Information: The first column shows data points from Atherley, Arthur, Vicar of Heavitree, county Devon in red. The third column shows data points from Satherley, Art, 1889-1986 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000001187.0x000287
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BiogHist
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Arthur Edward Satherley (October 19, 1889 – February 10, 1986) was an American record producer and A&R man. Often called Uncle Art Satherley, he made major contributions to the recording industry and has been described as "one of the most important pioneers in the field of country music production"
Satherley was born in Bedminster, Bristol, England, and in the 1911 Census was recorded as working as a clerk in a rubber business. He had a boyhood love of "cowboys and Indians", and traveled to the US in July 1913, settling in Wisconsin where he began work for a lumber company in Port Washington. He was then employed in the furniture business, for several years working for the Wisconsin Cabinet and Panel Company, which in 1918 began making phonographs. He also did secretarial work for Thomas Edison. Satherley's work involved him in the manufacture of shellac discs, and he became responsible for marketing records for the Paramount company, selling discs by blues singers including Ma Rainey, Blind Lemon Jefferson and Blind Blake, initially at county fairs and other events, and then through advertising in regional newspapers.
By 1923, Satherley started supervising Paramount recording sessions, working with Rainey, Jefferson and others and developing a reputation as a talent scout. After a short time with QRS, a piano roll manufacturer, he joined the American Record Corporation in 1929, where he made the first commercial recordings of Lead Belly. When Columbia Records bought ARC in 1938 he became head of their country and blues A&R departments. Among those he produced were country stars Gene Autry – for whom he helped secure his first film work – the Carter Family, Vernon Dalhart, Bob Wills, Lefty Frizzell, Marty Robbins and Roy Acuff, and many blues musicians including Alberta Hunter, Big Bill Broonzy, Josh White, Leroy Carr and Memphis Minnie.
Satherley retired from Columbia in 1952, only undertaking occasional production work thereafter. He was elected to the Country Music Hall of Fame in 1971, the first non-American citizen to be so honored. He died in Fountain Valley, California in 1986.
In 2011, following many years campaigning, a Blue Plaque was unveiled close to his birthplace in Bristol. The ceremony was filmed and formed part of a short documentary broadcast by BBC Television on February 7, 2011, three days before the 25th anniversary of his death
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BiogHist
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https://viaf.org/viaf/225444234
https://viaf.org/viaf/225444234
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https://www.wikidata.org/entity/Q4797050
https://www.wikidata.org/entity/Q4797050
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/047-001696644
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/047-001696644
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Wikipedia contributors. "Art Satherley." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Sep. 2023. Web. 28 May. 2024.
<p>Arthur Edward Satherley (October 19, 1889 – February 10, 1986)[1] was an American record producer and A&R man. Often called Uncle Art Satherley, he made major contributions to the recording industry and has been described as "one of the most important pioneers in the field of country music production"<p>
<p>Satherley was born in Bedminster, Bristol, England, and in the 1911 Census was recorded as working as a clerk in a rubber business. He had a boyhood love of "cowboys and Indians", and traveled to the US in July 1913, settling in Wisconsin where he began work for a lumber company in Port Washington. He was then employed in the furniture business, for several years working for the Wisconsin Cabinet and Panel Company, which in 1918 began making phonographs. He also did secretarial work for Thomas Edison. Satherley's work involved him in the manufacture of shellac discs, and he became responsible for marketing records for the Paramount company, selling discs by blues singers including Ma Rainey, Blind Lemon Jefferson and Blind Blake, initially at county fairs and other events, and then through advertising in regional newspapers.<p>
<p>By 1923, Satherley started supervising Paramount recording sessions, working with Rainey, Jefferson and others and developing a reputation as a talent scout. After a short time with QRS, a piano roll manufacturer, he joined the American Record Corporation in 1929, where he made the first commercial recordings of Lead Belly. When Columbia Records bought ARC in 1938 he became head of their country and blues A&R departments. Among those he produced were country stars Gene Autry – for whom he helped secure his first film work – the Carter Family, Vernon Dalhart, Bob Wills, Lefty Frizzell, Marty Robbins and Roy Acuff, and many blues musicians including Alberta Hunter, Big Bill Broonzy, Josh White, Leroy Carr and Memphis Minnie.<p>
<p>Satherley retired from Columbia in 1952, only undertaking occasional production work thereafter. He was elected to the Country Music Hall of Fame in 1971, the first non-American citizen to be so honored. He died in Fountain Valley, California in 1986.<p>
In 2011, following many years campaigning, a Blue Plaque was unveiled close to his birthplace in Bristol. The ceremony was filmed and formed part of a short documentary broadcast by BBC Television on February 7, 2011, three days before the 25th anniversary of his death
https://en.wikipedia.org/wiki/Art_Satherley
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Atherley, Arthur, Vicar of Heavitree, county Devon
referencedIn
Vol. CCCXCVII (ff. 410). 26 Oct.-3 Nov. 1845.Agriculture: Correspondence and papers rel. to the potato famine: 1845, 1846.: Partly printed.includes:ff. 1, 3 Bernard Barton, poet: Correspondence with Sir R. Peel: 1845-1848.f. 2 Bernard Barton, poe... 26 Oct 1845-3 Nov 1845
Vol. CCCXCVII (ff. 410). 26 Oct.-3 Nov. 1845.Agriculture: Correspondence and papers rel. to the potato famine: 1845, 1846.: Partly printed.includes:ff. 1, 3 Bernard Barton, poet: Correspondence with Sir R. Peel: 1845-1848.f. 2 Bernard Barton, poe...
