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Information: The first column shows data points from Hamilton, George, IV, 1937-2014 in red. The third column shows data points from Hamilton, George, IV in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Hamilton, George, IV, 1937-2014
Shared
Hamilton, George, IV
Hamilton, George, IV, 1937-2014
Name Components
Surname :
Hamilton
Forename :
George
NameAddition :
IV
Date :
1937-2014
eng
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authorizedForm
rda
Dates
- Name Entry
- Hamilton, George, IV, 1937-2014
Citation
- Name Entry
- Hamilton, George, IV, 1937-2014
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Contributors from initial SNAC EAC-CPF ingest
Hamilton, IV, George Hege, 1937-2014
Name Components
Surname :
Hamilton, IV
Forename :
George Hege
Date :
1937-2014
eng
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alternativeForm
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Dates
- Name Entry
- Hamilton, IV, George Hege, 1937-2014
Citation
- Name Entry
- Hamilton, IV, George Hege, 1937-2014
Hamilton, George, IV
Name Components
Name :
Hamilton, George, IV
Dates
- Name Entry
- Hamilton, George, IV
Citation
- Name Entry
- Hamilton, George, IV
[
{
"contributor": "unc",
"form": "authorizedForm"
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Country music performer. Born July 19, 1937. Began career in the 1950s as a teen idol with the hit "A Rose and A Baby Ruth." Moved to country music in the early 1960s with several hits, including "Abilene" (1963). Known as the "International Ambassador of Country Music" for his extensive international travel and popularity.
Country musician and native North Carolinian George Hamilton IV was born on 19 July 1937. In 1956, while a student at the University of North Carolina, Hamilton recorded the song "A Rose and a Baby Ruth" for Colonial Records, a local label. From that recording, Hamilton went on make the transition to country music. He soon became a mainstay at the Grand Ole Opry and, through his work abroad, eventually became known as the International Ambassador of Country Music.
George Hamilton IV was born on 19 July 1937 in Winston-Salem, N.C. On 18 June 1956, while a student at the University of North Carolina in Chapel Hill, N.C., Hamilton recorded the song, A Rose and a Baby Ruth (written by John D. Loudermilk) for Orville Campbell's Colonial Records, also in Chapel Hill. From that recording, which became a hugely successful pop teen hit, Hamilton went on make the transition to country music; become a mainstay at the Grand Ole Opry; and, through his work abroad, become recognized as the International Ambassador of Country Music.
By the late 1950s, Hamilton had moved to Washington, D.C., and become a regular performer (with Patsy Cline, for a time) on Jimmy Dean's Town and Country Jamboree show. He had also toured with Bobby Darin, Chuck Berry, Buddy Holly, and the Everly Brothers, along with many other well-known pop stars, and made numerous national television appearances. Although A Rose and a Baby Ruth, acquired by ABC-Paramount Records, had become the label's first million-selling record, in January 1960, feeling miscast as a teen pop singer and following his love of country music, Hamilton and his young family moved to Nashville.
On 8 February 1960, Hamilton officially became a member of the Grand Ole Opry. Later that year, he began recording for RCA Records, having been signed by Chet Atkins. In 1963, John D. Loudermilk's Abilene became a number-one hit for Hamilton on the country charts and reached the top 20 in pop. His interest in Canadian songwriters became evident in the late 1960s when he recorded songs by Joni Mitchell, Leonard Cohen, Buffy Sainte-Marie, and Gordon Lightfoot. In 1969, his first record of all Canadian music was released. Hamilton's internationalism was also shown by a long-standing involvement with the annual International Festival of Country Music, held at Wembley (UK), which began that same year. An association with the BBC also developed as Hamilton hosted many programs--variety and documentary--that showcased country music. His performance at Moscow University in 1974 was the first for an American country music performer. Other first performances on this tour were in Hungary, Poland, and Czechoslovakia. Later that year, Billboard Magazine began to refer to Hamilton as the International Ambassador of Country Music.
