8754124http://n2t.net/ark:/99166/w6kd3sv3revised
SNAC: Social Networks and Archival Context
VIAFrevised2015-09-24machineCPF merge programMerge v2.0revised2016-08-10T05:58:29machineSNAC EAC-CPF ParserBulk ingest into SNAC Databaserevised2016-08-10T05:58:29humanSystem Service (system@localhost)created2024-03-29machineSNAC EAC-CPF SerializerSNAC Identity Constellation serialized to EAC-CPFpersonWaring, Marilyn, 1952-presumedWaring, Marilyn.presumedWaring, Marilyn J. 1952-presumedウォーリング, マリリンpresumedWaring, Marilyn Joy, 1952-presumed1952-10-07Morgan, Robin.Morgan, Robin, 1941-Waring, Marilyn, 1952-Morgan, Robin. Robin Morgan papers, [1940s]-2003.Morgan, Robin.Rivero, Isel.Sallie Bingham Center for Women's History and Culture.Robin Morgan papers, [1940s]-2003.23,799 items (39.4 lin. ft.)The accession (01-184) (5048 items, 9.10 lin. ft.; dated 1958-2001) comprises book manuscripts, correspondence, subject files, photographs, clippings, journals, taped interviews, and other material documenting Morgan's varied career as a feminist and author. Includes business correspondence and drafts for SATURDAY'S CHILD, A HOT JANUARY, LADY OF THE BEASTS, and DEPTH PERCEPTION; complete issues for the periodicals RAT (1970-1974) and UP FROM UNDER (1970-1971); geographic subject files on the status of women in various locations, including Africa, South Africa, and the Middle East; notes, 17 audio cassettes of interviews, and other materials from Morgan's visit to Palestine and Israel, as well as her trips to Austria, Egypt, and Jordan. Accession 01-184 also includes annual and financial reports and other records from the Sisterhood Is Global Institute; Morgan's class notes from Columbia University; notes from her interview with Patty Hearst and a draft of the resulting article; and correspondence, manifestos, artwork, and other ephemera from various lesbian separatist, women's liberation, and women's rights organizations and activities. There are 134 color and 8 black-and-white photographs, 156 color negatives, 2 CDs, and one videocassette tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture. Addition (02-208) (9676 items, 15.9 lin. ft.; dated [ca. 1960s]-1999 and n.d. (bulk 1972-1999) consists primarily of contributor correspondence and production, grant funding, and legal records that document the development and publication of the anthologies SISTERHOOD IS POWERFUL (SIP) (1969-1979) and SISTERHOOD IS GLOBAL (1981-1989), as well as the Sisterhood Is Global Institute (1981-1995). The SIP files include correspondence and legal records regarding a copyright infringement lawsuit in which Morgan was one of the defendants (1974-1975), as well as letters from feminist organizations requesting grants from the profits of SIP. Addition 02-208 also includes working notes, correspondence, and legal and production files relating to several of Morgan's books, especially GOING TOO FAR, THE DEMON LOVER, and DRY YOUR SMILE (1970s-1990s); incoming and outgoing correspondence with Jane Alpert, Isel Rivero, Adrienne Rich, Vladimir Urban, and Marilyn Waring, among others (1970s-1990s); and newspaper clippings, correspondence, and notes documenting Morgan's feminist activism in the 1970s. There are 72 color and 11 black-and-white photographs and 1 color slide. The addition (03-022) (8775 items, 14 linear ft.; dated 1940s-2000 and n.d.) primarily comprises incoming and outgoing personal and professional correspondence (1950s-1998); records from Morgan's tenure as editor of MS. magazine (1970s-1980s); and drafts of various poems and prose works (1940s-1990s). The records from MS. include columns and editorials, internal memoranda, meeting minutes, correspondence with authors, and comments/reactions from readers. The addition also includes research, interviews, and Morgan's writings on Soviet feminist dissidents (n.d.); files on speaking engagements and readings (1970s-1987); course syllabi and notes, student papers, and other material from classes Morgan taught at the University of Denver (1995-1998); and other material relating to Morgan's career as a feminist activist and writer (1970s-2000). Addition (03-093) (300 items, .4 lin. ft.; dated 