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SNAC: Social Networks and Archival Context
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}revised2020-11-17T10:36:59humanMaristella Feustle (mfeustle679@gmail.com)User published constellationrevised2022-05-06T14:26:29humanEden Orelove (eorelove@gmail.com)User published constellationrevised2022-05-06T14:26:32humanEden Orelove (eorelove@gmail.com)User published constellationrevised2022-05-25T13:08:27humanEden Orelove (eorelove@gmail.com)User published constellationrevised2022-05-25T13:08:31humanEden Orelove (eorelove@gmail.com)User published constellationrevised2022-06-04T06:13:41humanJoseph Glass (glassjoseph@gmail.com)User published constellationcreated2024-03-29machineSNAC EAC-CPF SerializerSNAC Identity Constellation serialized to EAC-CPFpersonKrupa, Gene, 1909-1973presumedKrupa, GenepresumedKrupa, Gene, 1909-1973presumedKrupa, Gene, 1909-1973presumedGene KrupapresumedKrupa, Eugene Bertram.presumedKrupa, Bertram Eugène 1909-1973presumedKrupa, Eugène Bertram 1909-1973presumedKrupa, Eugene Bertram, 1909-1973presumedKrupa, Bertram Eugène, 1909-1973presumedKrupa, Eugeniusz.presumedKrupa Eugène Bertram 1909-1973presumed1909-01-151973-10-16EnglishAmericansPerformerAmerican Museum of VaudevilleBellson, Louis.Cullen, Frank, 1936-Dodge, Joseph JeffersDodge, Joseph JeffersEarle, Eugene.Martínez, Jaime, 1946-McNeilly, Donald, 1945-Morton, Hugh M.Morton, Hugh M.Sales, Grover, Mr.Slonimsky, Nicolas, 1894-1995Spivak, Charlie , 1907-1982Stanger, Philip.Krupa, Gene, 1909-1973Krupa, Gene, 1909-1973Krupa, Gene, 1909-1973Krupa, Gene, 1909-1973. Embraceable you [Multimédia multisupport] / Gene Krupa, batt ; Al Beck, Mickey Mangano, trp... [et al.].Mangano, Mickey.Krupa, Gene, 1909-1973.Beck, Al.Murphy, Norman.Wagner, Babe.Kelliher, Jay.Grassi, John.Embraceable you [Multimédia multisupport] / Gene Krupa, batt ; Al Beck, Mickey Mangano, trp... [et al.].Bibliothèque nationale de France, BnFStanford University, Dept. of English, honors theses, circa 1967-1993Stanford University, Dept. of English, honors theses circa 1967-1993328 Volumes (12 boxes)Honors theses written by undergraduate students in the Stanford University Department of English.Stanford University. Department of Special Collections and University ArchivesKrupa, Gene, 1909-1973. Three little words [Multimédia multisupport].Krupa, Gene, 1909-1973.Three little words [Multimédia multisupport].Bibliothèque nationale de France, BnFStanger, Philip. Philip Stanger collection, 1886-1988 (inclusive).Stanger, Philip.Philip Stanger collection, 1886-1988 (inclusive).5.5 linear ft. (10 boxes)Philip Stanger, drummer and instructor. The Philip Stanger Collection contains drum, xylophone, marimba and other percussion pedagogy books and manuals, sheet music, advertisements, articles, magazines, and photographs. University of Chicago LibraryJazz and Big Band Collection1.5 Cubic feet (3 boxes, 1 map folder)National Museum of American History (U.S.). Archives CenterScrapbook on popular musicians [1938-1940].Scrapbook on popular musicians [1938-1940].1 v. : ill., ports. ; 28 x 21 cm.Volume of clippings. Includes material on Tommy Dorsey, Bob Crosby, Louis Armstrong, Jimmy Dorsey, Xavier Cugat, Eddie Duchin, Benny Goodman, Harry James, Hal Kemp, Gene Krupa, Harry Owens, Rudy Vallee, Paul Whiteman, as well as general articles about jazz, swing, and the business of popular music. Museum of Performance & DesignEarle, Eugene. Eugene Earle collection, 1939-1980s.Earle, Eugene.Eugene Earle Collection, 1939-1980s40.0 feet of linear shelf space (approximately 17,000 items)Eugene Earle was born in Cleveland Heights, Ohio, in 1926. In addition to amassing a large collection of country and western, blues, and jazz sound recordings, he also became a discographer and a founder and president of the John Edwards Memorial Foundation (JEMF). Earle is also responsible for rediscovering and recording a number of country musicians, including Doc Watson, Jimmie Tarlton, and the Carolina Tarheels. The collection consists of recordings, films, images, and papers collected by Eugene Earle. The recordings consists of commercial and non-commercial transcription discs, audiocassettes, and open reel recordings documenting