In 1971, Hamilton left Nashville and the Grand Ole Opry for Charlotte, N.C., to join the broadcasts of Arthur Smith's country music televison show. He continued to work overseas while also maintaining a busy touring schedule in the United States. In the 1990s, he became involved with several musical theater and concert productions that featured the work of Patsy Cline, with Irish singer Sandy Kelly playing the title role.
Hamilton has continued to record country, folk, and gospel albums, including two with his son, George Hamilton V. In 2006, he celebrated his 50th year as a recording artist, which included a special reception hosted in London by the United States Ambassador to Britain.
eng
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- BiogHist
- BiogHist
https://viaf.org/viaf/51884290
https://viaf.org/viaf/51884290
https://viaf.org/viaf/51884290
Citation
- Same-As Relation
- https://viaf.org/viaf/51884290
https://www.worldcat.org/identities/lccn-n93085140
https://www.worldcat.org/identities/lccn-n93085140
https://www.worldcat.org/identities/lccn-n93085140
Citation
- Same-As Relation
- https://www.worldcat.org/identities/lccn-n93085140
https://id.loc.gov/authorities/n93085140
https://id.loc.gov/authorities/n93085140
https://id.loc.gov/authorities/n93085140
Citation
- Same-As Relation
- https://id.loc.gov/authorities/n93085140
https://www.wikidata.org/entity/Q1507495
https://www.wikidata.org/entity/Q1507495
https://www.wikidata.org/entity/Q1507495
Citation
- Same-As Relation
- https://www.wikidata.org/entity/Q1507495
Oral History. Country Music Foundation, Library & Media Center.
http://www.worldcat.org/oclc/58840924
eng
Latn
Citation
- Source
- http://www.worldcat.org/oclc/58840924
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/unc/30005.xml</filename> <ead_entity en_type="persname">Hamilton, George, IV</ead_entity> </container> </objectXMLWrap>
http://www2.lib.unc.edu/mss/inv/s/Southern_Folklife_Collection_Artist_Name_Files.html
Citation
- Source
- http://www2.lib.unc.edu/mss/inv/s/Southern_Folklife_Collection_Artist_Name_Files.html
George Hamilton IV Collection, 1956-2006
Title:
George Hamilton IV Collection, 1956-2006
Country musician and native North Carolinian George Hamilton IV was born on 19 July 1937. In 1956, while a student at the University of North Carolina, Hamilton recorded the song for Colonial Records, a local label. From that recording, Hamilton went on make the transition to country music. He soon became a mainstay at the Grand Ole Opry and, through his work abroad, eventually became known as the International Ambassador of Country Music. A Rose and a Baby Ruth The collection includes audiovisual materials, papers, posters, and photographs pertaining to the life and career of George Hamilton IV. Audio recordings consist of audiocassettes, open reel recordings, and transcription disc recordings of perfomances, interviews, radio shows, and an early recording session, all featuring Hamilton. Included are recordings of the BBC's ; ; ; a recording of Hamilton's first performance at the Grand Ole Opry; a 1956 recording session at Colonial Records; interviews for BBC Radio and Radio Scotland; and other recorded performances and interviews. Also in the collection is a demo tape of by John Hartford. Visual materials include films and videotapes of television shows and promotional spots from the United States, Great Britain, and Canada. Papers consist of newspaper clippings, press releases and other promotional materials, programs, correspondence, posters, and other materials pertaining to Hamilton's career. Photographs consist of both professional and candid photographs of George Hamilton IV, his family and friends, and associated musicians and music industry professionals, including David Allan, Chet Atkins, Jiri Brabec, Charles Chilton, Jim Clark, Patsy Cline, Mervyn Conn, Clarence Count, Country Express, Skeeter Davis, Pat Derry, Bruce Eller, Connie B. Gay, Walt Grealis, Rolf Harris, The Hillsiders, Frank Ifield, Gordon Lightfoot, John D. Loudermilk, Loretta Lynn, Miki & Griff, Jimmy Moore, Anne Murray, Olivia Newton-John, Jack Rodgers, Slim Whitman, Wally Whyton, and Paul Yandell. How the West Was Sung Country Crossroads The Ralph Emery Show Gentle on My Mind
ArchivalResource: 21 feet of linear shelf space (approximately 5600 items)
https://finding-aids.lib.unc.edu/20410/ View
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Citation
- Resource Relation
- George Hamilton IV Collection, 1956-2006
Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble;
Title:
Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble; 1985 Nov. 1.
