Compare Constellations

Records of the Selective Service System (World War I). 1917 - 1939. Draft Registration Cards. 1917 - 1918. World War I Draft Registration Card for King Vidor

Title: Records of the Selective Service System (World War I). 1917 - 1939. Draft Registration Cards. 1917 - 1918. World War I Draft Registration Card for King Vidor

ArchivalResource:

https://catalog.archives.gov/id/641777 View

Asian American Film Ephemera Collection.

Title: Asian American Film Ephemera Collection.

The Asian American Film Ephemera Collection at theHarvard Film Archive is a curated collection of ephemera, including books, pressbooks, mini-posters, and 28 one-sheet movie posters, portraying the presence and experience of Asians and Asian Americans in American film from the period of approximately 1917-2002.

ArchivalResource: 5 boxes and 28 one sheet movie posters

http://id.lib.harvard.edu/ead/hfa00002/catalog View

King Vidor Papers, 1920-1965

Title: King Vidor Papers, 1920-1965

King Wallis Vidor (1894-1982) made over fifty feature films and received five Academy Award nominations before retiring from films in the late 1950s. His directorial debut was (1919), but he is best known for (1925), (1931), and (1947). The collection contains annotated scripts, correspondence, photographs, and ephemera for 22 films Vidor produced or directed including , , , and . The turn in the road The big parade The champ Duel in the sun The big parade Duel in the sun Northwest passage Stella dallas

ArchivalResource: 14 boxes (7 linear ft.)

http://www.oac.cdlib.org/ark:/13030/kt6k4019k6 View

Vidor, King, 1894-1982. King Vidor Collection, 1924-1941 (bulk 1941).

Title: King Vidor Collection, 1924-1941 (bulk 1941).

The King Vidor Collection consists of photographs, scripts, props, publicity materials, production reports, studio memos, and other production materials primarily from the 1941 film H.M. Pulham, Esquire. Also in the collection is a typescript of Vidor's 1936 film The Texas Rangers and an accompanying photo of Vidor, and four additional photographs of Vidor dating from around 1924. Photographs constitute the bulk of the materials and include costume, makeup, set, production, and film stills. The film's stars, Hedy Lamarr, Robert Young, Ruth Hussey, Charles Coburn, Van Heflin, Fay Holden, and Bonita Granville, are depicted in many of the photos. Publicity photos of actors and actresses considered for casting but not selected are also present. Scenes and settings are documented with twenty production design sketches, and with architectural drawings and models for six of the movie's sets. Costume sketches include twenty-two original women's gowns by Robert Kalloch and thirty-three men's wardrobe sketches by Gile Steele. The tools of film making are represented by various props, a production board with shooting schedules, a scene slate, and a small brass periscope. Daily reports and production, footage, and wardrobe breakdowns track the financial and business aspects of the film. Comment cards from members of a preview audience accompany editing notes from the preview. The original musical score by Branislaw Kaper is documented with one folder of sheet music, memos, editing notes, and photographs of the orchestral recording.

ArchivalResource: 9 boxes, 20 oversize boxes, 1 oversize folder (20.16 linear feet)

http://www.worldcat.org/oclc/191957081 View

Cousins, Margaret, 1905-1996. Papers, 1921-1973.

Title: Papers, 1921-1973.

Correspondence, typescripts of published and unpublished material, photographs, galley proofs, speeches, printed materials, and memorabilia document Cousins' life from her high school years through her career as writer and editor. Files for her books, short stories, and articles are quite extensive (15 boxes), with most of the short stories and articles represented by both a typescript and the printed version. Includes typescripts for Lyndon Johnson's memoir, The vantage point, and Lady Bird Johnson's A White House diary, as well as two articles by Margaret Truman, all of which Cousins edited. Materials from her years at Doubleday include memoranda from other editors, minutes from editorial meetings, and correspondence with authors and literary agents. Among the personal items are correspondence with friends and associates, as well as documentation of her homes, especially her house near Dobbs Ferry, NY.

ArchivalResource: 35 boxes. : (14.5 linear feet)

http://www.worldcat.org/oclc/122385590 View

Vidor, King, 1894-1982. Reminiscences of King Wallis Vidor : oral history, 1958.

Title: Reminiscences of King Wallis Vidor : oral history, 1958.

Earliest experiences with motion pictures, experiments with makeshift equipment; Vitagraph; career as director at First National, Metro, Metro-Goldwyn-Mayer; description of making various films including "The Big Parade" and "Street Scene"; advent of sound; responsibility of the director; impressions of D.W. Griffith, John Gilbert, Lillian Gish.