Title:
Vol. CCCXCVII (ff. 410). 26 Oct.-3 Nov. 1845.Agriculture: Correspondence and papers rel. to the potato famine: 1845, 1846.: Partly printed.includes:ff. 1, 3 Bernard Barton, poet: Correspondence with Sir R. Peel: 1845-1848.f. 2 Bernard Barton, poe... 26 Oct 1845-3 Nov 1845
Vol. CCCXCVII (ff. 410). 26 Oct.-3 Nov. 1845.Agriculture: Correspondence and papers rel. to the potato famine: 1845, 1846.: Partly printed.includes:ff. 1, 3 Bernard Barton, poet: Correspondence with Sir R. Peel: 1845-1848.f. 2 Bernard Barton, poe...
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green. 1975 Mar. 29.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green. 1975 Mar. 29.
Pioneer music industry executive Art Satherley recalls highlights from his long career. Discussion includes his experiences recording various country artists, including Gene Autry, Bill Monroe, the Light Crust Doughboys, and the artists from WLS; experiences recording various blues artists, including Leadbelly and Josh White; experiences working with different publishing companies; comments on changes in country music; and memories from his career.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green. 1974 June 30.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green. 1974 June 30.
Pioneer music industry executive Art Satherley talks about his career. Discussion includes his experiences scouting and recording blues talent; his experiences scouting and recording country talent; and memories of his work with numerous artists, including John Lair and the Cumberland Ridge Runners, George Gobel, Bob Wills, Roy Acuff, Cliff Carlisle, Leadbelly, and Curt Massey.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green. 1974 June 30.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green. 1974 June 30.
Pioneer music industry executive Art Satherley talks about his career. Discussion includes his experiences scouting and recording blues talent; his experiences scouting and recording country talent; and memories of his work with numerous artists, including John Lair and the Cumberland Ridge Runners, George Gobel, Bob Wills, Roy Acuff, Cliff Carlisle, Leadbelly, and Curt Massey.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 30; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green. 1974 June 27.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green. 1974 June 27.
Pioneer music executive Art Satherley recalls highlights from his career. Discussion includes his emigration from England; the development of his career at the Wisconsin Chair Company; his introduction to the recording business and a description of early record pressing techniques; his introduction to recording and his growing interest in country music; working for the American Record Corporation; experiences working as a producer during World War II; memories of his work with Gene Autry, Stuart Hamblen, Roy Acuff, Don Law, Bob Wills, Fred Rose, and others; and memories of his experiences traveling and recording and promoting country and blues music.
The collection consists of materials related to record labels, discographies, and record collecting in the United States and around the world, 1907-2006. Included are recording catalogs, discographies, press releases, newsletters, record release announcements, promotional materials, newspaper and magazine articles, ledgers, and correspondence. Also included are collectors' inventories; auction, sale, and wants lists; collectors' reference guides; and directories of record collectors. Some catalogs, on the Capitol, Conqueror, Columbia, Decca, Gennett, Harmony, His Master's Voice, King, MGM, Okeh, Parlophone, RCA Victor, Regal, Vocalion, and Zonophone labels, date from the 1920s, 1930s, and 1940s. There is also a Victor Records catalog from 1907 and a 1924 Paramount and Black Swan catalog annotated by Paramount producer J. Mayo Williams and sociologist Guy B. Johnson. Okeh Records material includes original label copy for about 150 records released by Okeh in the 1920s. The collection also contains substantial materials related to the American Record Corporation, Arhoolie, Bear Family, Champion, County, Edison, Romeo, Sugar Hill, and Smithsonian/Folkways record labels. There are less inclusive materials relating to many other companies. Ledgers include Brunswick and Vocalion ledger sheets from the 1920s, as well as ledgers of recordings made by record producer Art Satherley. Among the collectors represented are Eugene Earle, John Edwards, Will Roy Hearne, and D.K. Wilgus; among those with extensive discographies are Kitty Wells and Johnny Cash.
ArchivalResource:
49.0 feet of linear shelf space (approximately 6660 items)
Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green. 1975 Mar. 29.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green. 1975 Mar. 29.