a wide array of radio programs and performers of blues, country music,jazz, old-time music, popular music, swing, and other types of music from 1939through the early 1980s. One series of the collection is government-sponsored Army V-Discs and Navy V-Discs from World War II. These discs were issued, October1943-May 1949, and feature material from a variety of sources, including special recording sessions, radio broadcasts, broadcast rehearsals, film soundtracks, and issued and un-issued commercial recordings. Along with the Armed Forces Radio Service, the V-Disc group was a morale-building unit that addressed the need for current music by the troops overseas. As V-Discs were produced exclusively for use by military personnel and the many artists who volunteered to perform on the recordings were adamant about the discs not being commercially sold or used, many of the V-Disc metal pressing parts were destroyed by the United States Army.Consequently, the V-Discs that survived document performances by artists unavailable on any other recordings. Other transcription discs are of the which aired on WSM radio in Nashville, Tenn.,1971-1974, and showcased some of the leading country music performers of the day;the ; and various government-sponsored radio shows, such as and Another series is comprised of open reel recordings, some documenting live performances of old time, country, and bluegrass musicians. They also include several private interviews with musicians. Other open reel recordings are dubbed copies of rare 78 rpm recordings, unreleased test recordings of early country and blues musicians, and transcription discs. There are also posters, audiocassettes, films, printed music,images, serials, papers relating to Earle's discographical and collecting activities, and promotional materials. Posters include full-sheet posters,half-sheet posters, and lobby cards for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Audiocassettes include commercial and non-commercial recordings of many early country, jazz, and Hawaiian musicians. Films consist of 16mm reels of early country and western artists and other topics. Printed music includes a number of song folios and sheet music, largely focused on Hawaiian and early country and western music,with a significant number of pre-1930 song sheets. Images consist of photographs,collectors' cards, and other images of country and western musicians and related subjects. Serials consist of journals and other publications pertaining to individual musicians, early radio stations, record collecting in general, fan clubs,and other topics. Papers relating to Earle's discographical and collecting activities include discographical research, tape logs, correspondence with record companies and other collectors, materials related to the John Edwards Memorial Foundation, record label catalogs, and extensive documentation of Earle's own vast record and research collection. Promotional materials include small flyers, picture cards, and other materials for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Performers significant in the collection appear as subject headings below. Ralph Emery Show, Lawrence Welk Show Country Roads, Navy Hoedown, Sounds of Solid Country, The Veterans Administration Presents Here's to Veterans, The United States Army Presents Country Express, The United States Air Force Presents Country Music Time, Country Cookin'.EnglishGermanNorwegianJapaneseGermanEnglishNorwegianUniversity of North Carolina at Chapel Hill. Library. Southern Folklife Collection.Randolph, Irvin "Mouse, 1909-1997. The way you look tonight / Teddy Wilson, p ; Irving Randolph, trp ; Vido Musso, clar... [et al.].Randolph, Irvin "Mouse, 1909-1997.Musso, Vido, 1913-1982.Webster, Ben, 1909-1973.Reuss, Allan, 1915-....Hinton, Milt, 1910-2000.Krupa, Gene, 1909-1973.The way you look tonight / Teddy Wilson, p ; Irving Randolph, trp ; Vido Musso, clar... [et al.].Bibliothèque nationale de France, BnFMartínez, Jaime, 1946-. Oral history interview with Jaime Martínez, 1997 [videorecording].Martínez, Jaime, 1946-Gutiérrez, José Angel,University of Texas at Arlington. Center for Mexican American Studies.Oral history interview with Jaime Martínez, 1997 [videorecording].3 