ArchivalResource: Transcript: 49 leaves.Tape: 1 reel.

http://www.worldcat.org/oclc/122574513 View

Steinbeck, John, 1902-1968. Telegram : Washington DC, to Pare Lorentz, 1938 Jan. 30.

Title: Telegram : Washington DC, to Pare Lorentz, 1938 Jan. 30.

Thanking Lorentz for telegram, informing him that [King] Vidor has "first call," and seeking Lorentz's advice.

ArchivalResource: 1 item (1 p.) ; 17cm.

http://www.worldcat.org/oclc/439918443 View

Biography -- Vidor, King.

Title: Biography -- Vidor, King.

ArchivalResource: 1 file folder.

http://www.worldcat.org/oclc/310372629 View

Montgomery Clift papers, 1933-1966

Title: Montgomery Clift papers 1933-1966

The papers of Montgomery Clift consist of a small amount of correspondence, scripts, photographs, notes and scrapbooks. The strength of the collection is in the large number of annotated scripts which range from early drafts to final scripts. The annotations provide insight both to Clift's involvement in the development of the films and plays and the characters he portrayed. Some plays included are : THE SEA GULL (1954), THERE SHALL BE NO NIGHT (1940), YOU TOUCHED ME (1945) and YR. OBEDIENT HUSBAND (1938). Films include: THE BIG LIFT (1950), THE DEFECTOR (1966), FREUD (1962), FROM HERE TO ETERNITY (1953), JUDGMENT AT NUREMBERG (1961), THE MISFITS (1961), A PLACE IN THE SUN (1951), RAINTREE COUNTY (1957), THE SEARCH (1948), SUDDENLY LAST SUMMER (1959), WILD RIVER (1960) and THE YOUNG LIONS (1958), among others. Included as well is a manuscript for an unproduced screenplay written by Clift and Kevin McCarthy, Clift's friend and collaborator.

ArchivalResource:

http://archives.nypl.org/the/21346 View

Henderson, Alice Corbin, 1881-1949. Papers, 1861-1987 (bulk 1920-1949).

Title: Papers, 1861-1987 (bulk 1920-1949).

The collection comprises correspondence, literary manuscripts, notes and notebooks, clippings, galley proofs, photographs, and date books ranging in date from 1861-1987, reflecting various aspects of not only Henderson's life, but also those of her husband, artist and architect William Penhallow Henderson, and her daughter, Alice Oliver Henderson Evans Rossin Colquitt. Henderson's published and unpublished works are represented by transcripts, notes, galley proofs, and clippings, and her involvement with Poetry: A Magazine of Verse (1912-22) and the Poetry anthologies are reflected in correspondence with editor Harriet Monroe, Ezra Pound, and attorney Roberts Walker. Other correspondents include: Witter Bynner, D.H. and Frieda Lawrence, Vachel Lindsay, Mary Austin, Edgar Lee Masters, Haniel Long, Carl Sandburg, and Ralph Fletcher Seymour, among others. There is extensive family correspondence, notably with Mabel Dodge Luhan, especially during periods of financial and marital difficulity in the 1930s. After Alice and William Henderson moved to Santa Fe, NM, in 1916, they became interested in Native American issues, especially those surrounding the local Navajos. Through their individual talents, the Hendersons founded or supported projects such as the Poet's Round-up, the Navajo House of Religion (now the Wheelwright Museum of the American Indian), the Eugene Manlove Rhodes Memorial Association, the Writer's Edition, the Works Progress Administration Federal Writers' Project guide to New Mexico, and the Pueblo-Spanish Building Company, all of which are represented in the collection. Alice Henderson Rossin continued much of her parents' work. She revived the Poet's Round-up in 1968, exhibited her father's art works, and worked with both of her parents' biographers. Her personal correspondence, primarily from the 1930s, includes letters from King Vidor, Lady Bird Johnson, Oliver La Farge, R.F. Seymour, and Jouett and Dorothea Todd, as well as family members. Rossin served as a board member of the Museum of New Mexico Foundation from 1962-78. Family correspondence that she added to this collection includes letters between her second mother-in-law, Clara Rossin, and composer Ernest Bloch, music critic Lawrence Gilman, and violinist Joseph Szigeti, 1912-28.

ArchivalResource: 72 boxes (30 linear ft.)

http://www.worldcat.org/oclc/122349020 View

Alice Corbin Henderson Collection TXRC92-A24., 1861-1987

Title: Alice Corbin Henderson Collection 1861-1987

Material in this collection consists primarily of correspondence, literary manuscripts, notes, and clippings of Henderson's works and other topics of personal interest to her. Included in the collection are materials of her husband, William Penhallow Henderson, and their daughter.

