Compare Constellations
Information: The first column shows data points from Abbott, Berenice, 1898-1991 in red. The third column shows data points from Abbott, Beatrice in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Abbott, Berenice, 1898-1991
Shared
Abbott, Beatrice
Abbott, Berenice, 1898-1991
Name Components
Surname :
Abbott
Forename :
Berenice
Date :
1898-1991
eng
Latn
authorizedForm
rda
Dates
- Name Entry
- Abbott, Berenice, 1898-1991
Citation
- Name Entry
- Abbott, Berenice, 1898-1991
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Contributors from initial SNAC EAC-CPF ingest
Abbott, Bernice Alice, 1898-1991
Name Components
Surname :
Abbott
Forename :
Bernice Alice
Date :
1898-1991
eng
Latn
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Dates
- Name Entry
- Abbott, Bernice Alice, 1898-1991
Citation
- Name Entry
- Abbott, Bernice Alice, 1898-1991
Abbott, Beatrice
Name Components
Name :
Abbott, Beatrice
Dates
- Name Entry
- Abbott, Beatrice
Citation
- Name Entry
- Abbott, Beatrice
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
b.1898; d, 1991.
B. in Springfield, Ohio on July 17, 1898; d. 1991 in Monson, Maine, age 93.
Berenice Abbott was born July 17, 1898 in Springfield, Ohio. She attended Ohio State University, but left early in 1918, moving to New York City's Greenwich Village. She was immersed in the world of the city's literati very early on, sharing an apartment with Djuna Barnes, Kenneth Burke, and Malcolm Cowley. She traveled to Europe in 1921, studying sculpture in Paris and Berlin. In 1923, Abbott was hired by Man Ray to work as his studio assistant in Montparnasse. Impressed by her work, Man Ray allowed Abbott to use the studio to take her own photographs. This was the beginning of her long and illustrious photography career, and in 1926 the gallery Au Sacre du Printemps held her first solo exhibition. She started her own studio on the Rue du Bac, and then traveled to Berlin to study photography. Returning to Paris in 1927, she opened a second studio on the Rue Servandoni. Abbott's early focus was portraiture, and her subjects were well known in arts and literary circles in the city and the world, such as Jean Cocteau, James Joyce, Edna St. Vincent Millay, and Sylvia Beach. In 1925, Abbott saw the prints of photographer Eugene Atget in Man Ray's studio and became determined to seek him out. She eventually found Atget, and befriended him, even taking his photograph in 1927. But before she could show him the results, he died. Abbott's concern for the fate of his photographs led her to Atget's executor, Andre Calmettes, who had more than 1,000 negative and 5,000 prints in his possession. Abbott managed to buy the photographs from Calmettes, who saw her passion for the work, and she began her quest to promote Atget's work, which was largely unknown. In 1929 she traveled to New York City to find an American publisher for Atget's photographs and discovered the great photographic potential in the urban landscape. Abbott's photographs of the city were sharp, detailed, and atmospheric, calling to mind the work of her mentor, Atget. She documented several buildings and neighborhoods in the city that are now destroyed. She began teaching at the New School of Social Research in 1933 to support herself, and in 1935 was hired by the Federal Art Project as supervisor for Changing New York. In 1939, when she resigned from the Project, 305 photographs of the city were deposited at the Museum of the City of New York, and a book, titled Changing New York, was also published. During this time Abbott moved in with Elizabeth McCausland, a writer and great supporter of Abbott's work. The two collaborated on a project in the 1960s in which they traveled along U.S. Route 1, taking photographs of the small towns along the way. Shortly after McCausland's death in 1965, Abbott moved to Maine, publishing A portrait of Maine in 1968. Abbott's work is widely praised for its simplicity in that the photographs are not manipulated, both in subject matter and during the developing process. Abbott captured the world as it was, but did not shy away from innovation. In fact, she invented many ingenious photographic appliances, such as the distortion easel and telescopic lighting pole. She exhibited and published widely and was the recipient of numerous awards and honorary degrees including the Westbrook College Deborah Morton Award in 1977, an Honorary Doctorate in Fine Arts from Bowdoin College in 1982, Women's Caucus for Art Award in 1982, a BA from Portland School of Art in 1983, and the International ERICE Prize for Photography in 1987. She died at her home in Maine on December 9, 1991.
Berenice Abbott (1898-1991) was an American photographer best known for her black and white photography of New York City's architecture.
Photographer; d. 1991.
Photographer.
Berenice Abbott (1898-1991) was an American photographer best known for her black and white photography of New York City's architecture. Abbott was born July 17th, 1898 in Springfield, Ohio. She attended Ohio State University for one year with the goal of becoming a journalist, but abandoned that course to move to New York City in 1918. While there, she became interested in sculpture. In 1921 she sailed for France and spent several years living abroad. During this time Abbott was hired by Man Ray to work as his darkroom assistant. During her years in Paris she began to practice her own photography and became acquainted with Eugene Atget. After his death she purchased all of his work and returned to New York.
In 1935 Abbott was hired by the Federal Art Project which allowed her to complete her "Changing New York" project. At the end of this arrangement in 1939, over 300 detailed photographs of the city were donated by Abbott to the Museum of the City of New York. 1935 was also the year that Abbott moved in with Elisabeth McCausland, noted art critic. Abbott would remain partners with McCausland until the latter's death in 1965.
Abbott's interests within the world of photography were varied. She began by focusing on urban architecture. In the 1940 she developed an interest in scientific photography, working for a time as photo editor of Science Illustrated . Not only was Abbott a talented photographer, but she invented many techniques and designed new equipment for other photographers. In 1947 she opened her House of Photography which sold her inventions, including the distortion easel and the autopole.
In 1954 Abbott traveled US 1 from Maine to Florida on a photographic expedition, accompanied by McCausland. This expedition resulted in more than 2000 negatives, ranging from antebellum architecture to the new roadside architecture. Shortly after she completed the trip, Abbott underwent a lung operation and was told she needed to leave New York City to avoid air pollution. She relocated to Blanchard, Maine where she purchased a house on the Piscataquis River.
Abbot's last publication was A Portrait of Maine in 1968, though she continued to take photographs and enjoyed an active social life until her death in 1991.
