions erupted in violence. In Chicago and other places, blacks fought back. At the same time, it was a period of artistic ferment.
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Toomer devoted eight months to the study of Eastern philosophies and continued to be interested in this subject. Some of his early writing was political, and he published three essays from 1919-1920 in the prominent socialist paper New York Call. His work drew from the socialist and "New Negro" movements of New York. Toomer was reading much new American writing, for instance Waldo Frank's Our America (1919). In 1919, he adopted "Jean Toomer" as his literary name, and it was the way he was known for most of his adult life.
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By his early adult years, Toomer resisted racial classifications. He wanted to be identified only as an American. Accurately claiming ancestry among seven ethnic and national groups, he gained experience in both white and "colored" societies, and resisted being classified as a Negro writer. He grudgingly allowed his publisher of Cane to use that term to increase sales, as there was considerable interest in new Negro writers.
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In 1931 Toomer married the writer Margery Latimer in Wisconsin. During their travels on the West Coast following their marriage, their marriage was covered in sensational terms by a Hearst reporter. An anti-miscegenation scandal broke, incorporating rumors about the commune they had organized earlier that year in Portage, Wisconsin. West Coast and Midwest press outlets were aroused and Time magazine sent a reporter to interview them. Toomer was criticized violently by some for marrying a European-American woman.
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Latimer was a respected young writer known for her first two novels and short stories. Diagnosed with a heart leak, she suffered a hemorrhage and died in childbirth in August 1932, when their first child was born. Toomer named their only daughter Margery in his wife's memory.
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In 1934 the widower Toomer married a second time, to Marjorie Content, a New York photographer. She was the daughter of Harry and Ada Content, a wealthy German-Jewish family. Her father was a successful stockbroker.