ArchivalResource:

http://www.lib.utexas.edu/taro/uthrc/00057/00057-P.html View

American Vaudeville Museum collection, 1845-2007, (bulk 1910-1940)

Title: American Vaudeville Museum collection 1845-2007 (bulk 1910-1940)

This collection consists of materialsdocumenting vaudeville and other entertainment in the United States,particularly in the 1910s through 1940s. Primary materials such as photographs,scrapbooks and handwritten stage scripts document the careers of particularperformers. There are substantial numbers of sheet music and theatre programs,and a large LP collection. The collection focuses on vaudeville but encompassesother forms and eras of American entertainment as well.

ArchivalResource: 66.8linear feet

http://www.azarchivesonline.org/xtf/view?docId=ead/uoa/UAMS421.xml View

King W. Vidor papers

Title: King W. Vidor papers

The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.

ArchivalResource: 2.1 Linear feet

https://n2t.net/ark:/65665/mw9b3a1f770-e016-4f3e-995d-081b5eac2c55 View

Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)

Title: Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)

Papers of American author, Gore Vidal (1925-), including literary manuscripts, correspondence, photographs, political papers, legal and business records, and other material. Also includes papers of his companion, Howard Austen (1929-2003).

ArchivalResource: 414 linear feet (449 boxes, cartons, and film reels)

http://id.lib.harvard.edu/ead/hou01943/catalog View

Cousins, Margaret, 1905-1996. Papers, 1921-1973

Title: Margaret Cousins Papers 1921-73

The papers of Texas writer and editor Margaret Cousins includecorrespondence and manuscripts reflecting her career, particularly ascontributor to women's magazines, as editor of Lyndon Johnson's memoir, and assenior editor at Doubleday Publishing Company.

ArchivalResource: 35 boxes (14.5 linear feet)

http://www.lib.utexas.edu/taro/uthrc/00027/00027-P.html View

Souvenir programs of motion pictures, 1915-1978.

Title: Souvenir programs of motion pictures, 1915-1978.

20th century souvenir programs primarily of motion pictures.

ArchivalResource: 7 boxes (1.75 linear ft.)

http://id.lib.harvard.edu/ead/hou02211/catalog View

Vidor, King, 1894-1982. Correspondence with Marian Anderson, 1957.

Title: Correspondence with Marian Anderson, 1957.

ArchivalResource: 1 item (1 l.)

http://www.worldcat.org/oclc/63563333 View

J. Walter Thompson Company. Edgar Hatcher Papers, 1952-1992

Title: J. Walter Thompson Company. Edgar Hatcher Papers, 1952-1992

ArchivalResource: 4.5 Linear Feet; 250 Items

http://library.duke.edu/rubenstein/findingaids/jwthatcher/ View

Vidor, King, 1894-1982. King Vidor papers, 1825-1970.

Title: King Vidor papers, 1825-1970.

Correspondence, movie scripts, real estate contracts, and movie set designs. The correspondence deals with personal and motion picture production matters. The collection includes eight scripts are for movies made from the 1925 to 1956.

ArchivalResource: 2 boxes (1 linear ft.)

http://www.worldcat.org/oclc/122699728 View

King Vidor papers, 1825-1970

Title: King Vidor papers 1825-1970

ArchivalResource: 2 boxes; (1 linear ft.)

http://findingaid.lib.byu.edu/viewItem/MSS%201732 View

Lothar and Eva Just Film Stills Collection.

Title: Lothar and Eva Just Film Stills Collection.

The Lothar and Eva Just Film Stills Collection at the Harvard Film Archive consists of approximately 800,000 film stills, pressbooks, posters, and other cinema-related ephemera originally amassed by Lothar Just, a Munich-based film publicist. Just's expansive collection began in the gathering of image and source material for the annual film lexicons, the Heyne Filmlexikon and Filmjahrbuch, which he continues to publish.

ArchivalResource: 800 boxes

http://id.lib.harvard.edu/ead/hfa00017/catalog View

Vidor, King, 1894-1982. Hallelujah : mimeograph copy of typescript, 1929.

Title: Hallelujah : mimeograph copy of typescript, 1929.

ArchivalResource: 1 item (ca. 100 p.)

http://www.worldcat.org/oclc/270838798 View

Bruce, George, 1898-1974. Solomon and Sheba : screenplay, 1959 Jan. 5 / by George Bruce ; producer, T.H. Richmond ; director, King Vidor.

Title: Solomon and Sheba : screenplay, 1959 Jan. 5 / by George Bruce ; producer, T.H. Richmond ; director, King Vidor.