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http://www.worldcat.org/oclc/301785588
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http://www.worldcat.org/oclc/702182083
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- http://www.worldcat.org/oclc/702182083
http://www.worldcat.org/oclc/70958324
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http://www.worldcat.org/oclc/220157984
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http://www.worldcat.org/oclc/122462170
Citation
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- http://www.worldcat.org/oclc/122462170
http://www.worldcat.org/oclc/122421393
Citation
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- http://www.worldcat.org/oclc/122421393
http://www.worldcat.org/oclc/60653548
Citation
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http://www.worldcat.org/oclc/79458504
Citation
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- http://www.worldcat.org/oclc/79458504
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http://www.worldcat.org/oclc/755720440
Citation
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http://www.worldcat.org/oclc/505720130
Citation
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http://www.worldcat.org/oclc/294902042
Citation
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- http://www.worldcat.org/oclc/294902042
http://www.worldcat.org/oclc/269889405
Citation
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- http://www.worldcat.org/oclc/269889405
http://www.worldcat.org/oclc/319677349
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- http://www.worldcat.org/oclc/319677349
http://www.worldcat.org/oclc/78132240
Citation
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- http://www.worldcat.org/oclc/78132240
http://www.worldcat.org/oclc/271723765
Citation
- Source
- http://www.worldcat.org/oclc/271723765
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http://www.worldcat.org/oclc/77065303
Citation
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- http://www.worldcat.org/oclc/77065303
http://www.worldcat.org/oclc/23685605
Citation
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- http://www.worldcat.org/oclc/23685605
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http://www.worldcat.org/oclc/122577882
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http://www.worldcat.org/oclc/173257098
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http://www.worldcat.org/oclc/199400931
Citation
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- http://www.worldcat.org/oclc/199400931
http://www.worldcat.org/oclc/122401015
Citation
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- http://www.worldcat.org/oclc/122401015
http://www.worldcat.org/oclc/213260978
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http://www.worldcat.org/oclc/612366786
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http://www.worldcat.org/oclc/636357174
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http://www.worldcat.org/oclc/70957452
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http://www.worldcat.org/oclc/270917891
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http://www.worldcat.org/oclc/122632950
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- http://www.worldcat.org/oclc/122632950
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http://www.worldcat.org/oclc/155486459
Citation
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http://www.worldcat.org/oclc/83187267
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- http://www.worldcat.org/oclc/83187267
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Ginsberg (Allen) photograph collection
Title:
Ginsberg (Allen) photograph collection
Photographs taken by Allen Ginsberg and colleagues, including images of Ginsberg and his family, friends, and fellow poets.
ArchivalResource: 88,000 images; 26 linear ft.
http://www.oac.cdlib.org/ark:/13030/kt2199q2sr View
View in SNACreferencedIn
Citation
- Resource Relation
- Photographs by and relating to Allen Ginsberg, 1926-1997
Newhall, Beaumont, 1908-1993. Beaumont Newhall papers, 1947-1957.
Title:
Beaumont Newhall papers, 1947-1957.
The bulk of the collection is correspondence between Newhall and his friend and colleague Ferdinand Reyher. The Newhall-Reyher correspondence discusses their research and writing on photography and early photographers. The manuscripts include articles and drafts for photography magazines, and bibliographies and notes on photography. Also contains an article by Berenice Abbott, "Photography today and tomorrow," correspondence of Newhall in his position as curator at the George Eastman House, a few letters to Reyher from third parties, a poem, and printed material.
ArchivalResource: 1 box (.5 linear ft.)
http://www.worldcat.org/oclc/612366786 View
View in SNACcreatorOf
Citation
- Resource Relation
- Newhall, Beaumont, 1908-1993. Beaumont Newhall papers, 1947-1957.
Photographs, [ca. 1935-1938]
Title:
Photographs, [ca. 1935-1938]
Photographs taken by Abbott, a Works Progress Administration employee, entitled "Changing New York" for a project sponsored by the Museum of the City of New York. Photographs show changes in architecture and people in New York City. Approximately 300 different locations are represented. Photographs are identified.
ArchivalResource: 615 photographs, 400 negatives, 3 cubic ft. of records.
http://www.worldcat.org/oclc/155486459 View
View in SNACcreatorOf
Citation
- Resource Relation
- Abbott, Berenice, 1898-1991. Photographs, [ca. 1935-1938]
Abbott, Berenice, 1898-1991,. [Berenice Abbott Collection] [graphic].
Title:
[Berenice Abbott Collection] [graphic]. [ca. 1930s]
Collection comprises 24 views of Boston and 1 view of the Philadelphia Athenaeum on Washington Square in Philadelphia. The Boston views include streetscapes of Massachusetts Avenue, Washington Street, Beacon Street, Cambridge Street, State Street, Post Office Square, and Louisburg Square.
ArchivalResource: 25 photographic prints mounted on card : silver gelatin, b&w ; mount 21 x 27 cm.
http://www.worldcat.org/oclc/276867633 View
View in SNACcreatorOf
Citation
- Resource Relation
- Abbott, Berenice, 1898-1991,. [Berenice Abbott Collection] [graphic].
The ACA Galleries records
Title:
The ACA Galleries records
The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.
ArchivalResource:
https://n2t.net/ark:/65665/mw97838f702-80fc-493a-940a-86b9373c8141 View
View in SNACcreatorOf
Citation
- Resource Relation
- ACA Galleries. ACA Galleries records, 1917-1963.
Freytag-Loringhoven, Elsa von, 1874-1927. Papers.
Title:
Elsa von Freytag-Loringhoven papers
Elsa von Freytag-Loringhoven (1874-1927) was an avant-garde artist and poet associated with Djuna Barnes and the Dada movement. Her papers consist of correspondence, poetry, and biographical and autobiographical notes and manuscripts documenting her life and literary career. Among the significant correspondents are Djuna Barnes, Peggy Guggenheim, and Berenice Abbott.
ArchivalResource: 4.00 linear feet
http://hdl.handle.net/1903.1/1501 View
View in SNACreferencedIn
Citation
- Resource Relation
- Elsa von Freytag-Loringhoven papers, 1917-1933, null
Griffin, John Howard, 1920-1980. Collection, 1952-1980.
Title:
Collection, 1952-1980.
Two and a half document boxes of correspondence, photocopied manuscripts, and clippings comprise the John Howard Griffin Collection. Containing mainly correspondence, the collection reveals Griffin's interest in religious, social, and literary issues. Two photocopied drafts of Black Like Me are present, as well as one photocopied typescript of an article by Griffin. Also present are letters from Griffin, and incoming correspondence from Berenice Abbott, Anne Jackson Fremantle, Maxwell Geismar, Jonathan Kozol, Arthur Lourie, Jacques Maritain, Francis Poulenc, Pierre Reverdy, Decherd Turner, and Gerald Vann. The papers also contain correspondence about the publication of The John Howard Griffin Reader.
ArchivalResource: 2.5 boxes (1.04 linear feet).
http://www.worldcat.org/oclc/122632950 View
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- Griffin, John Howard, 1920-1980. Collection, 1952-1980.
Defenbacher, D. S. (Daniel S.), 1906-1986. Papers, 1935-1951 (bulk 1940-1950).
Title:
Papers, 1935-1951 (bulk 1940-1950).
Correspondence, memoranda, board minutes, policy statements, telegrams, and printed materials, chiefly relating to Defenbacher's activities as director of the Walker Art Center and his creation of an exhibits program in contemporary fine and applied arts with an emphasis on modern architecture and design.
