Wardlaw, Alvia J.

Art historian and curator Alvia J. Wardlaw was born on November 5, 1947 to Virginia Cage and Alvin Wardlaw. She was raised in Houston, Texas and graduated from Jack Yates High School in 1965. Wardlaw earned her B.A. degree in art history from Wellesley College in 1969, and her M.A. degree in art history from New York University in 1986. In 1996, she became the first African American to receive a Ph.D. degree in art history from the University of Texas at Austin.

From 1972 to 1974, Wardlaw worked as a curatorial assistant at the Museum of Fine Arts in Houston (MFAH). In 1974, she was promoted to associate curator of primitive art and education and was also hired as an adjunct professor at Texas Southern University, where she went on to serve as assistant and associate professor of art history. From 1973 to 1989, Wardlaw curated a number of exhibitions at various institutions, includingAfrican Tribal Art(1973);Roy DeCarava: Photographs(1975);Ceremonies and Visions: The Art of John Biggers(1980);Homecoming: African American Family History in Georgia(1982);John Biggers: Bridges(1986); and the 1989 watershed exhibitionBlack Art Ancestral Legacy: The African Impulse in African American Artfor the Dallas Museum of Art. She subsequently served as an adjunct curator of African American art at the Dallas Museum, and, in 1995, was named curator of modern and contemporary art for the MFAH. Wardlaw went on to organizeThe Art of John Biggers: View from the Upper Room(1995);The Quilts of Gee's Bend(2002);Something All Our Own: The Grant Hill Collection of African American Art(2003); andNotes from a Child's Odyssey: The Art of Kermit Oliver(2005). Wardlaw also became director/curator of the University Museum at Texas Southern University, and continued to work as curator of modern and contemporary art at the MFAH until 2009, when she retired from her position.

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