Kay, Ulysses, 1917-1995

Composed 1940. First performance Rochester, 16 April 1940, Rochester Civic Orchestra, Howard Hanson conductor, Robert Sprenkle.--Cf. Fleisher Collection.

From the description of Concerto for oboe / Ulysses Kay. 1940. (Franklin & Marshall College). WorldCat record id: 52529397

Composed 1946. First performance Washington, D.C., 9 May 1948, National Gallery Orchestra, Richard Bales conductor, Leonard Shifrin soloist.--Cf. Fleisher Collection.

From the description of Brief elegy / Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52529392

Commissioned by the Louisville Orchestra. Composed 1954. First performance Louisville, Kentucky, 18 September 1954, Louisville Orchestra, Robert Whitney conductor.--Cf. Fleisher Collection.

From the description of Serenade for orchestra / Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52529609

Composed 1939. First performance 19 April 1939.--Cf. Fleisher Collection.

From the description of Sinfonietta for orchestra / Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52531570

From the ballet based on a story by Ridgely Torrence. Composed 1941. First performance Rochester, 23 April 1941, Rochester Civic Orchestra, Howard Hanson conductor. For suite from Scene II see callno.: 4230.--Cf. Fleisher Collection.

From the description of Danse Calinda : a ballet in two scenes / story by Ridgely Torrence ; music by Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52529413

From the ballet in two scenes, after a story by Ridgely Torrence. Scene I composed 1941. Scene II composed 1947. First performance of this Suite New York, 23 May 1947, National Orchestral Association, Leon Barzin conductor. Winner of the Anna Babbit Gardner Award, Boston, 1947. For suite from Scene I see callno.: 3851.--Cf. Fleisher Collection.

From the description of Danse Calinda : a ballet in two scenes / story by Ridgely Torrence ; music by Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52529430

Composed 1943. First performance Cincinnati, Ohio, spring 1947, Cincinnati Conservatory Brass Choir, Ernest N. Glover conductor.--Cf. Fleisher Collection.

From the description of Suite for brass choir / Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 52529990

Representative of the League of British Dramatists.

From the description of Letters : London, to Laurence Housman, Street, Someset, 1947 Jan. 9 and Mar. 19. (Bryn Mawr College). WorldCat record id: 25374906

Composed 1946. First performance Brooklyn, 31 March 1947, New York City Symphony, Leonard Bernstein conductor. Won the Third Annual George Gershwin Memorial Award, 1947.--Cf. Fleisher Collection.

From the description of A short overture / Ulysses Kay. 1946. (Franklin & Marshall College). WorldCat record id: 52529737

Composed 1947.--Cf. Fleisher Collection.

From the description of Ancient saga : a design for modern dance / Ulysses Kay. 1947. (Franklin & Marshall College). WorldCat record id: 52529386

From the ballet in two scenes, after a story by Ridgely Torrence. Scene I composed 1941. Scene II composed 1947. First performance of this Suite New York, 23 May 1947, National Orchestral Association, Leon Barzin conductor. Winner of the Anna Babbit Gardner Award, Boston, 1947. For a different version of Scene 2 see callno.: 4230. For suite from Scene I see callno.: 3851.--Cf. Fleisher Collection.

From the description of Danse Calinda : scene 2 / Ulysses Kay. [19--] (Franklin & Marshall College). WorldCat record id: 182573750

Ulysses Kay (1917-1995) wrote more than 140 compositions in a wide range of forms – five operas, over 20 large orchestral works, more than 30 choral compositions, 15 chamber works, a ballet, and numerous other compositions for voice, solo instruments, film, and television.

Born in Tucson, Arizona, to a musical family, his mother encouraged him, and with the advice of her brother, Joe "King" Oliver, Kay studied piano, violin and saxophone. He entered the University of Arizona in 1934, receiving the Bachelor of Music in 1938. For the next two years he studied composition at the Eastman School of Music, University of Rochester, with Bernard Rogers and Howard Hanson, and received the Masters in Music in 1940. From 1941 to 1942 he studied with Paul Hindemith at Tanglewood and at Yale.