ArchivalResource: 13.5 linear ft.
http://www.worldcat.org/oclc/70958324 View
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- Defenbacher, D. S. (Daniel S.), 1906-1986. Papers, 1935-1951 (bulk 1940-1950).
Abbott, Berenice, 1898-1991. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122462170 View
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- Abbott, Berenice, 1898-1991. Artist file : miscellaneous uncataloged material.
Holger Cahill papers
Title:
Holger Cahill papers
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, bulk 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the FAP in addition to series documenting his work as a writer and art critic. FAP records include national and state administrative reports, records of community art centers, photographic documentation of state activities, artist files, divisional records about teaching, crafts, murals, and poster work, files concerning the Index of American Design, scrapbooks, and printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw93d4a8dc7-a7be-470b-8216-ae763d3bc9e2 View
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- Holger Cahill papers, 1910-1993 (bulk 1910-1960)
Harvard Art Museum. Exhibition Records, 1905-2008
Title:
Harvard Art Museum. Exhibition Records, 1905-2008
These records were created by museum staff in the course of planningand installing exhibitions. They pertain primarily to exhibitions held in the Fogg Museum, theBusch-Reisinger Museum and the Sackler Museum, but they also include materials related totraveling or off-site exhibitions. The records date from 1905-2008 and includecorrespondence on a wide range of topics, exhibition proposals, photographic prints andnegatives, object lists, loan forms, press releases, clippings, invitations, posters, printed labelsand wall text, memoranda, exhibition catalogues and drafts of catalogue essays.
ArchivalResource:
http://id.lib.harvard.edu/ead/art00018/catalog View
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- Harvard Art Museum. Exhibition Records, 1905-2008
Cavaglieri, Giorgio, 1911-2007. Giorgio Cavaglieri architectural records and papers, 1934-2005 (bulk 1960-2005).
Title:
Giorgio Cavaglieri architectural records and papers, 1934-2005 (bulk 1960-2005).
This collection includes original and reprographic architectural drawings, project files, photographs, correspondence, and professional papers related to preservation architect Giorgio Cavaglieri's architectural work, professional associations, and writings.
ArchivalResource: approx. 105 linear feet of papers.approx 650 photographs.approx. 15,000 drawings.
http://www.worldcat.org/oclc/319677349 View
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- Cavaglieri, Giorgio, 1911-2007. Giorgio Cavaglieri architectural records and papers, 1934-2005 (bulk 1960-2005).
Muriel Rukeyser Papers, 1844-1986, (bulk 1930-1979)
Title:
Muriel Rukeyser Papers 1844-1986 (bulk 1930-1979)
Poet and biographer. Part I contains correspondence, diaries, appointment books, drafts, notes and notebooks, typescripts, proofs, production material, printed matter, and miscellaneous items relating to Rukeyser's literary contributions in the fields of biography, poetry, and translation, her public speeches and classroom lectures, and her commitment to social protest in support of human rights. Part II supplements the material in Part I and includes holograph drafts and typescripts, outlines, notes and notebooks, trial lines, research material, and other items relating to Rukeyser's poetry and writings, in particular , , , and her translations of Gunnar Ekelöf, , and Octavio Paz, . The Orgy The Speed of Darkness The Traces of Thomas Hariot Selected Poems of Gunnar Ekelöf Selected Poems of Octavio Paz
ArchivalResource: 30,000 items; 88 containers plus 6 oversize; 38.8 linear feet
http://hdl.loc.gov/loc.mss/eadmss.ms006024 View
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- Muriel Rukeyser Papers, 1844-1986, (bulk 1930-1979)
Holger Cahill papers
Title:
Holger Cahill papers
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, bulk 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the FAP in addition to series documenting his work as a writer and art critic. FAP records include national and state administrative reports, records of community art centers, photographic documentation of state activities, artist files, divisional records about teaching, crafts, murals, and poster work, files concerning the Index of American Design, scrapbooks, and printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw93d4a8dc7-a7be-470b-8216-ae763d3bc9e2 View
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- Cahill, Holger, 1887-1960. Holger Cahill papers, 1910-1993, bulk 1910-1960.
Abbott, Berenice, 1898-1991. Berenice Abbott papers, 1927-1992 (bulk 1960-1992).
Title:
Berenice Abbott papers, 1927-1992 (bulk 1960-1992).
The Berenice Abbott papers contain correspondence, writings, photographs, and personal materials relating to the life and career of the noted photographer.
ArchivalResource: 5.5 linear feet (12 boxes).
http://www.worldcat.org/oclc/294902042 View
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- Abbott, Berenice, 1898-1991. Berenice Abbott papers, 1927-1992 (bulk 1960-1992).
Abbott, Berenice : Biographical file.
Title:
Abbott, Berenice : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/40361997 View
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- Abbott, Berenice : Biographical file.
Abbott, Berenice, 1898-1991. [Berenice Abbott : International Art & Artists File].
Title:
[Berenice Abbott : International Art & Artists File].
ArchivalResource: 1 file.
http://www.worldcat.org/oclc/271723765 View
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- Abbott, Berenice, 1898-1991. [Berenice Abbott : International Art & Artists File].
Abbott, Berenice, 1898-1991. Berenice Abbott : [vertical file].
Title:
Berenice Abbott : [vertical file]. [1998- ]
ArchivalResource: 1 portfolio ; 25 x 38 cm.
http://www.worldcat.org/oclc/42192553 View
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- Abbott, Berenice, 1898-1991. Berenice Abbott : [vertical file].
Abbott, Berenice, 1898-1991. The Morgan house at 231 Madison Avenue [picture].
Title:
The Morgan house at 231 Madison Avenue [picture]. 1937 Jan. 27.
Abbott photographed the house in 1937, when it was owned by J.P. Morgan Jr., as part of a three-year effort to document the rapidly changing metropolis. Her complete work, entitled Changing New York, was funded by the Federal Art Project of the Works Progress Administration and was published by E.P. Dutton and Company, Inc., in 1939. As Abbott described it, the goal of her project was "to preserve for the future an accurate and faithful chronicle in photographs of the changing aspect of the world's greatest metropolis ... a synthesis which shows the sky-scraper in relation to the less colossal edifices which preceded it ... to produce an expressive result in which moving details must coincide with balance of design and significance of subject." The house was bought by the United Lutheran Church of America from Jack Morgan's estate in 1944. It was acquired by the Morgan Library in 1989, and is now part of The Morgan Library & Museum campus.
ArchivalResource: 1 photograph.
http://www.worldcat.org/oclc/269889405 View
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- Abbott, Berenice, 1898-1991. The Morgan house at 231 Madison Avenue [picture].
Abbott, Berenice. 1898-1991. Berenice Abbott : Artist File.
Title:
Berenice Abbott : Artist File.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/437266448 View
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- Abbott, Berenice. 1898-1991. Berenice Abbott : Artist File.