George Hamilton IV describes the early development of his career in country music. Discussion includes his family history; his musical influences; memories of meeting early Grand Ole Opry performers; his early interest in country music; the impact of his high school years on his music; memories from his first visit to the Opry at the age of 12 where he met Chet Atkins.
ArchivalResource: 1 sound cassettes (51 minutes)
http://www.worldcat.org/oclc/58840924 View
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Citation
- Resource Relation
- Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble;
Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble;
Title:
Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble; 1985 Nov. 1.
George Hamilton IV describes the early development of his career in country music. Discussion includes his family history; his musical influences; memories of meeting early Grand Ole Opry performers; his early interest in country music; the impact of his high school years on his music; memories from his first visit to the Opry at the age of 12 where he met Chet Atkins.
ArchivalResource: 1 sound cassettes (51 minutes)
http://www.worldcat.org/oclc/58840924 View
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Citation
- Resource Relation
- Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1985 November 1; interview conducted by John W. Rumble;
John D. Loudermilk Collection, 1950-1991
Title:
John D. Loudermilk Collection, 1950-1991
John D. Loudermilk started his music career in his native North Carolina under the pseudonym Johnny Dee. After reassuming his birth name and moving to Nashville, Tenn., his commercial success as a songwriter for Acuff-Rose Publications earned him a spot in the Nashville Songwriters Association International's Hall of Fame. In addition to maintaining his songwriting career, Loudermilk also actively supported folk and country music through his participation in folk festivals, his involvement with the Southern Folk Cultural Revival Project, and his role as producer of a 1980 album by Chet Atkins and Doc Watson. The John D. Loudermilk collection includes papers, photographs, audio recordings, posters, and artifacts. Papers consist of sheet music, newspaper clippings and other memorabilia, correspondence, and other printed materials. Photographs include images of John D. Loudermilk alone or with others, as well as a few images related to album covers. Audio recordings include 45s, 78s, LPs, acetate discs, 8-track tapes, cassette tapes, CDs, and a reel-to-reel tape. These include recordings made by Roy Acuff Jr., Ernie Ashworth, Chet Atkins, Glen Campbell, Johnny Cash, the Everly Brothers, Marianne Faithfull, George Hamilton IV, Stonewall Jackson, Robert Mitchum, the Nashville Teens, Paul Revere & the Raiders, Sue Thompson, Johnny Tillotson, Tracey Ullman, Bobby Vee, Porter Wagoner, and others, as well as Loudermilk as himself or under the name Johnny Dee. Posters advertise performances or venues at which Loudermilk made appearances. Artifacts include t-shirts, buttons, and other items related to performances or venues at which Loudermilk appeared.
ArchivalResource: 7.0 feet of linear shelf space (approximately 2000 items)
https://finding-aids.lib.unc.edu/20418/ View
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Citation
- Resource Relation
- Loudermilk, John D. John D. Loudermilk collection, 1950-1991.
Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury;
Title:
Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury; 1991 June 27.
Country performer George Hamilton IV participates in an interview for the Country Music Foundation's research for the Patsy Cline Collection (MCA, 1991). Discussion includes his first impression of Patsy Cline; Patsy's performance style; experiences working with Patsy at different venues around Washington, D. C.; working with Jimmy Dean and Patsy Cline on different Connie B. Gay productions; Patsy's personality and style; the importance of Nashville and Owen Bradley to Patsy and her career; traveling with Patsy and Jimmy Dean in 1961; and Patsy's impact on country music.