During World War II, Kay served in the U. S. Navy, playing with and arranging for the Navy Band, stationed at Quonset Point, Rhode Island. His most prominent composition from this period is "Of New Horizons" for concert band. Commissioned by Thor Johnson and performed by the New York Philharmonic, its premier took place in Lewisohn Stadium in July 1944.

Upon discharge from the Navy, he was awarded the Alice M. Ditson Fellowship for creative work at Columbia University, where he studied with Otto Luening from 1946 to 1947. During the summers, he was a resident at the Yaddo Festival in Saratoga Springs, New York. Major works from this period include: "Danse Calinda Suite," his ballet "The Rope," "Concerto for Orchestra," and the film music for "The Quiet One."

Many honors and scholarships followed, including a Fulbright Scholarship, and grants from the National Institute of Arts and Letters, and a Julius Rosenwald Fellowship. From 1949 to 1952, Kay received two "Prix de Rome" awards that allowed him to travel and study in Italy. The first African-American to receive the prize, it gave him residence in the American Academy in Rome, along with his new bride, Barbara Harrison of Chicago, whom he had married on August 20, 1949. Compositions from this period include: a Piano Quintet, a String Quartet, a Brass Quartet, "Sinfonia in E," and "Song of Ahab."

Returning to New York, Barbara taught music in Manhattan, and Ulysses accepted a position with Broadcast Music, Inc. (BMI) that would last from 1953 until 1968. Turning down several teaching positions, he preferred a job that gave him a regular schedule, allowing him to compose as much as possible. Compositions include: "A Lincoln Letter," "Six Dances for String Orchestra," "Fantasy Variations for Orchestra," and two operas, "The Boor," and "The Juggler of Our Lady."

In 1958, Kay was chosen to be a member of the first delegation of composers to the Soviet Union, a part of the U.S. State Department’s Cultural, Educational and Technical Exchange Agreement. The others in his group were Roy Harris, Peter Mennin, and Roger Sessions. During the month-long trip, Kay appreciated the interest in Jazz expressed by Russian composers and he played them recordings of the music of Miles Davis, Duke Ellington, Thelonious Monk, and Louis Armstrong, among others. He also attended performances of his own compositions, those of his fellow delegates, and the works of Russian composers. Upon his return, Hi-Fi Review published his account of the trip entitled "Thirty Days in Musical Russia."

Over the decade from 1958 to 1968, Kay received a large number of commissions, writing a total of 41 compositions, including: "New York: City of Magic," "Phoebus, Arise," "Forever Free," "Markings," "Aulos," and "Choral Triptych."

Barbara Kay was no less busy during these years. She participated in the Mississippi Freedom Rides during the summer of 1961. Arrested in Jackson, she was held in the Parchman Penitentiary for 41 days, after receiving a six-month sentence for disturbing the peace. William Faulkner once called the plantation prison "Destination Doom." Returning home, she participated in the first sit-in in the North, when Englewood residents took over city hall to protest racial segregation in the schools in 1962. During the boycott of the Englewood, New Jersey schools, she held a Freedom School in the basement of the Kay home. In 1966, she joined James Meredith’s "March Against Fear" in Mississippi. Later she continued to be active in the New Jersey chapter of the Congress of Racial Equality.

In 1968, at the age of 51, Kay left BMI to join the faculty of Herbert H. Lehman College as Professor of Music, teaching theory and composition, where he would serve until his retirement in 1988. During his 20 years of teaching, he produced three more operas, "The Capitoline Venus," "Jubilee," and "Frederick Douglass." Other works from this period include: "Theater Set," "Five Portraits," "Scherzi Musicali," "Western "Paradise," "Jersey Hours," "Tromba," "Once There Was a Man," "Chariots," "Festival Psalms," and "Visions" written to commemorate the 80th anniversary of William Grant Still’s birth.

As stated by Constance Tibbs Hobson and Deborra A. Richardson in their indispensable Ulysses Kay: A Bio-Bibliography (1994): "Kay’s contribution to America’s cultural life and to its contemporary music scene is outstanding. His distinguished career, reflecting personal industry, discipline, and will, sets an encouraging, honorable, and inspiring example for all who follow. His message to aspiring composers strongly advocates continued study and growth in order to better express one’s vision and individuality."

From the guide to the Ulysses Kay Papers, circa 1938-1995, (Columbia University. Rare Book and Manuscript Library)