Washington Square Park (New York, N.Y.), Washington Square Area, and Campus Buildings Image Collection, 1850-1990
Title:
Washington Square Park (New York, N.Y.), Washington Square Area, and Campus Buildings Image Collection 1850-1990
This collection contains images of Washington Square Park (New York, N.Y.), the Washington Square area (below 14th Street, above Houston St.) and the old University Building from the New York University Archives image collection.
ArchivalResource: 7.5 linear feet
http://dlib.nyu.edu/findingaids/html/archives/washsquarephoto/washsquarephoto.html View
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- Washington Square Park (New York, N.Y.), Washington Square Area, and Campus Buildings Image Collection, 1850-1990
The ACA Galleries records
Title:
The ACA Galleries records
The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.
ArchivalResource:
https://n2t.net/ark:/65665/mw97838f702-80fc-493a-940a-86b9373c8141 View
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- The ACA Galleries records, 1917-1963
Theatre Arts Monthly, collection of portraits, ca., ca., 1924-1939 (bulk), 1916-1964 (inclusive).
Title:
Theatre Arts Monthly collection of portraits, ca. ca. 1924-1939 (bulk), 1916-1964 (inclusive).
Portrait and group portrait photographs of theatre-related people.
ArchivalResource: 8 boxes (2 linear ft.)
http://id.lib.harvard.edu/ead/hou02021/catalog View
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- Theatre Arts Monthly, collection of portraits, ca., ca., 1924-1939 (bulk), 1916-1964 (inclusive).
Abbott, Berenice, 1898-1991. Berenice Abbott artist file.
Title:
Berenice Abbott artist file.
ArchivalResource: 2 folders.
http://www.worldcat.org/oclc/228431989 View
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- Abbott, Berenice, 1898-1991. Berenice Abbott artist file.
Atget, Eugene, 1856-1927. Eugene Atget Collection.
Title:
Eugene Atget Collection. [ca. 1900-1956, bulk ca. 1900-1910].
Comprised of 24 loose albumen prints and 2 gelatin silver prints, this collection of photographs focuses primarily on the gardens, statues, and fountains of Versailles. Also included are views of Parc de Saint-Cloud, an interior courtyard of Fontainebleau, street scenes in Paris (including a view of the Moulin Rouge), Chatenay-Malabry, Beauvais, and Bourg-la-Reine. The two gelatin silver prints were made by the American photographer Berenice Abbott in the late 1950s. (Abbott had met Atget in 1927, and two years after his death, in 1929, she brought 2000 of his negatives to the U.S.).
ArchivalResource: 27 photographic prints : albumen, gelatin silver ; 21.4 x 18 cm. or smaller.
http://www.worldcat.org/oclc/122602054 View
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- Atget, Eugene, 1856-1927. Eugene Atget Collection.
Abbott, Berenice, 1898-1991. Correspondence to Van Wyck Brooks, 1952.
Title:
Correspondence to Van Wyck Brooks, 1952.
ArchivalResource: 1 item (1 leaf)
http://www.worldcat.org/oclc/173257098 View
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- Abbott, Berenice, 1898-1991. Correspondence to Van Wyck Brooks, 1952.
Federal Writers' Project. New York (N.Y.). WPA photographs, 1936-1943.
Title:
WPA photographs, 1936-1943.
The photographs in this colleciton were assembled by W.P.A. staff between 1936 and 1943 to illustrate the many New York City publications of the Federal Writers' Project. A number of photographs were acquired from the photographic division of the New York City Federal Art Project; others were taken by Writers' Project staff and some were acquired from private studios, newspapers and other sources.
ArchivalResource: 5,037 items.
http://www.worldcat.org/oclc/122577882 View
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- Federal Writers' Project. New York (N.Y.). WPA photographs, 1936-1943.
Abbott, Berenice. 1898-1991. Berenice Abbott : Artist File.
Title:
Berenice Abbott : Artist File.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/437266448 View
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- Abbott, Berenice. 1898-1991. Berenice Abbott : Artist File.
S-3992 Berenice Abbott: Photographer of New York
Title:
S-3992 Berenice Abbott: Photographer of New York
ArchivalResource:
https://catalog.archives.gov/id/148960292 View
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Federal Art Project, Photographic Division collection
Title:
Federal Art Project, Photographic Division collection
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
ArchivalResource: 12.4 Linear feet
https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367 View
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- Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942
Beaumont Newhall papers, 1947-1957.
Title:
Beaumont Newhall papers, 1947-1957.
Correspondence of art historian Beaumont Newhall and his colleagueFerdinand Reyher concerning photography, as well as compositions by Newhall.
ArchivalResource: 1 box (.5 linear ft.)
http://id.lib.harvard.edu/ead/hou01033/catalog View
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- Beaumont Newhall papers, 1947-1957.
Hood, Raymond Mathewson, 1881-1934. Raymond M. Hood architectural drawings and papers, circa 1890-1944.
Title:
Raymond M. Hood architectural drawings and papers, circa 1890-1944.
Architectural drawings for three projects; photographs of architectural drawings and models; photographs of sites before construction, buildings under construction, and interiors and exteriors of completed buildings; and related clippings. The three projects, with original drawings, arethe McGraw-Hill building, New York, 1929-1934, by Raymond Hood, Godley & Fouilhoux, and alterations, 1942-1944, by Harrison, Fouilhoux, and Abramovitz; Hood's first studies for Rockefeller Center, drawn by Walter Kilham, Jr. in 1929; and the Daily News Building, New York, 1929-1947, by Hood and John M. Howells. Also included are the Chicago Tribune Tower, Chicago (Hood won the competition for the project in 1922 - a photograph of the drawing submitted to the competition by architect Eliel Saarinen is included); photographs of models for Rockefeller Center buildings; and miscellaneous and unrealized projects. Also, two albums containing interior and exterior photographs of completed buildings designed by Hood including his American Radiator building, New York, the Chicago Tribune Tower, and others. Biographical material on Hood includes clippings of obituaries, 1934; photographs of Hood and his family, ca. 1890s-1930s, and travel photographs, early 20th century; clippings of articles by and about Hood; and biographical notes on Hood. Of interest is a photograph by Berenice Abbott of the McGraw-Hill building showing the Sixth Avenue El, demolished in 1940.
ArchivalResource: Drawings: approx. 281 sheets.Papers: approx. .7 cubic ft.
http://www.worldcat.org/oclc/505720130 View
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- Hood, Raymond Mathewson, 1881-1934. Raymond M. Hood architectural drawings and papers, circa 1890-1944.
