Compare Constellations

Stewart, Michael, 1929-1987. Michael Stewart Papers, 1948-1987.

Title: Michael Stewart Papers, 1948-1987.

The Michael Stewart Papers include drafts, correspondence, rehearsal notes, clippings, and contracts, reflecting the full range of Stewart's work as a writer and lyricist.

ArchivalResource: 37.7 lin. ft. (102 boxes)

http://www.worldcat.org/oclc/122598063 View

Alan Fluck collection. Scores, copies. Addison-Burgon. , 1961-1998

Title: Alan Fluck collection. Scores, copies. Addison-Burgon. 1961-1998

ArchivalResource: 129 folios

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001608618&fn=search&vid=IAMS_VU2 View

NOVELLO COLLECTION. Vol. XCII. Addison -Holmes; late 18th cent.(watermark)-1845, n.d. ff. 72. Overall size 245 x 310mm. 1. ff. 1-2. John Addison: 'Agnus Dei', for solo voice and keyboard; 1833. Vocal score. Autograph. 2. f. 3. 'Falso bordone al Te D..., 1760-1845

Title: NOVELLO COLLECTION. Vol. XCII. Addison - Holmes; late 18th cent.(watermark)-1845, n.d. ff. 72. Overall size 245 x 310mm. 1. ff. 1-2. John Addison: 'Agnus Dei', for solo voice and keyboard; 1833. Vocal score. Autograph. 2. f. 3. 'Falso bordone al Te D... 1760-1845

ArchivalResource: 1 item

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001990576&fn=search&vid=IAMS_VU2 View

Addison, John, 1920-1998. Papers, [ca. 1930-1990].

Title: Papers, [ca. 1930-1990].

Collection primarily consists of musical sketches and scores composed by Addison for stage, screen, and television. There are a number of audio cassettes of works of Addison and others, as well as interviews Addison conducted for various radio programs. Also included are videotapes of different productions with which Addison was associated. There is some correspondence, mostly relating to royalty payments to Addison, but also concerning his appearances as guest conductor with various orchestras. Also includes cue sheets, phonograph albums of some of Addison's music, and photographs and negatives.

ArchivalResource: 58 lin. ft. (34 boxes + 2 folders).

http://www.worldcat.org/oclc/80330841 View

MUSIC PUBLISHING: album of receipts, agreements and letters of musicians, chiefly relating to the firms John and Thomas Preston (John Preston & Son), and Coventry and Hollier; 1773-1863. Mostly receipts for copyright in musical compositions. The sign..., 1773-1863

Title: MUSIC PUBLISHING: album of receipts, agreements and letters of musicians, chiefly relating to the firms John and Thomas Preston (John Preston & Son), and Coventry and Hollier; 1773-1863. Mostly receipts for copyright in musical compositions. The sign... 1773-1863

ArchivalResource: 1 item

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=032-001997379&fn=search&vid=IAMS_VU2 View

John Addison papers, circa 1930-1990

Title: John Addison papers circa 1930-1990

ArchivalResource: 6 cartons, (6 linear ft.); 47 boxes, (23.5 linear ft.)

http://findingaid.lib.byu.edu/viewItem/MSS%202165 View

Stewart, Michael, 1929-1987. Michael Stewart scores, 1870-1984.

Title: Michael Stewart scores, 1870-1984.

The Michael Stewart scores consist of sheet music from both produced and unproduced Stewart shows from the 1940s through the 1980s. Among the original scores for Broadway shows represented in this collection are Cy Coleman's Barnum (1980) and I Love My Wife (1979), and Max Showalter's additional music for Harrigan 'n Hart (1985). The Michael Stewart scores also contain an extensive amount of material for shows which were presented in places other than New York, including John Addison's score for The Amazons (1971), Shelley Mowell's Solomon Grundy (1953), and Jule Styne's musical version of Treasure Island, Pieces of Eight (1985). Although he chose not to be credited on the production, Stewart also assisted in the 1984 Broadway revival of Rudolph Friml's The Three Musketeers and the collection includes the music for many Friml songs. There are also collections of late nineteenth and early twentieth century music, including numerous songs by the composers Harry Warren, George M. Cohan, and David Braham that were gathered as research for the projects, 42nd Street, George M! and Harrigan 'n Hart respectively. The scores are arranged alphabetically by show title and by song title within each show.