2003) consists of an annotated manuscript for Morgan's book SISTERHOOD IS FOREVER: THE WOMEN'S ANTHOLOGY FOR A NEW MILLENNIUM (2003). Duke University Libraries, Duke University Library; Perkins LibraryRobin Morgan papers, 1940s-2010 and undated, bulk 1970-2000Morgan, RobinRobin Morgan papers, 1940s-2010 and undated, bulk 1970-200071.1 Linear Feet; (42855 Items)EnglishDavid M. Rubenstein Rare Book & Manuscript LibraryMorgan, Robin, 1941-. Robin Morgan papers, 1947-2010.Morgan, Robin, 1941-Alpert, Jane.Abzug, Bella S., 1920-1998.Sallie Bingham Center for Women's History and Culture.Robin Morgan papers, 1947-2010.42,855 items (71.1 lin. ft.)The collection documents the personal, political, and professional aspects of the life of an important feminist writer of the twentieth century. The largest group of materials consists of documentation on all of Morgan's significant written works: DEMON LOVER; DEPTH PERCEPTION; DRY YOUR SMILE; GOING TOO FAR; A HOT JANUARY; LADY OF THE BEASTS; SATURDAY'S CHILD; her well-known feminist anthologies, SISTERHOOD IS POWERFUL, SISTERHOOD IS GLOBAL and SISTERHOOD IS FOREVER; and other materials on her poems, articles, and other writings. In addition, Morgan's papers hold many items of correspondence with a wide range of individuals, including prominent activists and feminists as well as family members and close friends. There is also a significant amount of correspondence and other material that documents Morgan's role as founder of the Sisterhood is Global Institute, and records related to her role as editor and writer for MS. magazine. Seen in a broader context, the collection provides ample documentation for the study of modern feminism. Morgan's subject files (the second largest in the series) are rich in materials related to the feminist movement in the United States and around the world; and materials concerning sexual health, witchcraft, lesbian feminism, and the social, economic, and political position of women in the world (especially in the Middle East, Russia, and South Africa). There are materials on individual figures such as Bella Abzug, Jane Alpert (imprisoned revolutionary), Patty Hearst, Gloria Steinem, and Marilyn Waring. Other series hold additional materials related to Morgan's career as a writer; several of her speeches and interviews; materials from Morgan's courses she gave on feminism; as well as photographs and audio-visual materials. Addition (2009-0069) (900 items; 1.5 lin. ft.; 1993-2006) includes Morgan's files on sexual trafficking (2000); a master copy and page proofs of THE BURNING TIME (2005-2006); and email printouts of responses to LETTERS FROM GROUND ZERO. Also included is some unlabeled material and correspondence. Accession (2010-0176) (18,450 items; 24.6 lin. ft.; dated 1947-2010) includes Morgan's travel files, correspondence, MS. magazine editorial files, and materials from her research and publications. MS. files (dating 2002-2010) include global dispatches, correspondence, and cover story interviews by Morgan of Madeleine Albright and Jane Fonda. A large portion of the accession relates to Morgan's writings, poetry, and published books. These materials consist of drafts, correspondence with publishers, publicity and press, reader reactions, reviews of her work, and rights permissions. Works represented include MONSTER, UPSTAIRS IN THE GARDEN, THE ANATOMY OF FREEDOM, GOING TOO FAR, THE WITCH TALES, and SISTERHOOD IS FOREVER. The majority of the SISTERHOOD IS FOREVER materials are contributor files, including authors like Gloria Steinem, Eleanor Smeal, Eve Ensler, Rep. Eleanor Holmes Norton, and many others. Other materials in the collection are scrapbook clippings and other items from Morgan's entertainment career as a child star on television and radio; press coverage of her protests and events during the women's liberation movement, and research files from her various interests, including female genital mutilation and the Women's Media Center. The WMC files are closed due to restrictions. There is also a large amount of audiovisual materials, which are closed until reformatting. Duke University Libraries, Duke University Library; Perkins Library