ArchivalResource: 1 sound cassettes (53 minutes)
http://www.worldcat.org/oclc/58840925 View
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- Resource Relation
- Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury;
Hugh Morton Photographs and Films, late 1920s-2006, (bulk 1940s-1990s)
Title:
Hugh Morton Photographs and Films, late 1920s-2006 (bulk1940s-1990s)
Hugh MacRae Morton (1921-2006) was aprominent North Carolina businessman, political figure, tourism booster,conservationist, environmental activist, sports fan, and prolificimage-maker. The still images and motion pictures in the collectioncover Morton's career of eight decades, 1930s-2000s, and document his variedinvolvements as a photojournalist; a soldier in the Pacific Theater during World WarII; the owner and operator of the Grandfather Mountain tourist attraction inLinville, N.C.; a promoter of travel and tourism in North Carolina and the SmokyMountains region; a well-known figure in state government and friend of many NorthCarolina politicians, entertainers, and media; a student, booster, and frequentsports-event attendee of the University of North Carolina at Chapel Hill; and anardent admirer of nature.
ArchivalResource: 100.0 feet of linear shelf space (approximately 250,000 items)
https://finding-aids.lib.unc.edu/P0081/ View
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Citation
- Resource Relation
- Morton, Hugh M. Hugh Morton photographs and films: People and events, late 1920s-early 2000s (bulk 1940s-1990s) (Series 2).
Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury;
Title:
Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury; 1991 June 27.
Country performer George Hamilton IV participates in an interview for the Country Music Foundation's research for the Patsy Cline Collection (MCA, 1991). Discussion includes his first impression of Patsy Cline; Patsy's performance style; experiences working with Patsy at different venues around Washington, D. C.; working with Jimmy Dean and Patsy Cline on different Connie B. Gay productions; Patsy's personality and style; the importance of Nashville and Owen Bradley to Patsy and her career; traveling with Patsy and Jimmy Dean in 1961; and Patsy's impact on country music.
ArchivalResource: 1 sound cassettes (53 minutes)
http://www.worldcat.org/oclc/58840925 View
View in SNACreferencedIn
Citation
- Resource Relation
- Hamilton, George, 1937-;. Oral history interview with George Hamilton IV; 1991 June 27; Interview conducted by John W. Rumble and Paul Kingsbury;
Hugh Morton Photographs and Films, late 1920s-2006, (bulk 1940s-1990s)
Title:
Hugh Morton Photographs and Films, late 1920s-2006 (bulk1940s-1990s)
Hugh MacRae Morton (1921-2006) was aprominent North Carolina businessman, political figure, tourism booster,conservationist, environmental activist, sports fan, and prolificimage-maker. The still images and motion pictures in the collectioncover Morton's career of eight decades, 1930s-2000s, and document his variedinvolvements as a photojournalist; a soldier in the Pacific Theater during World WarII; the owner and operator of the Grandfather Mountain tourist attraction inLinville, N.C.; a promoter of travel and tourism in North Carolina and the SmokyMountains region; a well-known figure in state government and friend of many NorthCarolina politicians, entertainers, and media; a student, booster, and frequentsports-event attendee of the University of North Carolina at Chapel Hill; and anardent admirer of nature.
ArchivalResource: 100.0 feet of linear shelf space (approximately 250,000 items)
https://finding-aids.lib.unc.edu/P0081/ View
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Citation
- Resource Relation
- Hugh Morton Photographs and Films, , late 1920s-2006, (bulk 1940s-1990s)
George Hamilton, IV Collection
Title:
George Hamilton, IV Collection
This collection consists of materials collected by George Hamilton, IV and his son, George Hamilton, V documenting Hamilton, IV’s music career. The manuscript papers consist of handwritten notes and letters, contracts, newspaper clippings, articles photocopied from books, journals, newspapers, magazines, correspondence, photographs, posters, and programs.