Sam Schaefler historical and literary letters and documents, 1674-1970s
Title:
Sam Schaefler historical and literary letters and documents, 1674-1970s
Correspondence, documents and manuscripts from late seventeenth and eighteenth century France, especially from the French Revolution, collected by Sam Schaefler. Authors include J.B. Colbert Torcy and the Duchesse Du Lude. Many of the items from the French Revolution represent the work of the Committee of Public Safety and the Committee of General Security. French Revolutionary leaders represented in the collection include François-Antoine Boissy D'Anglas, Jean-Baptiste-Noel Bouchotte, Pierre Joseph Cambon, Lazare Carnot, Jean-Marie Collot D'Herbois, l'Abbʹe de Fauchet, Philippe-Antoine Merlin de Douai, Jean Victor Moreau. C.A. Prieur-Duvernois, and Antoine Joseph Santerre. In addition, the collection includes a letter from the Danish physicist Hans Christian Oersted to Sir John Herschel, a letter by the French poet Romain Rolland, a document of the Philadelphia Artists' Fund Society of 1846 with signatures of its officers, and an autograph letter and a photograph of Henry Wadsworth Longfellow. 1986 ADDITION: One letter from James Monroe and two from Theodore Roosevelt. 1987 ADDITION: Correspondence, documents, manuscripts, and photographs dealing with American and English literature, and American and French history during the era of the Revolutions. Included are letters from Erskine Caldwell, Will Durant, Howard Fast, Rachel Field, Emil Ludwig. Edwin Markham, Christopher Morley, and John Howard Payne; manuscripts of John Drinkwater, Felicia Hemans, Romain Rolland, Louis Untermeyer, and Tennessee Williams; and documents of James Duane, Joseph Hopkinson, and Sir Walter Scott. 1988 ADDITION: Correspondence and documents dealing with American and English history during the 18th and 19th centuries. There are letters from Dubo and Demante de Millot (about the French fleet in Haiti in 1780), U.S. Grant, Victor Hugo, Thomas Jefferson, Abraham Lincoln, Robespierre, W.H. Seward, and Daniel Waldo; and documents of the Sultan of Borneo and James Madison. There are also photographs taken by Lee David Hamilton of Central Park and of Polaris submarines. 1989 ADDITION: Correspondence, manuscripts, and documents on American history and literature, from the 17th through the 20th centuries. There are letters and some manuscripts to the editor of ANTHOLOGY OF MYSTICAL VERSE and LYRA MYSTICA dating from the 1920s and the 1930s; letters and autographs of early 20th century Americans and New York and Connecticut colonial documents signed by Isaac Huntington, Jacob Remer, and Thomas Dongon. Also included are photographs of foreign travels in a Packard motorcar, 1903-1904, and a photographic travelogue (photographs taken by Henry C. Rem) of the first European motorcar tour by Americans in a Packard, 1907-1910. 1990 ADDITION: Documents dealing with finance and land sales in New York from 1789 to 1879. There are land deeds resulting from the dispersal of the assets of John Lamb at the end of the 1790s, mortgage bonds, insurance policies, and papers about the insurance claims of Ebenezer Stevens for shipping seized by France in 1808. There is also a letter in rebus form, written in 1734. 1992 ADDITION: Three letters from Richard Le Gallienne to Margot Holmes, his photograph signed and inscribed to her, and a Berenice Abbott photograph have been added. 1997 ADDITION: Naval commission of Richard Morice as Commander of H.M.S. Tarrier.
ArchivalResource: 2 linear feet (5 boxes, several oversized items)
http://www.columbia.edu/cu/lweb/archival/collections/ldpd_4078402/ View
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- Schaefler, Sam, 1920-,. Historical and Literary Letters and Documents, 1674-197-.
Federal Art Project, Photographic Division collection
Title:
Federal Art Project, Photographic Division collection
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
ArchivalResource: 12.4 Linear feet
https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367 View
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- Federal Art Project. Photographic Division. Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942.
Joachim Bonnemaison collection of panorama photographs.
Title:
Joachim Bonnemaison collection of panorama photographs. 1803-1998
The collection, compiled by the French artist and collector Joachim Bonnemaison, consists of over 630 photographic and printed panoramic images of cities and sites mainly in Europe, but also in Africa, Asia, North America and South America. The panoramas are arranged alphabetically by continent, then country, and then by photographer. Over half of the photographs are of locales and scenes in France. Also included is a small group of photographs relating to the painted panorama. The panoramas in the collection are made in the most popular nineteenth-and early twentieth-century photographic media, as well as in a number of rare and early techniques. Photographic processes present in the collection include salted paper, albumen, collodion, carbon, and gelatin silver prints, as well as cyanotypes. There are also three photographic paper negatives in the collection, two of which were made by Gustave de Beaucorp in 1859, and the third by Léon Méhédin, circa 1862. The collection also contains a small number of contemporary anamorphosis photographs made by its compiler, Joachim Bonnemaison, who experimented with combining reconstructions of 19th century panoramic cameras and digital processing.
ArchivalResource: 72.5 linear ft. (24 boxes, 47 flat files)
http://hdl.handle.net/10020/cifa98r19 View
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- Bonnemaison, Joachim 1943-. Joachim Bonnemaison collection of panorama photographs.
Abbott, Berenice. Sutton Place: Anne Morgan's town house on northeast corner of East 57th St., Manhattan [picture].
Title:
Sutton Place: Anne Morgan's town house on northeast corner of East 57th St., Manhattan [picture]. 1936.
ArchivalResource: 1 photograph ; 18.8 x 24.2 cm.
http://www.worldcat.org/oclc/270917891 View
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- Abbott, Berenice. Sutton Place: Anne Morgan's town house on northeast corner of East 57th St., Manhattan [picture].
N 6512.A6N5a Changing New York: Photographs by Berenice Abbott (1939)
Title:
N 6512.A6N5a Changing New York: Photographs by Berenice Abbott (1939)
ArchivalResource:
https://catalog.archives.gov/id/1422809 View
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Elizabeth McCausland papers
Title:
Elizabeth McCausland papers
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the <emph render="italic">Changing New York</emph> book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for <emph render="italic">The Springfield Republican</emph> in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the <emph render="italic">Changing New York</emph> book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book <emph render="italic">Careers in Art </emph>(1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to <emph render="italic">The Springfield Republican</emph> from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, <emph render="italic">Changing New York</emph>), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects <emph render="italic">Art in America</emph>, <emph render="italic">Conversations with March</emph>, and <emph render="italic">Frank Kleinholz</emph>; and printed materials, including reprints of critical essays and articles by McCausland.
ArchivalResource:
https://n2t.net/ark:/65665/mw9cebe32f8-0180-44bb-a2a8-8ed061f173c1 View
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- Elizabeth McCausland papers, 1838-1965, bulk 1920-1960
Bourke-White, Margaret, 1904-1971,. Colonial Society of Massachusetts visual materials collection, ca. 1860-1961.
Title:
Colonial Society of Massachusetts visual materials collection, ca. 1860-1961.