ArchivalResource: 15 linear feet (13 boxes)

http://www.worldcat.org/oclc/79418849 View

Cranko, John. Cranks, [1956] / written and devised by John Cranko ; music composed by John Addison.

Title: Cranks, [1956] / written and devised by John Cranko ; music composed by John Addison.

ArchivalResource: 1 v. (ca. 66 leaves) ; 28 cm.

http://www.worldcat.org/oclc/23861827 View

‘Original letters’: Patey – Pyne (ff. 256); 1819-1913, n.d.includes:ff. 1-3 Janet Patey, née Whytock; contralto: Stanley Lucas, Secretary, Philharmonic Society: John George Patey, singer: Letters to Stanley Lucas from John George Patey rel. to Jane..., 1819-1913

Title: ‘Original letters’: Patey – Pyne (ff. 256); 1819-1913, n.d.includes:ff. 1-3 Janet Patey, née Whytock; contralto: Stanley Lucas, Secretary, Philharmonic Society: John George Patey, singer: Letters to Stanley Lucas from John George Patey rel. to Jane... 1819-1913

ArchivalResource: 1 item

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001948327&fn=search&vid=IAMS_VU2 View

Michael Stewart Papers, 1948-1987

Title: Michael Stewart Papers 1948-1987

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, , opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on , , , , , , , and . Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. The papers are for the most part made up of drafts and scripts of Stewart's works (his major productions, as well as works that were not produced) They also include correspondence, programs, clippings, scrapbooks, appointment books, examples of Stewart's work for television and film projects, and his fiction writing. Bye Bye Birdie Carnival! Hello, Dolly! 42nd Street George M! Barnum I Love My Wife Mack and Mabel The Grand Tour

ArchivalResource:

http://archives.nypl.org/the/21317 View

Alan Fluck collection. Correspondence. Addison-Gardner, 1952-1989

Title: Alan Fluck collection. Correspondence. Addison-Gardner 1952-1989

ArchivalResource: folios

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001608622&fn=search&vid=IAMS_VU2 View

Powell, Edward B. Collection of motion picture music, 1935-1977.

Title: Collection of motion picture music, 1935-1977.

Collection consists of manuscript or ozalid copy sketches, full scores, or conductor's scores of motion picture music orchestrated by Powell and others. Includes music for the following films: The garden of evil (Bernard Herrmann), Viva Zapata (Alex North), A night with Pan (Joseph Achron), The song of Bernadette and Twelve o'clock high (Alfred Newman), The king and I (Richard Rodgers), It's a mad mad mad mad world (Ernest Gold), The torn curtain (John Addison), and Sylvia (David Raksin). Also music by John Green. Orchestrators, beside Powell, include Frank Comstock and Ray Heindorf.

ArchivalResource: 4 boxes.

http://www.worldcat.org/oclc/41353299 View

Michael Stewart scores, 1870-1984

Title: Michael Stewart scores 1870-1984

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, , opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on , , , , , , , and . Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. Bye Bye Birdie Carnival! Hello, Dolly! 42nd Street George M! Barnum I Love My Wife Mack and Mabel The Grand Tour

ArchivalResource: 15 linear feet; 13 boxes

http://archives.nypl.org/mus/20331 View

Little Orchestra Society concert recordings collection [sound recording], 1947-1957

Title: Little Orchestra Society concert recordings collection [sound recording] 1947-1957

The collection consists of concert recordings, made for Mr. Scherman, from late 1947 to late 1957.

ArchivalResource:

http://archives.nypl.org/rha/20440 View