ArchivalResource: 9 linear feet of textual manuscript materials
https://mtsu.edu/popmusic/findingaids/pdfaids/GeorgeHamiltonIV.pdf View
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Eugene Earle Collection, 1939-1980s
Title:
Eugene Earle Collection, 1939-1980s
Eugene Earle was born in Cleveland Heights, Ohio, in 1926. In addition to amassing a large collection of country and western, blues, and jazz sound recordings, he also became a discographer and a founder and president of the John Edwards Memorial Foundation (JEMF). Earle is also responsible for rediscovering and recording a number of country musicians, including Doc Watson, Jimmie Tarlton, and the Carolina Tarheels. The collection consists of recordings, films, images, and papers collected by Eugene Earle. The recordings consists of commercial and non-commercial transcription discs, audiocassettes, and open reel recordings documenting a wide array of radio programs and performers of blues, country music,jazz, old-time music, popular music, swing, and other types of music from 1939through the early 1980s. One series of the collection is government-sponsored Army V-Discs and Navy V-Discs from World War II. These discs were issued, October1943-May 1949, and feature material from a variety of sources, including special recording sessions, radio broadcasts, broadcast rehearsals, film soundtracks, and issued and un-issued commercial recordings. Along with the Armed Forces Radio Service, the V-Disc group was a morale-building unit that addressed the need for current music by the troops overseas. As V-Discs were produced exclusively for use by military personnel and the many artists who volunteered to perform on the recordings were adamant about the discs not being commercially sold or used, many of the V-Disc metal pressing parts were destroyed by the United States Army.Consequently, the V-Discs that survived document performances by artists unavailable on any other recordings. Other transcription discs are of the which aired on WSM radio in Nashville, Tenn.,1971-1974, and showcased some of the leading country music performers of the day;the ; and various government-sponsored radio shows, such as and Another series is comprised of open reel recordings, some documenting live performances of old time, country, and bluegrass musicians. They also include several private interviews with musicians. Other open reel recordings are dubbed copies of rare 78 rpm recordings, unreleased test recordings of early country and blues musicians, and transcription discs. There are also posters, audiocassettes, films, printed music,images, serials, papers relating to Earle's discographical and collecting activities, and promotional materials. Posters include full-sheet posters,half-sheet posters, and lobby cards for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Audiocassettes include commercial and non-commercial recordings of many early country, jazz, and Hawaiian musicians. Films consist of 16mm reels of early country and western artists and other topics. Printed music includes a number of song folios and sheet music, largely focused on Hawaiian and early country and western music,with a significant number of pre-1930 song sheets. Images consist of photographs,collectors' cards, and other images of country and western musicians and related subjects. Serials consist of journals and other publications pertaining to individual musicians, early radio stations, record collecting in general, fan clubs,and other topics. Papers relating to Earle's discographical and collecting activities include discographical research, tape logs, correspondence with record companies and other collectors, materials related to the John Edwards Memorial Foundation, record label catalogs, and extensive documentation of Earle's own vast record and research collection. Promotional materials include small flyers, picture cards, and other materials for commercial feature-length motion pictures featuring country and western recording stars from the 1930s to the 1960s. Performers significant in the collection appear as subject headings below. Ralph Emery Show, Lawrence Welk Show Country Roads, Navy Hoedown, Sounds of Solid Country, The Veterans Administration Presents Here's to Veterans, The United States Army Presents Country Express, The United States Air Force Presents Country Music Time, Country Cookin'.
ArchivalResource: 40.0 feet of linear shelf space (approximately 17,000 items)
https://finding-aids.lib.unc.edu/20376/ View
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- Resource Relation
- Earle, Eugene. Eugene Earle collection, 1939-1980s.
Southern Folklife Collection Artist Name File, 1940-2005
Title:
Southern Folklife Collection Artist Name File, 1940-2005
The materials in this collection were compiled from various sources by Southern Folklife Collection staff, with the goal of creating a reference resource to aid in research. Artist name files contain correspondence, booklets, obituaries, press releases, discographies, promotional materials, and other items relating to many of the artists whose work is relevant to the Southern Folklife Collection as a whole.