videocassettes (VHS) (4 hr., 58 min.) : col. ; 1/2 in.Transcript : 142 p. ; 28 cm.Jaime Martínez begins with his family's background and talks about an uncle, Bernabe Martínez, an early labor organizer of Comite Numero Cinco (Committee Number Five) who was killed by a Bexar county sheriff. He recalls joining his first organization, the Sociedad Mutualista Mexicana with his grandfather and his grandmother's appreciation for Franklin Delano Roosevelt. He reveals his musical background as a trumpet player in a number of bands, such as the Sunglows and the Deltones, touring the U.S. and Canada, playing for Paul Anka, and meeting legendary drummer Gene Krupa. He refers to the health problems he began experiencing because of his musician's lifestyle which led to his decision to settle down. He gives his views on the Vietnam War and explains his wanting to enlist in the military and later marching in San Antonio against the war in 1968. He discusses the International Union of Electrical Workers (IUE, now the IUE-AFL-CIO) Local 780 strike against the Friedrich Refrigeration Company (now the Friedrich Air Conditioning Company) in 1964 and the arrest of Leonora Silva. He talks about getting his first job with Friedrich in 1966 and his growing leadership role in the IUE. He elaborates upon the IUE organization levels and provides details of his own progression to union leadership. He describes his first trip to IUE headquarters in Washington, D.C., and his first union-organizing assignment in 1972 in Hendersonville, North Carolina. He explains the term Bowl Ware [sic, Boulwarism] as a form of union busting, citing the 1960 IUE strike against the Hendersonville General Electric Company plant. He recalls representing a member of the Hatfield family in a labor dispute and recounts an incident of harrassment from a Hendersonville deputy. He shares his experience in assisting Crystal Lee Sutton with the J. P. Stevens boycott [in Roanoke Rapids, N.C.] for the Textile Workers Union of America. He recounts his experience with race discrimination while organizing a union drive at the Westinghouse Electric Corporation plant in Louisville, Georgia. Mr. Martínez gives his reasons for his return to San Antonio in 1977 and the continuing of his union organizing efforts at the Temple Manufacturing plant. He expresses his enthusiasm about his work with Coordinadora, an organization for immigrant rights, pointing out the organization's stance against the brutality of police and border patrol officers, and describes the events of the Coordinadora '96 march in Austin and his subsequent health problems. He discusses his concerns over the North American Free Trade Agreement (NAFTA) and his involvement in the National Labor Council of Latin American Advancement (LCLAA). He touches on the labor movement in Mexico and the presidency of Cuauhtémoc Cárdenas Solórzano, and details an incident as an election observer for the Alianza Cívica in Mexico. He shares details of his association with César Chávez and Henry B. Gonzales, particularly when he was up for election to the IUE executive board. He mentions such prominent civil rights activists and supporters as Martin Luther King, Jr., Lucille Banta, Ralph Abernathy, and Edward M. Kennedy. EnglishSpanish; CastilianUniversity of Texas at Arlington, Central LibraryHugh Morton Photographs and Films, , late 1920s-2006, (bulk 1940s-1990s)Morton, Hugh M.Hugh Morton Photographs and Films, late 1920s-2006 (bulk1940s-1990s)100.0 feet of linear shelf space (approximately 250,000 items)Hugh MacRae Morton (1921-2006) was aprominent North Carolina businessman, political figure, tourism booster,conservationist, environmental activist, sports fan, and prolificimage-maker. The still images and motion pictures in the collectioncover Morton's career of eight decades, 1930s-2000s, and document his variedinvolvements as a photojournalist; a soldier in the Pacific Theater during World WarII; the owner and operator of the Grandfather Mountain tourist attraction inLinville, N.C.; a promoter of travel and tourism in North Carolina and the SmokyMountains region; a well-known figure in state government and friend of many NorthCarolina politicians, entertainers, and media; a student, booster, and frequentsports-event attendee of the University of North Carolina at Chapel Hill; and anardent admirer of nature.EnglishEnglishUniversity of North Carolina at Chapel Hill. Library. North Carolina Collection.Krupa, Gene, 1909-1973. Polydore Vergil and Francis Bacon: two views of Henry VII and history.Krupa, Gene, 1909-1973.Polydore Vergil and Francis Bacon: two views of Henry VII and history. 