Alloway, Lawrence, 1926-1990

Lawrence Alloway, born in England in 1926 and largely self-educated, became a major 20th century critic of American art, known for his pluralism and inclusiveness. As a young man he was associated with the Independent Group in England, a circle of artists, critics and writers that included Reyner Banham, and that questioned conventional distinctions between high and low art. As a director of the Institute of Contemporary Art in London from 1954 to 1959, he introduced American Abstract Expressionism to post-war England. In 1961 Alloway settled in New York and remained there for the rest of his life, teaching at Bennington College (1961-1962) and SUNY Stony Brook (1968-1981), curating at the Guggenheim Museum(1962-1966), and always simultaneously working as an art critic, which he considered his true vocation.

Beginning as a book reviewer for the London Sunday Times (1944-1946), Alloway wrote for and edited various art journals, including Art News (1953-1957), Art International (1957-1961) and Artforum (1971-1976). His longest-running and most influential position was, however, that of art reviewer for the Nation (1968-1981). Toward the end of his life he served on the Editorial Board of Woman’s Art Journal. He also wrote poetry throughout his life.

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