Photographs and other visual materials related to and collected by members of the Colonial Society of Massachusetts. Most of the photographers are unidentified, and many of the photographs are copy photographs. The bulk of the collection consists of portraits, including oversize, of portraits of various members of the Channing, Crowninshield, and Endicott families, as well as of various American public figures; many are unidentified. There are also views and architectural studies of various places in Europe and the United States, including snapshot photographs of Boston, Mass. taken ca. 1900; photographic reproductions of portrait paintings, political cartoons, and plans and maps of Washington, D.C. and other cities; mounted Underwood & Underwood news photographs of major events of the early 20th century, taken ca. 1919-1935; documentary photographs taken by Margaret Bourke-White and Berenice Abbott; and loose photographs and one volume of snapshots of an unidentified family at their farm near Pennesseewasee Lake in Maine, taken ca. 1898-1904. A second volume contains portraits and autographs of members of the Colonial Society. The collection also contains illustrated journals dating from 1895 and 1955. Includes cartes de visite, film transparencies, chromolithographs, photomechanical prints, glass plate negatives, and lantern slides.
ArchivalResource: 352 photographs and graphics in 2 narrow boxes, 2 oversize boxes, and 2 vols.; 8 glass plate negatives in 2 boxes; 111 lantern slides in 4 boxes; and 1 oversize box of illustrated journals.
http://www.worldcat.org/oclc/60653548 View
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- Bourke-White, Margaret, 1904-1971,. Colonial Society of Massachusetts visual materials collection, ca. 1860-1961.
Slide talk by photographer Berenice Abbott.
Title:
Slide talk by photographer Berenice Abbott.
ArchivalResource: 2 sound tape reels (106 min.) : analog, 3 3/4 ips ; 7 in.
http://id.lib.harvard.edu/alma/990083356390203941/catalog View
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- Abbott, Berenice, 1898-1991. Slide talk by photographer Berenice Abbott.
Abbott, Berenice, 1898-1991. Berenice Abbott collection, 1950-1991.
Title:
Berenice Abbott collection, 1950-1991.
This collection consists primarily of published articles about Abbott and her work, dating from the 1970's into the 1990's. Also included are exhibition catalogs and ephemera from the exhibits which featured Abbott's work, material regarding awards received, and a small amount of correspondence from Abbott to the Maine Women Writers Collection. There is also documentation about the collection of photographs donated by Abbott to Westbrook College in 1985. These original photographs are now located in the University of New England Art Gallery Collection.
ArchivalResource: .5 linear ft.
http://www.worldcat.org/oclc/755720440 View
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- Abbott, Berenice, 1898-1991. Berenice Abbott collection, 1950-1991.
John Howard Griffin Collection TXRC96-A39., 1952-1980
Title:
John Howard GriffinCollection 1952-1980
This collection contains manuscripts for and an essay entitled a significant amount ofcorrespondence, and research materials relating to Griffin. Black Like Me, Publication Year,
ArchivalResource:
http://www.lib.utexas.edu/taro/uthrc/00050/00050-P.html View
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- John Howard Griffin Collection TXRC96-A39., 1952-1980
Federal Art Project, Photographic Division collection
Title:
Federal Art Project, Photographic Division collection
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
ArchivalResource: 12.4 Linear feet
https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367 View
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- Resource Relation
- Federal Art Project. Photographic Division. Federal Art Project, Photographic Division collection, 1920-1965, bulk 1935-1942.
McQuaid, James. Interview with Berenice Abbott / conducted at Miss Abbott's home in Maine during July of 1975 by James McQuaid and David Tait.
Title:
Interview with Berenice Abbott / conducted at Miss Abbott's home in Maine during July of 1975 by James McQuaid and David Tait. c1978.
ArchivalResource: 2 v. ; 29 cm.
http://www.worldcat.org/oclc/4342102 View
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- McQuaid, James. Interview with Berenice Abbott / conducted at Miss Abbott's home in Maine during July of 1975 by James McQuaid and David Tait.
Abbott, Berenice, 1898-1991,. Oral history interview, 1972.
Title:
Oral history interview, 1972.
Interview, with catalog, from Abbot Village, Me., with Abbott, about her experiences as a professional photographer.
ArchivalResource: 1 audiotape (1 1/4 hr.)
http://www.worldcat.org/oclc/70957452 View
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- Resource Relation
- Abbott, Berenice, 1898-1991,. Oral history interview, 1972.
Muriel Rukeyser collection of papers, 1920-1976, 1931-1976
Title:
Muriel Rukeyser collection of papers 1920-1976 1931-1976
This is a synthetic collection consisting of manuscripts and typescripts, correspondence, notebooks, financial and legal documents, certificates, sketchbooks, and pictorial works.
ArchivalResource: ca. 2, 290 items
http://archives.nypl.org/brg/19206 View
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- Muriel Rukeyser collection of papers, 1920-1976, 1931-1976
Freytag-Loringhoven, Elsa von, 1874-1927. Papers.
Title:
Elsa von Freytag-Loringhoven papers
Elsa von Freytag-Loringhoven (1874-1927) was an avant-garde artist and poet associated with Djuna Barnes and the Dada movement. Her papers consist of correspondence, poetry, and biographical and autobiographical notes and manuscripts documenting her life and literary career. Among the significant correspondents are Djuna Barnes, Peggy Guggenheim, and Berenice Abbott.
ArchivalResource: 4.00 linear feet
http://hdl.handle.net/1903.1/1501 View
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- Freytag-Loringhoven, Elsa von, 1874-1927. Papers.
Lerner, Abe, 1908-2002. Abe Lerner papers, 1929-2002 (bulk 1957-2002)
Title:
Abe Lerner papers, 1929-2002 (bulk 1957-2002)
The Abe Lerner Papers reflect his wide interest and knowledge of the graphic arts of the twentieth century as reflected in his correspondence with book and type designers, printers and publishers, and editors in the United States and Europe. The correspondence files contain drafts of some of the letters he sent as well as those received. In addition to correspondence there are some files of the texts of talks he delivered and designs for book jackets and for printed ephemera. The collection includes personal and professional correspondence with: Berenice Abbott; Gregor Affleck; Elmer L. Anderson; Tony Appleton; Rowley Atterbury; Leonard Baskin; Joseph Blumenthal (Spiral Press); Max Caflisch; Will and Sebastian Carter; James Daugherty; John Dreyfus; Kathleen Garman (Lady Jacob Epstein); Philip Evergood; William Everson; Colin Franklin; Joseph A. Freilich; Morris Gelfand (Stone House Press); Michael Gullick (Red Gull Press); Carolyn Hammer; August Heckscher; Lotte Hellinga; Jonathan Hill; Edward Hopper; Andrew Hoym (Arion Press); Janet Ing; Herbert A. Johnson; Sidney Kaplan; Charles Kelly; James Mosley; Paul Needham; Richard Ramer; Bernard Rosenthal; Rudolph Ruzicka; Hans and Tanya Schmoller; Fred Schreiber; Paul Schwenke; Jack Stauffacher; Michael Tarachow (Pentagram Press); Wolfgang Tiessen; Walter Tracy; John VanSickle; Ward Ritchie; Walter Wilkes; Hugh Williamson; Emerson G. Wulling; Herman Zapf and Ben Zevin. There is also correspondence from or about: Ampersand Club (Minneapolis, MN); Bertram Rota Ltd.; Bird & Bull Press (Henry Morris); Book Club of California; Double Crown Club; Dover Publications (Hayward Circker); Fine Print (Sandra Kirschenbaum); Janus Press (Claire VanVliet); Mantayan-Lan; Officina Bodoni; Private Libraries Association; Phaidon Press; Pierpont Morgan Library; Plain Wrapper Press (Richard-Gabriel Rummonds); Scheide Library; Stinehour Press; Henri de Toulouse-Lautrec; the Typophiles and the Whittington Press (John Randle). Also: correspondence relating to book design work relating to book design by or about Alexander Dobkin, Antonio Frasconi, Paul Schwenke, and Joseph Solmon.