1966.108 p.Columbia University in the City of New York, Columbia University LibrariesSpivak, Charlie , 1907-1982. Charlie Spivak scrapbooks, 1907-1982, (bulk 1940-1947).Spivak, Charlie , 1907-1982Krupa, Gene, 1909-1973.Spivak, Wilma Hayes.Daye, Irene.Charlie Spivak scrapbooks, 1907-1982, (bulk 1940-1947).1 microfilm reel.The collection consists of a microfilm copy of twelve scrapbooks of primarily newspaper clippings related to Spivak's career as a musician and orchestra leader of Big Band music. These include entertainment columns and other stories about his performances as well as some human-interest pieces. Clemson University Libraries, Robert Muldrow Cooper LibraryMilt Gabler Papers25 Cubic feet (75 boxes
)The collection documents Gabler's involvement in the recording industry and the evolution of Commodore Records. The documentation begins with the Commodore Radio Shop through its evolution to Commodore Music Shop. The collection also includes the beginnings of the Commodore record label and information detailing Gabler's 30 years as staff producer and later Vice-President in Charge of Artists and Repertoire at Decca Records (1941-1974). There is a small collection of black and white photographs chronicling the early years at the Commodore Music Shop, as well as jam sessions, often held at Jimmy Ryan's on 52nd Street. The collection also includes a vast array of audio recordings (mainly audiodiscs).National Museum of American History (U.S.). Archives CenterKrupa, Gene, 1909-1973. Three little words [Multimédia multisupport].Krupa, Gene, 1909-1973.Three little words [Multimédia multisupport].Bibliothèque nationale de France, BnFStanger, Philip. Collection, 1886-1988Stanger, Philip. Collection 1886-1988Philip Stanger, drummer and instructor. The Philip Stanger Collection contains drum, xylophone, marimba and other percussion pedagogy books and manuals, sheet music, advertisements, articles, magazines, and photographs.EnglishSpecial Collections Research Center, University of Chicago Library,Bellson, Louis. Louis Bellson collection, 1943-1996 (bulk ca. 1950-ca. 1970).Bellson, Louis.Louis Bellson collection, 1943-1996 (bulk ca. 1950-ca. 1970).66 boxes, ca. 8000 items.Music mss. (scores & parts), printed music, photos (framed and loose), sound recordings, video recordings, business papers, correspondence, diaries, scrapbooks, monographs. Library of CongressGrover Sales Collection, 1940-2004Sales, Grover, Mr.Grover Sales Collection 1940-20048.0 box(es)Archive of Recorded SoundMorton, Hugh M. Hugh Morton photographs and films: People and events, late 1920s-early 2000s (bulk 1940s-1990s) (Series 2).Morton, Hugh M.Hugh Morton Photographs and Films, late 1920s-2006 (bulk1940s-1990s)100.0 feet of linear shelf space (approximately 250,000 items)Hugh MacRae Morton (1921-2006) was aprominent North Carolina businessman, political figure, tourism booster,conservationist, environmental activist, sports fan, and prolificimage-maker. The still images and motion pictures in the collectioncover Morton's career of eight decades, 1930s-2000s, and document his variedinvolvements as a photojournalist; a soldier in the Pacific Theater during World WarII; the owner and operator of the Grandfather Mountain tourist attraction inLinville, N.C.; a promoter of travel and tourism in North Carolina and the SmokyMountains region; a well-known figure in state government and friend of many NorthCarolina politicians, entertainers, and media; a student, booster, and frequentsports-event attendee of the University of North Carolina at Chapel Hill; and anardent admirer of nature.EnglishEnglishUniversity of North Carolina at Chapel Hill. Library. North Carolina Collection.American Vaudeville Museum collection, 1845-2007, (bulk 1910-1940)Cullen, Frank, 1936-?McNeilly, Donald, 1945-American Vaudeville