Compare Constellations

Brooke-Rose, Christine, 1923-. Papers, 1893-1992 (bulk 1957-1992).

Title: Papers, 1893-1992 (bulk 1957-1992).

The Brooke-Rose papers consist of original and carbon copy typescripts, holograph manuscripts, computer printouts, notebooks, correspondence, clippings, galley proofs, original and photocopy page proofs, offprints, documents, printed genealogies, publishing contracts, royalty statements, and family papers, ranging in date from 1893 to 1992 (bulk, 1957-92). Brooke-Rose's works make up the bulk of the collection; all of her major works are represented in some form. Many heavily revised early versions are present. Most of the correspondence is incoming correspondence from publishers, agents, editors, colleagues, friends, and students. Among the correspondents are Brigid Brophy, Frank Kermode, Peter du Sautoy, Muriel Spark, Raleigh Trevelyan, and Michael Westlake. Among the personal and family materials in the collection are documents and correspondence relating to Brooke-Rose's education, career, wartime service, marriages, and divorces. Printouts of files received by HRHRC on Atari computer disks include various versions of VERBIVORE chapters and a complete manuscript of TEXTERMINATION.

ArchivalResource: 21 boxes (9.5 linear feet), 1 oversize box, 2 galley folders.

http://www.worldcat.org/oclc/122632933 View

Gilbert, Stuart. Papers of Stuart Gilbert, 1900-1985 (bulk 1928-1975).

Title: Papers of Stuart Gilbert, 1900-1985 (bulk 1928-1975).

The Stuart Gilbert papers embrace correspondence, diaries, notebooks, clippings, photographs, and other material documenting Gilbert's literary career, particularly his work with James Joyce and as a literary translator. Series I of the Gilbert papers comprise the correspondence, diaries, notebooks, and other materials of Stuart Gilbert. The series covers the years 1900 to 1969, with the majority dating between 1940 and 1969. The correspondence and other papers are essentially professional in character; correspondents include Sylvia Beach, Peter Du Sautoy, T. S. Eliot, Richard Ellmann, Desmond Harmsworth, Ben Huebsch, Patricia Hutchins, André Malraux, Roger Martin du Gard, and Harriet Weaver. Gilbert's diaries, which span the years 1929 to 1967, and his numerous notebooks give insight into his assistance to and collaboration with James Joyce. His translation work and original writing is only sketchily represented. Series II, the correspondence, notebooks, and other materials of Moune Gilbert, reflects the social interests and daily activities of Stuart Gilbert's wife. As in the first series, little dates from before 1940. Correspondents inlcude James and Christiane Emmons, Milton and Laura Runyon, Narcissa S. King, and Anie Parent. The notebooks contain excerpts from French authors and abstracts of books read; a late interview contains Moune's description of her husband's relationship with James Joyce. Series III includes correspondence of James Joyce, along with a draft chapter of Finnegans Wake, some verse, photographs, and a collection of critical material on his novels. About seventy postcards and letters Joyce sent the Gilberts are included, as are others from Nora, George, and Lucia Joyce.

ArchivalResource: 18 boxes (7.5 linear feet).

http://www.worldcat.org/oclc/122547564 View

Eliot, T. S. (Thomas Stearns), 1888-1965. T.S. Eliot Collection, 1905, 1917-1979.

Title: T.S. Eliot Collection, 1905, 1917-1979.