ArchivalResource: 4 boxes (5 linear ft.)
http://www.worldcat.org/oclc/79458504 View
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- Resource Relation
- Lerner, Abe, 1908-2002. Abe Lerner papers, 1929-2002 (bulk 1957-2002)
Papers of John Coolidge and Agnes Mongan, 1909-2006
Title:
Papers of John Coolidge and Agnes Mongan, 1909-2006
These papers of Fogg Art Museum directors John Coolidge and AgnesMongan document their administration of the museum and related professional activities. Mostof Coolidge's papers were created during his administration, from 1948 to 1968; most ofMongan's papers are from her tenure as acting director and then director (1968 to 1971). Thepapers consist primarily of correspondence, including Coolidge's correspondence with artdealers, and also include photographs, memoranda, reports, meeting minutes, blueprints, printedmaterial, letters of recommendation, page proofs, financial documents, sketches and grantproposals.
ArchivalResource: 152 file boxes + oversize materials
http://id.lib.harvard.edu/ead/art00017/catalog View
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- Papers of John Coolidge and Agnes Mongan, 1909-2006
Abbott, Berenice, 1898-1991. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122401015 View
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- Resource Relation
- Abbott, Berenice, 1898-1991. Artist file.
Anderson, Margaret C. Elizabeth Jenks Clark collection of Margaret Anderson, 1886-1998.
Title:
Elizabeth Jenks Clark collection of Margaret Anderson, 1886-1998.
The Elizabeth Jenks Clark Collection of Margaret Anderson contains correspondence, writings, photographs, sound recordings, and other papers. The material documents Anderson's life, work as editor of the Little Review and author, and romantic relationships with many noted writers, poets, artists, photographers and performers of the twentieth century, in particular her close friendship with co-editor and writer Jane Heap, writer Solita Solano and sculptor Elizabeth Jenks Clark. The bulk of the papers documents her personal and professional life after the Little Review ceased publication, including her personal life in France and her friendship and studies with George Ivanovitch Gurdjieff. A portion of the papers documents publishing the Little Review and provides context to Anderson's role as founder and editor of the magazine. Correspondence, writings and photographs comprise the bulk of the papers. Correspondence documents her close friendships, lesbian relationships and professional pursuits. Photographs include portraits that appeared in the Little Review and snapshots of friends and family. The papers also contain writings of others, including Solita Solano and Georgette Leblanc, and recorded interviews with Anderson's family and friends. Personal papers and Mathilda Hill's research material make up the smallest portion of the papers.
ArchivalResource: 17.71 linear feet (32 boxes)
http://www.worldcat.org/oclc/213260978 View
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- Anderson, Margaret C. Elizabeth Jenks Clark collection of Margaret Anderson, 1886-1998.
Elizabeth Jenks Clark Collection of Margaret Anderson 1886-1998 1945-1973
Title:
Elizabeth Jenks Clark Collection of Margaret Anderson 1886-1998 1945-1973
The Elizabeth Jenks ClarkCollection of Margaret Anderson contains correspondence, writings, photographs,sound recordings, and other papers of and concerning writer and editor MargaretAnderson. The material documents Anderson's life, work and personalrelationships with many noted writers, poets, artists, photographers andperformers of the twentieth century, including her close friendships withsculptor Elizabeth Jenks Clark and writer Solita Solano. The papers span theyears 1886 to 1998.
ArchivalResource: 32 boxes(including 4 oversize boxes) 17.71 linear feet
http://hdl.handle.net/10079/fa/beinecke.andersonm View
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- Anderson, Margaret C. Elizabeth Jenks Clark collection of Margaret Anderson, 1886-1998.
Elizabeth McCausland papers
Title:
Elizabeth McCausland papers
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the <emph render="italic">Changing New York</emph> book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for <emph render="italic">The Springfield Republican</emph> in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the <emph render="italic">Changing New York</emph> book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book <emph render="italic">Careers in Art </emph>(1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to <emph render="italic">The Springfield Republican</emph> from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, <emph render="italic">Changing New York</emph>), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects <emph render="italic">Art in America</emph>, <emph render="italic">Conversations with March</emph>, and <emph render="italic">Frank Kleinholz</emph>; and printed materials, including reprints of critical essays and articles by McCausland.
ArchivalResource:
https://n2t.net/ark:/65665/mw9cebe32f8-0180-44bb-a2a8-8ed061f173c1 View
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- McCausland, Elizabeth, 1899-1965. Elizabeth McCausland papers, 1838-1980, bulk 1920-1960.
Abbott, Berenice, 1898-1991 : [miscellaneous ephemeral material].
Title:
Abbott, Berenice, 1898-1991 : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199400931 View
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- Abbott, Berenice, 1898-1991 : [miscellaneous ephemeral material].
Fogg Art Museum 20th-century history of photography collection, 1900-1984 (inclusive).
Title:
Fogg Art Museum 20th-century history of photography collection, 1900-1984 (inclusive).
Collection contains photographs by 20th-century photographers, including Ansel Adams, Diane Arbus, Lewis Balz, Margaret Bourke-White, Anne Brigman, Harry Callahan, Paul Caponigro, Henri Cartier-Bresson, Edward S. Curtis, Judy Dater, Imogen Cunningham, Walker Evans, Andreas Feininger, Bea Nettles, Wallace Nutting, Man Ray, Edward Ruscha, Lucas Samaras, Edward Steichen, Alfred Stieglitz, Edward Weston, and Weegee.
ArchivalResource: ca. 1,600 images.
http://www.worldcat.org/oclc/234360147 View
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- Fogg Art Museum 20th-century history of photography collection, 1900-1984 (inclusive).
Abbott, Berenice, 1898-1991. Karpel archive of 20th century artists and exhibitions.
Title:
Karpel archive of 20th century artists and exhibitions. ca. 1930s-1979.
Photographs from exhibitions held at MOMA and other New York area museums and galleries. Included are installation shots, photographs of individual works of art, portraits of artists, and publicity shots.
ArchivalResource: 1 typescript letter.
http://www.worldcat.org/oclc/78132240 View
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- Abbott, Berenice, 1898-1991. Karpel archive of 20th century artists and exhibitions.