Pioneer music industry executive Art Satherley recalls highlights from his long career. Discussion includes his experiences recording various country artists, including Gene Autry, Bill Monroe, the Light Crust Doughboys, and the artists from WLS; experiences recording various blues artists, including Leadbelly and Josh White; experiences working with different publishing companies; comments on changes in country music; and memories from his career.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 29; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green. 1974 June 27.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green. 1974 June 27.
Pioneer music executive Art Satherley recalls highlights from his career. Discussion includes his emigration from England; the development of his career at the Wisconsin Chair Company; his introduction to the recording business and a description of early record pressing techniques; his introduction to recording and his growing interest in country music; working for the American Record Corporation; experiences working as a producer during World War II; memories of his work with Gene Autry, Stuart Hamblen, Roy Acuff, Don Law, Bob Wills, Fred Rose, and others; and memories of his experiences traveling and recording and promoting country and blues music.
Satherley, Art;. Oral history interview with Art Satherley; 1974 June 27; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green. 1974 Oct. 17.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green. 1974 Oct. 17.
Pioneer music industry executive Art Satherley talks about his career. Discussion includes his role in the formation of BMI; changes in country music from its early years; his role in promoting the acceptance of country and blues; memories of his work with Paramount; his work building his country catalogue; and memories of his experiences traveling the country scouting and recording new talent.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green. 1975 March 23.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green. 1975 March 23.
Recording executive Art Satherley recalls various artists he has recorded. Discussion includes recording with Lew Childre; black gospel singers Dennis Crumpton and Robert Summers; signing a contract with the Norfolk Jubilee Quartet; meeting Tex Ritter at a golf tournament and his high regard for Tex's wife; visiting Gene Autry's home, Melody Ranch, and meeting Johnny Agee, Autry's horse trainer; his decision not to release Spade Cooley's recording of "Hara Kiri" after Japan was bombed in World War II; his attempts to get Red Foley into movies; Chubby Parker and the way he accompanied his banjo playing by whistling; getting stopped by Customs officials when he and Ted Daffan visited Mexico; Little Jimmy Dickens's quest for follow-up hits after recording the strong-selling "Take an Old Cold Tater and Wait"; meeting Fiddlin' Doc Roberts at his log cabin in the mountains of Kentucky; how Gobel Reeves rode the rails to recording sessions; making "It's No Secret" after Stuart Hamblen was influenced by evangelist Billy Graham; signing Lefty Frizzell after hearing Frizzell's version of "If You've Got the Money, I've Got the Time."
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green. 1975 March 26.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green. 1975 March 26.
Pioneer music industry executive Art Satherley recalls different experiences from his career. Discussion includes breaking open the country market; comments on his work with various artists; and memories from the early years of the recording industry.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson. 1974 Oct. 18.
Law, Don;. Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson.
Title:
Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson. 1974 Oct. 18.
Music industry executives Don Law and Art Satherley describe their experiences during the early years of country music recording. Their discussion features descriptions of early recording equipment and techniques; and their experiences recording from remote sites.
Law, Don;. Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson. 1974 Oct. 18.
Law, Don;. Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson.
Title:
Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson. 1974 Oct. 18.
Music industry executives Don Law and Art Satherley describe their experiences during the early years of country music recording. Their discussion features descriptions of early recording equipment and techniques; and their experiences recording from remote sites.
Law, Don;. Oral history interview with Don Law and Art Satherley; 1974 October 18; interview conducted by Diana Johnson.