ArchivalResource: 1 v. (158 leaves) ; 28 cm.

http://www.worldcat.org/oclc/24224017 View

Stella Dallas lobby cards, 1937.

Title: Stella Dallas lobby cards, 1937.

Eight 11 x 14 in. lobby cards (in color) depicting scenes from the 1937 film "Stella Dallas", directed by King Vidor and starring Barbara Stanwyck, John Boles, Anne Shirley and Alan Hale.

ArchivalResource: 8 lobby cards.

http://www.worldcat.org/oclc/613705119 View

Vidor, King, 1894-1982. Papers, 1920-1965.

Title: Papers, 1920-1965.

Collection consists of materials related to Vidor's career as a motion picture director and producer. Contains annotated scripts, correspondence, photographs, and ephemera for 22 films including The big parade, Duel in the sun, Northwest passage, and Stella dallas.

ArchivalResource: 14 boxes (7 linear ft.)

http://www.worldcat.org/oclc/38128916 View

Selznick, David O., 1902-1965. Studio archive, 1904-1980 (bulk 1936-1955).

Title: Studio archive, 1904-1980 (bulk 1936-1955).

Contains records documenting every aspect of David O. Selznick's Hollywood studio operations including script development, production, publicity, finances, and distribution. The records follow film's pioneer days in New York through the heyday of the studio system in Hollywood, to the rise of television. Besides Selznick's independent productions such as A Star is Born (1937), Gone with the Wind (1939), and Rebecca (1940), the archive documents his association with three major studios, Metro-Goldwyn-Mayer, Paramount, and RKO. Arranged according to the departmental division of Selznick's studio, the archive traces the evolution of films from story purchase through script development, casting, design, production, exploitation, distribution, and reissue. Though most of the materials document Selznick's independent career, there are also records concerning his personal affairs, his father's career, as well as films Selznick developed but never produced. The archive touches on virtually every major Hollywood person, studio, and event of the early 20th century. The archive is highlighted by David O. Selznick's personal files, found in Series I, and arranged in 28 sub-subseries. These records document Selznick's personal involvement in every aspect of his business and chronicle his life. Found in this subseries are clippings, confidential and personal files, coproduction and loanout files, correspondence, calendars, financial and legal files, interoffice files, MGM, Paramount, and RKO files, Myron Selznick estate files, photographs, safe deposit files, story files, talent files, and writers files.

ArchivalResource: 4657 boxes plus oversize (1940 linear feet)

http://www.worldcat.org/oclc/122617159 View

Vidyatmananda, Swami. Swami Vidyatmananda Collection, 1923-1986.

Title: Swami Vidyatmananda Collection, 1923-1986.

The Swami Vidyatmananda Collection comprises correspondence to Vidyatmananda as well as correspondence he gathered through his association with the Vedanta Society of Southern California and the Centre Védantique Ramakrishna in France. Three distinct groups are present: letters between Christopher Isherwood and Swami Vidyatmananda, 1950-1986; correspondence to Lady Sandwich (the former Amiya Corbin) from Aldous Huxley, John Van Druten, Christopher Isherwood, Walter De la Mare, E.M. Forster, and Gerald Heard, 1944-1977; and letters to the French diplomat Martha Vanek from Jan Masaryk, René Fülöp-Miller, and Igor Stravinsky, 1923-1930. One postcard is jointly authored by Isherwood and King Vidor. Photographs of Isherwood, his mother, and his brother, and of Stravinsky are also present.

ArchivalResource: 1 box (.42 linear feet)

http://www.worldcat.org/oclc/122632908 View

Donat, Robert, 1905-1958. Robert Donat collection, 1936-1951.

Title: Robert Donat collection, 1936-1951.

Chiefly correspondence with Max Reinhardt, King Vidor, and Darryl F. Zanuck; photograph stills from Knight Without Armour; and several financial and legal papers.

ArchivalResource: .5 linear ft.

http://www.worldcat.org/oclc/70954272 View

Lothar and Eva Just Film Stills Collection.

Title: Lothar and Eva Just Film Stills Collection.

The Lothar and Eva Just Film Stills Collection at the Harvard Film Archive consists of approximately 800,000 film stills, pressbooks, posters, and other cinema-related ephemera originally amassed by Lothar Just, a Munich-based film publicist. Just's expansive collection began in the gathering of image and source material for the annual film lexicons, the Heyne Filmlexikon and Filmjahrbuch, which he continues to publish.

ArchivalResource: 800 boxes

http://id.lib.harvard.edu/ead/hfa00020/catalog View