Berenice Abbott papers, 1927-1992, 1960-1992
Title:
Berenice Abbott papers 1927-1992 1960-1992
Berenice Abbott (1898-1991) was an American photographer best known for her black and white photography of New York City's architecture. This collection consists primarily business and personal letters she received, 1928-1992. Other materials include notebooks, diaries, photographs, and personal and family materials. It is not, however, a major source for Abbott's photography.
ArchivalResource: 5.5 linear feet; 12 boxes
http://archives.nypl.org/mss/17972 View
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- Berenice Abbott papers, 1927-1992, 1960-1992
Janet Flanner and Solita Solano Papers, 1870-1976, (bulk 1955-1975)
Title:
Janet Flanner and Solita Solano Papers 1870-1976 (bulk 1955-1975)
Journalists, writers, and literary editors. Correspondence, subject files, drafts of articles, books, poems, and other writings, and miscellaneous material, including scrapbooks and memorabilia, relating primarily to Flanner's career as a writer, especially with the ; to Solano's interest and writings; and to literary and intellectual life in Paris and New York. New Yorker
ArchivalResource: 3000 items; 20 containers plus 3 oversize; 7 linear feet; 2 microfilm reels
http://hdl.loc.gov/loc.mss/eadmss.ms003029 View
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- Resource Relation
- Flanner, Janet, 1892-1978. Janet Flanner and Solita Solano papers, 1870-1976 (bulk 1955-1975).
Abbott, Berenice, 1898-1991. Abbott, Berenice : [photography bio file].
Title:
Abbott, Berenice : [photography bio file].
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/83187267 View
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- Resource Relation
- Abbott, Berenice, 1898-1991. Abbott, Berenice : [photography bio file].
Ezra Pound collection of papers, 1898-1986, 1914-1959
Title:
Ezra Pound collection of papers 1898-1986 1914-1959
This is a synthetic collection consisting of manuscripts and typescripts, correspondence, a portrait photograph, and undated miscellaneous printed matter.
ArchivalResource: ca. 692 items
http://archives.nypl.org/brg/19135 View
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- Ezra Pound collection of papers, 1898-1986, 1914-1959
Citation
- Constellation Relation
- Abbott, Berenice. 1898-1991.
Citation
- Constellation Relation
- ACA Galleries.
Citation
- Constellation Relation
- Anderson, Margaret C.
Citation
- Constellation Relation
- Anderson, Margaret C.
Citation
- Constellation Relation
- Atget, Eugène, 1857-1927.
Citation
- Constellation Relation
- Athenaeum of Philadelphia
Citation
- Constellation Relation
- Barnes, Djuna
Citation
- Constellation Relation
- Barnes, Djuna.
Citation
- Constellation Relation
- Bonnemaison, Joachim 1943-
Citation
- Constellation Relation
- Boston Arena (Boston, Mass.)
Citation
- Constellation Relation
- Boyle, Kay, 1902-1992.
Citation
- Constellation Relation
- Cahill, Holger, 1887-1960.
Citation
- Constellation Relation
- Capa, Cornell
Citation
- Constellation Relation
- Capa, Cornell.
Citation
- Constellation Relation
- Cavaglieri, Giorgio, 1911-2007.
Citation
- Constellation Relation
- Clark, Elizabeth Jenks.
Citation
- Constellation Relation
- Coolidge, John, 1913-1995
Citation
- Constellation Relation
- Defenbacher, D. S. (Daniel S.), 1906-1986.
Citation
- Constellation Relation
- Federal Art Project. Photographic Division.
Citation
- Constellation Relation
- Federal Art Project. Photographic Division.
Citation
- Constellation Relation
- Federal Writers' Project. New York (N.Y.)
Citation
- Constellation Relation
- Flanner, Janet, 1892-1978.
Citation
- Constellation Relation
- Franklin, Lynn,
Citation
- Constellation Relation
- Freytag-Loringhoven, Elsa von, 1874-1927.
Citation
- Constellation Relation
- Ginsberg, Allen
Citation
- Constellation Relation
- Ginsberg, Allen
Citation
- Constellation Relation
- Ginsberg, Allen
Citation
- Constellation Relation
- Griffin, John Howard, 1920-1980
Citation
- Constellation Relation
- Harvard Art Museum Archives
Citation
- Constellation Relation
- Hood, Raymond Mathewson, 1881-1934.
Citation
- Constellation Relation
- Kensington Hotel (Boston, Mass.)
Citation
- Constellation Relation
- Lerner, Abe, 1908-2002.
Citation
- Constellation Relation
- McCausland, Elizabeth, 1899-1965.
Citation
- Constellation Relation
- McQuaid, James.
Citation
- Constellation Relation
- Model, Lisette, 1901-1983.
Citation
- Constellation Relation
- Moore, Marianne, 1887-1972.
Citation
- Constellation Relation
- Morgan, Anne Tracy, 1873-1952.
Citation
- Constellation Relation
- Museum of the City of New York.
Citation
- Constellation Relation
- Newhall, Beaumont, 1908-1993.
Citation
- Constellation Relation
- New York University.
Citation
- Constellation Relation
- Office for the Arts at Harvard & Radcliffe.
Citation
- Constellation Relation
- Old State House (Boston, Mass.)
Citation
- Constellation Relation
- Onassis, Jacqueline Kennedy, 1929-1994.
Citation
- Constellation Relation
- Otis, Harrison Gray, 1765-1848
Citation
- Constellation Relation
- Rukeyser, Muriel, 1913-1980.
Citation
- Constellation Relation
- Schaefler, Sam, 1920-,
Citation
- Constellation Relation
- Solano, Solita, 1888-1975
United States. Works Progress Administration.
http://n2t.net/ark:/99166/w69g994c
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associatedWith
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- Constellation Relation
- United States. Works Progress Administration.
Citation
- Constellation Relation
- West Church (Boston, Mass.)
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- Constellation Relation
- Whitney Museum of American Art.
eng
Latn
Citation
- Language
- eng
Architectural photography
Citation
- Subject
- Architectural photography
Architecture
Citation
- Subject
- Architecture
Buildings
Citation
- Subject
- Buildings
Documentary photography
Citation
- Subject
- Documentary photography
Photography
Citation
- Subject
- Photography
Photography
Citation
- Subject
- Photography
Photography, Artistic
Citation
- Subject
- Photography, Artistic
Streets
Citation
- Subject
- Streets
Women photographers
Citation
- Subject
- Women photographers
Women photographers
Citation
- Subject
- Women photographers
Women photographers
Citation
- Subject
- Women photographers
Americans
Citation
- Nationality
- Americans
Photographers
Citation
- Activity
- Photographers
Photographers
Citation
- Occupation
- Photographers
Women photographers
Citation
- Occupation
- Women photographers
Women photographers
Citation
- Occupation
- Women photographers
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- Place
Citation
- Place
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
Citation
- Convention Declaration
- Convention Declaration 206