0
Satherley, Art, 1889-1986
referencedIn
Eugene Earle Collection, 1939-1980s
Eugene Earle Collection, 1939-1980s
Title:
Eugene Earle Collection, 1939-1980s
Eugene Earle was born in Cleveland Heights, Ohio, in 1926. In addition to amassing a large collection of country and western, blues, and jazz sound recordings, he also became a discographer and a founder and president of the John Edwards Memorial Foundation (JEMF). Earle is also responsible for rediscovering and recording a number of country musicians, including Doc Watson, Jimmie Tarlton, and the Carolina Tarheels. The collection consists of recordings, films, images, and papers collected by Eugene Earle. The recordings consists of commercial and non-commercial transcription discs, audiocassettes, and open reel recordings documenting a wide array of radio programs and performers of blues, country music,jazz, old-time music, popular music, swing, and other types of music from 1939through the early 1980s. One series of the collection is government-sponsored Army V-Discs and Navy V-Discs from World War II. These discs were issued, October1943-May 1949, and feature material from a variety of sources, including special recording sessions, radio broadcasts, broadcast rehearsals, film soundtracks, and issued and un-issued commercial recordings. Along with the Armed Forces Radio Service, the V-Disc group was a morale-building unit that addressed the need for current music by the troops overseas. As V-Discs were produced exclusively for use by military personnel and the many artists who volunteered to perform on the recordings were adamant about the discs not being commercially sold or used, many of the V-Disc metal pressing parts were destroyed by the United States Army.Consequently, the V-Discs that survived document performances by artists unavailable on any other recordings. Other transcription discs are of the which aired on WSM radio in Nashville, Tenn.,1971-1974, and showcased some of the leading country music performers of the day;the ; and various government-sponsored radio shows, such as and Another series is comprised of open reel recordings, some documenting live performances of old time, country, and bluegrass musicians. They also include several private interviews with musicians. Other open reel recordings are dubbed copies of rare 78 rpm recordings, unreleased test recordings of early country and blues musicians, and transcription discs. There are also posters, audiocassettes, films, printed music,images, serials, papers relating to Earle's discographical and collecting activities, and promotional materials. Posters include full-sheet posters,half-sheet posters, and lobby cards for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Audiocassettes include commercial and non-commercial recordings of many early country, jazz, and Hawaiian musicians. Films consist of 16mm reels of early country and western artists and other topics. Printed music includes a number of song folios and sheet music, largely focused on Hawaiian and early country and western music,with a significant number of pre-1930 song sheets. Images consist of photographs,collectors' cards, and other images of country and western musicians and related subjects. Serials consist of journals and other publications pertaining to individual musicians, early radio stations, record collecting in general, fan clubs,and other topics. Papers relating to Earle's discographical and collecting activities include discographical research, tape logs, correspondence with record companies and other collectors, materials related to the John Edwards Memorial Foundation, record label catalogs, and extensive documentation of Earle's own vast record and research collection. Promotional materials include small flyers, picture cards, and other materials for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Performers significant in the collection appear as subject headings below. Ralph Emery Show, Lawrence Welk Show Country Roads, Navy Hoedown, Sounds of Solid Country, The Veterans Administration Presents Here's to Veterans, The United States Army Presents Country Express, The United States Air Force Presents Country Music Time, Country Cookin'.
ArchivalResource:
40.0 feet of linear shelf space (approximately 17,000 items)
Southern Folklife Collection artist name files, 1940-2005 (artists R-Z).
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green. 1974 Oct. 17.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green. 1974 Oct. 17.
Pioneer music industry executive Art Satherley talks about his career. Discussion includes his role in the formation of BMI; changes in country music from its early years; his role in promoting the acceptance of country and blues; memories of his work with Paramount; his work building his country catalogue; and memories of his experiences traveling the country scouting and recording new talent.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 17; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green. 1975 March 23.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green. 1975 March 23.
Recording executive Art Satherley recalls various artists he has recorded. Discussion includes recording with Lew Childre; black gospel singers Dennis Crumpton and Robert Summers; signing a contract with the Norfolk Jubilee Quartet; meeting Tex Ritter at a golf tournament and his high regard for Tex's wife; visiting Gene Autry's home, Melody Ranch, and meeting Johnny Agee, Autry's horse trainer; his decision not to release Spade Cooley's recording of "Hara Kiri" after Japan was bombed in World War II; his attempts to get Red Foley into movies; Chubby Parker and the way he accompanied his banjo playing by whistling; getting stopped by Customs officials when he and Ted Daffan visited Mexico; Little Jimmy Dickens's quest for follow-up hits after recording the strong-selling "Take an Old Cold Tater and Wait"; meeting Fiddlin' Doc Roberts at his log cabin in the mountains of Kentucky; how Gobel Reeves rode the rails to recording sessions; making "It's No Secret" after Stuart Hamblen was influenced by evangelist Billy Graham; signing Lefty Frizzell after hearing Frizzell's version of "If You've Got the Money, I've Got the Time."
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 23; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
referencedIn
Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green. 1974 Oct. 15.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green. 1974 Oct. 15.
Pioneer music industry executive Art Satherley talks about his experiences as he scouted and recorded country and blues talent during the formative years of the recording industry. Discussion includes the role of Sears-Roebuck in spreading country music; and memories of working with various country and blues artists.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green. 1975 March 26.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green. 1975 March 26.
Pioneer music industry executive Art Satherley recalls different experiences from his career. Discussion includes breaking open the country market; comments on his work with various artists; and memories from the early years of the recording industry.
Satherley, Art;. Oral history interview with Art Satherley; 1975 March 26; interview conducted by Douglas B. Green.
0
Satherley, Art, 1889-1986
creatorOf
Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green. 1974 Oct. 15.
Satherley, Art;. Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green.
Title:
Oral history interview with Art Satherley; 1974 October 15; interview conducted by Douglas B. Green. 1974 Oct. 15.
Pioneer music industry executive Art Satherley talks about his experiences as he scouted and recorded country and blues talent during the formative years of the recording industry. Discussion includes the role of Sears-Roebuck in spreading country music; and memories of working with various country and blues artists.
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