Bauhaus.

Variant names
Dates:
Active 1919
Active 1933
Germans
German

History notes:

Educational institution.

From the description of Photographs of Bauhaus students, teachers, and exhibits, 1919-1933. (Getty Research Institute). WorldCat record id: 81840731

From the description of Postcards about the Bauhaus, 1922-1926. (Unknown). WorldCat record id: 78683279

The Bauhaus was founded in 1919 by the architect Walter Gropius as a school of art, architecture, and crafts, with the focus on instruction in the unity between the fine and applied arts and integrating them with modern technology and human ingenuity. Gropius led the Bauhaus until 1928, when he named Hannes Meyer as his successor. Mies van der Rohe replaced Meyer in 1930. The Bauhaus began in Weimar, moved to Dessau in 1925, and closed in 1932. Attempts to revive the school were made in Berlin in 1933 and Chicago in 1937.

From the description of Bauhaus typography collection, 1919-1937. (Unknown). WorldCat record id: 84944594

Biographical / Historical Note

The Bauhaus was known for its innovative teaching methods and new approach towards art, architecture, and crafts. It was founded in 1919 in Weimar with the city’s financial support. In 1928, due to loss of funding, it moved to Dessau where it remained in operation until 1932. The school reopened for a short time in Berlin, but was closed in 1933 by the newly formed Nazi government. László Moholy-Nagy attempted to revive Bauhaus teachings in Chicago in 1937.

Under its first director, the German architect Walter Gropius, new methods of instruction were developed at the Bauhaus based on the premise that art, crafts, and architecture must unite with technology and modern industry geared towards mass production, not only to meet the needs of society, but also to create and shape a new lifestyle. The ideas taught at the Bauhaus and the artistic output of its students and teachers contributed significantly to subsequent developments in architecture, art, industrial and interior design, graphic design and typography. Gropius led the Bauhaus until 1928. His successor was the Swiss architect Hannes Meyer, known for his new functionalist approach to architecture and political views leaning towards Communism. Under political pressure, Meyer was forced to resign in 1930. He was replaced by the German architect Mies van der Rohe.

During the Weimar years typography increasingly gained prominence in the work of the Bauhaus teacher László Moholy-Nagy and his student, the graphic designer Herbert Bayer, but a formal workshop for typography was not part of the Bauhaus until 1925. After the school’s relocation to Dessau, under Bayer’s charge, the newly installed workshop developed into a professional studio for graphic design and commercial art. The study of the communicative potential of letterforms and typographic layout was part of a basic curriculum in the mechanics of visual education. Such innovations as the elimination of capital letters, and the replacement of the archaic Gothic alphabet used in German printing by a modern “cosmopolitan” font, and the concept of composition based on strong geometrical elements and expressive values of colors, testify to a move away from individually handcrafted and traditionally shaped goods towards objects meeting functional requirements suitable for mass production. In this regard, what became known as Bauhaus typography was also part of the social and political reform taking place at the school.

From the guide to the Bauhaus typography collection, 1919-1937, undated, (The Getty Research Institute)

Links to collections

Comparison

This is only a preview comparison of Constellations. It will only exist until this window is closed.

  • Added or updated
  • Deleted or outdated

Information

Permalink:
SNAC ID:

Subjects:

  • Printing
  • Printing
  • Anatomy, Artistic
  • Architectural photography
  • Architecture
  • Architecture
  • Architecture, German
  • Art
  • Art
  • Art, German
  • Art schools
  • Calligraphy, German
  • Color in art
  • Drawing, German
  • Furniture design
  • Furniture design
  • Furniture design
  • Graphic arts
  • Graphic arts
  • Graphic design (Typography)
  • Graphic design (Typography)
  • National socialism and art
  • Photography
  • Posters
  • Pottery, German
  • Wallpaper
  • Printing
  • Architecture
  • Art
  • Furniture design
  • Furniture design
  • Graphic arts
  • Graphic design (Typography)

Occupations:

not available for this record

Places:

  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)
  • Germany (as recorded)

SNAC Cooperative Logo

Social Networks and Archival Context

SNAC is a discovery service for persons, families, and organizations found within archival collections at cultural heritage institutions.

Sponsors

The Andrew W. Mellon Foundation
Institute of Museum and Library Services
National Endowment for the Humanities

Hosts

University of Virginia Library
National Archives and Records Administration