Museum collection 1845-2007 (bulk 1910-1940)66.8linear feetThis collection consists of materialsdocumenting vaudeville and other entertainment in the United States,particularly in the 1910s through 1940s. Primary materials such as photographs,scrapbooks and handwritten stage scripts document the careers of particularperformers. There are substantial numbers of sheet music and theatre programs,and a large LP collection. The collection focuses on vaudeville but encompassesother forms and eras of American entertainment as well.University of Arizona Libraries, Library Special CollectionsDuke Ellington recordings collectionDodge, JosephJeffers, Duke Ellington recordings collectionSound recordings (33 linear feet) and accompanying materials (1 box).Recordings of Duke Ellington, American pianist, band leader, andcomposer, collected by Joseph Jeffers Dodge, jazz aficionado, artist, museum director, andHarvard University Class of 1940.Eda Kuhn Loeb Music Library, Harvard College LibraryRecords of the U.S. Information Agency. 1900 - 2003. Sound Recordings Relating to Willis Conover's quot;History of Jazzquot; ProgramRecords of the U.S. Information Agency. 1900 - 2003. Sound Recordings Relating to Willis Conover's quot;History of Jazzquot; ProgramNational Archives at College ParkNicolas Slonimsky Collection, 1873-1997, (bulk 1920-1990)Slonimsky, Nicolas, 1894-1995Nicolas Slonimsky Collection 1873-1997 (bulk 1920-1990)circa 118,600 items; 354 boxes; 500 linear feetCollection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor, lecturer and author. Included are personal biographical materials; Slonimsky's writings (drafts, typescripts, reprints, etc.) of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks, published and unpublished; music composed by Slonimsky, manuscript and printed; concert programs; correspondence, among many others, with Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse; biographical materials on composers and performers mosly generated when Slonimsky was editing Baker's and The international cyclopedia; music collected by Slonimsky, manuscript and printed and multi-composer collections; among the manuscripts are many short holographic works and fragments; scrapbooks; and iconographical material, such as family photographs an those of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.EnglishLibrary of Congress. Music DivisionSteiner, John. [This is Bix radio program, 1971] [sound recording] / [produced by WMUB, Miami University].Steiner, John.Evans, Philip R., 1935-Carmichael, Hoagy, 1899-1981.Armstrong, Louis, 1901-1971.Krupa, Gene, 1909-1973.Powers, Frank.Condon, Eddie, 1905-1973.Rank, Bill, 1904-1979.Miami University (Oxford, Ohio)[This is Bix radio program, 1971] [sound recording] / [produced by WMUB, Miami University]. [1971]2 sound tape reels (50 min.) : analog, 7 1/2 ips, full track ; 7 in.Biographical radio series on Bix Beiderbecke. Includes discussion of his life and career, with examples of his commercial recordings. Indiana University, Archives of Traditional MusicThe Bell Telephone Hour collection of sound recordings [sound recording], 1940-1968The Bell Telephone Hour collection of sound recordings [sound recording] 1940-19681579 sound discsWeekly 30-minute NBC radio broadcasts, featuring classical and light classical music, which began on Apr. 29, 1940 and continued until 1958. In September, 1959, the Bell Telephone Hour made its television debut as a monthly musical special. It remained a regular television program until April 26, 1968. Library's holdings incomplete. Broadcasts chiefly originated from New York City, sponsored by the Bell Telephone Company (American Telephone and Telegraph). Each 30-minute program generally features a guest singer or instrumentalist, with the Bell Telephone Hour Orchestra, conducted by Donald Voorhees, and the Bell Telephone Hour Chorus. Frequent guest artists include Marian Anderson, Robert Casadesus, Nelson Eddy, Josef Hofmann, Fritz Kreisler, Oscar Levant, James Melton, Grace Moore, Ezio Pinza, Lily Pons, Bidú Sayão, Gladys Swarthout, John Charles Thomas, Helen Traubel, and Eileen Farrell. Chief announcer: Floyd Mack.The New York Public Library. Rodgers and Hammerstein Archives of Recorded Sound.