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Lewis Clarke Collection, 1944-2006

Title: Lewis Clarke Collection 1944-2006

The Lewis Clarke Collection, 1944 to 2006, documents the professional work of Lewis Clarke and his firm Lewis Clarke Associates as well as Clarke's time as a North Carolina State University School of Design faculty member from 1952 to 1968. The collection is arranged into eight series: project files, drawings, professional papers, faculty papers, personal papers, office files, project booklets, and photographic materials. The collection consists primarily of landscape architectural drawings and project files. The projects include residences, primary and secondary schools, community colleges, university campuses, regional hospitals, shopping centers, residential resort projects, and pedestrian malls. The drawings and project files represent projects located primarily, but not exclusively, throughout the southeast. Lewis James Clarke was born in Carlton, Nottingham, England on 10 March 1927. He earned his Master's in Architecture at the University of Leicester, Master's in Landscape Design from Kings College at the University of Durham, and a Fulbright Scholarship and a Smith-Mundt Award to attend Harvard University’s Graduate School of Design to earn a Master's in Landscape Architecture in 1952. Clarke taught as an associate professor at the North Carolina State College School of Design (SOD), from 1952 to 1968. He operated his landscape architecture firm, Lewis Clarke Associates, from 1968 to 1993, where he worked on projects such as community colleges in North Carolina and Virginia, residential resort master planning, and prototype enclosed mall projects. He created the original master plan for the Research Triangle Institute; Saint Andrews College, Laurinburg, North Carolina; and the North Carolina Zoological Park in Asheboro. His signature works include Palmetto Dunes, Hilton Head Island; Carolina Trace, Sanford, North Carolina; and Ford’s Colony, Williamsburg, Virginia.

ArchivalResource: 593.5 Linear feet

http://www.lib.ncsu.edu/findingaids/mc00175 View

Molitor, Joseph W. Joseph W. Molitor architectural photographs, 1935-1985 (bulk 1946-1980).

Title: Joseph W. Molitor architectural photographs, 1935-1985 (bulk 1946-1980).

The bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.

ArchivalResource: approx. 22,000 photonegatives.approx. 10,600 photoprints.

http://www.worldcat.org/oclc/269257229 View

North Carolina Buildings Collection, 1892-1990

Title: North Carolina Buildings Collection 1892-1990

The North Carolina Buildings Collection includes drawings, specifications, construction contracts, and correspondence relating to individual buildings in North Carolina. Unbuilt projects are included. The finding aid contains a description for each project, including the name of the architect(s), a brief description of the project, and an inventory of documents. Projects are arranged in order of receipt. The late 19th century saw radical changes in building practices in North Carolina, brought about by the rise of professional architects and contractors, increased industrialization, and the standardization of building components. Population booms between 1900 and 1940 precipitated increased construction, and suburbs emerged where major cities doubled or tripled their populations during this period. Increasingly, professional architects were responsible for the design of housing, as well as commercial, industrial and civic buildings. In 1905, North Carolina became one of the earliest states to enact a uniform building code. The North Carolina Architectural Association (NCAA) was formed by a group of Charlotte architects in 1909. Their aims were ultimately to form a North Carolina Chapter of The American Institute of Architects (AIA) and to promote the passage of an architectural Practice Act Bill in the General Assembly. The North Carolina Chapter of AIA, chartered in 1913, regulated fees to eliminate unfair competition and provided a code of ethics for professional standards. The Practice Act Bill, ratified in 1915, provided for the examination and licensing of architects. A similar "Act to Regulate the Practice of General Contracting," passed in 1925, regulated the construction industry. Regulation of architectural and building industries led to increased uniformity in working drawings and specifications for buildings, as national industry standards for drafting and construction were followed. Still largely rural and conservative following World War II, North Carolina nevertheless made rapid economic and architectural progress. The 1950s found the state on the cutting edge of architectural development, as the internationally renowned faculty of the School of Design at North Carolina State College vigorously promoted modernism as the only "correct" style. Modernism was embraced for governmental and institutional buildings, while housing remained, for the most part, rooted in traditional forms.

ArchivalResource: 4.9 Linear feet, 1 legal box and 1 flat box and 17 flat folders

http://www.lib.ncsu.edu/findingaids/mc00225 View

G. Milton Small Papers, 1950-1984

Title: G. Milton Small Papers 1950-1984

The G. Milton Small Papers contain architectural drawings and photographs of projects and structures designed by architect G. Milton Small between 1950 and 1981. The collection primarily consists of architectural drawings of Small's designs, many of which were constructed on the North Carolina State University campus and elsewhere in the Raleigh, North Carolina, region. The collection also contains photographs taken by architectural photographers Joseph Molitor and Holland Wright, as well as Small's writings on computerized parking systems. G. Milton Small Jr. (1916-1992) was a student of Mies van der Rohe and was one of the foremost modernist architects working in the southeastern United States in the later half of the 20th century. Small moved to Raleigh in 1948 and headed the architectural office of William Henley Deitrick before starting his own firm, G. Milton Small Architects, in 1949.

ArchivalResource: 41.0 Linear feet,2 oversize boxes, 3 oversized flat boxes, 1 archival half box and 61 flat files

http://www.lib.ncsu.edu/findingaids/mc00006 View

Wheless Family Papers, 1950-1995

Title: Wheless Family Papers 1950-1995

The collection contains documents on the residence at 106 John Street, Louisburg, North Carolina, designed by G. Milton Small and originally owned by the Wheless Family. It includes construction and architectural contracts, land deeds, invoices (for furnishings, landscaping, and contractors), and drawings (plot plans, floor plans, construction plans, property and subdivision surveys), and photographs of the Wheless residence. Also included is 1 CD that contains 118 survey photographs taken by Laura A.W. Phillips for the National Register of Historic Places. In 1954, Thomas and Lois Wheless contracted with architect G. Milton Small to design a residence for them in Louisburg, North Carolina. The house is one story and has three bedrooms and 2 1/2 baths. It is considered an excellent example of mid-twentieth century modern architecture with North Carolina.

ArchivalResource: 1.5 Linear feet

http://www.lib.ncsu.edu/findingaids/mc00138 View