18584669http://n2t.net/ark:/99166/w60d2m3hrevised
SNAC: Social Networks and Archival Context
VIAFrevised2015-09-17machineCPF merge programMerge v2.0revised2016-08-11T04:16:05machineSNAC EAC-CPF ParserBulk ingest into SNAC Databaserevised2016-08-11T04:16:05humanSystem Service (system@localhost)created2024-03-29machineSNAC EAC-CPF SerializerSNAC Identity Constellation serialized to EAC-CPFpersonDarboven, HannepresumedDarboven, Hanne, 1941-....presumedDarboven, Hanne, 1941-2009presumedDarboven, Hanne (German conceptual artist, born 1941)presumedHanne Darbovenpresumed1941-04-292009-03-09GermanGermansDarvoben, Hanne.Galerie Paul Maenz (Cologne, Germany)Galerie Paul Maenz KölnLeo Castelli Gallery.Museum of Modern Art (New York, N.Y.)Panza, Giuseppe.Panza, Giuseppe—Art collectionsDarboven, Hanne, 1941-2009Darboven, Hanne. PAD/D pamphlet file : miscellaneous uncataloged material.Darboven, Hanne.PAD/D pamphlet file : miscellaneous uncataloged material.1 folderMetropolitan Museum of Art, Thomas J. Watson LibraryDarboven, Hanne. Franklin Furnace artist file : miscellaneous uncataloged material.Darboven, Hanne.Franklin Furnace artist file : miscellaneous uncataloged material.1 folderMuseum of Modern Art (MOMA)Darboven, Hanne : [miscellaneous ephemeral material].Darboven, Hanne : [miscellaneous ephemeral material].1 folder.The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items. Metropolitan Museum of Art, Thomas J. Watson LibraryDarboven, Hanne. [Hanne Darboven : International Art & Artists File].Darboven, Hanne.[Hanne Darboven : International Art & Artists File].1 file.Libraries AustraliaMuseum of Modern Art (New York, N.Y.). Eight contemporary artists. October 9, 1974-January 5, 1975 : Archives pamphlet file : miscellaneous uncataloged material.Museum of Modern Art (New York, N.Y.)Eight contemporary artists. October 9, 1974-January 5, 1975 : Archives pamphlet file : miscellaneous uncataloged material.1 folderMetropolitan Museum of Art, Thomas J. Watson LibraryArnatt, Keith. Material relating to "Publication" by David Lamelas, 1970.Arnatt, Keith.Barry, Robert, 1936-Broodthaers, Marcel.Brown, Stanley.Buren, Daniel.Burgin, Victor.Claura, Michel.Darboven, Hanne.George, 1942-Gilbert, 1943-Hahn, Otto.Lambert, Françoise.Lamelas, David, 1944-Lippard, Lucy R.Maloney, Martin.Siegelaub, Seth.Weiner, Lawrence.Wilson, Ian.Material relating to "Publication" by David Lamelas, 1970.28 items.An archive of letters received and original contributions relating to "Publication," an exhibition at Nigel Greenwood, London (1970 Nov. 23 - Dec. 6) which consisted of multiple copies of David Lamelas's booklet of the same name. The conceptual artists represented in the exhibit included Keith Arnatt, Robert Barry, Stanley Brown, Daniel Buren, Victor Burgin, Michel Claura, Gilbert & George, Otto Hahn, Lucy Lippard, Martin Maloney, Lawrence Weiner, and Ian Wilson. Also in the collection are unpublished contributions by Marcel Broodthaers with a drawing, letters from Hanne Darboven and Seth Siegelaub, who did not participate, a letter from gallery owner Francoise Lambert of Milan, and a signed numbered copy of "Publication." Getty Research InstituteDarboven, Hanne. Darboven, H.Darboven, Hanne.Darboven, H.1 folder.School of The Art Institute of Chicago, John M Flaxman LibraryLeo Castelli Gallery records, circa 1880-2000, bulk 1957-1999Leo Castelli Gallery recordsThe Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films. The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner. Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli.General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations.Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name.Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie. The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series. Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. Few items are in digital format. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, some of it in digital format, and scattered photographs.Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction. Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries. Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery.Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well. Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others.The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s.Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records. The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs.Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files.Sound and video recordings include sound and video art, performances, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television publicity recorded on sound cassettes, phonograph records (vinyl and lacquer), videocassettes (U-matic, VHS, Betamax), and videocartridges. Artists represented include Vito Acconci, Robert Barry, Barbara Bloom, Hannah Collins, Hanne Darboven, Dan Flavin, Laura Grisi, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Doug and Mike Starn, and Lawrence Weiner, among others.<ref actuate="onLoad" show="embed" target="ref6685" title="Index List">See Index for list of Exhibitions at the Leo Castelli Gallery and Castelli Graphics</ref>,publish:true,subnote_guid:281c0be7088f1f39331d3d4bdfd1131f}]}FrenchItalianGermanArchives of American ArtPanza, Giuseppe. Giuseppe Panza papers, 1956-1990.Panza, Giuseppe.Panza, Giovanna.Andre, Carl, 1935-Barry, Robert, 1936-Bell, Larry.Cane, Louis, 1943-Charlton, Alan.Darboven, Hanne.Davis, Douglas, 1933-De Maria, Walter, 1935-Dibbets, Jan, 1941-Fautrier, Jean, 1898-1964.Flavin, Dan, 1933-1996.Fulton, Hamish.Huebler, Douglas.Joseph, Peter, 1929-Judd, Donald, 1928-1994.Kline, Franz, 1910-1962.Kosuth, Joseph.LeWitt, Sol, 1928-2007.Lichtenstein, Roy, 1923-1997.Long, Richard, 1945-Mangold, Robert, 1937-Marden, Brice, 1938-Morris, Robert.Nauman, Bruce, 1941-Nonas, Richard.Nordman, Maria.Oldenburg, Claes, 1929-Rauschenberg, Robert, 1925-2008.Rosenquist, James, 1933-Ryman, Robert, 1930-Serra, Richard, 1939-Tàpies, Antoni, 1923-2012.Tremlett, David, 1945-Turrell, James.Weiner, Lawrence.Wheeler, Doug, 1939-Wilson, Ian.Irwin, Robert, 1928-Rothko, Mark, 1903-1970.Law, Bob, 1934-2004.Meloni, Gino, 1905-1989.Vedova, Emilio, 1919-2006.Restany, Pierre.Celant, Germano.Museum of Contemporary Art (Los Angeles, Calif.)Giuseppe Panza papers, 1956-1990.117 lin. ft. (310 boxes, 58 rolls, 3 flat file folders)The Giuseppe Panza papers document the Italian businessman's considerable activities in collecting Contemporary art. Panza collected works by some of the seminal American artists involved with Abstract Expressionist, Pop, Minimal, Conceptual, Environmental, and Light and Space art. The archive contains material from the time when he began collecting in 1956 up to the sale of the second part of his collection to the Guggenheim Museum, New York in 1990.Getty Research InstituteDarboven, Hanne. Artist file : miscellaneous uncataloged material.Darboven, Hanne.Artist file : miscellaneous uncataloged material.1 folder.Museum of Modern Art (MOMA)Galerie Paul Maenz (Cologne, Germany). Galerie Paul Maenz records, 1956-1991 (bulk 1970-90).Chia, Sandro, 1946-Galerie Paul Maenz (Cologne, Germany)Maenz, Paul.Ammann, Jean Christophe.Askevold, David, 1940-Barry, Robert, 1936-Bertholin, Jean Marie, 1936-Bömmels, Peter, 1951-Boyle, Mark, 1934-Buren, Daniel.Burgin, Victor.Celant, Germano.Dahn, Walter, 1954-Darboven, Hanne.De Maria, Nicola, 1954-Disler, Martin.Dokoupil, J. G. 1954-Fabro, Luciano, 1936-2007.Feldmann, Hans-Peter, 1941-Fetting, Rainer, 1949-Haacke, Hans, 1936-Haring, Keith.Hilliard, John.Insley, Will, 1929-2011.Kiefer, Anselm, 1945-Kosuth, Joseph.Krätz, Helmut Anton, 1978-Ludwig, Peter, 1925-1996.Paolini, Giulio, 1940-Penone, Giuseppe.Poirier, Anne.Poirier, Patrick.Rentschler, Friedrich Erwin.Rushton, Dave.Rutault, Claude.Salvo, 1947-Schuyff, Peter.Sohst, Gerhard.Sperone, Gian Enzo.Sturtevant, Elaine.Toroni, Niele, 1937-Wéry, Marthe, 1930-2005.Rockenschaub, Gerwald, 1952-Art & Language (Group)Endart (Group)Galerie Paul Maenz records, 1956-1991 (bulk 1970-90).ca. 40 linear ft.Papers and photographs collected in conjunction with the exhibition and publishing activities of Galerie Paul Maenz, Cologne, Germany, the bulk of which date from the opening of the gallery in 1970 to 1990, the year it closed.EnglishGetty Research InstituteGiuseppe Panza papers, 1956-1990Panza, GiuseppeGiuseppe Panza papers 1956-1990ca. 117 linear feet; (311 boxes, 58 rolls, 3 flat file folders)Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs.EnglishItalianGetty Research InstituteGalerie Paul Maenz Köln records, 1956-1991, 1970-1990Galerie Paul Maenz Köln records 1956-1991 1970-1990ca. 40 linear feet; (89 boxes)German gallery in Cologne, dealing in contemporary art. Maenz exhibited, loaned, and sold works by conceptual artists and the German neo-Expressionist painters. Correspondence, financial files, artists' biographies, press clippings, printed matter, and photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph files comprise approximately half of the archive and document works by artists and most of the gallery's exhibitions.EnglishGermanGetty Research Institute