Among notable works are a recording script of Ash-Wednesday and typescripts and tearsheets of broadcasts on John Dryden, James Joyce, Edgar Allan Poe, Lord Tennyson, and Charles Williams. Also present are typescripts of "Cape Ann," "Difficulties of a Statesman," "Five-finger Exercises," "Marina," "A Song for Simeon," "Triumphal March," and "Usk," and handwritten manuscripts of "Eyes that Last I Saw in Tears" and "Journey of the Magi." The Cocktail Party is represented by a typescript and a bound mimeograph proof copy with handwritten revisions dictated by Eliot to Mary Trevelyan. The Dry Salvages is represented by a corrected typescript and a handwritten manuscript of the last eighteen lines. A corrected typescript of The Elder Statesman is present, as is a corrected typescript of The Hollow Men [Part I]. Murder in the Cathedral materials include a signed acting edition, a prompt copy with corrections and notes by Ashley Dukes for the first production at the Mercury Theatre, and a printed third edition with Eliot's handwritten revisions for the fourth edition. Noctes Binanianæ, which contained anonymous poems by Eliot, is present as a proof copy with corrections by John Hayward. A handwritten copy of The Waste Land made by Eliot for an auction benefiting The London Library contains an extra line not present in its original publication. Series II. Correspondence is subdivided into Subseries A. Outgoing, 1917-1964, undated, and Subseries B. Incoming, 1920-1962, undated, and is arranged alphabetically by correspondent. The outgoing subseries is the larger one; notable letters include those to Montgomery Belgion, Marion Dorn, Charles Du Bos, Peter Du Sautoy of Faber and Faber, Ronald Duncan, Rayner Heppenstall, William Turner Levy, Philip Mairet, Marianne Moore, Thomas Sturge Moore, Henry Sherek, and Virginia Woolf. Incoming correspondence includes letters from Montgomery Belgion, Eudo C. Mason, and Henry Sherek. Letters from Thomas Sturge Moore to Eliot have handwritten drafts of manuscripts by Moore on the back. Series III. Personal Material is limited to Eliot's 1905 school yearbook, photographs of Eliot and E. McKnight Kauffer, and programs and tickets from the memorial service held after Eliot's death. Series IV. Third-Party Works and Correspondence is subdivided into Subseries A. Third-Party Works, [1945]-1970, undated, and Subseries B. Third-Party Correspondence, 1922-1979. Subseries A. Third-Party Works contains works by other authors, including musical scores by Denis ApIvor and Camillo Togni of works by Eliot and manuscripts about Eliot by Cyril Connolly and Henry Sherek. A typescript of "Sebastian (Fragment)" by Rayner Heppenstall contains handwritten notes by Eliot. Notable among third-party correspondence in Subseries B are letters from Valerie Eliot to Philip Mairet and other individuals, as well as letters to and from Gilbert Seldes regarding letters and works by Eliot and other matters.

ArchivalResource: 6 document boxes, 1 galley folder (2.52 linear feet)

http://www.worldcat.org/oclc/172691939 View

Hugh Kenner Papers

Title: Hugh Kenner Papers

Correspondence, offprints, clippings, typescripts, galley proofs, photographs, tearsheets, drawings, computer printouts and program sheets, holograph notes and drafts, notebooks, and academic papers document Hugh Kenner's career as critic, scholar, and educator. Subject Files is the largest of the three series, constituting one half of the Kenner papers. It includes a large number of papers and articles by colleagues of Kenner and topical files on individuals and subjects related to Kenner's academic interests. Some of the largest files document Samuel Beckett, T.S. Eliot, Buckminster Fuller, James Joyce, and Ezra Pound. The Works series contains various drafts, contracts, and correspondence for books, articles, lectures, reviews, and introductions by Kenner. The smallest series, Correspondence, largely comprises incoming letters to Kenner. Incoming correspondence and third-party correspondence is located throughout the papers. The bulk of the papers date from the late 1940s to the early 1990s. A very few items date as early as 1916, but these are generally photo reproductions of items or copies of letters.

ArchivalResource: 106 boxes (45 linear feet), 3 oversize boxes, 1 oversize folder, 1 card file, 11 galleys files

https://norman.hrc.utexas.edu/fasearch/findingaid.cfm?eadid=00209&showrequest=1 View

Tutuola, Amos. Amos Tutuola Collection, 1940-1997.

Title: Amos Tutuola Collection, 1940-1997.

The Amos Tutuola Collection, 1940-1997, includes holograph and typed manuscripts, transcripts, galleys, and correspondence concerning Tutuola's works, as well as works about Tutuola. The collection includes the holograph manuscript of Tutuola's earliest published novel, The Palm-Wine Drinkard (1952), as well as corrected typescripts of Tutuola's The Witch Herbalist of the Remote Town, Pauper, Brawler, and Slanderer, and The Village Witch Doctor and Other Stories. Tutuola's first work, The Wild Hunter in the Bush of Ghosts, is represented in this collection by photocopies of holograph manuscripts, typescripts, and galleys which were used by editor Bernth Lindfors. Also present areseveral notebooks with stories written in both English and Yoruba. The Correspondence series covers a fairly even mix of personal and business letters. Some of the more frequent correspondents include Peter du Sautoy, Faber and Faber, Donald Herdeck, Bernth Lindfors, the Nigerian Broadcasting Corporation, Alan Pringle, and Robert Wren. The Works about Tutuola series consists of materials relating to the writing and publication of Bernth Lindfors' Critical Perspectives on Amos Tutuola (1975). The material includes research and notes, typescripts, corrected galley proofs, page proofs, correspondence with his editor, Donald E. Herdeck, and permission letters. The final series, Personal Papers, contains a wide variety of materials including bank records, tax receipts, programs for and articles about Tutuola's funeral in 1997, royalty statements, and various identity cards. Also present are several photographs of Tutuola and his family.

ArchivalResource: 11 boxes (4.58 linear feet), 2 oversize boxes.

http://www.worldcat.org/oclc/122597796 View