ArchivalResource: Items: About 3,200; Linear Feet: 21.0
https://finding-aids.lib.unc.edu/30005/ View
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- Resource Relation
- Southern Folklife Collection Artist Name File, 1940-2005
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- Constellation Relation
- Radio Frankfurt
Citation
- Constellation Relation
- Radio Leeds
Citation
- Constellation Relation
- Radio Northampton
Citation
- Constellation Relation
- Radio Scotland
Citation
- Constellation Relation
- Radio Stoke
Citation
- Constellation Relation
- Radio Tees
Citation
- Constellation Relation
- Radio Ulster
Citation
- Constellation Relation
- Radio WAMU
Citation
- Constellation Relation
- Ralston Purina
Citation
- Constellation Relation
- R.C.A.
Citation
- Constellation Relation
- Red Rose Radio
Citation
- Constellation Relation
- Rodgers, Jack.
Citation
- Constellation Relation
- Ronnie Milsap
Citation
- Constellation Relation
- Rothesay Academy
Citation
- Constellation Relation
- Roy Acuff
Citation
- Constellation Relation
- Roy Drusky
Citation
- Constellation Relation
- Ruby Rendall
Citation
- Constellation Relation
- Rumble, John W.;
Citation
- Constellation Relation
- Ruth Rendall
Citation
- Constellation Relation
- Skyline Baptist Church
Citation
- Constellation Relation
- Spencert Leigh
Citation
- Constellation Relation
- Stella Partin
Citation
- Constellation Relation
- Steven Kingsberrie
Citation
- Constellation Relation
- Stonewall Jackson
Citation
- Constellation Relation
- Stu Page
Citation
- Constellation Relation
- Sue Marshall
Citation
- Constellation Relation
- Susan McAnn
Citation
- Constellation Relation
- Susan Raye
Citation
- Constellation Relation
- Suzanne Prentice
Citation
- Constellation Relation
- Theatre Royal
Citation
- Constellation Relation
- TNN
Citation
- Constellation Relation
- Tom Gilmore
Citation
- Constellation Relation
- Tom Morton
Citation
- Constellation Relation
- TV 3
Citation
- Constellation Relation
- Val Doonican
Citation
- Constellation Relation
- Wally Whyton
Citation
- Constellation Relation
- Walt Mills
Citation
- Constellation Relation
- WBTC
Citation
- Constellation Relation
- Weldon Myrick
Citation
- Constellation Relation
- Wes Davis
Citation
- Constellation Relation
- Whitman, Slim, 1924-
Citation
- Constellation Relation
- Whyton, Wally.
Citation
- Constellation Relation
- William C. Friday
Citation
- Constellation Relation
- WLOC-TV
Citation
- Constellation Relation
- WPTF Radio
Citation
- Constellation Relation
- WSOC-TV
Citation
- Constellation Relation
- WTVI
Citation
- Constellation Relation
- WTVI 42
Citation
- Constellation Relation
- WUNC-TV
Citation
- Constellation Relation
- WXII
Citation
- Constellation Relation
- Yandell, Paul.
Citation
- Constellation Relation
- York Hospital Radio
Country music
Citation
- Subject
- Country music
Country music
Citation
- Subject
- Country music
Country musicians
Citation
- Subject
- Country musicians
Country musicians
Citation
- Subject
- Country musicians
Music festivals
Citation
- Subject
- Music festivals
Americans
Citation
- Nationality
- Americans
Singers
Citation
- Occupation
- Singers
Country musicians
Citation
- Occupation
- Country musicians
Citation
- Place
- England
England
Parsed from SNAC EAC-CPF.
Citation
- Place
Citation
- Place
- Canada
Canada
Parsed from SNAC EAC-CPF.
Citation
- Place
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
Citation
- Convention Declaration
- Convention Declaration 226